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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7110ACE it is the complementary color #38EEF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7110ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7110ACE shade: #CC1105CE, #DD2318CE, #EE352BCE, #FF473ECE and #FF5951CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7110ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7110ACE shade: #C7110ACE, #B60000CE, #A50000CE, #940000CE and #830000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7110ACE shade: #C7110A and #C70A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7110ACE shade: #C7110A, #C7440A, #C7770A, #C7AA0A and #B1C70A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7110ACE shade matches the following richer shades: #C7110A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7110ACE shade: #C7110A, #B6211B, #A5312C, #94403D and #83504E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7110ACE shade: #C70A69, #C70A36, #C7110A, #C7430A and #C7750A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7110ACE shade: #780B06, #9F0E08, #C7110A, #EE150D and #F43730

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7110ACE shade: #C7110A, #9BC70A and #0A4FC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7110ACE shade: #C7110A, #0AC711 and #110AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7110ACE shade: #C7110A, #9BC70A, #0AC0C7 and #360AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7110ACE shade: #C7110A, #62C70A, #0AC0C7 and #6F0AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 77 / 18

HEX #C7110ACE

RGBA 199 17 10 0.81

HSLA 2.22, 0.9%, 0.41%, 0.81

LABA 42.1, 64.75, 52.68, 0.81

 

Complementary color

CMYK 62 / 2 / 0 / 3

HEX #38EEF5CE

RGBA 56 238 245 0.81

HSLA 182.22, 0.9%, 0.59%, 0.81

LABA 86.3, -40.87, -16.11, 0.81

 

CMYK 0 / 74 / 79 / 16

HEX #CC1105CE

RGBA 204 17 5 0.81

HSLA 3.62, 0.95%, 0.41%, 0.81

LABA 43.14, 66.01, 55.37, 0.81

 

CMYK 0 / 68 / 72 / 11

HEX #DD2318CE

RGBA 221 35 24 0.81

HSLA 3.35, 0.8%, 0.48%, 0.81

LABA 47.8, 67.62, 53.44, 0.81

 

CMYK 0 / 63 / 66 / 5

HEX #EE352BCE

RGBA 238 53 43 0.81

HSLA 3.08, 0.85%, 0.55%, 0.81

LABA 52.84, 68.27, 50.21, 0.81

 

CMYK 0 / 58 / 61 / 0

HEX #FF473ECE

RGBA 255 71 62 0.81

HSLA 2.8, 1%, 0.62%, 0.81

LABA 58.15, 68.26, 46.74, 0.81

 

CMYK 0 / 53 / 55 / 0

HEX #FF5951CE

RGBA 255 89 81 0.81

HSLA 2.76, 1%, 0.66%, 0.81

LABA 60.78, 62.46, 39.4, 0.81

 

CMYK 0 / 74 / 77 / 18

HEX #C7110ACE

RGBA 199 17 10 0.81

HSLA 2.22, 0.9%, 0.41%, 0.81

LABA 42.1, 64.75, 52.68, 0.81

 

CMYK 0 / 81 / 81 / 23

HEX #B60000CE

RGBA 182 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 37.74, 62.19, 52.16, 0.81

 

CMYK 0 / 81 / 81 / 29

HEX #A50000CE

RGBA 165 0 0 0.81

HSLA 0, 1%, 0.32%, 0.81

LABA 33.98, 57.83, 48.2, 0.81

 

CMYK 0 / 81 / 81 / 34

HEX #940000CE

RGBA 148 0 0 0.81

HSLA 0, 1%, 0.29%, 0.81

LABA 30.15, 53.4, 43.8, 0.81

HEX #940000CE

CMYK 0 / 81 / 81 / 39

HEX #830000CE

RGBA 131 0 0 0.81

HSLA 0, 1%, 0.26%, 0.81

LABA 26.23, 48.87, 38.96, 0.81

HEX #830000CE

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 66 / 95 / 22

HEX #C7440A

RGB 199 68 10

HSL 18.41, 0.9%, 0.41%

LAB 47.36, 50.1, 55.78

 

CMYK 0 / 40 / 95 / 22

HEX #C7770A

RGB 199 119 10

HSL 34.6, 0.9%, 0.41%

LAB 57.42, 24.73, 62.46

 

CMYK 0 / 15 / 95 / 22

HEX #C7AA0A

RGB 199 170 10

HSL 50.79, 0.9%, 0.41%

LAB 70.12, -2.9, 71.6

 

