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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6FF40 it is the complementary color #3900BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6FF40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6FF40 shade: #CBFF3B, #DCFF4E, #EDFF61, #FEFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6FF40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6FF40 shade: #C6FF40, #B5ED2D, #A4DB1A, #93C907 and #82B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6FF40 shade: #C7FF42, #FAFF42, #FFD242, #FF9F42 and #FF6C42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6FF40 shade: #C7FF42, #94FF42, #61FF42, #42FF57 and #42FF89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6FF40 shade matches the following richer shades: #C7FF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6FF40 shade: #C7FF42, #C1F052, #BAE061, #B4D170 and #AEC27F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6FF40 shade: #FFD042, #FCFF42, #CAFF42, #97FF42 and #65FF42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6FF40 shade: #A8EF00, #BAFF19, #C7FF42, #D3FF6C and #DFFF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6FF40 shade: #C6FF40, #42FF9E and #E942FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6FF40 shade: #C6FF40, #42CAFF and #FF42CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6FF40 shade: #C6FF40, #42FF9E, #7842FF and #FF42A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6FF40 shade: #C6FF40, #42FFD6, #7842FF and #FF426B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

Complementary color

CMYK 70 / 100 / 0 / 25

HEX #3900BF

RGB 57 0 191

HSL 257.91, 1%, 0.37%

LAB 25.66, 64.77, -82.06

 

CMYK 20 / 0 / 77 / 0

HEX #CBFF3B

RGB 203 255 59

HSL 75.92, 1%, 0.62%

LAB 93.68, -41.06, 80.93

 

CMYK 14 / 0 / 69 / 0

HEX #DCFF4E

RGB 220 255 78

HSL 71.86, 1%, 0.65%

LAB 94.86, -33.63, 76.43

 

CMYK 7 / 0 / 62 / 0

HEX #EDFF61

RGB 237 255 97

HSL 66.84, 1%, 0.69%

LAB 96.16, -25.87, 71.04

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF74

RGB 254 255 116

HSL 60.43, 1%, 0.73%

LAB 97.57, -17.87, 65.05

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

CMYK 24 / 0 / 81 / 7

HEX #B5ED2D

RGB 181 237 45

HSL 77.5, 0.84%, 0.55%

LAB 87.28, -42.05, 78.39

 

CMYK 25 / 0 / 88 / 14

HEX #A4DB1A

RGB 164 219 26

HSL 77.1, 0.79%, 0.48%

LAB 81.09, -41.22, 76.73

 

CMYK 27 / 0 / 97 / 21

HEX #93C907

RGB 147 201 7

HSL 76.7, 0.93%, 0.41%

LAB 74.82, -40.19, 73.78

 

CMYK 29 / 0 / 100 / 28

HEX #82B700

RGB 130 183 0

HSL 77.38, 1%, 0.36%

LAB 68.47, -38.94, 69.21

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 2 / 0 / 74 / 0

HEX #FAFF42

RGB 250 255 66

HSL 61.59, 1%, 0.63%

LAB 96.92, -22.29, 83.03

 

CMYK 0 / 18 / 74 / 0

HEX #FFD242

RGB 255 210 66

HSL 45.71, 1%, 0.63%

LAB 85.88, 1.99, 72.84

 

CMYK 0 / 38 / 74 / 0

HEX #FF9F42

RGB 255 159 66

HSL 29.52, 1%, 0.63%

LAB 73.84, 28.47, 61.07

 

CMYK 0 / 58 / 74 / 0

HEX #FF6C42

RGB 255 108 66

HSL 13.33, 1%, 0.63%

LAB 63.65, 53.69, 50.55

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 42 / 0 / 74 / 0

HEX #94FF42

RGB 148 255 66

HSL 93.97, 1%, 0.63%

LAB 90.88, -59.87, 75.18

 

CMYK 62 / 0 / 74 / 0

HEX #61FF42

RGB 97 255 66

HSL 110.16, 1%, 0.63%

LAB 89.14, -73.33, 72.89

 

CMYK 74 / 0 / 66 / 0

HEX #42FF57

RGB 66 255 87

HSL 126.67, 1%, 0.63%

LAB 88.62, -77.12, 64.68

 

CMYK 74 / 0 / 46 / 0

HEX #42FF89

RGB 66 255 137

HSL 142.54, 1%, 0.63%

LAB 89.15, -70.83, 43.25

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 20 / 0 / 66 / 6

HEX #C1F052

RGB 193 240 82

HSL 77.85, 0.84%, 0.63%

LAB 89.05, -36.96, 68.51

 

CMYK 17 / 0 / 57 / 12

HEX #BAE061

RGB 186 224 97

HSL 77.95, 0.67%, 0.63%

LAB 84.28, -31.17, 56.99

 

