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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71587 it is the complementary color #38EA78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71587 shade: #CC1582, #DD2795, #EE39A8, #FF4BBB and #FF5DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71587 shade: #C71587, #B60374, #A50061, #94004E and #83003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71587 shade: #C61587, #C61557, #C61527 and #C61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71587 shade: #C61587, #C615B7, #A715C6, #7715C6 and #4715C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71587 shade matches the following richer shades: #C61587 and #D8038C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71587 shade: #C61587, #B52782, #A3387D, #914A78 and #805C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71587 shade: #A615C6, #C615B8, #C61588, #C61559 and #C6152A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71587 shade: #7C0D54, #A1116D, #C61587, #E71D9F and #EB43AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71587 shade: #C71587, #C67715 and #15C6BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71587 shade: #C71587, #88C615 and #1588C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71587 shade: #C71587, #C67715, #15C653 and #1565C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71587 shade: #C71587, #C6AC15, #15C653 and #152FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

Complementary color

CMYK 76 / 0 / 49 / 8

HEX #38EA78

RGB 56 234 120

HSL 141.57, 0.81%, 0.57%

LAB 82.4, -67.67, 42.88

 

CMYK 0 / 90 / 36 / 20

HEX #CC1582

RGB 204 21 130

HSL 324.26, 0.81%, 0.44%

LAB 45.61, 71.8, -11.96

 

CMYK 0 / 82 / 33 / 13

HEX #DD2795

RGB 221 39 149

HSL 323.74, 0.73%, 0.51%

LAB 50.68, 74.25, -15.47

 

CMYK 0 / 76 / 29 / 7

HEX #EE39A8

RGB 238 57 168

HSL 323.2, 0.84%, 0.58%

LAB 56.02, 75.75, -18.3

 

CMYK 0 / 71 / 27 / 0

HEX #FF4BBB

RGB 255 75 187

HSL 322.67, 1%, 0.65%

LAB 61.55, 76.56, -20.59

 

CMYK 0 / 64 / 19 / 0

HEX #FF5DCE

RGB 255 93 206

HSL 318.15, 1%, 0.68%

LAB 64.6, 72.49, -26.72

 

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

CMYK 0 / 98 / 36 / 29

HEX #B60374

RGB 182 3 116

HSL 322.12, 0.97%, 0.36%

LAB 40.03, 67.67, -12.16

 

CMYK 0 / 100 / 41 / 35

HEX #A50061

RGB 165 0 97

HSL 324.73, 1%, 0.32%

LAB 35.72, 62.47, -6.96

 

CMYK 0 / 100 / 47 / 42

HEX #94004E

RGB 148 0 78

HSL 328.38, 1%, 0.29%

LAB 31.45, 56.9, -1.29

 

CMYK 0 / 100 / 55 / 49

HEX #83003B

RGB 131 0 59

HSL 332.98, 1%, 0.26%

LAB 27.13, 51.3, 4.74

 

CMYK 0 / 89 / 32 / 22

HEX #C61587

RGB 198 21 135

HSL 321.36, 0.81%, 0.43%

LAB 44.65, 71, -16.6

 

CMYK 0 / 89 / 56 / 22

HEX #C61557

RGB 198 21 87

HSL 337.63, 0.81%, 0.43%

LAB 43.11, 66.76, 10.96

 

CMYK 0 / 89 / 80 / 22

HEX #C61527

RGB 198 21 39

HSL 353.9, 0.81%, 0.43%

LAB 42.29, 64.44, 39.38

 

CMYK 0 / 89 / 89 / 22

HEX #C61515

RGB 198 21 21

HSL 0, 0.81%, 0.43%

LAB 42.15, 64.03, 48.45

 

CMYK 0 / 89 / 32 / 22

HEX #C61587

RGB 198 21 135

HSL 321.36, 0.81%, 0.43%

LAB 44.65, 71, -16.6

 

CMYK 0 / 89 / 8 / 22

HEX #C615B7

RGB 198 21 183

HSL 305.08, 0.81%, 0.43%

LAB 46.92, 76.99, -41.79

 

CMYK 16 / 89 / 0 / 22

HEX #A715C6

RGB 167 21 198

HSL 289.49, 0.81%, 0.43%

LAB 42.5, 74.05, -57.94

 

CMYK 40 / 89 / 0 / 22

HEX #7715C6

RGB 119 21 198

HSL 273.22, 0.81%, 0.43%

LAB 35.07, 67.35, -70.37

 

CMYK 64 / 89 / 0 / 22

HEX #4715C6

RGB 71 21 198

HSL 256.95, 0.81%, 0.43%

LAB 29.29, 62.78, -80.11

 

CMYK 0 / 89 / 32 / 22

HEX #C61587

RGB 198 21 135

HSL 321.36, 0.81%, 0.43%

LAB 44.65, 71, -16.6

 

CMYK 0 / 99 / 35 / 15

HEX #D8038C

RGB 216 3 140

HSL 321.41, 0.97%, 0.43%

LAB 47.7, 77.16, -14.67

 

