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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6DB3E it is the complementary color #3924C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6DB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6DB3E shade: #CBDB39, #DCED4C, #EDFF5F, #FEFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6DB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6DB3E shade: #C6DB3E, #B5C92B, #A4B718, #93A505 and #829300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6DB3E shade: #C6DB3D, #DBC53D, #DB9B3D, #DB703D and #DB453D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6DB3E shade: #C6DB3D, #9BDB3D, #70DB3D, #46DB3D and #3DDB5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6DB3E shade matches the following richer shades: #C6DB3D and #D3ED2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6DB3E shade: #C6DB3D, #B8C84F, #ABB662, #9DA374 and #8F9187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6DB3E shade: #DB9C3D, #DBC63D, #C6DB3D, #9CDB3D and #71DB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6DB3E shade: #95A71E, #B4CA25, #C6DB3D, #D0E15F and #DAE882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6DB3E shade: #C6DB3E, #3DDB71 and #B13DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6DB3E shade: #C6DB3E, #3DC6DB and #DB3DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6DB3E shade: #C6DB3E, #3DDB71, #523DDB and #DB3DA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6DB3E shade: #C6DB3E, #3DDBA1, #523DDB and #DB3D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

Complementary color

CMYK 70 / 81 / 0 / 24

HEX #3924C1

RGB 57 36 193

HSL 248.03, 0.69%, 0.45%

LAB 29.37, 54.9, -77.08

 

CMYK 7 / 0 / 74 / 14

HEX #CBDB39

RGB 203 219 57

HSL 65.93, 0.69%, 0.54%

LAB 83.79, -24.61, 72.35

 

CMYK 7 / 0 / 68 / 7

HEX #DCED4C

RGB 220 237 76

HSL 66.34, 0.82%, 0.61%

LAB 90, -25.37, 72.3

 

CMYK 7 / 0 / 63 / 0

HEX #EDFF5F

RGB 237 255 95

HSL 66.75, 1%, 0.69%

LAB 96.14, -26, 71.82

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF72

RGB 254 255 114

HSL 60.43, 1%, 0.72%

LAB 97.55, -18.02, 65.89

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

CMYK 10 / 0 / 79 / 21

HEX #B5C92B

RGB 181 201 43

HSL 67.59, 0.65%, 0.48%

LAB 77.14, -25.61, 69.91

 

CMYK 10 / 0 / 87 / 28

HEX #A4B718

RGB 164 183 24

HSL 67.17, 0.77%, 0.41%

LAB 70.75, -24.62, 68.58

 

CMYK 11 / 0 / 97 / 35

HEX #93A505

RGB 147 165 5

HSL 66.75, 0.94%, 0.33%

LAB 64.26, -23.41, 65.85

 

CMYK 12 / 0 / 100 / 42

HEX #829300

RGB 130 147 0

HSL 66.94, 1%, 0.29%

LAB 57.67, -21.94, 61.04

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 0 / 10 / 72 / 14

HEX #DBC53D

RGB 219 197 61

HSL 51.65, 0.69%, 0.55%

LAB 79.23, -6.79, 67.1

 

CMYK 0 / 29 / 72 / 14

HEX #DB9B3D

RGB 219 155 61

HSL 35.7, 0.69%, 0.55%

LAB 68.63, 15.36, 56.57

 

CMYK 0 / 49 / 72 / 14

HEX #DB703D

RGB 219 112 61

HSL 19.37, 0.69%, 0.55%

LAB 58.96, 38.15, 46.41

 

CMYK 0 / 68 / 72 / 14

HEX #DB453D

RGB 219 69 61

HSL 3.04, 0.69%, 0.55%

LAB 51.44, 57.8, 38.07

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 29 / 0 / 72 / 14

HEX #9BDB3D

RGB 155 219 61

HSL 84.3, 0.69%, 0.55%

LAB 80.72, -43.17, 67

 

