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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F181 it is the complementary color #390E7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F181 shade: #CBF17C, #DCFF8F, #EDFFA2, #FEFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F181 shade: #C6F181, #B5DF6E, #A4CD5B, #93BB48 and #82A935

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F181 shade: #C7F183, #E5F183, #F1E083, #F1C283 and #F1A583

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F181 shade: #C7F183, #A9F183, #8CF183, #83F198 and #83F1B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F181 shade matches the following richer shades: #C7F183 and #CAFC78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F181 shade: #C7F183, #C4E68E, #C2DB99, #BFD0A4 and #BDC5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F181 shade: #F1E183, #E4F183, #C7F183, #AAF183 and #8CF183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F181 shade: #A5E939, #B6ED5E, #C7F183, #D8F5A8 and #E9F9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F181 shade: #C6F181, #83F1C3 and #EF83F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F181 shade: #C6F181, #83C7F1 and #F183C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F181 shade: #C6F181, #83F1C3, #AD83F1 and #F183B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F181 shade: #C6F181, #83F1E4, #AD83F1 and #F18390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

Complementary color

CMYK 55 / 89 / 0 / 51

HEX #390E7E

RGB 57 14 126

HSL 263.04, 0.8%, 0.27%

LAB 18.76, 44.86, -53.69

 

CMYK 16 / 0 / 49 / 5

HEX #CBF17C

RGB 203 241 124

HSL 79.49, 0.81%, 0.72%

LAB 90.35, -30.15, 52.08

 

CMYK 14 / 0 / 44 / 0

HEX #DCFF8F

RGB 220 255 143

HSL 78.75, 1%, 0.78%

LAB 95.46, -28.41, 49.65

 

CMYK 7 / 0 / 36 / 0

HEX #EDFFA2

RGB 237 255 162

HSL 71.61, 1%, 0.82%

LAB 96.87, -20, 42.51

 

CMYK 0 / 0 / 29 / 0

HEX #FEFFB5

RGB 254 255 181

HSL 60.81, 1%, 0.85%

LAB 98.4, -11.44, 35.35

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

CMYK 19 / 0 / 51 / 13

HEX #B5DF6E

RGB 181 223 110

HSL 82.3, 0.64%, 0.65%

LAB 83.82, -31.38, 50.45

 

CMYK 20 / 0 / 56 / 20

HEX #A4CD5B

RGB 164 205 91

HSL 81.58, 0.53%, 0.58%

LAB 77.47, -31.23, 51.51

 

CMYK 21 / 0 / 61 / 27

HEX #93BB48

RGB 147 187 72

HSL 80.87, 0.46%, 0.51%

LAB 71.02, -31, 52.45

 

CMYK 23 / 0 / 69 / 34

HEX #82A935

RGB 130 169 53

HSL 80.17, 0.52%, 0.44%

LAB 64.47, -30.65, 53.11

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 5 / 0 / 46 / 5

HEX #E5F183

RGB 229 241 131

HSL 66.55, 0.8%, 0.73%

LAB 92.22, -19.59, 51.48

 

CMYK 0 / 7 / 46 / 5

HEX #F1E083

RGB 241 224 131

HSL 50.73, 0.8%, 0.73%

LAB 88.76, -6.49, 47.43

 

CMYK 0 / 20 / 46 / 5

HEX #F1C283

RGB 241 194 131

HSL 34.36, 0.8%, 0.73%

LAB 81.25, 8.94, 37.96

 

CMYK 0 / 32 / 46 / 5

HEX #F1A583

RGB 241 165 131

HSL 18.55, 0.8%, 0.73%

LAB 74.35, 24.24, 28.96

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 30 / 0 / 46 / 5

HEX #A9F183

RGB 169 241 131

HSL 99.27, 0.8%, 0.73%

LAB 88.44, -41.46, 45.97

 

CMYK 42 / 0 / 46 / 5

HEX #8CF183

RGB 140 241 131

HSL 115.09, 0.8%, 0.73%

LAB 87.06, -50.61, 43.94

 

CMYK 46 / 0 / 37 / 5

HEX #83F198

RGB 131 241 152

HSL 131.45, 0.8%, 0.73%

LAB 87, -50.03, 33.43

 

CMYK 46 / 0 / 24 / 5

HEX #83F1B6

RGB 131 241 182

HSL 147.82, 0.8%, 0.73%

LAB 87.54, -44.67, 18.86

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 20 / 0 / 52 / 1

HEX #CAFC78

RGB 202 252 120

HSL 82.73, 0.96%, 0.73%

LAB 93.25, -35.97, 57.36

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 15 / 0 / 38 / 10

HEX #C4E68E

RGB 196 230 142

HSL 83.18, 0.64%, 0.73%

LAB 87.14, -25.52, 39.26

 

