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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C71226 it is the complementary color #38EDD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C71226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C71226 shade: #CC1221, #DD2434, #EE3647, #FF485A and #FF5A6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C71226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C71226 shade: #C71226, #B60013, #A50000, #940000 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C71226 shade: #C91327 and #C91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C71226 shade: #C91327, #C91358, #C91389, #C913BA and #A613C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C71226 shade matches the following richer shades: #C91327 and #DA0119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C71226 shade: #C91327, #B72435, #A53642, #934850 and #825A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C71226 shade: #C91389, #C91358, #C91328, #C92E13 and #C95E13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C71226 shade: #7D0C18, #A30F1F, #C91327, #EA1B32 and #ED4154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C71226 shade: #C71226, #B9C913 and #1371C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C71226 shade: #C71226, #28C913 and #1328C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C71226 shade: #C71226, #B9C913, #13C9B3 and #2213C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C71226 shade: #C71226, #83C913, #13C9B3 and #5813C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

Complementary color

CMYK 76 / 0 / 8 / 7

HEX #38EDD9

RGB 56 237 217

HSL 173.37, 0.83%, 0.57%

LAB 85.21, -48.18, -3.01

 

CMYK 0 / 91 / 84 / 20

HEX #CC1221

RGB 204 18 33

HSL 355.16, 0.84%, 0.44%

LAB 43.33, 66.29, 44.09

 

CMYK 0 / 84 / 76 / 13

HEX #DD2434

RGB 221 36 52

HSL 354.81, 0.73%, 0.5%

LAB 48.11, 68.09, 39.54

 

CMYK 0 / 77 / 70 / 7

HEX #EE3647

RGB 238 54 71

HSL 354.46, 0.84%, 0.57%

LAB 53.24, 68.96, 35.34

 

CMYK 0 / 72 / 65 / 0

HEX #FF485A

RGB 255 72 90

HSL 354.1, 1%, 0.64%

LAB 58.63, 69.16, 31.68

 

CMYK 0 / 65 / 57 / 0

HEX #FF5A6D

RGB 255 90 109

HSL 353.09, 1%, 0.68%

LAB 61.37, 63.71, 24.28

 

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

CMYK 0 / 100 / 90 / 29

HEX #B60013

RGB 182 0 19

HSL 353.74, 1%, 0.36%

LAB 37.83, 62.42, 44.63

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

HEX #830000

CMYK 0 / 91 / 81 / 21

HEX #C91327

RGB 201 19 39

HSL 353.41, 0.83%, 0.43%

LAB 42.81, 65.53, 40.1

 

CMYK 0 / 91 / 91 / 21

HEX #C91313

RGB 201 19 19

HSL 0, 0.83%, 0.43%

LAB 42.66, 65.1, 49.96

 

CMYK 0 / 91 / 81 / 21

HEX #C91327

RGB 201 19 39

HSL 353.41, 0.83%, 0.43%

LAB 42.81, 65.53, 40.1

 

CMYK 0 / 91 / 56 / 21

HEX #C91358

RGB 201 19 88

HSL 337.25, 0.83%, 0.43%

LAB 43.64, 67.86, 11.16

 

CMYK 0 / 91 / 32 / 21

HEX #C91389

RGB 201 19 137

HSL 321.1, 0.83%, 0.43%

LAB 45.21, 72.15, -16.91

 

CMYK 0 / 91 / 7 / 21

HEX #C913BA

RGB 201 19 186

HSL 304.95, 0.83%, 0.43%

LAB 47.53, 78.23, -42.55

 

CMYK 17 / 91 / 0 / 21

HEX #A613C9

RGB 166 19 201

HSL 288.46, 0.83%, 0.43%

LAB 42.44, 74.73, -59.79

 

CMYK 0 / 91 / 81 / 21

HEX #C91327

RGB 201 19 39

HSL 353.41, 0.83%, 0.43%

LAB 42.81, 65.53, 40.1

 

CMYK 0 / 100 / 89 / 15

HEX #DA0119

RGB 218 1 25

HSL 353.36, 0.99%, 0.43%

LAB 45.63, 71.34, 51.13

 

CMYK 0 / 91 / 81 / 21

HEX #C91327

RGB 201 19 39

HSL 353.41, 0.83%, 0.43%

LAB 42.81, 65.53, 40.1

 

CMYK 0 / 80 / 71 / 28

HEX #B72435

RGB 183 36 53

HSL 353.06, 0.67%, 0.43%

LAB 40.55, 57.57, 28.31

 

CMYK 0 / 67 / 60 / 35

HEX #A53642

RGB 165 54 66

HSL 353.51, 0.51%, 0.43%

LAB 39.63, 46.37, 18.38

 

