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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F09B it is the complementary color #390F64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F09B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F09B shade: #CBF096, #DCFFA9, #EDFFBC, #FEFFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F09B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F09B shade: #C6F09B, #B5DE88, #A4CC75, #93BA62 and #82A84F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F09B shade: #C5F099, #DCF099, #F0EC99, #F0D499 and #F0BD99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F09B shade: #C5F099, #ADF099, #99F09C, #99F0B3 and #99F0CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F09B shade matches the following richer shades: #C5F099 and #C5F98F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F09B shade: #C5F099, #C5E6A2, #C5DDAC, #C5D3B5 and #C4CABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F09B shade: #F0EB99, #DDF099, #C6F099, #AFF099 and #99F09A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F09B shade: #9CE551, #B0EA75, #C5F099, #D9F5BD and #EEFAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F09B shade: #C6F09B, #99F0D4 and #F099E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F09B shade: #C6F09B, #99C6F0 and #F099C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F09B shade: #C6F09B, #99F0D4, #C399F0 and #F099B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F09B shade: #C6F09B, #99F0EE, #C399F0 and #F0999A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

Complementary color

CMYK 43 / 85 / 0 / 61

HEX #390F64

RGB 57 15 100

HSL 269.65, 0.74%, 0.23%

LAB 16.16, 37.55, -41.09

 

CMYK 15 / 0 / 38 / 6

HEX #CBF096

RGB 203 240 150

HSL 84.67, 0.75%, 0.76%

LAB 90.42, -26.74, 39.62

 

CMYK 14 / 0 / 34 / 0

HEX #DCFFA9

RGB 220 255 169

HSL 84.42, 1%, 0.83%

LAB 95.83, -25.32, 37.48

 

CMYK 7 / 0 / 26 / 0

HEX #EDFFBC

RGB 237 255 188

HSL 76.12, 1%, 0.87%

LAB 97.29, -16.7, 30.14

 

CMYK 0 / 0 / 19 / 0

HEX #FEFFCF

RGB 254 255 207

HSL 61.25, 1%, 0.91%

LAB 98.87, -7.98, 22.89

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

CMYK 18 / 0 / 39 / 13

HEX #B5DE88

RGB 181 222 136

HSL 88.6, 0.57%, 0.7%

LAB 83.88, -27.93, 37.87

 

CMYK 20 / 0 / 43 / 20

HEX #A4CC75

RGB 164 204 117

HSL 87.59, 0.46%, 0.63%

LAB 77.5, -27.96, 39.02

 

CMYK 21 / 0 / 47 / 27

HEX #93BA62

RGB 147 186 98

HSL 86.59, 0.39%, 0.56%

LAB 71.01, -27.95, 40.2

 

CMYK 23 / 0 / 53 / 34

HEX #82A84F

RGB 130 168 79

HSL 85.62, 0.36%, 0.48%

LAB 64.42, -27.89, 41.37

 

CMYK 18 / 0 / 36 / 6

HEX #C5F099

RGB 197 240 153

HSL 89.66, 0.74%, 0.77%

LAB 90.09, -28.5, 37.62

 

CMYK 8 / 0 / 36 / 6

HEX #DCF099

RGB 220 240 153

HSL 73.79, 0.74%, 0.77%

LAB 91.61, -20.13, 39.9

 

CMYK 0 / 2 / 36 / 6

HEX #F0EC99

RGB 240 236 153

HSL 57.24, 0.74%, 0.77%

LAB 92.05, -10.61, 40.75

 

CMYK 0 / 12 / 36 / 6

HEX #F0D499

RGB 240 212 153

HSL 40.69, 0.74%, 0.77%

LAB 85.96, 1.54, 32.79

 

CMYK 0 / 21 / 36 / 6

HEX #F0BD99

RGB 240 189 153

HSL 24.83, 0.74%, 0.77%

LAB 80.3, 13.54, 25.2

 

CMYK 18 / 0 / 36 / 6

HEX #C5F099

RGB 197 240 153

HSL 89.66, 0.74%, 0.77%

LAB 90.09, -28.5, 37.62

 

CMYK 28 / 0 / 36 / 6

HEX #ADF099

RGB 173 240 153

HSL 106.21, 0.74%, 0.77%

LAB 88.69, -36.76, 35.52

 

CMYK 36 / 0 / 35 / 6

HEX #99F09C

RGB 153 240 156

HSL 122.07, 0.74%, 0.77%

LAB 87.72, -42.66, 32.55

 

CMYK 36 / 0 / 25 / 6

HEX #99F0B3

RGB 153 240 179

HSL 137.93, 0.74%, 0.77%

LAB 88.14, -38.79, 21.38

 

CMYK 36 / 0 / 15 / 6

HEX #99F0CB

RGB 153 240 203

HSL 154.48, 0.74%, 0.77%

LAB 88.64, -34.19, 9.66

 

CMYK 18 / 0 / 36 / 6

HEX #C5F099

RGB 197 240 153

HSL 89.66, 0.74%, 0.77%

LAB 90.09, -28.5, 37.62

 

CMYK 21 / 0 / 43 / 2

HEX #C5F98F

RGB 197 249 143

HSL 89.43, 0.9%, 0.77%

LAB 92.4, -33.94, 45.5

 

