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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C70AE9 it is the complementary color #38F516. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C70AE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C70AE9 shade: #CC0AE4, #DD1CF7, #EE2EFF, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C70AE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C70AE9 shade: #C70AE9, #B600D6, #A500C3, #9400B0 and #83009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C70AE9 shade: #C90AEB, #EB0AD1, #EB0A94, #EB0A57 and #EB0A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C70AE9 shade: #C90AEB, #8C0AEB, #4F0AEB, #120AEB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C70AE9 shade matches the following richer shades: #C90AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C70AE9 shade: #C90AEB, #BB1ED7, #AD31C3, #9F45B0 and #92599C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C70AE9 shade: #4D0AEB, #890AEB, #C50AEB, #EB0AD4 and #EB0A98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C70AE9 shade: #85069C, #A708C3, #C90AEB, #D728F6 and #DE50F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C70AE9 shade: #C70AE9, #EB110A and #0AEB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C70AE9 shade: #C70AE9, #EBC50A and #0AEBC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C70AE9 shade: #C70AE9, #EB110A, #2FEB0A and #0AE4EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C70AE9 shade: #C70AE9, #EB550A, #2FEB0A and #0AA0EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

Complementary color

CMYK 77 / 0 / 91 / 4

HEX #38F516

RGB 56 245 22

HSL 110.85, 0.92%, 0.52%

LAB 85.1, -79.36, 79.16

 

CMYK 11 / 96 / 0 / 11

HEX #CC0AE4

RGB 204 10 228

HSL 293.39, 0.92%, 0.47%

LAB 50.28, 85.89, -62.31

 

CMYK 11 / 89 / 0 / 3

HEX #DD1CF7

RGB 221 28 247

HSL 292.88, 0.93%, 0.54%

LAB 54.99, 89.47, -65.26

 

CMYK 7 / 82 / 0 / 0

HEX #EE2EFF

RGB 238 46 255

HSL 295.12, 1%, 0.59%

LAB 59.3, 90.29, -62.64

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

CMYK 15 / 100 / 0 / 16

HEX #B600D6

RGB 182 0 214

HSL 291.03, 1%, 0.42%

LAB 45.36, 81.27, -62.45

 

CMYK 15 / 100 / 0 / 24

HEX #A500C3

RGB 165 0 195

HSL 290.77, 1%, 0.38%

LAB 41.12, 75.72, -58.44

 

CMYK 16 / 100 / 0 / 31

HEX #9400B0

RGB 148 0 176

HSL 290.45, 1%, 0.35%

LAB 36.8, 70.05, -54.37

 

CMYK 17 / 100 / 0 / 38

HEX #83009D

RGB 131 0 157

HSL 290.06, 1%, 0.31%

LAB 32.39, 64.27, -50.21

 

CMYK 14 / 96 / 0 / 8

HEX #C90AEB

RGB 201 10 235

HSL 290.93, 0.92%, 0.48%

LAB 50.25, 86.57, -66.33

 

CMYK 0 / 96 / 11 / 8

HEX #EB0AD1

RGB 235 10 209

HSL 306.93, 0.92%, 0.48%

LAB 54.54, 88.18, -44.37

 

CMYK 0 / 96 / 37 / 8

HEX #EB0A94

RGB 235 10 148

HSL 323.2, 0.92%, 0.48%

LAB 51.86, 81.32, -12.84

 

CMYK 0 / 96 / 63 / 8

HEX #EB0A57

RGB 235 10 87

HSL 339.47, 0.92%, 0.48%

LAB 50.18, 76.82, 21.81

 

CMYK 0 / 96 / 89 / 8

HEX #EB0A1A

RGB 235 10 26

HSL 355.73, 0.92%, 0.48%

LAB 49.44, 74.79, 55.08

 

CMYK 14 / 96 / 0 / 8

HEX #C90AEB

RGB 201 10 235

HSL 290.93, 0.92%, 0.48%

LAB 50.25, 86.57, -66.33

 

CMYK 40 / 96 / 0 / 8

HEX #8C0AEB

RGB 140 10 235

HSL 274.67, 0.92%, 0.48%

LAB 40.88, 79.06, -82.03

 

CMYK 66 / 96 / 0 / 8

HEX #4F0AEB

RGB 79 10 235

HSL 258.4, 0.92%, 0.48%

LAB 33.73, 74.53, -94.1

 

CMYK 92 / 96 / 0 / 8

HEX #120AEB

RGB 18 10 235

HSL 242.13, 0.92%, 0.48%

LAB 30.26, 72.89, -99.96

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 14 / 96 / 0 / 8

HEX #C90AEB

RGB 201 10 235

HSL 290.93, 0.92%, 0.48%

LAB 50.25, 86.57, -66.33

 

CMYK 14 / 96 / 0 / 8

HEX #C90AEB

RGB 201 10 235

HSL 290.93, 0.92%, 0.48%

LAB 50.25, 86.57, -66.33

 

