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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F180 it is the complementary color #390E7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F180 shade: #CBF17B, #DCFF8E, #EDFFA1, #FEFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F180 shade: #C6F180, #B5DF6D, #A4CD5A, #93BB47 and #82A934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F180 shade: #C5F17E, #E4F17E, #F1DF7E, #F1C07E and #F1A17E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F180 shade: #C5F17E, #A6F17E, #88F17E, #7EF194 and #7EF1B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F180 shade matches the following richer shades: #C5F17E and #C8FC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F180 shade: #C5F17E, #C2E58A, #C0DA96, #BDCEA1 and #BAC3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F180 shade: #F1DE7E, #E5F17E, #C7F17E, #A8F17E and #8AF17E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F180 shade: #A4E834, #B5ED59, #C5F17E, #D6F5A4 and #E7F9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F180 shade: #C6F180, #7EF1BF and #ED7EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F180 shade: #C6F180, #7EC7F1 and #F17EC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F180 shade: #C6F180, #7EF1BF, #A87EF1 and #F17EB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F180 shade: #C6F180, #7EF1E1, #A87EF1 and #F17E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

Complementary color

CMYK 55 / 89 / 0 / 50

HEX #390E7F

RGB 57 14 127

HSL 262.83, 0.8%, 0.28%

LAB 18.87, 45.13, -54.14

 

CMYK 16 / 0 / 49 / 5

HEX #CBF17B

RGB 203 241 123

HSL 79.32, 0.81%, 0.71%

LAB 90.34, -30.25, 52.53

 

CMYK 14 / 0 / 44 / 0

HEX #DCFF8E

RGB 220 255 142

HSL 78.58, 1%, 0.78%

LAB 95.45, -28.52, 50.1

 

CMYK 7 / 0 / 37 / 0

HEX #EDFFA1

RGB 237 255 161

HSL 71.49, 1%, 0.82%

LAB 96.86, -20.12, 42.98

 

CMYK 0 / 0 / 29 / 0

HEX #FEFFB4

RGB 254 255 180

HSL 60.8, 1%, 0.85%

LAB 98.39, -11.57, 35.83

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

CMYK 19 / 0 / 51 / 13

HEX #B5DF6D

RGB 181 223 109

HSL 82.11, 0.64%, 0.65%

LAB 83.81, -31.48, 50.9

 

CMYK 20 / 0 / 56 / 20

HEX #A4CD5A

RGB 164 205 90

HSL 81.39, 0.53%, 0.58%

LAB 77.46, -31.32, 51.95

 

CMYK 21 / 0 / 62 / 27

HEX #93BB47

RGB 147 187 71

HSL 80.69, 0.46%, 0.51%

LAB 71.01, -31.08, 52.87

 

CMYK 23 / 0 / 69 / 34

HEX #82A934

RGB 130 169 52

HSL 80, 0.53%, 0.43%

LAB 64.46, -30.72, 53.5

 

CMYK 18 / 0 / 48 / 5

HEX #C5F17E

RGB 197 241 126

HSL 82.96, 0.8%, 0.72%

LAB 89.99, -32.16, 50.62

 

CMYK 5 / 0 / 48 / 5

HEX #E4F17E

RGB 228 241 126

HSL 66.78, 0.8%, 0.72%

LAB 92.09, -20.45, 53.65

 

CMYK 0 / 7 / 48 / 5

HEX #F1DF7E

RGB 241 223 126

HSL 50.61, 0.8%, 0.72%

LAB 88.44, -6.45, 49.46

 

CMYK 0 / 20 / 48 / 5

HEX #F1C07E

RGB 241 192 126

HSL 34.43, 0.8%, 0.72%

LAB 80.69, 9.51, 39.8

 

CMYK 0 / 33 / 48 / 5

HEX #F1A17E

RGB 241 161 126

HSL 18.26, 0.8%, 0.72%

LAB 73.35, 25.87, 30.33

 

CMYK 18 / 0 / 48 / 5

HEX #C5F17E

RGB 197 241 126

HSL 82.96, 0.8%, 0.72%

LAB 89.99, -32.16, 50.62

 

CMYK 31 / 0 / 48 / 5

HEX #A6F17E

RGB 166 241 126

HSL 99.13, 0.8%, 0.72%

LAB 88.22, -43.07, 48.04

 

CMYK 44 / 0 / 48 / 5

HEX #88F17E

RGB 136 241 126

HSL 114.78, 0.8%, 0.72%

LAB 86.83, -52.44, 46.01

 

CMYK 48 / 0 / 39 / 5

HEX #7EF194

RGB 126 241 148

HSL 131.48, 0.8%, 0.72%

LAB 86.74, -52, 35.06

 

CMYK 48 / 0 / 26 / 5

HEX #7EF1B3

RGB 126 241 179

HSL 147.65, 0.8%, 0.72%

LAB 87.29, -46.5, 20.04

 

CMYK 18 / 0 / 48 / 5

HEX #C5F17E

RGB 197 241 126

HSL 82.96, 0.8%, 0.72%

LAB 89.99, -32.16, 50.62

 

CMYK 21 / 0 / 54 / 1

HEX #C8FC73

RGB 200 252 115

HSL 82.77, 0.96%, 0.72%

LAB 93.07, -37.16, 59.36

 

