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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7121300 it is the complementary color #38EDEC00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7121300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7121300 shade: #CC120E00, #DD242100, #EE363400, #FF484700 and #FF5A5A00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7121300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7121300 shade: #C7121300, #B6000000, #A5000000, #94000000 and #83000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7121300 shade: #C91314 and #C91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7121300 shade: #C91314, #C91345, #C91376, #C913A7 and #B913C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7121300 shade matches the following richer shades: #C91314 and #DA0102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7121300 shade: #C91314, #B72425, #A53637, #934848 and #825A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7121300 shade: #C91377, #C91346, #C91316, #C94013 and #C97113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7121300 shade: #7D0C0C, #A30F10, #C91314, #EA1B1C and #ED4141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7121300 shade: #C71213, #A7C913 and #135EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7121300 shade: #C71213, #16C913 and #1316C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7121300 shade: #C71213, #A7C913, #13C9C6 and #3413C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7121300 shade: #C71213, #71C913, #13C9C6 and #6B13C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #C7121300

RGBA 199 18 19 0

HSLA 359.67, 0.83%, 0.43%, 0

LABA 42.19, 64.72, 49.44, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #38EDEC00

RGBA 56 237 236 0

HSLA 179.67, 0.83%, 0.57%, 0

LABA 85.74, -42.98, -12.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC120E00

RGBA 204 18 14 0

HSLA 1.26, 0.87%, 0.43%, 0

LABA 43.21, 65.97, 52.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DD242100

RGBA 221 36 33 0

HSLA 0.96, 0.74%, 0.5%, 0

LABA 47.94, 67.57, 49.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EE363400

RGBA 238 54 52 0

HSLA 0.65, 0.85%, 0.57%, 0

LABA 53.02, 68.24, 45.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF484700

RGBA 255 72 71 0

HSLA 0.33, 1%, 0.64%, 0

LABA 58.37, 68.27, 42.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A5A00

RGBA 255 90 90 0

HSLA 0, 1%, 0.68%, 0

LABA 61.05, 62.53, 34.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C7121300

RGBA 199 18 19 0

HSLA 359.67, 0.83%, 0.43%, 0

LABA 42.19, 64.72, 49.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B6000000

RGBA 182 0 0 0

HSLA 0, 1%, 0.36%, 0

LABA 37.74, 62.19, 52.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A5000000

RGBA 165 0 0 0

HSLA 0, 1%, 0.32%, 0

LABA 33.98, 57.83, 48.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #94000000

RGBA 148 0 0 0

HSLA 0, 1%, 0.29%, 0

LABA 30.15, 53.4, 43.8, 0

HEX #94000000

CMYK 0 / 0 / 0 / 0

HEX #83000000

RGBA 131 0 0 0

HSLA 0, 1%, 0.26%, 0

LABA 26.23, 48.87, 38.96, 0

HEX #83000000

CMYK 0 / 91 / 90 / 21

HEX #C91314

RGB 201 19 20

HSL 359.67, 0.83%, 0.43%

LAB 42.66, 65.12, 49.54

 

CMYK 0 / 91 / 91 / 21

HEX #C91313

RGB 201 19 19

HSL 0, 0.83%, 0.43%

LAB 42.66, 65.1, 49.96

 

CMYK 0 / 91 / 90 / 21

HEX #C91314

RGB 201 19 20

HSL 359.67, 0.83%, 0.43%

LAB 42.66, 65.12, 49.54

 

CMYK 0 / 91 / 66 / 21

HEX #C91345

RGB 201 19 69

HSL 343.52, 0.83%, 0.43%

LAB 43.23, 66.73, 22.53

 

CMYK 0 / 91 / 41 / 21

HEX #C91376

RGB 201 19 118

HSL 327.36, 0.83%, 0.43%

LAB 44.51, 70.26, -6.3

 

CMYK 0 / 91 / 17 / 21

HEX #C913A7

RGB 201 19 167

HSL 311.21, 0.83%, 0.43%

LAB 46.54, 75.68, -32.9

 

CMYK 8 / 91 / 0 / 21

HEX #B913C9

RGB 185 19 201

HSL 294.73, 0.83%, 0.43%

LAB 45.63, 77.72, -54.49

 

CMYK 0 / 91 / 90 / 21

HEX #C91314

RGB 201 19 20

HSL 359.67, 0.83%, 0.43%

LAB 42.66, 65.12, 49.54

 

CMYK 0 / 100 / 99 / 15

HEX #DA0102

RGB 218 1 2

HSL 359.72, 0.99%, 0.43%

LAB 45.54, 71.1, 59.09

 

CMYK 0 / 91 / 90 / 21

HEX #C91314

RGB 201 19 20

HSL 359.67, 0.83%, 0.43%

LAB 42.66, 65.12, 49.54

 

CMYK 0 / 80 / 80 / 28

HEX #B72425

RGB 183 36 37

HSL 359.59, 0.67%, 0.43%

LAB 40.35, 56.94, 37.54

 

CMYK 0 / 67 / 67 / 35

HEX #A53637

RGB 165 54 55

HSL 359.46, 0.51%, 0.43%

LAB 39.43, 45.65, 24.94

 