CMYK 11 / 0 / 30 / 14

HEX #C2DB99

RGB 194 219 153

HSL 82.73, 0.48%, 0.73%

LAB 84.19, -19.46, 29.79

 

CMYK 8 / 0 / 21 / 18

HEX #BFD0A4

RGB 191 208 164

HSL 83.18, 0.32%, 0.73%

LAB 81.22, -13.43, 19.97

 

CMYK 4 / 0 / 11 / 23

HEX #BDC5B0

RGB 189 197 176

HSL 82.86, 0.15%, 0.73%

LAB 78.4, -6.53, 9.59

 

CMYK 0 / 7 / 46 / 5

HEX #F1E183

RGB 241 225 131

HSL 51.27, 0.8%, 0.73%

LAB 89.01, -6.99, 47.74

 

CMYK 5 / 0 / 46 / 5

HEX #E4F183

RGB 228 241 131

HSL 67.09, 0.8%, 0.73%

LAB 92.15, -19.97, 51.37

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 29 / 0 / 46 / 5

HEX #AAF183

RGB 170 241 131

HSL 98.73, 0.8%, 0.73%

LAB 88.49, -41.12, 46.04

 

CMYK 42 / 0 / 46 / 5

HEX #8CF183

RGB 140 241 131

HSL 115.09, 0.8%, 0.73%

LAB 87.06, -50.61, 43.94

 

CMYK 29 / 0 / 76 / 9

HEX #A5E939

RGB 165 233 57

HSL 83.18, 0.8%, 0.57%

LAB 85.29, -45.75, 72.91

 

CMYK 23 / 0 / 60 / 7

HEX #B6ED5E

RGB 182 237 94

HSL 83.08, 0.8%, 0.65%

LAB 87.64, -38.85, 61.98

 

CMYK 17 / 0 / 46 / 5

HEX #C7F183

RGB 199 241 131

HSL 82.91, 0.8%, 0.73%

LAB 90.18, -30.89, 48.51

 

CMYK 12 / 0 / 31 / 4

HEX #D8F5A8

RGB 216 245 168

HSL 82.6, 0.79%, 0.81%

LAB 92.9, -22.1, 34.04

 

CMYK 6 / 0 / 18 / 2

HEX #E9F9CD

RGB 233 249 205

HSL 81.82, 0.79%, 0.89%

LAB 95.78, -12.7, 19.38

 

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

CMYK 46 / 0 / 19 / 5

HEX #83F1C3

RGB 131 241 195

HSL 154.91, 0.8%, 0.73%

LAB 87.81, -42.06, 12.51

 

CMYK 1 / 46 / 0 / 5

HEX #EF83F1

RGB 239 131 241

HSL 298.91, 0.8%, 0.73%

LAB 70.13, 56.69, -37.78

 

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

CMYK 46 / 17 / 0 / 5

HEX #83C7F1

RGB 131 199 241

HSL 202.91, 0.8%, 0.73%

LAB 77.29, -10.54, -27.44

 

CMYK 0 / 46 / 17 / 5

HEX #F183C7

RGB 241 131 199

HSL 322.91, 0.8%, 0.73%

LAB 68.79, 50.41, -16.57

 

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

CMYK 46 / 0 / 19 / 5

HEX #83F1C3

RGB 131 241 195

HSL 154.91, 0.8%, 0.73%

LAB 87.81, -42.06, 12.51

 

CMYK 28 / 46 / 0 / 5

HEX #AD83F1

RGB 173 131 241

HSL 262.91, 0.8%, 0.73%

LAB 62.9, 38.4, -49.64

 

CMYK 0 / 46 / 27 / 5

HEX #F183B1

RGB 241 131 177

HSL 334.91, 0.8%, 0.73%

LAB 68.1, 47.3, -5.28

 

CMYK 18 / 0 / 46 / 5

HEX #C6F181

RGB 198 241 129

HSL 83.04, 0.8%, 0.73%

LAB 90.09, -31.48, 49.34

 

CMYK 46 / 0 / 5 / 5

HEX #83F1E4

RGB 131 241 228

HSL 172.91, 0.8%, 0.73%

LAB 88.61, -34.7, -3.55

 

CMYK 28 / 46 / 0 / 5

HEX #AD83F1

RGB 173 131 241

HSL 262.91, 0.8%, 0.73%

LAB 62.9, 38.4, -49.64

 

CMYK 0 / 46 / 40 / 5

HEX #F18390

RGB 241 131 144

HSL 352.91, 0.8%, 0.73%

LAB 67.24, 43.3, 12.06

 

Description

Color code: HEX #C6F181 | qconv.com Color code: HEX #C6F181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 241 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 241 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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