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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6EC85 it is the complementary color #39137A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6EC85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6EC85 shade: #CBEC80, #DCFE93, #EDFFA6, #FEFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6EC85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6EC85 shade: #C6EC85, #B5DA72, #A4C85F, #93B64C and #82A439

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6EC85 shade: #C5EC83, #E1EC83, #ECDA83, #ECBE83 and #ECA283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6EC85 shade: #C5EC83, #A9EC83, #8DEC83, #83EC96 and #83ECB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6EC85 shade matches the following richer shades: #C5EC83 and #C8F778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6EC85 shade: #C5EC83, #C2E08F, #BFD59B, #BCC9A6 and #B9BEB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6EC85 shade: #ECDA83, #E1EC83, #C5EC83, #AAEC83 and #8EEC83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6EC85 shade: #A4E13C, #B5E660, #C5EC83, #D6F1A7 and #E7F7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6EC85 shade: #C6EC85, #83ECBF and #E883EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6EC85 shade: #C6EC85, #83C5EC and #EC83C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6EC85 shade: #C6EC85, #83ECBF, #AA83EC and #EC83B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6EC85 shade: #C6EC85, #83ECDE, #AA83EC and #EC8391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

Complementary color

CMYK 53 / 84 / 0 / 52

HEX #39137A

RGB 57 19 122

HSL 262.14, 0.73%, 0.28%

LAB 18.97, 41.86, -50.78

 

CMYK 14 / 0 / 46 / 7

HEX #CBEC80

RGB 203 236 128

HSL 78.33, 0.74%, 0.71%

LAB 89.04, -27.39, 48.59

 

CMYK 13 / 0 / 42 / 0

HEX #DCFE93

RGB 220 254 147

HSL 79.07, 0.98%, 0.79%

LAB 95.25, -27.5, 47.47

 

CMYK 7 / 0 / 35 / 0

HEX #EDFFA6

RGB 237 255 166

HSL 72.13, 1%, 0.83%

LAB 96.93, -19.53, 40.62

 

CMYK 0 / 0 / 27 / 0

HEX #FEFFB9

RGB 254 255 185

HSL 60.86, 1%, 0.86%

LAB 98.47, -10.94, 33.44

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

CMYK 17 / 0 / 48 / 15

HEX #B5DA72

RGB 181 218 114

HSL 81.35, 0.58%, 0.65%

LAB 82.48, -28.62, 46.92

 

CMYK 18 / 0 / 53 / 22

HEX #A4C85F

RGB 164 200 95

HSL 80.57, 0.49%, 0.58%

LAB 76.09, -28.48, 48.04

 

CMYK 19 / 0 / 58 / 29

HEX #93B64C

RGB 147 182 76

HSL 79.81, 0.42%, 0.51%

LAB 69.6, -28.28, 49.08

 

CMYK 21 / 0 / 65 / 36

HEX #82A439

RGB 130 164 57

HSL 79.07, 0.48%, 0.43%

LAB 63, -27.97, 49.92

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 5 / 0 / 44 / 7

HEX #E1EC83

RGB 225 236 131

HSL 66.29, 0.73%, 0.72%

LAB 90.61, -18.7, 49.44

 

CMYK 0 / 8 / 44 / 7

HEX #ECDA83

RGB 236 218 131

HSL 49.71, 0.73%, 0.72%

LAB 86.81, -5.44, 44.91

 

CMYK 0 / 19 / 44 / 7

HEX #ECBE83

RGB 236 190 131

HSL 33.71, 0.73%, 0.72%

LAB 79.78, 9.04, 35.98

 

CMYK 0 / 31 / 44 / 7

HEX #ECA283

RGB 236 162 131

HSL 17.71, 0.73%, 0.72%

LAB 73.1, 23.87, 27.2

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 28 / 0 / 44 / 7

HEX #A9EC83

RGB 169 236 131

HSL 98.29, 0.73%, 0.72%

LAB 87.03, -39.24, 44.2

 

CMYK 40 / 0 / 44 / 7

HEX #8DEC83

RGB 141 236 131

HSL 114.29, 0.73%, 0.72%

LAB 85.65, -48.23, 42.17

 

CMYK 44 / 0 / 36 / 7

HEX #83EC96

RGB 131 236 150

HSL 130.86, 0.73%, 0.72%

LAB 85.51, -48.26, 32.47

 

CMYK 44 / 0 / 25 / 7

HEX #83ECB2

RGB 131 236 178

HSL 146.86, 0.73%, 0.72%

LAB 86.02, -43.27, 18.82

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 19 / 0 / 51 / 3

HEX #C8F778

RGB 200 247 120

HSL 82.2, 0.89%, 0.72%

LAB 91.76, -34.43, 55.56

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 13 / 0 / 36 / 12

HEX #C2E08F

RGB 194 224 143

HSL 82.22, 0.57%, 0.72%

LAB 85.38, -23.24, 36.46

 