CMYK 11 / 0 / 95 / 22

HEX #B1C70A

RGB 177 199 10

HSL 66.98, 0.9%, 0.41%

LAB 76.2, -27.12, 75.39

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 82 / 85 / 29

HEX #B6211B

RGB 182 33 27

HSL 2.32, 0.74%, 0.41%

LAB 39.77, 57.18, 42.3

 

CMYK 0 / 70 / 73 / 35

HEX #A5312C

RGB 165 49 44

HSL 2.48, 0.58%, 0.41%

LAB 38.51, 47.13, 30.48

 

CMYK 0 / 57 / 59 / 42

HEX #94403D

RGB 148 64 61

HSL 2.07, 0.42%, 0.41%

LAB 38.37, 35.16, 19.29

 

CMYK 0 / 39 / 40 / 49

HEX #83504E

RGB 131 80 78

HSL 2.26, 0.25%, 0.41%

LAB 39.77, 21.16, 10.22

 

CMYK 0 / 95 / 47 / 22

HEX #C70A69

RGB 199 10 105

HSL 329.84, 0.9%, 0.41%

LAB 43.33, 69.72, 0

 

CMYK 0 / 95 / 73 / 22

HEX #C70A36

RGB 199 10 54

HSL 346.03, 0.9%, 0.41%

LAB 42.19, 66.63, 30.45

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 66 / 95 / 22

HEX #C7430A

RGB 199 67 10

HSL 18.1, 0.9%, 0.41%

LAB 47.21, 50.52, 55.69

 

CMYK 0 / 41 / 95 / 22

HEX #C7750A

RGB 199 117 10

HSL 33.97, 0.9%, 0.41%

LAB 56.96, 25.81, 62.14

 

CMYK 0 / 91 / 95 / 53

HEX #780B06

RGB 120 11 6

HSL 2.63, 0.9%, 0.25%

LAB 24.47, 43.76, 33.95

 

CMYK 0 / 91 / 95 / 38

HEX #9F0E08

RGB 159 14 8

HSL 2.38, 0.9%, 0.33%

LAB 33.36, 54.42, 43.89

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 0 / 91 / 95 / 7

HEX #EE150D

RGB 238 21 13

HSL 2.13, 0.9%, 0.49%

LAB 50.38, 74.28, 60.63

 

CMYK 0 / 77 / 80 / 4

HEX #F43730

RGB 244 55 48

HSL 2.14, 0.9%, 0.57%

LAB 54.22, 69.55, 49.39

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 22 / 0 / 95 / 22

HEX #9BC70A

RGB 155 199 10

HSL 73.97, 0.9%, 0.41%

LAB 74.72, -36.12, 73.61

 

CMYK 95 / 60 / 0 / 22

HEX #0A4FC7

RGB 10 79 199

HSL 218.1, 0.9%, 0.41%

LAB 37.44, 28.76, -67.35

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 95 / 0 / 91 / 22

HEX #0AC711

RGB 10 199 17

HSL 122.22, 0.9%, 0.41%

LAB 70.14, -70.72, 67.1

 

CMYK 91 / 95 / 0 / 22

HEX #110AC7

RGB 17 10 199

HSL 242.22, 0.9%, 0.41%

LAB 25.14, 63.73, -87.71

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 22 / 0 / 95 / 22

HEX #9BC70A

RGB 155 199 10

HSL 73.97, 0.9%, 0.41%

LAB 74.72, -36.12, 73.61

 

CMYK 95 / 4 / 0 / 22

HEX #0AC0C7

RGB 10 192 199

HSL 182.22, 0.9%, 0.41%

LAB 70.79, -36.41, -14.85

 

CMYK 73 / 95 / 0 / 22

HEX #360AC7

RGB 54 10 199

HSL 253.97, 0.9%, 0.41%

LAB 27.09, 64.68, -84.4

 

CMYK 0 / 91 / 95 / 22

HEX #C7110A

RGB 199 17 10

HSL 2.22, 0.9%, 0.41%

LAB 42.1, 64.75, 52.68

 

CMYK 51 / 0 / 95 / 22

HEX #62C70A

RGB 98 199 10

HSL 92.06, 0.9%, 0.41%

LAB 71.87, -56.2, 70.13

 

CMYK 95 / 4 / 0 / 22

HEX #0AC0C7

RGB 10 192 199

HSL 182.22, 0.9%, 0.41%

LAB 70.79, -36.41, -14.85

 

CMYK 44 / 95 / 0 / 22

HEX #6F0AC7

RGB 111 10 199

HSL 272.06, 0.9%, 0.41%

LAB 33.39, 68.66, -73.76

 

Description

Color code: HEX #C7110ACE | qconv.com Color code: HEX #C7110ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 17 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 17 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 77 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 77% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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