CMYK 0 / 51 / 51 / 42

HEX #934848

RGB 147 72 72

HSL 0, 0.34%, 0.43%

LAB 40.09, 31.52, 14.74

 

CMYK 0 / 31 / 31 / 49

HEX #825A5A

RGB 130 90 90

HSL 0, 0.18%, 0.43%

LAB 42.45, 16.47, 6.61

 

CMYK 0 / 91 / 41 / 21

HEX #C91377

RGB 201 19 119

HSL 327.03, 0.83%, 0.43%

LAB 44.54, 70.35, -6.87

 

CMYK 0 / 91 / 65 / 21

HEX #C91346

RGB 201 19 70

HSL 343.19, 0.83%, 0.43%

LAB 43.25, 66.78, 21.93

 

CMYK 0 / 91 / 89 / 21

HEX #C91316

RGB 201 19 22

HSL 359.01, 0.83%, 0.43%

LAB 42.67, 65.15, 48.68

 

CMYK 0 / 68 / 91 / 21

HEX #C94013

RGB 201 64 19

HSL 14.84, 0.83%, 0.43%

LAB 47.15, 52.55, 53.13

 

CMYK 0 / 44 / 91 / 21

HEX #C97113

RGB 201 113 19

HSL 30.99, 0.83%, 0.43%

LAB 56.36, 28.94, 59.9

 

CMYK 0 / 90 / 90 / 51

HEX #7D0C0C

RGB 125 12 12

HSL 0, 0.82%, 0.27%

LAB 25.71, 45.16, 33.04

 

CMYK 0 / 91 / 90 / 36

HEX #A30F10

RGB 163 15 16

HSL 359.59, 0.83%, 0.35%

LAB 34.33, 55.48, 41.57

 

CMYK 0 / 91 / 90 / 21

HEX #C91314

RGB 201 19 20

HSL 359.67, 0.83%, 0.43%

LAB 42.66, 65.12, 49.54

 

CMYK 0 / 88 / 88 / 8

HEX #EA1B1C

RGB 234 27 28

HSL 359.71, 0.83%, 0.51%

LAB 49.93, 72.6, 54.48

 

CMYK 0 / 73 / 73 / 7

HEX #ED4141

RGB 237 65 65

HSL 0, 0.83%, 0.59%

LAB 54.2, 64.99, 39.83

 

CMYK 0 / 91 / 90 / 22

HEX #C71213

RGB 199 18 19

HSL 359.67, 0.83%, 0.43%

LAB 42.19, 64.72, 49.44

 

CMYK 17 / 0 / 91 / 21

HEX #A7C913

RGB 167 201 19

HSL 71.21, 0.83%, 0.43%

LAB 76.09, -32.06, 73.88

 

CMYK 91 / 53 / 0 / 21

HEX #135EC9

RGB 19 94 201

HSL 215.27, 0.83%, 0.43%

LAB 41.78, 20.01, -61.43

 

CMYK 0 / 91 / 90 / 22

HEX #C71213

RGB 199 18 19

HSL 359.67, 0.83%, 0.43%

LAB 42.19, 64.72, 49.44

 

CMYK 89 / 0 / 91 / 21

HEX #16C913

RGB 22 201 19

HSL 119.01, 0.83%, 0.43%

LAB 70.86, -70.55, 67.43

 

CMYK 91 / 89 / 0 / 21

HEX #1316C9

RGB 19 22 201

HSL 239.01, 0.83%, 0.43%

LAB 26.53, 61.05, -86.55

 

CMYK 0 / 91 / 90 / 22

HEX #C71213

RGB 199 18 19

HSL 359.67, 0.83%, 0.43%

LAB 42.19, 64.72, 49.44

 

CMYK 17 / 0 / 91 / 21

HEX #A7C913

RGB 167 201 19

HSL 71.21, 0.83%, 0.43%

LAB 76.09, -32.06, 73.88

 

CMYK 91 / 0 / 1 / 21

HEX #13C9C6

RGB 19 201 198

HSL 179.01, 0.83%, 0.43%

LAB 73.54, -40.48, -10.18

 

CMYK 74 / 91 / 0 / 21

HEX #3413C9

RGB 52 19 201

HSL 250.88, 0.83%, 0.43%

LAB 27.88, 63.02, -84.26

 

CMYK 0 / 91 / 90 / 22

HEX #C71213

RGB 199 18 19

HSL 359.67, 0.83%, 0.43%

LAB 42.19, 64.72, 49.44

 

CMYK 44 / 0 / 91 / 21

HEX #71C913

RGB 113 201 19

HSL 89.01, 0.83%, 0.43%

LAB 73.11, -52.14, 70.22

 

CMYK 91 / 0 / 1 / 21

HEX #13C9C6

RGB 19 201 198

HSL 179.01, 0.83%, 0.43%

LAB 73.54, -40.48, -10.18

 

CMYK 47 / 91 / 0 / 21

HEX #6B13C9

RGB 107 19 201

HSL 269.01, 0.83%, 0.43%

LAB 33.58, 67.11, -74.64

 

Description

Color code: HEX #C7121300 | qconv.com Color code: HEX #C7121300 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 18 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 18 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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