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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6ED48 it is the complementary color #3912B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6ED48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6ED48 shade: #CBED43, #DCFF56, #EDFF69, #FEFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6ED48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6ED48 shade: #C6ED48, #B5DB35, #A4C922, #93B70F and #82A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6ED48 shade: #C7ED4A, #EDE84A, #EDBC4A, #ED904A and #ED644A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6ED48 shade: #C7ED4A, #9BED4A, #6FED4A, #4AED51 and #4AED7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6ED48 shade matches the following richer shades: #C7ED4A and #CFFD3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6ED48 shade: #C7ED4A, #BEDD5A, #B6CD6A, #ADBD7A and #A5AD8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6ED48 shade: #EDBC4A, #EDE84A, #C7ED4A, #9CED4A and #70ED4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6ED48 shade: #A4D015, #BBE924, #C7ED4A, #D2F170 and #DEF595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6ED48 shade: #C6ED48, #4AED91 and #D24AED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6ED48 shade: #C6ED48, #4AC7ED and #ED4AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6ED48 shade: #C6ED48, #4AED91, #704AED and #ED4AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6ED48 shade: #C6ED48, #4AEDC2, #704AED and #ED4A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

Complementary color

CMYK 69 / 90 / 0 / 28

HEX #3912B7

RGB 57 18 183

HSL 254.18, 0.82%, 0.39%

LAB 25.93, 58.82, -76.87

 

CMYK 14 / 0 / 72 / 7

HEX #CBED43

RGB 203 237 67

HSL 72, 0.83%, 0.6%

LAB 88.77, -32.6, 73.83

 

CMYK 14 / 0 / 66 / 0

HEX #DCFF56

RGB 220 255 86

HSL 72.43, 1%, 0.67%

LAB 94.91, -33.18, 73.61

 

CMYK 7 / 0 / 59 / 0

HEX #EDFF69

RGB 237 255 105

HSL 67.2, 1%, 0.71%

LAB 96.22, -25.33, 67.86

 

CMYK 0 / 0 / 51 / 0

HEX #FEFF7C

RGB 254 255 124

HSL 60.46, 1%, 0.74%

LAB 97.65, -17.25, 61.62

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

CMYK 17 / 0 / 76 / 14

HEX #B5DB35

RGB 181 219 53

HSL 73.73, 0.7%, 0.53%

LAB 82.24, -33.67, 71.61

 

CMYK 18 / 0 / 83 / 21

HEX #A4C922

RGB 164 201 34

HSL 73.29, 0.71%, 0.46%

LAB 75.93, -32.89, 70.75

 

CMYK 20 / 0 / 92 / 28

HEX #93B70F

RGB 147 183 15

HSL 72.86, 0.85%, 0.39%

LAB 69.54, -31.91, 68.68

 

CMYK 21 / 0 / 100 / 35

HEX #82A500

RGB 130 165 0

HSL 72.73, 1%, 0.32%

LAB 63.06, -30.73, 65.09

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 0 / 2 / 69 / 7

HEX #EDE84A

RGB 237 232 74

HSL 58.16, 0.82%, 0.61%

LAB 89.96, -16.16, 73.41

 

CMYK 0 / 21 / 69 / 7

HEX #EDBC4A

RGB 237 188 74

HSL 41.96, 0.82%, 0.61%

LAB 78.73, 6.16, 62.06

 

CMYK 0 / 39 / 69 / 7

HEX #ED904A

RGB 237 144 74

HSL 25.77, 0.82%, 0.61%

LAB 68.35, 29.38, 50.98

 

CMYK 0 / 58 / 69 / 7

HEX #ED644A

RGB 237 100 74

HSL 9.57, 0.82%, 0.61%

LAB 59.54, 51.33, 41.03

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 35 / 0 / 69 / 7

HEX #9BED4A

RGB 155 237 74

HSL 90.18, 0.82%, 0.61%

LAB 86.02, -49.94, 67.71

 

CMYK 53 / 0 / 69 / 7

HEX #6FED4A

RGB 111 237 74

HSL 106.38, 0.82%, 0.61%

LAB 84.2, -63.29, 65.25

 

CMYK 69 / 0 / 66 / 7

HEX #4AED51

RGB 74 237 81

HSL 122.58, 0.82%, 0.61%

LAB 83.24, -70.77, 61.24

 

CMYK 69 / 0 / 47 / 7

HEX #4AED7D

RGB 74 237 125

HSL 138.77, 0.82%, 0.61%

LAB 83.71, -65.32, 42.17

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 18 / 0 / 77 / 1

HEX #CFFD3A

RGB 207 253 58

HSL 74.15, 0.98%, 0.61%

LAB 93.37, -38.69, 81.02

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 14 / 0 / 59 / 13

HEX #BEDD5A

RGB 190 221 90

HSL 74.2, 0.66%, 0.61%

LAB 83.65, -28.79, 59.41

 

