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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71483 it is the complementary color #38EB7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71483. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71483 shade: #CC147E, #DD2691, #EE38A4, #FF4AB7 and #FF5CCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71483. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71483 shade: #C71483, #B60270, #A5005D, #94004A and #830037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71483 shade: #C81483, #C81453, #C81422 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71483 shade: #C81483, #C814B4, #AB14C8, #7A14C8 and #4A14C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71483 shade matches the following richer shades: #C81483 and #D90288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71483 shade: #C81483, #B6257F, #A4377B, #924976 and #815B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71483 shade: #AA14C8, #C814B6, #C81486, #C81456 and #C81426

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71483 shade: #7C0C52, #A2106B, #C81483, #E91C9B and #EC42AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71483 shade: #C71483, #C87A14 and #14C8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71483 shade: #C71483, #86C814 and #1486C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71483 shade: #C71483, #C87A14, #14C856 and #1462C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71483 shade: #C71483, #C8B014, #14C856 and #142CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

Complementary color

CMYK 76 / 0 / 47 / 8

HEX #38EB7C

RGB 56 235 124

HSL 142.79, 0.82%, 0.57%

LAB 82.76, -67.39, 41.39

 

CMYK 0 / 90 / 38 / 20

HEX #CC147E

RGB 204 20 126

HSL 325.43, 0.82%, 0.44%

LAB 45.42, 71.55, -9.8

 

CMYK 0 / 83 / 34 / 13

HEX #DD2691

RGB 221 38 145

HSL 324.92, 0.73%, 0.51%

LAB 50.46, 74.05, -13.42

 

CMYK 0 / 76 / 31 / 7

HEX #EE38A4

RGB 238 56 164

HSL 324.4, 0.84%, 0.58%

LAB 55.77, 75.59, -16.33

 

CMYK 0 / 71 / 28 / 0

HEX #FF4AB7

RGB 255 74 183

HSL 323.87, 1%, 0.65%

LAB 61.29, 76.42, -18.7

 

CMYK 0 / 64 / 21 / 0

HEX #FF5CCA

RGB 255 92 202

HSL 319.51, 1%, 0.68%

LAB 64.31, 72.34, -24.91

 

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

CMYK 0 / 99 / 38 / 29

HEX #B60270

RGB 182 2 112

HSL 323.33, 0.98%, 0.36%

LAB 39.85, 67.38, -9.93

 

CMYK 0 / 100 / 44 / 35

HEX #A5005D

RGB 165 0 93

HSL 326.18, 1%, 0.32%

LAB 35.58, 62.1, -4.59

 

CMYK 0 / 100 / 50 / 42

HEX #94004A

RGB 148 0 74

HSL 330, 1%, 0.29%

LAB 31.32, 56.56, 1.17

 

CMYK 0 / 100 / 58 / 49

HEX #830037

RGB 131 0 55

HSL 334.81, 1%, 0.26%

LAB 27.02, 51, 7.31

 

CMYK 0 / 90 / 35 / 22

HEX #C81483

RGB 200 20 131

HSL 323, 0.82%, 0.43%

LAB 44.83, 71.16, -13.84

 

CMYK 0 / 90 / 59 / 22

HEX #C81453

RGB 200 20 83

HSL 339, 0.82%, 0.43%

LAB 43.37, 67.14, 13.9

 

CMYK 0 / 90 / 83 / 22

HEX #C81422

RGB 200 20 34

HSL 355.33, 0.82%, 0.43%

LAB 42.6, 64.99, 42.59

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 0 / 90 / 35 / 22

HEX #C81483

RGB 200 20 131

HSL 323, 0.82%, 0.43%

LAB 44.83, 71.16, -13.84

 

CMYK 0 / 90 / 10 / 22

HEX #C814B4

RGB 200 20 180

HSL 306.67, 0.82%, 0.43%

LAB 47.07, 77.08, -39.76

 

CMYK 15 / 90 / 0 / 22

HEX #AB14C8

RGB 171 20 200

HSL 290.33, 0.82%, 0.43%

LAB 43.25, 75.18, -57.86

 

CMYK 39 / 90 / 0 / 22

HEX #7A14C8

RGB 122 20 200

HSL 274, 0.82%, 0.43%

LAB 35.61, 68.35, -70.64

 

CMYK 63 / 90 / 0 / 22

HEX #4A14C8

RGB 74 20 200

HSL 258, 0.82%, 0.43%

LAB 29.73, 63.77, -80.55

 

CMYK 0 / 90 / 35 / 22

HEX #C81483

RGB 200 20 131

HSL 323, 0.82%, 0.43%

LAB 44.83, 71.16, -13.84

 

CMYK 0 / 99 / 37 / 15

HEX #D90288

RGB 217 2 136

HSL 322.6, 0.98%, 0.43%

LAB 47.72, 77.07, -12.2

 

CMYK 0 / 90 / 35 / 22

HEX #C81483

RGB 200 20 131

HSL 323, 0.82%, 0.43%

LAB 44.83, 71.16, -13.84

 