CMYK 0 / 89 / 32 / 22

HEX #C61587

RGB 198 21 135

HSL 321.36, 0.81%, 0.43%

LAB 44.65, 71, -16.6

 

CMYK 0 / 78 / 28 / 29

HEX #B52782

RGB 181 39 130

HSL 321.55, 0.65%, 0.43%

LAB 42.59, 62.65, -16.96

 

CMYK 0 / 66 / 23 / 36

HEX #A3387D

RGB 163 56 125

HSL 321.31, 0.49%, 0.43%

LAB 41.37, 51.21, -16.04

 

CMYK 0 / 49 / 17 / 43

HEX #914A78

RGB 145 74 120

HSL 321.13, 0.32%, 0.43%

LAB 41.65, 36.05, -12.79

 

CMYK 0 / 28 / 10 / 50

HEX #805C73

RGB 128 92 115

HSL 321.67, 0.16%, 0.43%

LAB 43.48, 18.68, -7.19

 

CMYK 16 / 89 / 0 / 22

HEX #A615C6

RGB 166 21 198

HSL 289.15, 0.81%, 0.43%

LAB 42.34, 73.89, -58.21

 

CMYK 0 / 89 / 7 / 22

HEX #C615B8

RGB 198 21 184

HSL 304.75, 0.81%, 0.43%

LAB 46.98, 77.13, -42.29

 

CMYK 0 / 89 / 31 / 22

HEX #C61588

RGB 198 21 136

HSL 321.02, 0.81%, 0.43%

LAB 44.69, 71.11, -17.15

 

CMYK 0 / 89 / 55 / 22

HEX #C61559

RGB 198 21 89

HSL 336.95, 0.81%, 0.43%

LAB 43.16, 66.9, 9.77

 

CMYK 0 / 89 / 79 / 22

HEX #C6152A

RGB 198 21 42

HSL 352.88, 0.81%, 0.43%

LAB 42.32, 64.53, 37.7

 

CMYK 0 / 90 / 32 / 51

HEX #7C0D54

RGB 124 13 84

HSL 321.62, 0.81%, 0.27%

LAB 27.33, 49.7, -11.97

 

CMYK 0 / 89 / 32 / 37

HEX #A1116D

RGB 161 17 109

HSL 321.67, 0.81%, 0.35%

LAB 36.14, 60.56, -14.06

 

CMYK 0 / 89 / 32 / 22

HEX #C61587

RGB 198 21 135

HSL 321.36, 0.81%, 0.43%

LAB 44.65, 71, -16.6

 

CMYK 0 / 87 / 31 / 9

HEX #E71D9F

RGB 231 29 159

HSL 321.39, 0.81%, 0.51%

LAB 52.25, 79.41, -18.86

 

CMYK 0 / 71 / 26 / 8

HEX #EB43AF

RGB 235 67 175

HSL 321.43, 0.81%, 0.59%

LAB 56.85, 72.79, -21.15

 

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

CMYK 0 / 40 / 89 / 22

HEX #C67715

RGB 198 119 21

HSL 33.22, 0.81%, 0.43%

LAB 57.32, 24.47, 59.92

 

CMYK 89 / 0 / 4 / 22

HEX #15C6BE

RGB 21 198 190

HSL 177.29, 0.81%, 0.43%

LAB 72.41, -41.39, -7.52

 

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

CMYK 31 / 0 / 89 / 22

HEX #88C615

RGB 136 198 21

HSL 81.02, 0.81%, 0.43%

LAB 73.34, -42.82, 70.54

 

CMYK 89 / 31 / 0 / 22

HEX #1588C6

RGB 21 136 198

HSL 201.02, 0.81%, 0.43%

LAB 53.86, -7.21, -40.38

 

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

CMYK 0 / 40 / 89 / 22

HEX #C67715

RGB 198 119 21

HSL 33.22, 0.81%, 0.43%

LAB 57.32, 24.47, 59.92

 

CMYK 89 / 0 / 58 / 22

HEX #15C653

RGB 21 198 83

HSL 141.02, 0.81%, 0.43%

LAB 70.3, -64.67, 45.57

 

CMYK 89 / 49 / 0 / 22

HEX #1565C6

RGB 21 101 198

HSL 212.88, 0.81%, 0.43%

LAB 43.57, 14.36, -56.8

 

CMYK 0 / 89 / 32 / 22

HEX #C71587

RGB 199 21 135

HSL 321.57, 0.81%, 0.43%

LAB 44.84, 71.22, -16.28

 

CMYK 0 / 13 / 89 / 22

HEX #C6AC15

RGB 198 172 21

HSL 51.19, 0.81%, 0.43%

LAB 70.57, -4.23, 70.22

 

CMYK 89 / 0 / 58 / 22

HEX #15C653

RGB 21 198 83

HSL 141.02, 0.81%, 0.43%

LAB 70.3, -64.67, 45.57

 

CMYK 89 / 76 / 0 / 22

HEX #152FC6

RGB 21 47 198

HSL 231.19, 0.81%, 0.43%

LAB 30.08, 48.8, -78.89

 

Description

Color code: HEX #C71587 | qconv.com Color code: HEX #C71587 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 21 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 21 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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