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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C719AB it is the complementary color #38E654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C719AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C719AB shade: #CC19A6, #DD2BB9, #EE3DCC, #FF4FDF and #FF61F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C719AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C719AB shade: #C719AB, #B60798, #A50085, #940072 and #83005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C719AB shade: #C819AC, #C8197C, #C8194D, #C8191E and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C719AB shade: #C819AC, #B519C8, #8519C8, #5619C8 and #2719C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C719AB shade matches the following richer shades: #C819AC and #DA07B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C719AB shade: #C819AC, #B62B9F, #A33D93, #914F87 and #7F617A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C719AB shade: #8519C8, #B319C8, #C819AD, #C8197F and #C81950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C719AB shade: #7E106C, #A3148C, #C819AC, #E426C5 and #E94ACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C719AB shade: #C719AB, #C85619 and #19C89C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C719AB shade: #C719AB, #ADC819 and #19ADC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C719AB shade: #C719AB, #C85619, #19C833 and #198AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C719AB shade: #C719AB, #C88A19, #19C833 and #1956C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

Complementary color

CMYK 76 / 0 / 63 / 10

HEX #38E654

RGB 56 230 84

HSL 129.66, 0.78%, 0.56%

LAB 80.78, -71.04, 57.23

 

CMYK 0 / 88 / 19 / 20

HEX #CC19A6

RGB 204 25 166

HSL 312.74, 0.78%, 0.45%

LAB 47.35, 75.27, -31

 

CMYK 0 / 81 / 16 / 13

HEX #DD2BB9

RGB 221 43 185

HSL 312.13, 0.72%, 0.52%

LAB 52.51, 77.63, -33.88

 

CMYK 0 / 74 / 14 / 7

HEX #EE3DCC

RGB 238 61 204

HSL 311.53, 0.84%, 0.59%

LAB 57.92, 79.09, -36.16

 

CMYK 0 / 69 / 13 / 0

HEX #FF4FDF

RGB 255 79 223

HSL 310.91, 1%, 0.65%

LAB 63.49, 79.89, -37.99

 

CMYK 0 / 62 / 5 / 0

HEX #FF61F2

RGB 255 97 242

HSL 304.94, 1%, 0.69%

LAB 66.69, 76.15, -43.56

 

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

CMYK 0 / 96 / 16 / 29

HEX #B60798

RGB 182 7 152

HSL 310.29, 0.93%, 0.37%

LAB 41.79, 71.42, -31.61

 

CMYK 0 / 100 / 19 / 35

HEX #A50085

RGB 165 0 133

HSL 311.64, 1%, 0.32%

LAB 37.29, 66.48, -27.27

 

CMYK 0 / 100 / 23 / 42

HEX #940072

RGB 148 0 114

HSL 313.78, 1%, 0.29%

LAB 32.94, 60.73, -22.39

 

CMYK 0 / 100 / 27 / 49

HEX #83005F

RGB 131 0 95

HSL 316.49, 1%, 0.26%

LAB 28.52, 54.89, -17.28

 

CMYK 0 / 88 / 14 / 22

HEX #C819AC

RGB 200 25 172

HSL 309.6, 0.78%, 0.44%

LAB 46.91, 75.25, -35.3

 

CMYK 0 / 88 / 38 / 22

HEX #C8197C

RGB 200 25 124

HSL 326.06, 0.78%, 0.44%

LAB 44.84, 69.66, -9.52

 

CMYK 0 / 88 / 62 / 22

HEX #C8194D

RGB 200 25 77

HSL 342.17, 0.78%, 0.44%

LAB 43.52, 65.95, 17.88

 

CMYK 0 / 88 / 85 / 22

HEX #C8191E

RGB 200 25 30

HSL 358.29, 0.78%, 0.44%

LAB 42.87, 64.05, 44.92

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 88 / 14 / 22

HEX #C819AC

RGB 200 25 172

HSL 309.6, 0.78%, 0.44%

LAB 46.91, 75.25, -35.3

 

CMYK 10 / 88 / 0 / 22

HEX #B519C8

RGB 181 25 200

HSL 293.49, 0.78%, 0.44%

LAB 45.21, 75.97, -54.62

 

CMYK 34 / 88 / 0 / 22

HEX #8519C8

RGB 133 25 200

HSL 277.03, 0.78%, 0.44%

LAB 37.58, 68.66, -67.36

 

CMYK 57 / 88 / 0 / 22

HEX #5619C8

RGB 86 25 200

HSL 260.91, 0.78%, 0.44%

LAB 31.45, 63.32, -77.66

 

CMYK 81 / 88 / 0 / 22

HEX #2719C8

RGB 39 25 200

HSL 244.8, 0.78%, 0.44%

LAB 27.56, 60.31, -84.22

 

CMYK 0 / 88 / 14 / 22

HEX #C819AC

RGB 200 25 172

HSL 309.6, 0.78%, 0.44%

LAB 46.91, 75.25, -35.3

 

CMYK 0 / 97 / 16 / 15

HEX #DA07B8

RGB 218 7 184

HSL 309.67, 0.94%, 0.44%

LAB 50.12, 82.19, -37.09

 