CMYK 11 / 0 / 48 / 20

HEX #B6CD6A

RGB 182 205 106

HSL 73.94, 0.5%, 0.61%

LAB 78.84, -22.81, 46.37

 

CMYK 8 / 0 / 35 / 26

HEX #ADBD7A

RGB 173 189 122

HSL 74.33, 0.34%, 0.61%

LAB 73.99, -16.51, 32.08

 

CMYK 5 / 0 / 20 / 32

HEX #A5AD8A

RGB 165 173 138

HSL 73.71, 0.18%, 0.61%

LAB 69.27, -9, 17.07

 

CMYK 0 / 21 / 69 / 7

HEX #EDBC4A

RGB 237 188 74

HSL 41.96, 0.82%, 0.61%

LAB 78.73, 6.16, 62.06

 

CMYK 0 / 2 / 69 / 7

HEX #EDE84A

RGB 237 232 74

HSL 58.16, 0.82%, 0.61%

LAB 89.96, -16.16, 73.41

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 34 / 0 / 69 / 7

HEX #9CED4A

RGB 156 237 74

HSL 89.82, 0.82%, 0.61%

LAB 86.07, -49.6, 67.78

 

CMYK 53 / 0 / 69 / 7

HEX #70ED4A

RGB 112 237 74

HSL 106.01, 0.82%, 0.61%

LAB 84.23, -63.03, 65.29

 

CMYK 21 / 0 / 90 / 18

HEX #A4D015

RGB 164 208 21

HSL 74.12, 0.82%, 0.45%

LAB 77.91, -36.44, 74.96

 

CMYK 20 / 0 / 85 / 9

HEX #BBE924

RGB 187 233 36

HSL 74.01, 0.82%, 0.53%

LAB 86.49, -38.27, 79.9

 

CMYK 16 / 0 / 69 / 7

HEX #C7ED4A

RGB 199 237 74

HSL 73.99, 0.82%, 0.61%

LAB 88.55, -33.78, 71.09

 

CMYK 13 / 0 / 54 / 5

HEX #D2F170

RGB 210 241 112

HSL 74.42, 0.82%, 0.69%

LAB 90.68, -28.64, 58.08

 

CMYK 9 / 0 / 39 / 4

HEX #DEF595

RGB 222 245 149

HSL 74.38, 0.83%, 0.77%

LAB 93.02, -22.27, 43.7

 

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

CMYK 69 / 0 / 39 / 7

HEX #4AED91

RGB 74 237 145

HSL 146.13, 0.82%, 0.61%

LAB 84, -61.99, 32.68

 

CMYK 11 / 69 / 0 / 7

HEX #D24AED

RGB 210 74 237

HSL 290.06, 0.82%, 0.61%

LAB 56.8, 73.93, -56.86

 

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

CMYK 69 / 16 / 0 / 7

HEX #4AC7ED

RGB 74 199 237

HSL 193.99, 0.82%, 0.61%

LAB 75.09, -22.56, -28.85

 

CMYK 0 / 69 / 16 / 7

HEX #ED4AC7

RGB 237 74 199

HSL 313.99, 0.82%, 0.61%

LAB 59, 74.03, -31.63

 

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

CMYK 69 / 0 / 39 / 7

HEX #4AED91

RGB 74 237 145

HSL 146.13, 0.82%, 0.61%

LAB 84, -61.99, 32.68

 

CMYK 53 / 69 / 0 / 7

HEX #704AED

RGB 112 74 237

HSL 253.99, 0.82%, 0.61%

LAB 44.88, 55.43, -76.72

 

CMYK 0 / 69 / 30 / 7

HEX #ED4AA6

RGB 237 74 166

HSL 326.13, 0.82%, 0.61%

LAB 57.71, 69.83, -14.58

 

CMYK 16 / 0 / 70 / 7

HEX #C6ED48

RGB 198 237 72

HSL 74.18, 0.82%, 0.61%

LAB 88.47, -34.29, 71.7

 

CMYK 69 / 0 / 18 / 7

HEX #4AEDC2

RGB 74 237 194

HSL 164.17, 0.82%, 0.61%

LAB 84.96, -51.77, 8.73

 

CMYK 53 / 69 / 0 / 7

HEX #704AED

RGB 112 74 237

HSL 253.99, 0.82%, 0.61%

LAB 44.88, 55.43, -76.72

 

CMYK 0 / 69 / 51 / 7

HEX #ED4A75

RGB 237 74 117

HSL 344.17, 0.82%, 0.61%

LAB 56.27, 64.99, 12.15

 

Description

Color code: HEX #C6ED48 | qconv.com Color code: HEX #C6ED48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 237 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 237 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 70 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 70% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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