CMYK 18 / 0 / 48 / 5

HEX #C5F17E

RGB 197 241 126

HSL 82.96, 0.8%, 0.72%

LAB 89.99, -32.16, 50.62

 

CMYK 15 / 0 / 40 / 10

HEX #C2E58A

RGB 194 229 138

HSL 83.08, 0.64%, 0.72%

LAB 86.67, -26.27, 40.62

 

CMYK 12 / 0 / 31 / 15

HEX #C0DA96

RGB 192 218 150

HSL 82.94, 0.48%, 0.72%

LAB 83.73, -20.12, 30.69

 

CMYK 8 / 0 / 22 / 19

HEX #BDCEA1

RGB 189 206 161

HSL 82.67, 0.31%, 0.72%

LAB 80.48, -13.61, 20.51

 

CMYK 5 / 0 / 11 / 24

HEX #BAC3AD

RGB 186 195 173

HSL 84.55, 0.15%, 0.72%

LAB 77.57, -7.07, 9.99

 

CMYK 0 / 8 / 48 / 5

HEX #F1DE7E

RGB 241 222 126

HSL 50.09, 0.8%, 0.72%

LAB 88.18, -5.94, 49.15

 

CMYK 5 / 0 / 48 / 5

HEX #E5F17E

RGB 229 241 126

HSL 66.26, 0.8%, 0.72%

LAB 92.17, -20.06, 53.76

 

CMYK 17 / 0 / 48 / 5

HEX #C7F17E

RGB 199 241 126

HSL 81.91, 0.8%, 0.72%

LAB 90.12, -31.43, 50.8

 

CMYK 30 / 0 / 48 / 5

HEX #A8F17E

RGB 168 241 126

HSL 98.09, 0.8%, 0.72%

LAB 88.32, -42.39, 48.2

 

CMYK 43 / 0 / 48 / 5

HEX #8AF17E

RGB 138 241 126

HSL 113.74, 0.8%, 0.72%

LAB 86.91, -51.86, 46.13

 

CMYK 29 / 0 / 78 / 9

HEX #A4E834

RGB 164 232 52

HSL 82.67, 0.8%, 0.56%

LAB 84.92, -45.93, 74.03

 

CMYK 24 / 0 / 62 / 7

HEX #B5ED59

RGB 181 237 89

HSL 82.7, 0.8%, 0.64%

LAB 87.54, -39.61, 63.92

 

CMYK 18 / 0 / 48 / 5

HEX #C5F17E

RGB 197 241 126

HSL 82.96, 0.8%, 0.72%

LAB 89.99, -32.16, 50.62

 

CMYK 13 / 0 / 33 / 4

HEX #D6F5A4

RGB 214 245 164

HSL 82.96, 0.8%, 0.8%

LAB 92.7, -23.35, 35.76

 

CMYK 7 / 0 / 19 / 2

HEX #E7F9C9

RGB 231 249 201

HSL 82.5, 0.8%, 0.88%

LAB 95.56, -14.01, 21.1

 

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

CMYK 48 / 0 / 21 / 5

HEX #7EF1BF

RGB 126 241 191

HSL 153.91, 0.8%, 0.72%

LAB 87.54, -44.1, 14.17

 

CMYK 2 / 48 / 0 / 5

HEX #ED7EF1

RGB 237 126 241

HSL 297.91, 0.8%, 0.72%

LAB 68.95, 58.57, -39.64

 

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

CMYK 48 / 17 / 0 / 5

HEX #7EC7F1

RGB 126 199 241

HSL 201.91, 0.8%, 0.72%

LAB 77.06, -11.7, -27.81

 

CMYK 0 / 48 / 17 / 5

HEX #F17EC7

RGB 241 126 199

HSL 321.91, 0.8%, 0.72%

LAB 67.83, 52.88, -18.02

 

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

CMYK 48 / 0 / 21 / 5

HEX #7EF1BF

RGB 126 241 191

HSL 153.91, 0.8%, 0.72%

LAB 87.54, -44.1, 14.17

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 48 / 27 / 5

HEX #F17EB0

RGB 241 126 176

HSL 333.91, 0.8%, 0.72%

LAB 67.09, 49.65, -6.21

 

CMYK 18 / 0 / 47 / 5

HEX #C6F180

RGB 198 241 128

HSL 82.83, 0.8%, 0.72%

LAB 90.08, -31.59, 49.8

 

CMYK 48 / 0 / 7 / 5

HEX #7EF1E1

RGB 126 241 225

HSL 171.65, 0.8%, 0.72%

LAB 88.34, -36.54, -2.39

 

CMYK 30 / 48 / 0 / 5

HEX #A87EF1

RGB 168 126 241

HSL 261.91, 0.8%, 0.72%

LAB 61.31, 39.87, -52.2

 

CMYK 0 / 48 / 41 / 5

HEX #F17E8E

RGB 241 126 142

HSL 351.65, 0.8%, 0.72%

LAB 66.19, 45.59, 11.72

 

Description

Color code: HEX #C6F180 | qconv.com Color code: HEX #C6F180 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 241 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 241 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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