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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C70FBF it is the complementary color #38F040. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C70FBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C70FBF shade: #CC0FBA, #DD21CD, #EE33E0, #FF45F3 and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C70FBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C70FBF shade: #C70FBF, #B600AC, #A50099, #940086 and #830073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C70FBF shade: #C70FBF, #C70F8E, #C70F5C, #C70F2A and #C70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C70FBF shade: #C70FBF, #9E0FC7, #6C0FC7, #3A0FC7 and #0F0FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C70FBF shade matches the following richer shades: #C70FBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C70FBF shade: #C70FBF, #B620AF, #A532A0, #934390 and #825480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C70FBF shade: #6B0FC7, #9C0FC7, #C70FC1, #C70F90 and #C70F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C70FBF shade: #7A0976, #A10C9A, #C70FBF, #ED12E4 and #F039E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C70FBF shade: #C70FBF, #C73A0F and #0FC784

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C70FBF shade: #C70FBF, #C1C70F and #0FC1C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C70FBF shade: #C70FBF, #C73A0F, #0FC715 and #0F9CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C70FBF shade: #C70FBF, #C7710F, #0FC715 and #0F65C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

Complementary color

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 0 / 93 / 9 / 20

HEX #CC0FBA

RGB 204 15 186

HSL 305.71, 0.86%, 0.43%

LAB 47.91, 79.24, -41.91

 

CMYK 0 / 85 / 7 / 13

HEX #DD21CD

RGB 221 33 205

HSL 305.11, 0.74%, 0.5%

LAB 52.8, 82.39, -44.98

 

CMYK 0 / 79 / 6 / 7

HEX #EE33E0

RGB 238 51 224

HSL 304.49, 0.85%, 0.57%

LAB 57.97, 84.53, -47.43

 

CMYK 0 / 73 / 5 / 0

HEX #FF45F3

RGB 255 69 243

HSL 303.87, 1%, 0.64%

LAB 63.33, 85.88, -49.4

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 100 / 5 / 29

HEX #B600AC

RGB 182 0 172

HSL 303.3, 1%, 0.36%

LAB 42.65, 74.82, -42.26

 

CMYK 0 / 100 / 7 / 35

HEX #A50099

RGB 165 0 153

HSL 304.36, 1%, 0.32%

LAB 38.37, 69.17, -37.83

 

CMYK 0 / 100 / 9 / 42

HEX #940086

RGB 148 0 134

HSL 305.68, 1%, 0.29%

LAB 34.02, 63.42, -33.27

 

CMYK 0 / 100 / 12 / 49

HEX #830073

RGB 131 0 115

HSL 307.33, 1%, 0.26%

LAB 29.57, 57.53, -28.56

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 92 / 29 / 22

HEX #C70F8E

RGB 199 15 142

HSL 318.59, 0.86%, 0.42%

LAB 44.85, 72.78, -20.53

 

CMYK 0 / 92 / 54 / 22

HEX #C70F5C

RGB 199 15 92

HSL 334.89, 0.86%, 0.42%

LAB 43.15, 68.19, 7.9

 

CMYK 0 / 92 / 79 / 22

HEX #C70F2A

RGB 199 15 42

HSL 351.2, 0.86%, 0.42%

LAB 42.23, 65.65, 37.67

 

CMYK 0 / 92 / 92 / 22

HEX #C70F0F

RGB 199 15 15

HSL 0, 0.86%, 0.42%

LAB 42.03, 65.07, 50.93

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 21 / 92 / 0 / 22

HEX #9E0FC7

RGB 158 15 199

HSL 286.63, 0.86%, 0.42%

LAB 40.79, 73.77, -61.37

 

CMYK 46 / 92 / 0 / 22

HEX #6C0FC7

RGB 108 15 199

HSL 270.33, 0.86%, 0.42%

LAB 33.25, 67.56, -74.01

 

CMYK 71 / 92 / 0 / 22

HEX #3A0FC7

RGB 58 15 199

HSL 254.02, 0.86%, 0.42%

LAB 27.75, 63.81, -83.29

 

CMYK 92 / 92 / 0 / 22

HEX #0F0FC7

RGB 15 15 199

HSL 240, 0.86%, 0.42%

LAB 25.46, 62.53, -87.16

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 82 / 4 / 29

HEX #B620AF

RGB 182 32 175

HSL 302.8, 0.7%, 0.42%

LAB 44.34, 70.81, -41.35

 