CMYK 0 / 80 / 30 / 29

HEX #B6257F

RGB 182 37 127

HSL 322.76, 0.66%, 0.43%

LAB 42.46, 63.09, -15.3

 

CMYK 0 / 66 / 25 / 36

HEX #A4377B

RGB 164 55 123

HSL 322.57, 0.5%, 0.43%

LAB 41.3, 51.64, -14.89

 

CMYK 0 / 50 / 19 / 43

HEX #924976

RGB 146 73 118

HSL 323.01, 0.33%, 0.43%

LAB 41.51, 36.61, -11.76

 

CMYK 0 / 29 / 12 / 49

HEX #815B72

RGB 129 91 114

HSL 323.68, 0.17%, 0.43%

LAB 43.31, 19.47, -6.83

 

CMYK 15 / 90 / 0 / 22

HEX #AA14C8

RGB 170 20 200

HSL 290, 0.82%, 0.43%

LAB 43.09, 75.02, -58.13

 

CMYK 0 / 90 / 9 / 22

HEX #C814B6

RGB 200 20 182

HSL 306, 0.82%, 0.43%

LAB 47.18, 77.36, -40.77

 

CMYK 0 / 90 / 33 / 22

HEX #C81486

RGB 200 20 134

HSL 322, 0.82%, 0.43%

LAB 44.94, 71.48, -15.5

 

CMYK 0 / 90 / 57 / 22

HEX #C81456

RGB 200 20 86

HSL 338, 0.82%, 0.43%

LAB 43.44, 67.34, 12.11

 

CMYK 0 / 90 / 81 / 22

HEX #C81426

RGB 200 20 38

HSL 354, 0.82%, 0.43%

LAB 42.64, 65.09, 40.43

 

CMYK 0 / 90 / 34 / 51

HEX #7C0C52

RGB 124 12 82

HSL 322.5, 0.82%, 0.27%

LAB 27.18, 49.67, -10.87

 

CMYK 0 / 90 / 34 / 36

HEX #A2106B

RGB 162 16 107

HSL 322.6, 0.82%, 0.35%

LAB 36.2, 60.73, -12.68

 

CMYK 0 / 90 / 35 / 22

HEX #C81483

RGB 200 20 131

HSL 323, 0.82%, 0.43%

LAB 44.83, 71.16, -13.84

 

CMYK 0 / 88 / 33 / 9

HEX #E91C9B

RGB 233 28 155

HSL 322.83, 0.82%, 0.51%

LAB 52.42, 79.58, -16.19

 

CMYK 0 / 72 / 28 / 7

HEX #EC42AB

RGB 236 66 171

HSL 322.94, 0.82%, 0.59%

LAB 56.75, 72.88, -18.96

 

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

CMYK 0 / 39 / 90 / 22

HEX #C87A14

RGB 200 122 20

HSL 34, 0.82%, 0.43%

LAB 58.27, 23.68, 61.02

 

CMYK 90 / 0 / 3 / 22

HEX #14C8C2

RGB 20 200 194

HSL 178, 0.82%, 0.43%

LAB 73.12, -41.17, -8.63

 

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

CMYK 33 / 0 / 90 / 22

HEX #86C814

RGB 134 200 20

HSL 82, 0.82%, 0.43%

LAB 73.82, -44.43, 71.06

 

CMYK 90 / 33 / 0 / 22

HEX #1486C8

RGB 20 134 200

HSL 202, 0.82%, 0.43%

LAB 53.35, -5.35, -42.33

 

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

CMYK 0 / 39 / 90 / 22

HEX #C87A14

RGB 200 122 20

HSL 34, 0.82%, 0.43%

LAB 58.27, 23.68, 61.02

 

CMYK 90 / 0 / 57 / 22

HEX #14C856

RGB 20 200 86

HSL 142, 0.82%, 0.43%

LAB 70.96, -64.96, 44.96

 

CMYK 90 / 51 / 0 / 22

HEX #1462C8

RGB 20 98 200

HSL 214, 0.82%, 0.43%

LAB 42.84, 17.05, -59.13

 

CMYK 0 / 90 / 34 / 22

HEX #C71483

RGB 199 20 131

HSL 322.79, 0.82%, 0.43%

LAB 44.63, 70.95, -14.15

 

CMYK 0 / 12 / 90 / 22

HEX #C8B014

RGB 200 176 20

HSL 52, 0.82%, 0.43%

LAB 71.81, -5.47, 71.45

 

CMYK 90 / 0 / 57 / 22

HEX #14C856

RGB 20 200 86

HSL 142, 0.82%, 0.43%

LAB 70.96, -64.96, 44.96

 

CMYK 90 / 78 / 0 / 22

HEX #142CC8

RGB 20 44 200

HSL 232, 0.82%, 0.43%

LAB 29.71, 51.08, -80.67

 

Description

Color code: HEX #C71483 | qconv.com Color code: HEX #C71483 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 20 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 20 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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