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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71994 it is the complementary color #38E66B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71994 shade: #CC198F, #DD2BA2, #EE3DB5, #FF4FC8 and #FF61DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71994 shade: #C71994, #B60781, #A5006E, #94005B and #830048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71994 shade: #C81994, #C81965, #C81936 and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71994 shade: #C81994, #C819C4, #9D19C8, #6D19C8 and #3E19C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71994 shade matches the following richer shades: #C81994 and #DA079C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71994 shade: #C81994, #B62B8D, #A33D85, #914F7E and #7F6176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71994 shade: #9C19C8, #C819C5, #C81996, #C81967 and #C81939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71994 shade: #7E105E, #A31479, #C81994, #E426AC and #E94ABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71994 shade: #C71994, #C86D19 and #19C8B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71994 shade: #C71994, #96C819 and #1996C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71994 shade: #C71994, #C86D19, #19C84A and #1973C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71994 shade: #C71994, #C8A219, #19C84A and #193FC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

Complementary color

CMYK 76 / 0 / 53 / 10

HEX #38E66B

RGB 56 230 107

HSL 137.59, 0.78%, 0.56%

LAB 81.01, -68.23, 47.32

 

CMYK 0 / 88 / 30 / 20

HEX #CC198F

RGB 204 25 143

HSL 320.45, 0.78%, 0.45%

LAB 46.33, 72.54, -18.78

 

CMYK 0 / 81 / 27 / 13

HEX #DD2BA2

RGB 221 43 162

HSL 319.89, 0.72%, 0.52%

LAB 51.51, 74.78, -21.94

 

CMYK 0 / 74 / 24 / 7

HEX #EE3DB5

RGB 238 61 181

HSL 319.32, 0.84%, 0.59%

LAB 56.93, 76.12, -24.47

 

CMYK 0 / 69 / 22 / 0

HEX #FF4FC8

RGB 255 79 200

HSL 318.75, 1%, 0.65%

LAB 62.53, 76.82, -26.51

 

CMYK 0 / 62 / 14 / 0

HEX #FF61DB

RGB 255 97 219

HSL 313.67, 1%, 0.69%

LAB 65.69, 72.72, -32.33

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 0 / 96 / 29 / 29

HEX #B60781

RGB 182 7 129

HSL 318.17, 0.93%, 0.37%

LAB 40.71, 68.64, -19.22

 

CMYK 0 / 100 / 33 / 35

HEX #A5006E

RGB 165 0 110

HSL 320, 1%, 0.32%

LAB 36.22, 63.78, -14.49

 

CMYK 0 / 100 / 39 / 42

HEX #94005B

RGB 148 0 91

HSL 323.11, 1%, 0.29%

LAB 31.92, 58.13, -9.13

 

CMYK 0 / 100 / 45 / 49

HEX #830048

RGB 131 0 72

HSL 327.02, 1%, 0.26%

LAB 27.55, 52.41, -3.46

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 88 / 50 / 22

HEX #C81965

RGB 200 25 101

HSL 333.94, 0.78%, 0.44%

LAB 44.11, 67.61, 3.66

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 88 / 2 / 22

HEX #C819C4

RGB 200 25 196

HSL 301.37, 0.78%, 0.44%

LAB 48.21, 78.62, -47.31

 

CMYK 22 / 88 / 0 / 22

HEX #9D19C8

RGB 157 25 200

HSL 285.26, 0.78%, 0.44%

LAB 41.27, 72.13, -61.18

 

CMYK 46 / 88 / 0 / 22

HEX #6D19C8

RGB 109 25 200

HSL 268.8, 0.78%, 0.44%

LAB 34.22, 65.67, -72.99

 

CMYK 69 / 88 / 0 / 22

HEX #3E19C8

RGB 62 25 200

HSL 252.69, 0.78%, 0.44%

LAB 29.13, 61.48, -81.57

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 97 / 28 / 15

HEX #DA079C

RGB 218 7 156

HSL 317.63, 0.94%, 0.44%

LAB 48.83, 78.9, -22.53

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 76 / 23 / 29

HEX #B62B8D

RGB 182 43 141

HSL 317.7, 0.62%, 0.44%

LAB 43.65, 63.1, -22.04

 

CMYK 0 / 63 / 18 / 36

HEX #A33D85

RGB 163 61 133

HSL 317.65, 0.46%, 0.44%

LAB 42.49, 50.2, -19.23

 

