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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F3AB it is the complementary color #390C54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F3AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F3AB shade: #CBF3A6, #DCFFB9, #EDFFCC, #FEFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F3AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F3AB shade: #C6F3AB, #B5E198, #A4CF85, #93BD72 and #82AB5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F3AB shade: #C5F3AA, #D9F3AA, #EDF3AA, #F3E6AA and #F3D2AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F3AB shade: #C5F3AA, #B2F3AA, #AAF3B6, #AAF3CA and #AAF3DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F3AB shade matches the following richer shades: #C5F3AA and #C4FBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F3AB shade: #C5F3AA, #C7EBB2, #C9E3BA, #CBDBC2 and #CDD4CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F3AB shade: #EDF3AA, #D9F3AA, #C6F3AA, #B3F3AA and #AAF3B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F3AB shade: #94E962, #ADEE86, #C5F3AA, #DEF8CE and #F6FDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F3AB shade: #C6F3AB, #AAF3E6 and #F3AAE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F3AB shade: #C6F3AB, #AAC6F3 and #F3AAC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F3AB shade: #C6F3AB, #AAF3E6, #D7AAF3 and #F3AAB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F3AB shade: #C6F3AB, #AAEAF3, #D7AAF3 and #F3B3AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

Complementary color

CMYK 32 / 86 / 0 / 67

HEX #390C54

RGB 57 12 84

HSL 277.5, 0.75%, 0.19%

LAB 14.25, 34.68, -33.49

 

CMYK 16 / 0 / 32 / 5

HEX #CBF3A6

RGB 203 243 166

HSL 91.17, 0.76%, 0.8%

LAB 91.48, -26.05, 33.01

 

CMYK 14 / 0 / 27 / 0

HEX #DCFFB9

RGB 220 255 185

HSL 90, 1%, 0.86%

LAB 96.1, -23.13, 29.83

 

CMYK 7 / 0 / 20 / 0

HEX #EDFFCC

RGB 237 255 204

HSL 81.18, 1%, 0.9%

LAB 97.59, -14.41, 22.45

 

CMYK 0 / 0 / 13 / 0

HEX #FEFFDF

RGB 254 255 223

HSL 61.88, 1%, 0.94%

LAB 99.19, -5.6, 15.19

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

CMYK 20 / 0 / 32 / 12

HEX #B5E198

RGB 181 225 152

HSL 96.16, 0.55%, 0.74%

LAB 84.97, -27.18, 31.19

 

CMYK 21 / 0 / 36 / 19

HEX #A4CF85

RGB 164 207 133

HSL 94.86, 0.44%, 0.67%

LAB 78.58, -27.29, 32.29

 

CMYK 22 / 0 / 40 / 26

HEX #93BD72

RGB 147 189 114

HSL 93.6, 0.36%, 0.59%

LAB 72.1, -27.39, 33.45

 

CMYK 24 / 0 / 44 / 33

HEX #82AB5F

RGB 130 171 95

HSL 92.37, 0.31%, 0.52%

LAB 65.51, -27.46, 34.64

 

CMYK 19 / 0 / 30 / 5

HEX #C5F3AA

RGB 197 243 170

HSL 97.81, 0.75%, 0.81%

LAB 91.18, -27.57, 30.52

 

CMYK 11 / 0 / 30 / 5

HEX #D9F3AA

RGB 217 243 170

HSL 81.37, 0.75%, 0.81%

LAB 92.47, -20.51, 32.47

 

CMYK 2 / 0 / 30 / 5

HEX #EDF3AA

RGB 237 243 170

HSL 64.93, 0.75%, 0.81%

LAB 93.89, -13.19, 34.62

 

CMYK 0 / 5 / 30 / 5

HEX #F3E6AA

RGB 243 230 170

HSL 49.32, 0.75%, 0.81%

LAB 91.03, -4.46, 30.89

 

CMYK 0 / 14 / 30 / 5

HEX #F3D2AA

RGB 243 210 170

HSL 32.88, 0.75%, 0.81%

LAB 86.03, 5.78, 24.1

 

CMYK 19 / 0 / 30 / 5

HEX #C5F3AA

RGB 197 243 170

HSL 97.81, 0.75%, 0.81%

LAB 91.18, -27.57, 30.52

 

CMYK 27 / 0 / 30 / 5

HEX #B2F3AA

RGB 178 243 170

HSL 113.42, 0.75%, 0.81%

LAB 90.08, -33.94, 28.85

 

CMYK 30 / 0 / 25 / 5

HEX #AAF3B6

RGB 170 243 182

HSL 129.86, 0.75%, 0.81%

LAB 89.87, -34.52, 22.37

 

CMYK 30 / 0 / 17 / 5

HEX #AAF3CA

RGB 170 243 202

HSL 146.3, 0.75%, 0.81%

LAB 90.28, -30.89, 12.63

 

CMYK 30 / 0 / 9 / 5

HEX #AAF3DD

RGB 170 243 221

HSL 161.92, 0.75%, 0.81%

LAB 90.72, -27.11, 3.39

 

CMYK 19 / 0 / 30 / 5

HEX #C5F3AA

RGB 197 243 170

HSL 97.81, 0.75%, 0.81%

LAB 91.18, -27.57, 30.52

 

CMYK 22 / 0 / 35 / 2

HEX #C4FBA2

RGB 196 251 162

HSL 97.08, 0.92%, 0.81%

LAB 93.16, -32.78, 37.16

 

