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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F846 it is the complementary color #3907B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F846. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F846 shade: #CBF841, #DCFF54, #EDFF67, #FEFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F846. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F846 shade: #C6F846, #B5E633, #A4D420, #93C20D and #82B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F846 shade: #C6F844, #F6F844, #F8CA44, #F89944 and #F86844

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F846 shade: #C6F844, #95F844, #64F844, #44F854 and #44F885

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F846 shade matches the following richer shades: #C6F844

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F846 shade: #C6F844, #BFE954, #B8D963, #B1C973 and #AABA83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F846 shade: #F8C844, #F8F844, #C8F844, #98F844 and #68F844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F846 shade: #A4E208, #B9F71C, #C6F844, #D2FA6C and #DEFB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F846 shade: #C6F846, #44F898 and #E044F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F846 shade: #C6F846, #44C8F8 and #F844C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F846 shade: #C6F846, #44F898, #7444F8 and #F844A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F846 shade: #C6F846, #44F8CE, #7444F8 and #F8446E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

Complementary color

CMYK 69 / 96 / 0 / 27

HEX #3907B9

RGB 57 7 185

HSL 256.85, 0.93%, 0.38%

LAB 25.34, 61.9, -79.04

 

CMYK 18 / 0 / 74 / 3

HEX #CBF841

RGB 203 248 65

HSL 74.75, 0.93%, 0.61%

LAB 91.78, -37.69, 77.37

 

CMYK 14 / 0 / 67 / 0

HEX #DCFF54

RGB 220 255 84

HSL 72.28, 1%, 0.66%

LAB 94.9, -33.29, 74.33

 

CMYK 7 / 0 / 60 / 0

HEX #EDFF67

RGB 237 255 103

HSL 67.11, 1%, 0.7%

LAB 96.21, -25.47, 68.67

 

CMYK 0 / 0 / 52 / 0

HEX #FEFF7A

RGB 254 255 122

HSL 60.45, 1%, 0.74%

LAB 97.63, -17.41, 62.49

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

CMYK 21 / 0 / 78 / 10

HEX #B5E633

RGB 181 230 51

HSL 76.42, 0.78%, 0.55%

LAB 85.33, -38.73, 75.05

 

CMYK 23 / 0 / 85 / 17

HEX #A4D420

RGB 164 212 32

HSL 76, 0.74%, 0.48%

LAB 79.09, -37.96, 73.9

 

CMYK 24 / 0 / 93 / 24

HEX #93C20D

RGB 147 194 13

HSL 75.58, 0.87%, 0.41%

LAB 72.77, -36.99, 71.52

 

CMYK 26 / 0 / 100 / 31

HEX #82B000

RGB 130 176 0

HSL 75.68, 1%, 0.35%

LAB 66.36, -35.81, 67.6

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 1 / 0 / 73 / 3

HEX #F6F844

RGB 246 248 68

HSL 60.67, 0.93%, 0.62%

LAB 94.8, -20.49, 80.34

 

CMYK 0 / 19 / 73 / 3

HEX #F8CA44

RGB 248 202 68

HSL 44.67, 0.93%, 0.62%

LAB 83.24, 3.24, 69.33

 

CMYK 0 / 38 / 73 / 3

HEX #F89944

RGB 248 153 68

HSL 28.33, 0.93%, 0.62%

LAB 71.66, 28.84, 57.7

 

CMYK 0 / 58 / 73 / 3

HEX #F86844

RGB 248 104 68

HSL 12, 0.93%, 0.62%

LAB 61.89, 53.11, 47.31

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 40 / 0 / 73 / 3

HEX #95F844

RGB 149 248 68

HSL 93, 0.93%, 0.62%

LAB 88.89, -56.73, 72.61

 

CMYK 60 / 0 / 73 / 3

HEX #64F844

RGB 100 248 68

HSL 109.33, 0.93%, 0.62%

LAB 87.12, -70.23, 70.26

 

CMYK 73 / 0 / 66 / 3

HEX #44F854

RGB 68 248 84

HSL 125.33, 0.93%, 0.62%

LAB 86.51, -74.95, 63.56

 

CMYK 73 / 0 / 46 / 3

HEX #44F885

RGB 68 248 133

HSL 141.67, 0.93%, 0.62%

LAB 87.02, -68.8, 42.48

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 18 / 0 / 64 / 9

HEX #BFE954

RGB 191 233 84

HSL 76.91, 0.77%, 0.62%

LAB 86.99, -34.41, 65.53

 