CMYK 14 / 0 / 46 / 18

HEX #B4D170

RGB 180 209 112

HSL 77.94, 0.51%, 0.63%

LAB 79.88, -24.9, 44.7

 

CMYK 10 / 0 / 35 / 24

HEX #AEC27F

RGB 174 194 127

HSL 77.91, 0.35%, 0.63%

LAB 75.52, -18, 31.5

 

CMYK 0 / 18 / 74 / 0

HEX #FFD042

RGB 255 208 66

HSL 45.08, 1%, 0.63%

LAB 85.39, 3.01, 72.37

 

CMYK 1 / 0 / 74 / 0

HEX #FCFF42

RGB 252 255 66

HSL 60.95, 1%, 0.63%

LAB 97.07, -21.48, 83.23

 

CMYK 21 / 0 / 74 / 0

HEX #CAFF42

RGB 202 255 66

HSL 76.83, 1%, 0.63%

LAB 93.65, -41.12, 78.81

 

CMYK 41 / 0 / 74 / 0

HEX #97FF42

RGB 151 255 66

HSL 93.02, 1%, 0.63%

LAB 91, -58.93, 75.35

 

CMYK 60 / 0 / 74 / 0

HEX #65FF42

RGB 101 255 66

HSL 108.89, 1%, 0.63%

LAB 89.24, -72.46, 73.03

 

CMYK 30 / 0 / 100 / 6

HEX #A8EF00

RGB 168 239 0

HSL 77.82, 1%, 0.47%

LAB 87.03, -48.64, 84.36

 

CMYK 27 / 0 / 90 / 0

HEX #BAFF19

RGB 186 255 25

HSL 78, 1%, 0.55%

LAB 92.59, -48.42, 86.78

 

CMYK 22 / 0 / 74 / 0

HEX #C7FF42

RGB 199 255 66

HSL 77.78, 1%, 0.63%

LAB 93.47, -42.25, 78.58

 

CMYK 17 / 0 / 58 / 0

HEX #D3FF6C

RGB 211 255 108

HSL 77.96, 1%, 0.71%

LAB 94.51, -35.05, 64.21

 

CMYK 13 / 0 / 42 / 0

HEX #DFFF95

RGB 223 255 149

HSL 78.11, 1%, 0.79%

LAB 95.74, -26.65, 47.17

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

CMYK 74 / 0 / 38 / 0

HEX #42FF9E

RGB 66 255 158

HSL 149.21, 1%, 0.63%

LAB 89.46, -67.27, 33.38

 

CMYK 9 / 74 / 0 / 0

HEX #E942FF

RGB 233 66 255

HSL 293.02, 1%, 0.63%

LAB 60.28, 84.29, -61.1

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

CMYK 74 / 21 / 0 / 0

HEX #42CAFF

RGB 66 202 255

HSL 196.83, 1%, 0.63%

LAB 76.45, -19.41, -36.43

 

CMYK 0 / 74 / 21 / 0

HEX #FF42CA

RGB 255 66 202

HSL 316.83, 1%, 0.63%

LAB 61.15, 81.18, -29.77

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

CMYK 74 / 0 / 38 / 0

HEX #42FF9E

RGB 66 255 158

HSL 149.21, 1%, 0.63%

LAB 89.46, -67.27, 33.38

 

CMYK 53 / 74 / 0 / 0

HEX #7842FF

RGB 120 66 255

HSL 257.14, 1%, 0.63%

LAB 45.78, 65.37, -85.3

 

CMYK 0 / 74 / 36 / 0

HEX #FF42A4

RGB 255 66 164

HSL 328.89, 1%, 0.63%

LAB 59.74, 76.86, -10.06

 

CMYK 22 / 0 / 75 / 0

HEX #C6FF40

RGB 198 255 64

HSL 77.91, 1%, 0.63%

LAB 93.41, -42.72, 79.1

 

CMYK 74 / 0 / 16 / 0

HEX #42FFD6

RGB 66 255 214

HSL 166.98, 1%, 0.63%

LAB 90.57, -55.32, 6.37

 

CMYK 53 / 74 / 0 / 0

HEX #7842FF

RGB 120 66 255

HSL 257.14, 1%, 0.63%

LAB 45.78, 65.37, -85.3

 

CMYK 0 / 74 / 58 / 0

HEX #FF426B

RGB 255 66 107

HSL 346.98, 1%, 0.63%

LAB 58.24, 72.1, 21.26

 

Description

Color code: HEX #C6FF40 | qconv.com Color code: HEX #C6FF40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 255 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 255 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 75 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 75% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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