CMYK 0 / 70 / 3 / 35

HEX #A532A0

RGB 165 50 160

HSL 302.61, 0.53%, 0.42%

LAB 42.49, 59.48, -35.53

 

CMYK 0 / 54 / 2 / 42

HEX #934390

RGB 147 67 144

HSL 302.25, 0.37%, 0.42%

LAB 41.58, 44.54, -27.51

 

CMYK 0 / 35 / 2 / 49

HEX #825480

RGB 130 84 128

HSL 302.61, 0.21%, 0.42%

LAB 42.22, 26.67, -16.98

 

CMYK 46 / 92 / 0 / 22

HEX #6B0FC7

RGB 107 15 199

HSL 270, 0.86%, 0.42%

LAB 33.12, 67.46, -74.24

 

CMYK 22 / 92 / 0 / 22

HEX #9C0FC7

RGB 156 15 199

HSL 285.98, 0.86%, 0.42%

LAB 40.46, 73.48, -61.91

 

CMYK 0 / 92 / 3 / 22

HEX #C70FC1

RGB 199 15 193

HSL 301.96, 0.86%, 0.42%

LAB 47.41, 79.34, -46.85

 

CMYK 0 / 92 / 28 / 22

HEX #C70F90

RGB 199 15 144

HSL 317.93, 0.86%, 0.42%

LAB 44.94, 73, -21.61

 

CMYK 0 / 92 / 52 / 22

HEX #C70F5F

RGB 199 15 95

HSL 333.91, 0.86%, 0.42%

LAB 43.23, 68.41, 6.13

 

CMYK 0 / 93 / 3 / 52

HEX #7A0976

RGB 122 9 118

HSL 302.12, 0.86%, 0.26%

LAB 28.49, 54.78, -32.3

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 92 / 4 / 7

HEX #ED12E4

RGB 237 18 228

HSL 302.47, 0.86%, 0.5%

LAB 56.13, 90.42, -52.63

 

CMYK 0 / 76 / 3 / 6

HEX #F039E8

RGB 240 57 232

HSL 302.62, 0.86%, 0.58%

LAB 59.23, 84.57, -49.91

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 71 / 92 / 22

HEX #C73A0F

RGB 199 58 15

HSL 14.02, 0.86%, 0.42%

LAB 45.91, 54.15, 53.44

 

CMYK 92 / 0 / 34 / 22

HEX #0FC784

RGB 15 199 132

HSL 158.15, 0.86%, 0.42%

LAB 71.29, -56.82, 22.2

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 3 / 0 / 92 / 22

HEX #C1C70F

RGB 193 199 15

HSL 61.96, 0.86%, 0.42%

LAB 77.41, -20.29, 76.28

 

CMYK 92 / 3 / 0 / 22

HEX #0FC1C7

RGB 15 193 199

HSL 181.96, 0.86%, 0.42%

LAB 71.12, -36.71, -14.35

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 71 / 92 / 22

HEX #C73A0F

RGB 199 58 15

HSL 14.02, 0.86%, 0.42%

LAB 45.91, 54.15, 53.44

 

CMYK 92 / 0 / 89 / 22

HEX #0FC715

RGB 15 199 21

HSL 121.96, 0.86%, 0.42%

LAB 70.18, -70.36, 66.49

 

CMYK 92 / 22 / 0 / 22

HEX #0F9CC7

RGB 15 156 199

HSL 194.02, 0.86%, 0.42%

LAB 59.89, -18.3, -31.52

 

CMYK 0 / 92 / 4 / 22

HEX #C70FBF

RGB 199 15 191

HSL 302.61, 0.86%, 0.42%

LAB 47.29, 79.05, -45.87

 

CMYK 0 / 43 / 92 / 22

HEX #C7710F

RGB 199 113 15

HSL 31.96, 0.86%, 0.42%

LAB 56.07, 28.03, 60.53

 

CMYK 92 / 0 / 89 / 22

HEX #0FC715

RGB 15 199 21

HSL 121.96, 0.86%, 0.42%

LAB 70.18, -70.36, 66.49

 

CMYK 92 / 49 / 0 / 22

HEX #0F65C7

RGB 15 101 199

HSL 211.96, 0.86%, 0.42%

LAB 43.55, 14.45, -57.41

 

Description

Color code: HEX #C70FBF | qconv.com Color code: HEX #C70FBF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 15 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 15 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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