CMYK 10 / 0 / 27 / 16

HEX #BFD59B

RGB 191 213 155

HSL 82.76, 0.41%, 0.72%

LAB 82.4, -17.3, 26.3

 

CMYK 6 / 0 / 17 / 21

HEX #BCC9A6

RGB 188 201 166

HSL 82.29, 0.24%, 0.72%

LAB 79.17, -10.63, 16.02

 

CMYK 3 / 0 / 6 / 25

HEX #B9BEB2

RGB 185 190 178

HSL 85, 0.08%, 0.72%

LAB 76.29, -3.93, 5.44

 

CMYK 0 / 8 / 44 / 7

HEX #ECDA83

RGB 236 218 131

HSL 49.71, 0.73%, 0.72%

LAB 86.81, -5.44, 44.91

 

CMYK 5 / 0 / 44 / 7

HEX #E1EC83

RGB 225 236 131

HSL 66.29, 0.73%, 0.72%

LAB 90.61, -18.7, 49.44

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 28 / 0 / 44 / 7

HEX #AAEC83

RGB 170 236 131

HSL 97.71, 0.73%, 0.72%

LAB 87.08, -38.9, 44.28

 

CMYK 40 / 0 / 44 / 7

HEX #8EEC83

RGB 142 236 131

HSL 113.71, 0.73%, 0.72%

LAB 85.7, -47.93, 42.24

 

CMYK 27 / 0 / 73 / 12

HEX #A4E13C

RGB 164 225 60

HSL 82.18, 0.73%, 0.56%

LAB 82.95, -42.52, 69.69

 

CMYK 21 / 0 / 58 / 10

HEX #B5E660

RGB 181 230 96

HSL 81.94, 0.73%, 0.64%

LAB 85.64, -35.91, 58.88

 

CMYK 17 / 0 / 44 / 7

HEX #C5EC83

RGB 197 236 131

HSL 82.29, 0.73%, 0.72%

LAB 88.69, -29.29, 46.63

 

CMYK 11 / 0 / 31 / 5

HEX #D6F1A7

RGB 214 241 167

HSL 81.89, 0.73%, 0.8%

LAB 91.68, -21.03, 32.91

 

CMYK 6 / 0 / 18 / 3

HEX #E7F7CB

RGB 231 247 203

HSL 81.82, 0.73%, 0.88%

LAB 95.09, -12.72, 19.41

 

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

CMYK 44 / 0 / 19 / 7

HEX #83ECBF

RGB 131 236 191

HSL 154.29, 0.73%, 0.72%

LAB 86.29, -40.66, 12.44

 

CMYK 2 / 44 / 0 / 7

HEX #E883EC

RGB 232 131 236

HSL 297.71, 0.73%, 0.72%

LAB 69.07, 53.81, -36.75

 

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

CMYK 44 / 17 / 0 / 7

HEX #83C5EC

RGB 131 197 236

HSL 202.29, 0.73%, 0.72%

LAB 76.57, -10.84, -25.86

 

CMYK 0 / 44 / 17 / 7

HEX #EC83C5

RGB 236 131 197

HSL 322.29, 0.73%, 0.72%

LAB 68.09, 48.53, -16.57

 

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

CMYK 44 / 0 / 19 / 7

HEX #83ECBF

RGB 131 236 191

HSL 154.29, 0.73%, 0.72%

LAB 86.29, -40.66, 12.44

 

CMYK 28 / 44 / 0 / 7

HEX #AA83EC

RGB 170 131 236

HSL 262.29, 0.73%, 0.72%

LAB 62.37, 36.38, -47.74

 

CMYK 0 / 44 / 25 / 7

HEX #EC83B1

RGB 236 131 177

HSL 333.71, 0.73%, 0.72%

LAB 67.46, 45.63, -6.3

 

CMYK 16 / 0 / 44 / 7

HEX #C6EC85

RGB 198 236 133

HSL 82.14, 0.73%, 0.72%

LAB 88.78, -28.7, 45.79

 

CMYK 44 / 0 / 6 / 7

HEX #83ECDE

RGB 131 236 222

HSL 172, 0.73%, 0.72%

LAB 87.04, -33.79, -2.71

 

CMYK 28 / 44 / 0 / 7

HEX #AA83EC

RGB 170 131 236

HSL 262.29, 0.73%, 0.72%

LAB 62.37, 36.38, -47.74

 

CMYK 0 / 44 / 39 / 7

HEX #EC8391

RGB 236 131 145

HSL 352, 0.73%, 0.72%

LAB 66.6, 41.62, 10.51

 

Description

Color code: HEX #C6EC85 | qconv.com Color code: HEX #C6EC85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 236 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 236 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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