CMYK 0 / 46 / 13 / 43

HEX #914F7E

RGB 145 79 126

HSL 317.27, 0.29%, 0.44%

LAB 42.94, 34.34, -14.5

 

CMYK 0 / 24 / 7 / 50

HEX #7F6176

RGB 127 97 118

HSL 318, 0.13%, 0.44%

LAB 44.76, 15.89, -7.11

 

CMYK 22 / 88 / 0 / 22

HEX #9C19C8

RGB 156 25 200

HSL 284.91, 0.78%, 0.44%

LAB 41.11, 71.97, -61.45

 

CMYK 0 / 88 / 1 / 22

HEX #C819C5

RGB 200 25 197

HSL 301.03, 0.78%, 0.44%

LAB 48.27, 78.77, -47.8

 

CMYK 0 / 88 / 25 / 22

HEX #C81996

RGB 200 25 150

HSL 317.14, 0.78%, 0.44%

LAB 45.88, 72.48, -23.78

 

CMYK 0 / 88 / 49 / 22

HEX #C81967

RGB 200 25 103

HSL 333.26, 0.78%, 0.44%

LAB 44.17, 67.78, 2.5

 

CMYK 0 / 88 / 72 / 22

HEX #C81939

RGB 200 25 57

HSL 349.03, 0.78%, 0.44%

LAB 43.17, 64.92, 29.83

 

CMYK 0 / 87 / 25 / 51

HEX #7E105E

RGB 126 16 94

HSL 317.45, 0.77%, 0.28%

LAB 28.42, 50.79, -16.86

 

CMYK 0 / 88 / 26 / 36

HEX #A31479

RGB 163 20 121

HSL 317.62, 0.78%, 0.36%

LAB 37.24, 61.88, -19.9

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 83 / 25 / 11

HEX #E426AC

RGB 228 38 172

HSL 317.68, 0.78%, 0.52%

LAB 52.79, 78.59, -25.74

 

CMYK 0 / 68 / 20 / 9

HEX #E94ABA

RGB 233 74 186

HSL 317.74, 0.78%, 0.6%

LAB 57.81, 71.29, -26.06

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 0 / 46 / 88 / 22

HEX #C86D19

RGB 200 109 25

HSL 28.8, 0.78%, 0.44%

LAB 55.37, 30.78, 57.34

 

CMYK 88 / 0 / 11 / 22

HEX #19C8B3

RGB 25 200 179

HSL 172.8, 0.78%, 0.44%

LAB 72.74, -45.15, -1.04

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 25 / 0 / 88 / 22

HEX #96C819

RGB 150 200 25

HSL 77.14, 0.78%, 0.44%

LAB 74.74, -38.25, 71.31

 

CMYK 88 / 25 / 0 / 22

HEX #1996C8

RGB 25 150 200

HSL 197.14, 0.78%, 0.44%

LAB 58.22, -14.15, -34.68

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 0 / 46 / 88 / 22

HEX #C86D19

RGB 200 109 25

HSL 28.8, 0.78%, 0.44%

LAB 55.37, 30.78, 57.34

 

CMYK 88 / 0 / 63 / 22

HEX #19C84A

RGB 25 200 74

HSL 136.8, 0.78%, 0.44%

LAB 70.88, -66.13, 50.28

 

CMYK 88 / 43 / 0 / 22

HEX #1973C8

RGB 25 115 200

HSL 209.14, 0.78%, 0.44%

LAB 47.8, 6.47, -51.15

 

CMYK 0 / 87 / 26 / 22

HEX #C71994

RGB 199 25 148

HSL 317.59, 0.78%, 0.44%

LAB 45.6, 72.04, -23.01

 

CMYK 0 / 19 / 88 / 22

HEX #C8A219

RGB 200 162 25

HSL 46.97, 0.78%, 0.44%

LAB 68.16, 2.04, 67.56

 

CMYK 88 / 0 / 63 / 22

HEX #19C84A

RGB 25 200 74

HSL 136.8, 0.78%, 0.44%

LAB 70.88, -66.13, 50.28

 

CMYK 88 / 69 / 0 / 22

HEX #193FC8

RGB 25 63 200

HSL 226.97, 0.78%, 0.44%

LAB 33.84, 40.14, -73.84

 

Description

Color code: HEX #C71994 | qconv.com Color code: HEX #C71994 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 25 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 25 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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