CMYK 0 / 88 / 14 / 22

HEX #C819AC

RGB 200 25 172

HSL 309.6, 0.78%, 0.44%

LAB 46.91, 75.25, -35.3

 

CMYK 0 / 76 / 13 / 29

HEX #B62B9F

RGB 182 43 159

HSL 309.93, 0.62%, 0.44%

LAB 44.48, 65.58, -31.6

 

CMYK 0 / 63 / 10 / 36

HEX #A33D93

RGB 163 61 147

HSL 309.41, 0.46%, 0.44%

LAB 43.11, 52.4, -26.76

 

CMYK 0 / 46 / 7 / 43

HEX #914F87

RGB 145 79 135

HSL 309.09, 0.29%, 0.44%

LAB 43.3, 35.95, -19.41

 

CMYK 0 / 24 / 4 / 50

HEX #7F617A

RGB 127 97 122

HSL 310, 0.13%, 0.44%

LAB 44.89, 16.67, -9.33

 

CMYK 34 / 88 / 0 / 22

HEX #8519C8

RGB 133 25 200

HSL 277.03, 0.78%, 0.44%

LAB 37.58, 68.66, -67.36

 

CMYK 11 / 88 / 0 / 22

HEX #B319C8

RGB 179 25 200

HSL 292.8, 0.78%, 0.44%

LAB 44.87, 75.64, -55.18

 

CMYK 0 / 88 / 14 / 22

HEX #C819AD

RGB 200 25 173

HSL 309.26, 0.78%, 0.44%

LAB 46.96, 75.39, -35.81

 

CMYK 0 / 88 / 37 / 22

HEX #C8197F

RGB 200 25 127

HSL 325.03, 0.78%, 0.44%

LAB 44.95, 69.96, -11.2

 

CMYK 0 / 88 / 60 / 22

HEX #C81950

RGB 200 25 80

HSL 341.14, 0.78%, 0.44%

LAB 43.59, 66.13, 16.08

 

CMYK 0 / 87 / 14 / 51

HEX #7E106C

RGB 126 16 108

HSL 309.82, 0.77%, 0.28%

LAB 29.13, 52.74, -24.83

 

CMYK 0 / 88 / 14 / 36

HEX #A3148C

RGB 163 20 140

HSL 309.65, 0.78%, 0.36%

LAB 38.16, 64.36, -30.24

 

CMYK 0 / 88 / 14 / 22

HEX #C819AC

RGB 200 25 172

HSL 309.6, 0.78%, 0.44%

LAB 46.91, 75.25, -35.3

 

CMYK 0 / 83 / 14 / 11

HEX #E426C5

RGB 228 38 197

HSL 309.79, 0.78%, 0.52%

LAB 53.93, 81.7, -38.51

 

CMYK 0 / 68 / 11 / 9

HEX #E94ACF

RGB 233 74 207

HSL 309.81, 0.78%, 0.6%

LAB 58.72, 74.2, -36.67

 

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

CMYK 0 / 57 / 88 / 22

HEX #C85619

RGB 200 86 25

HSL 20.91, 0.78%, 0.44%

LAB 50.69, 42.52, 53.6

 

CMYK 88 / 0 / 22 / 22

HEX #19C89C

RGB 25 200 156

HSL 164.91, 0.78%, 0.44%

LAB 72.17, -51.14, 10.59

 

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

CMYK 14 / 0 / 88 / 22

HEX #ADC819

RGB 173 200 25

HSL 69.26, 0.78%, 0.44%

LAB 76.23, -29, 73.16

 

CMYK 88 / 14 / 0 / 22

HEX #19ADC8

RGB 25 173 200

HSL 189.26, 0.78%, 0.44%

LAB 65.17, -26.26, -23.93

 

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

CMYK 0 / 57 / 88 / 22

HEX #C85619

RGB 200 86 25

HSL 20.91, 0.78%, 0.44%

LAB 50.69, 42.52, 53.6

 

CMYK 88 / 0 / 75 / 22

HEX #19C833

RGB 25 200 51

HSL 128.91, 0.78%, 0.44%

LAB 70.7, -68.34, 59.1

 

CMYK 88 / 31 / 0 / 22

HEX #198AC8

RGB 25 138 200

HSL 201.26, 0.78%, 0.44%

LAB 54.61, -7.38, -40.34

 

CMYK 0 / 87 / 14 / 22

HEX #C719AB

RGB 199 25 171

HSL 309.66, 0.78%, 0.44%

LAB 46.68, 74.92, -35.08

 

CMYK 0 / 31 / 88 / 22

HEX #C88A19

RGB 200 138 25

HSL 38.74, 0.78%, 0.44%

LAB 62.11, 15.05, 62.72

 

CMYK 88 / 0 / 75 / 22

HEX #19C833

RGB 25 200 51

HSL 128.91, 0.78%, 0.44%

LAB 70.7, -68.34, 59.1

 

CMYK 88 / 57 / 0 / 22

HEX #1956C8

RGB 25 86 200

HSL 219.09, 0.78%, 0.44%

LAB 39.63, 25.22, -64.34

 

Description

Color code: HEX #C719AB | qconv.com Color code: HEX #C719AB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 25 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 25 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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