CMYK 13 / 86 / 0 / 16

HEX #BB1ED7

RGB 187 30 215

HSL 290.92, 0.76%, 0.48%

LAB 47.49, 78.53, -59.54

 

CMYK 11 / 75 / 0 / 24

HEX #AD31C3

RGB 173 49 195

HSL 290.96, 0.6%, 0.48%

LAB 45.66, 67.62, -51.05

 

CMYK 10 / 61 / 0 / 31

HEX #9F45B0

RGB 159 69 176

HSL 290.47, 0.44%, 0.48%

LAB 45.31, 52.93, -40.63

 

CMYK 6 / 43 / 0 / 39

HEX #92599C

RGB 146 89 156

HSL 291.04, 0.27%, 0.48%

LAB 46.52, 34.82, -27.02

 

CMYK 67 / 96 / 0 / 8

HEX #4D0AEB

RGB 77 10 235

HSL 257.87, 0.92%, 0.48%

LAB 33.55, 74.43, -94.4

 

CMYK 42 / 96 / 0 / 8

HEX #890AEB

RGB 137 10 235

HSL 273.87, 0.92%, 0.48%

LAB 40.47, 78.76, -82.73

 

CMYK 16 / 96 / 0 / 8

HEX #C50AEB

RGB 197 10 235

HSL 289.87, 0.92%, 0.48%

LAB 49.6, 86, -67.43

 

CMYK 0 / 96 / 10 / 8

HEX #EB0AD4

RGB 235 10 212

HSL 306.13, 0.92%, 0.48%

LAB 54.69, 88.58, -45.84

 

CMYK 0 / 96 / 35 / 8

HEX #EB0A98

RGB 235 10 152

HSL 322.13, 0.92%, 0.48%

LAB 52, 81.7, -15.01

 

CMYK 15 / 96 / 0 / 39

HEX #85069C

RGB 133 6 156

HSL 290.8, 0.93%, 0.32%

LAB 32.96, 63.55, -48.67

 

CMYK 14 / 96 / 0 / 24

HEX #A708C3

RGB 167 8 195

HSL 291.02, 0.92%, 0.4%

LAB 41.73, 75.19, -57.43

 

CMYK 14 / 96 / 0 / 8

HEX #C90AEB

RGB 201 10 235

HSL 290.93, 0.92%, 0.48%

LAB 50.25, 86.57, -66.33

 

CMYK 13 / 84 / 0 / 4

HEX #D728F6

RGB 215 40 246

HSL 290.97, 0.92%, 0.56%

LAB 54.68, 86.26, -65.25

 

CMYK 10 / 68 / 0 / 3

HEX #DE50F8

RGB 222 80 248

HSL 290.71, 0.92%, 0.64%

LAB 59.93, 76.18, -57.88

 

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

CMYK 0 / 93 / 96 / 8

HEX #EB110A

RGB 235 17 10

HSL 1.87, 0.92%, 0.48%

LAB 49.6, 73.97, 60.7

 

CMYK 96 / 0 / 54 / 8

HEX #0AEB6B

RGB 10 235 107

HSL 145.87, 0.92%, 0.48%

LAB 82.13, -73.39, 48.58

 

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

CMYK 0 / 16 / 96 / 8

HEX #EBC50A

RGB 235 197 10

HSL 49.87, 0.92%, 0.48%

LAB 80.53, -1.22, 80.79

 

CMYK 96 / 0 / 16 / 8

HEX #0AEBC5

RGB 10 235 197

HSL 169.87, 0.92%, 0.48%

LAB 83.71, -55.37, 5.28

 

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

CMYK 0 / 93 / 96 / 8

HEX #EB110A

RGB 235 17 10

HSL 1.87, 0.92%, 0.48%

LAB 49.6, 73.97, 60.7

 

CMYK 80 / 0 / 96 / 8

HEX #2FEB0A

RGB 47 235 10

HSL 110.13, 0.92%, 0.48%

LAB 81.86, -77.88, 77.76

 

CMYK 96 / 3 / 0 / 8

HEX #0AE4EB

RGB 10 228 235

HSL 181.87, 0.92%, 0.48%

LAB 82.67, -41.88, -16.32

 

CMYK 15 / 96 / 0 / 9

HEX #C70AE9

RGB 199 10 233

HSL 290.85, 0.92%, 0.48%

LAB 49.79, 85.96, -65.97

 

CMYK 0 / 64 / 96 / 8

HEX #EB550A

RGB 235 85 10

HSL 20, 0.92%, 0.48%

LAB 56.27, 55.43, 64.36

 

CMYK 80 / 0 / 96 / 8

HEX #2FEB0A

RGB 47 235 10

HSL 110.13, 0.92%, 0.48%

LAB 81.86, -77.88, 77.76

 

CMYK 96 / 32 / 0 / 8

HEX #0AA0EB

RGB 10 160 235

HSL 200, 0.92%, 0.48%

LAB 62.68, -7.67, -47.16

 

Description

Color code: HEX #C70AE9 | qconv.com Color code: HEX #C70AE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 10 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 10 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 96 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 96% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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