CMYK 0 / 51 / 46 / 42

HEX #934850

RGB 147 72 80

HSL 353.6, 0.34%, 0.43%

LAB 40.27, 32.35, 10.03

 

CMYK 0 / 31 / 28 / 49

HEX #825A5E

RGB 130 90 94

HSL 354, 0.18%, 0.43%

LAB 42.56, 17.08, 4.32

 

CMYK 0 / 91 / 32 / 21

HEX #C91389

RGB 201 19 137

HSL 321.1, 0.83%, 0.43%

LAB 45.21, 72.15, -16.91

 

CMYK 0 / 91 / 56 / 21

HEX #C91358

RGB 201 19 88

HSL 337.25, 0.83%, 0.43%

LAB 43.64, 67.86, 11.16

 

CMYK 0 / 91 / 80 / 21

HEX #C91328

RGB 201 19 40

HSL 353.08, 0.83%, 0.43%

LAB 42.82, 65.56, 39.55

 

CMYK 0 / 77 / 91 / 21

HEX #C92E13

RGB 201 46 19

HSL 8.9, 0.83%, 0.43%

LAB 44.83, 58.95, 51.48

 

CMYK 0 / 53 / 91 / 21

HEX #C95E13

RGB 201 94 19

HSL 24.73, 0.83%, 0.43%

LAB 52.36, 38.84, 56.93

 

CMYK 0 / 90 / 81 / 51

HEX #7D0C18

RGB 125 12 24

HSL 353.63, 0.82%, 0.27%

LAB 25.83, 45.5, 26.32

 

CMYK 0 / 91 / 81 / 36

HEX #A30F1F

RGB 163 15 31

HSL 353.51, 0.83%, 0.35%

LAB 34.45, 55.84, 33.64

 

CMYK 0 / 91 / 81 / 21

HEX #C91327

RGB 201 19 39

HSL 353.41, 0.83%, 0.43%

LAB 42.81, 65.53, 40.1

 

CMYK 0 / 88 / 79 / 8

HEX #EA1B32

RGB 234 27 50

HSL 353.33, 0.83%, 0.51%

LAB 50.1, 73.1, 43.57

 

CMYK 0 / 73 / 65 / 7

HEX #ED4154

RGB 237 65 84

HSL 353.37, 0.83%, 0.59%

LAB 54.48, 65.91, 29.24

 

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

CMYK 8 / 0 / 91 / 21

HEX #B9C913

RGB 185 201 19

HSL 65.27, 0.83%, 0.43%

LAB 77.36, -24.59, 75.43

 

CMYK 91 / 44 / 0 / 21

HEX #1371C9

RGB 19 113 201

HSL 209.01, 0.83%, 0.43%

LAB 47.19, 7.76, -52.71

 

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

CMYK 80 / 0 / 91 / 21

HEX #28C913

RGB 40 201 19

HSL 113.08, 0.83%, 0.43%

LAB 71.06, -68.82, 67.67

 

CMYK 91 / 80 / 0 / 21

HEX #1328C9

RGB 19 40 201

HSL 233.08, 0.83%, 0.43%

LAB 29.09, 53.45, -82.29

 

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

CMYK 8 / 0 / 91 / 21

HEX #B9C913

RGB 185 201 19

HSL 65.27, 0.83%, 0.43%

LAB 77.36, -24.59, 75.43

 

CMYK 91 / 0 / 11 / 21

HEX #13C9B3

RGB 19 201 179

HSL 172.75, 0.83%, 0.43%

LAB 73, -45.89, -0.67

 

CMYK 83 / 91 / 0 / 21

HEX #2213C9

RGB 34 19 201

HSL 244.95, 0.83%, 0.43%

LAB 26.8, 62.35, -86.09

 

CMYK 0 / 91 / 81 / 22

HEX #C71226

RGB 199 18 38

HSL 353.37, 0.83%, 0.43%

LAB 42.33, 65.13, 40.05

 

CMYK 35 / 0 / 91 / 21

HEX #83C913

RGB 131 201 19

HSL 83.08, 0.83%, 0.43%

LAB 73.96, -45.96, 71.27

 

CMYK 91 / 0 / 11 / 21

HEX #13C9B3

RGB 19 201 179

HSL 172.75, 0.83%, 0.43%

LAB 73, -45.89, -0.67

 

CMYK 56 / 91 / 0 / 21

HEX #5813C9

RGB 88 19 201

HSL 262.75, 0.83%, 0.43%

LAB 31.25, 65.34, -78.57

 

Description

Color code: HEX #C71226 | qconv.com Color code: HEX #C71226 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 18 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 18 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 81% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - FACTON GmbH
Link: http://www.facton.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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