CMYK 15 / 0 / 54 / 15

HEX #B8D963

RGB 184 217 99

HSL 76.78, 0.61%, 0.62%

LAB 82.23, -28.47, 53.7

 

CMYK 12 / 0 / 43 / 21

HEX #B1C973

RGB 177 201 115

HSL 76.74, 0.44%, 0.62%

LAB 77.49, -21.82, 40.21

 

CMYK 9 / 0 / 30 / 27

HEX #AABA83

RGB 170 186 131

HSL 77.45, 0.28%, 0.62%

LAB 73.09, -14.92, 26.12

 

CMYK 0 / 19 / 73 / 3

HEX #F8C844

RGB 248 200 68

HSL 44, 0.93%, 0.62%

LAB 82.74, 4.27, 68.85

 

CMYK 0 / 0 / 73 / 3

HEX #F8F844

RGB 248 248 68

HSL 60, 0.93%, 0.62%

LAB 94.95, -19.68, 80.54

 

CMYK 19 / 0 / 73 / 3

HEX #C8F844

RGB 200 248 68

HSL 76, 0.93%, 0.62%

LAB 91.61, -38.69, 76.18

 

CMYK 39 / 0 / 73 / 3

HEX #98F844

RGB 152 248 68

HSL 92, 0.93%, 0.62%

LAB 89.03, -55.76, 72.78

 

CMYK 58 / 0 / 73 / 3

HEX #68F844

RGB 104 248 68

HSL 108, 0.93%, 0.62%

LAB 87.24, -69.31, 70.41

 

CMYK 27 / 0 / 96 / 11

HEX #A4E208

RGB 164 226 8

HSL 77.06, 0.93%, 0.46%

LAB 83.07, -44.55, 80.54

 

CMYK 25 / 0 / 89 / 3

HEX #B9F71C

RGB 185 247 28

HSL 76.99, 0.93%, 0.54%

LAB 90.28, -45.35, 84.45

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 16 / 0 / 57 / 2

HEX #D2FA6C

RGB 210 250 108

HSL 76.9, 0.93%, 0.7%

LAB 93.08, -33.15, 62.59

 

CMYK 12 / 0 / 41 / 2

HEX #DEFB94

RGB 222 251 148

HSL 76.89, 0.93%, 0.78%

LAB 94.59, -25.24, 46.19

 

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

CMYK 73 / 0 / 39 / 3

HEX #44F898

RGB 68 248 152

HSL 148, 0.93%, 0.62%

LAB 87.31, -65.6, 33.52

 

CMYK 10 / 73 / 0 / 3

HEX #E044F8

RGB 224 68 248

HSL 292, 0.93%, 0.62%

LAB 58.75, 80.76, -59.75

 

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

CMYK 73 / 19 / 0 / 3

HEX #44C8F8

RGB 68 200 248

HSL 196, 0.93%, 0.62%

LAB 75.65, -20.39, -33.91

 

CMYK 0 / 73 / 19 / 3

HEX #F844C8

RGB 248 68 200

HSL 316, 0.93%, 0.62%

LAB 60.12, 78.72, -30.32

 

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

CMYK 73 / 0 / 39 / 3

HEX #44F898

RGB 68 248 152

HSL 148, 0.93%, 0.62%

LAB 87.31, -65.6, 33.52

 

CMYK 53 / 73 / 0 / 3

HEX #7444F8

RGB 116 68 248

HSL 256, 0.93%, 0.62%

LAB 45.12, 62.03, -82.5

 

CMYK 0 / 73 / 34 / 3

HEX #F844A4

RGB 248 68 164

HSL 328, 0.93%, 0.62%

LAB 58.76, 74.48, -11.65

 

CMYK 20 / 0 / 72 / 3

HEX #C6F846

RGB 198 248 70

HSL 76.85, 0.93%, 0.62%

LAB 91.5, -39.35, 75.37

 

CMYK 73 / 0 / 17 / 3

HEX #44F8CE

RGB 68 248 206

HSL 166, 0.93%, 0.62%

LAB 88.36, -54.19, 7.35

 

CMYK 53 / 73 / 0 / 3

HEX #7444F8

RGB 116 68 248

HSL 256, 0.93%, 0.62%

LAB 45.12, 62.03, -82.5

 

CMYK 0 / 73 / 56 / 3

HEX #F8446E

RGB 248 68 110

HSL 346, 0.93%, 0.62%

LAB 57.29, 69.71, 17.99

 

Description

Color code: HEX #C6F846 | qconv.com Color code: HEX #C6F846 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 248 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 248 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 72 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 72% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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