CMYK 18 / 0 / 36 / 6

HEX #C5F099

RGB 197 240 153

HSL 89.66, 0.74%, 0.77%

LAB 90.09, -28.5, 37.62

 

CMYK 14 / 0 / 30 / 10

HEX #C5E6A2

RGB 197 230 162

HSL 89.12, 0.58%, 0.77%

LAB 87.52, -22.49, 29.67

 

CMYK 11 / 0 / 22 / 13

HEX #C5DDAC

RGB 197 221 172

HSL 89.39, 0.42%, 0.77%

LAB 85.28, -16.58, 21.46

 

CMYK 7 / 0 / 14 / 17

HEX #C5D3B5

RGB 197 211 181

HSL 88, 0.25%, 0.77%

LAB 82.8, -10.08, 13.26

 

CMYK 3 / 0 / 5 / 21

HEX #C4CABF

RGB 196 202 191

HSL 92.73, 0.09%, 0.77%

LAB 80.59, -4.06, 4.76

 

CMYK 0 / 2 / 36 / 6

HEX #F0EB99

RGB 240 235 153

HSL 56.55, 0.74%, 0.77%

LAB 91.79, -10.12, 40.42

 

CMYK 8 / 0 / 36 / 6

HEX #DDF099

RGB 221 240 153

HSL 73.1, 0.74%, 0.77%

LAB 91.68, -19.76, 40

 

CMYK 18 / 0 / 36 / 6

HEX #C6F099

RGB 198 240 153

HSL 88.97, 0.74%, 0.77%

LAB 90.15, -28.15, 37.71

 

CMYK 27 / 0 / 36 / 6

HEX #AFF099

RGB 175 240 153

HSL 104.83, 0.74%, 0.77%

LAB 88.8, -36.09, 35.69

 

CMYK 36 / 0 / 36 / 6

HEX #99F09A

RGB 153 240 154

HSL 120.69, 0.74%, 0.77%

LAB 87.69, -42.97, 33.52

 

CMYK 32 / 0 / 65 / 10

HEX #9CE551

RGB 156 229 81

HSL 89.59, 0.74%, 0.61%

LAB 83.81, -45.74, 62.72

 

CMYK 25 / 0 / 50 / 8

HEX #B0EA75

RGB 176 234 117

HSL 89.74, 0.74%, 0.69%

LAB 86.68, -37.52, 50.53

 

CMYK 18 / 0 / 36 / 6

HEX #C5F099

RGB 197 240 153

HSL 89.66, 0.74%, 0.77%

LAB 90.09, -28.5, 37.62

 

CMYK 11 / 0 / 23 / 4

HEX #D9F5BD

RGB 217 245 189

HSL 90, 0.74%, 0.85%

LAB 93.33, -18.76, 24

 

CMYK 5 / 0 / 10 / 2

HEX #EEFAE1

RGB 238 250 225

HSL 88.8, 0.71%, 0.93%

LAB 96.81, -8.28, 10.63

 

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

CMYK 36 / 0 / 12 / 6

HEX #99F0D4

RGB 153 240 212

HSL 160.69, 0.74%, 0.77%

LAB 88.85, -32.32, 5.27

 

CMYK 0 / 36 / 3 / 6

HEX #F099E9

RGB 240 153 233

HSL 304.83, 0.74%, 0.77%

LAB 74.31, 44.44, -26.94

 

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

CMYK 36 / 18 / 0 / 6

HEX #99C6F0

RGB 153 198 240

HSL 208.97, 0.74%, 0.77%

LAB 78.14, -4.7, -25.5

 

CMYK 0 / 36 / 18 / 6

HEX #F099C6

RGB 240 153 198

HSL 328.97, 0.74%, 0.77%

LAB 73.14, 38.68, -9.5

 

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

CMYK 36 / 0 / 12 / 6

HEX #99F0D4

RGB 153 240 212

HSL 160.69, 0.74%, 0.77%

LAB 88.85, -32.32, 5.27

 

CMYK 19 / 36 / 0 / 6

HEX #C399F0

RGB 195 153 240

HSL 268.97, 0.74%, 0.77%

LAB 69.95, 32.15, -37.88

 

CMYK 0 / 36 / 25 / 6

HEX #F099B4

RGB 240 153 180

HSL 341.38, 0.74%, 0.77%

LAB 72.63, 36.05, -0.31

 

CMYK 18 / 0 / 35 / 6

HEX #C6F09B

RGB 198 240 155

HSL 89.65, 0.74%, 0.77%

LAB 90.18, -27.89, 36.75

 

CMYK 36 / 0 / 1 / 6

HEX #99F0EE

RGB 153 240 238

HSL 178.62, 0.74%, 0.77%

LAB 89.52, -26.54, -7.33

 

CMYK 19 / 36 / 0 / 6

HEX #C399F0

RGB 195 153 240

HSL 268.97, 0.74%, 0.77%

LAB 69.95, 32.15, -37.88

 

CMYK 0 / 36 / 36 / 6

HEX #F0999A

RGB 240 153 154

HSL 359.31, 0.74%, 0.77%

LAB 71.99, 32.7, 13.16

 

Description

Color code: HEX #C6F09B | qconv.com Color code: HEX #C6F09B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 240 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 240 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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