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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6DE3E it is the complementary color #3921C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6DE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6DE3E shade: #CBDE39, #DCF04C, #EDFF5F, #FEFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6DE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6DE3E shade: #C6DE3E, #B5CC2B, #A4BA18, #93A805 and #829600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6DE3E shade: #C7DE3F, #DECB3F, #DEA03F, #DE753F and #DE4B3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6DE3E shade: #C7DE3F, #9CDE3F, #71DE3F, #46DE3F and #3FDE64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6DE3E shade matches the following richer shades: #C7DE3F and #D3F12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6DE3E shade: #C7DE3F, #BACC51, #ADBA63, #A0A876 and #949688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6DE3E shade: #DEA13F, #DECC3F, #C7DE3F, #9CDE3F and #72DE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6DE3E shade: #98AE1D, #B7D123, #C7DE3F, #D1E462 and #DBEA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6DE3E shade: #C6DE3E, #3FDE77 and #B73FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6DE3E shade: #C6DE3E, #3FC7DE and #DE3FC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6DE3E shade: #C6DE3E, #3FDE77, #573FDE and #DE3FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6DE3E shade: #C6DE3E, #3FDEA7, #573FDE and #DE3F77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

Complementary color

CMYK 70 / 83 / 0 / 24

HEX #3921C1

RGB 57 33 193

HSL 249, 0.71%, 0.44%

LAB 28.92, 56.2, -77.82

 

CMYK 9 / 0 / 74 / 13

HEX #CBDE39

RGB 203 222 57

HSL 66.91, 0.71%, 0.55%

LAB 84.6, -26.05, 73.12

 

CMYK 8 / 0 / 68 / 6

HEX #DCF04C

RGB 220 240 76

HSL 67.32, 0.85%, 0.62%

LAB 90.81, -26.79, 73.1

 

CMYK 7 / 0 / 63 / 0

HEX #EDFF5F

RGB 237 255 95

HSL 66.75, 1%, 0.69%

LAB 96.14, -26, 71.82

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF72

RGB 254 255 114

HSL 60.43, 1%, 0.72%

LAB 97.55, -18.02, 65.89

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

CMYK 11 / 0 / 79 / 20

HEX #B5CC2B

RGB 181 204 43

HSL 68.57, 0.65%, 0.48%

LAB 77.98, -27.05, 70.66

 

CMYK 12 / 0 / 87 / 27

HEX #A4BA18

RGB 164 186 24

HSL 68.15, 0.77%, 0.41%

LAB 71.61, -26.07, 69.29

 

CMYK 13 / 0 / 97 / 34

HEX #93A805

RGB 147 168 5

HSL 67.73, 0.94%, 0.34%

LAB 65.14, -24.89, 66.52

 

CMYK 13 / 0 / 100 / 41

HEX #829600

RGB 130 150 0

HSL 68, 1%, 0.29%

LAB 58.56, -23.44, 61.71

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 0 / 9 / 72 / 13

HEX #DECB3F

RGB 222 203 63

HSL 52.83, 0.71%, 0.56%

LAB 81.07, -8.49, 68.25

 

CMYK 0 / 28 / 72 / 13

HEX #DEA03F

RGB 222 160 63

HSL 36.6, 0.71%, 0.56%

LAB 70.2, 14.05, 57.41

 

CMYK 0 / 47 / 72 / 13

HEX #DE753F

RGB 222 117 63

HSL 20.38, 0.71%, 0.56%

LAB 60.44, 36.87, 47.14

 

CMYK 0 / 66 / 72 / 13

HEX #DE4B3F

RGB 222 75 63

HSL 4.53, 0.71%, 0.56%

LAB 52.86, 56.5, 38.71

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 30 / 0 / 72 / 13

HEX #9CDE3F

RGB 156 222 63

HSL 84.91, 0.71%, 0.56%

LAB 81.66, -43.98, 67.25

 

CMYK 49 / 0 / 72 / 13

HEX #71DE3F

RGB 113 222 63

HSL 101.13, 0.71%, 0.56%

LAB 79.68, -58.07, 64.62

 

CMYK 68 / 0 / 72 / 13

HEX #46DE3F

RGB 70 222 63

HSL 117.36, 0.71%, 0.56%

LAB 78.41, -68.22, 62.92

 

CMYK 72 / 0 / 55 / 13

HEX #3FDE64

RGB 63 222 100

HSL 133.96, 0.71%, 0.56%

LAB 78.59, -65.51, 47.69

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 12 / 0 / 81 / 5

HEX #D3F12D

RGB 211 241 45

HSL 69.18, 0.88%, 0.56%

LAB 90.3, -32.16, 81.76

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 9 / 0 / 60 / 20

HEX #BACC51

RGB 186 204 81

HSL 68.78, 0.55%, 0.56%

LAB 78.59, -22.9, 57.62

 