CMYK 19 / 0 / 30 / 5

HEX #C5F3AA

RGB 197 243 170

HSL 97.81, 0.75%, 0.81%

LAB 91.18, -27.57, 30.52

 

CMYK 15 / 0 / 24 / 8

HEX #C7EBB2

RGB 199 235 178

HSL 97.89, 0.59%, 0.81%

LAB 89.29, -21.83, 23.88

 

CMYK 11 / 0 / 18 / 11

HEX #C9E3BA

RGB 201 227 186

HSL 98.05, 0.42%, 0.81%

LAB 87.44, -15.93, 17.19

 

CMYK 7 / 0 / 11 / 14

HEX #CBDBC2

RGB 203 219 194

HSL 98.4, 0.26%, 0.81%

LAB 85.63, -9.87, 10.47

 

CMYK 3 / 0 / 5 / 17

HEX #CDD4CA

RGB 205 212 202

HSL 102, 0.1%, 0.81%

LAB 84.14, -4.19, 4.11

 

CMYK 2 / 0 / 30 / 5

HEX #EDF3AA

RGB 237 243 170

HSL 64.93, 0.75%, 0.81%

LAB 93.89, -13.19, 34.62

 

CMYK 11 / 0 / 30 / 5

HEX #D9F3AA

RGB 217 243 170

HSL 81.37, 0.75%, 0.81%

LAB 92.47, -20.51, 32.47

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AA

RGB 198 243 170

HSL 96.99, 0.75%, 0.81%

LAB 91.24, -27.22, 30.61

 

CMYK 26 / 0 / 30 / 5

HEX #B3F3AA

RGB 179 243 170

HSL 112.6, 0.75%, 0.81%

LAB 90.13, -33.62, 28.93

 

CMYK 30 / 0 / 26 / 5

HEX #AAF3B5

RGB 170 243 181

HSL 129.04, 0.75%, 0.81%

LAB 89.85, -34.69, 22.86

 

CMYK 36 / 0 / 58 / 9

HEX #94E962

RGB 148 233 98

HSL 97.78, 0.75%, 0.65%

LAB 84.72, -48.64, 56.48

 

CMYK 27 / 0 / 44 / 7

HEX #ADEE86

RGB 173 238 134

HSL 97.5, 0.75%, 0.73%

LAB 87.85, -38.4, 43.82

 

CMYK 19 / 0 / 30 / 5

HEX #C5F3AA

RGB 197 243 170

HSL 97.81, 0.75%, 0.81%

LAB 91.18, -27.57, 30.52

 

CMYK 10 / 0 / 17 / 3

HEX #DEF8CE

RGB 222 248 206

HSL 97.14, 0.75%, 0.89%

LAB 94.79, -15.85, 17.37

 

CMYK 3 / 0 / 4 / 1

HEX #F6FDF2

RGB 246 253 242

HSL 98.18, 0.73%, 0.97%

LAB 98.53, -4.22, 4.45

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

CMYK 30 / 0 / 5 / 5

HEX #AAF3E6

RGB 170 243 230

HSL 169.32, 0.75%, 0.81%

LAB 90.94, -25.22, -0.97

 

CMYK 0 / 30 / 7 / 5

HEX #F3AAE3

RGB 243 170 227

HSL 313.15, 0.75%, 0.81%

LAB 78.08, 35.45, -17.91

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

CMYK 30 / 19 / 0 / 5

HEX #AAC6F3

RGB 170 198 243

HSL 216.99, 0.75%, 0.81%

LAB 79.27, 0.75, -25.29

 

CMYK 0 / 30 / 19 / 5

HEX #F3AAC6

RGB 243 170 198

HSL 336.99, 0.75%, 0.81%

LAB 77.21, 30.77, -3.44

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

CMYK 30 / 0 / 5 / 5

HEX #AAF3E6

RGB 170 243 230

HSL 169.32, 0.75%, 0.81%

LAB 90.94, -25.22, -0.97

 

CMYK 12 / 30 / 0 / 5

HEX #D7AAF3

RGB 215 170 243

HSL 276.99, 0.75%, 0.81%

LAB 75.86, 29.53, -30.2

 

CMYK 0 / 30 / 24 / 5

HEX #F3AAB8

RGB 243 170 184

HSL 348.49, 0.75%, 0.81%

LAB 76.84, 28.72, 3.66

 

CMYK 19 / 0 / 30 / 5

HEX #C6F3AB

RGB 198 243 171

HSL 97.5, 0.75%, 0.81%

LAB 91.26, -27.07, 30.13

 

CMYK 30 / 4 / 0 / 5

HEX #AAEAF3

RGB 170 234 243

HSL 187.4, 0.75%, 0.81%

LAB 88.86, -17.93, -10.84

 

CMYK 12 / 30 / 0 / 5

HEX #D7AAF3

RGB 215 170 243

HSL 276.99, 0.75%, 0.81%

LAB 75.86, 29.53, -30.2

 

CMYK 0 / 26 / 30 / 5

HEX #F3B3AA

RGB 243 179 170

HSL 7.4, 0.75%, 0.81%

LAB 78.58, 22.06, 13.75

 

Description

Color code: HEX #C6F3AB | qconv.com Color code: HEX #C6F3AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 243 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 243 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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