CMYK 7 / 0 / 47 / 27

HEX #ADBA63

RGB 173 186 99

HSL 68.97, 0.39%, 0.56%

LAB 72.83, -17.65, 42.34

 

CMYK 5 / 0 / 30 / 34

HEX #A0A876

RGB 160 168 118

HSL 69.6, 0.22%, 0.56%

LAB 67.12, -11.26, 24.95

 

CMYK 1 / 0 / 9 / 41

HEX #949688

RGB 148 150 136

HSL 68.57, 0.06%, 0.56%

LAB 61.56, -3.34, 7.13

 

CMYK 0 / 27 / 72 / 13

HEX #DEA13F

RGB 222 161 63

HSL 36.98, 0.71%, 0.56%

LAB 70.44, 13.52, 57.66

 

CMYK 0 / 8 / 72 / 13

HEX #DECC3F

RGB 222 204 63

HSL 53.21, 0.71%, 0.56%

LAB 81.33, -8.99, 68.5

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 30 / 0 / 72 / 13

HEX #9CDE3F

RGB 156 222 63

HSL 84.91, 0.71%, 0.56%

LAB 81.66, -43.98, 67.25

 

CMYK 49 / 0 / 72 / 13

HEX #72DE3F

RGB 114 222 63

HSL 100.75, 0.71%, 0.56%

LAB 79.72, -57.78, 64.67

 

CMYK 13 / 0 / 83 / 32

HEX #98AE1D

RGB 152 174 29

HSL 69.1, 0.71%, 0.4%

LAB 67.3, -25.17, 64.2

 

CMYK 12 / 0 / 83 / 18

HEX #B7D123

RGB 183 209 35

HSL 68.97, 0.71%, 0.48%

LAB 79.49, -28.87, 74.07

 

CMYK 10 / 0 / 72 / 13

HEX #C7DE3F

RGB 199 222 63

HSL 68.68, 0.71%, 0.56%

LAB 84.35, -27.39, 70.81

 

CMYK 8 / 0 / 57 / 11

HEX #D1E462

RGB 209 228 98

HSL 68.77, 0.71%, 0.64%

LAB 86.96, -24.02, 60

 

CMYK 6 / 0 / 43 / 8

HEX #DBEA86

RGB 219 234 134

HSL 69, 0.7%, 0.72%

LAB 89.69, -19.73, 46.75

 

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

CMYK 72 / 0 / 46 / 13

HEX #3FDE77

RGB 63 222 119

HSL 141.13, 0.71%, 0.56%

LAB 78.83, -62.73, 38.88

 

CMYK 18 / 72 / 0 / 13

HEX #B73FDE

RGB 183 63 222

HSL 285.28, 0.71%, 0.56%

LAB 50.57, 69.72, -58.61

 

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

CMYK 72 / 10 / 0 / 13

HEX #3FC7DE

RGB 63 199 222

HSL 188.68, 0.71%, 0.56%

LAB 74.3, -28.62, -21.98

 

CMYK 0 / 72 / 10 / 13

HEX #DE3FC7

RGB 222 63 199

HSL 308.68, 0.71%, 0.56%

LAB 55.29, 74.21, -37.61

 

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

CMYK 72 / 0 / 46 / 13

HEX #3FDE77

RGB 63 222 119

HSL 141.13, 0.71%, 0.56%

LAB 78.83, -62.73, 38.88

 

CMYK 61 / 72 / 0 / 13

HEX #573FDE

RGB 87 63 222

HSL 249.06, 0.71%, 0.56%

LAB 39.34, 53.29, -77.38

 

CMYK 0 / 72 / 25 / 13

HEX #DE3FA7

RGB 222 63 167

HSL 320.75, 0.71%, 0.56%

LAB 53.89, 69.89, -21.2

 

CMYK 11 / 0 / 72 / 13

HEX #C6DE3E

RGB 198 222 62

HSL 69, 0.71%, 0.56%

LAB 84.28, -27.84, 71.05

 

CMYK 72 / 0 / 25 / 13

HEX #3FDEA7

RGB 63 222 167

HSL 159.25, 0.71%, 0.56%

LAB 79.66, -53.47, 15.38

 

CMYK 61 / 72 / 0 / 13

HEX #573FDE

RGB 87 63 222

HSL 249.06, 0.71%, 0.56%

LAB 39.34, 53.29, -77.38

 

CMYK 0 / 72 / 46 / 13

HEX #DE3F77

RGB 222 63 119

HSL 338.87, 0.71%, 0.56%

LAB 52.3, 64.75, 4.96

 

Description

Color code: HEX #C6DE3E | qconv.com Color code: HEX #C6DE3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 222 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 222 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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