CMYK 49 / 0 / 72 / 14

HEX #70DB3D

RGB 112 219 61

HSL 100.63, 0.69%, 0.55%

LAB 78.72, -57.37, 64.35

 

CMYK 68 / 0 / 72 / 14

HEX #46DB3D

RGB 70 219 61

HSL 116.58, 0.69%, 0.55%

LAB 77.46, -67.41, 62.66

 

CMYK 72 / 0 / 57 / 14

HEX #3DDB5E

RGB 61 219 94

HSL 132.53, 0.69%, 0.55%

LAB 77.56, -65.59, 49.2

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 11 / 0 / 82 / 7

HEX #D3ED2A

RGB 211 237 42

HSL 68, 0.84%, 0.55%

LAB 89.2, -30.4, 81.52

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 8 / 0 / 61 / 22

HEX #B8C84F

RGB 184 200 79

HSL 67.93, 0.52%, 0.55%

LAB 77.32, -21.9, 57.05

 

CMYK 6 / 0 / 46 / 29

HEX #ABB662

RGB 171 182 98

HSL 67.86, 0.37%, 0.55%

LAB 71.55, -16.53, 41.24

 

CMYK 4 / 0 / 29 / 36

HEX #9DA374

RGB 157 163 116

HSL 67.66, 0.2%, 0.55%

LAB 65.45, -10.08, 23.76

 

CMYK 1 / 0 / 7 / 43

HEX #8F9187

RGB 143 145 135

HSL 72, 0.04%, 0.55%

LAB 59.74, -2.63, 5.04

 

CMYK 0 / 29 / 72 / 14

HEX #DB9C3D

RGB 219 156 61

HSL 36.08, 0.69%, 0.55%

LAB 68.88, 14.82, 56.82

 

CMYK 0 / 10 / 72 / 14

HEX #DBC63D

RGB 219 198 61

HSL 52.03, 0.69%, 0.55%

LAB 79.49, -7.3, 67.35

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 29 / 0 / 72 / 14

HEX #9CDB3D

RGB 156 219 61

HSL 83.92, 0.69%, 0.55%

LAB 80.78, -42.81, 67.08

 

CMYK 48 / 0 / 72 / 14

HEX #71DB3D

RGB 113 219 61

HSL 100.25, 0.69%, 0.55%

LAB 78.76, -57.08, 64.4

 

CMYK 11 / 0 / 82 / 35

HEX #95A71E

RGB 149 167 30

HSL 67.88, 0.7%, 0.39%

LAB 65.06, -22.96, 61.91

 

CMYK 11 / 0 / 82 / 21

HEX #B4CA25

RGB 180 202 37

HSL 68, 0.69%, 0.47%

LAB 77.33, -26.72, 71.65

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3D

RGB 198 219 61

HSL 67.97, 0.69%, 0.55%

LAB 83.45, -26.47, 70.59

 

CMYK 8 / 0 / 58 / 12

HEX #D0E15F

RGB 208 225 95

HSL 67.85, 0.68%, 0.63%

LAB 86.05, -23.2, 60.27

 

CMYK 6 / 0 / 44 / 9

HEX #DAE882

RGB 218 232 130

HSL 68.24, 0.69%, 0.71%

LAB 89.03, -19.56, 47.85

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

CMYK 72 / 0 / 48 / 14

HEX #3DDB71

RGB 61 219 113

HSL 139.75, 0.69%, 0.55%

LAB 77.78, -62.92, 40.5

 

CMYK 19 / 72 / 0 / 14

HEX #B13DDB

RGB 177 61 219

HSL 284.05, 0.69%, 0.55%

LAB 49.25, 68.69, -59.07

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

CMYK 72 / 10 / 0 / 14

HEX #3DC6DB

RGB 61 198 219

HSL 187.97, 0.69%, 0.55%

LAB 73.87, -29.29, -21.02

 

CMYK 0 / 72 / 10 / 14

HEX #DB3DC6

RGB 219 61 198

HSL 307.97, 0.69%, 0.55%

LAB 54.53, 74.03, -38.26

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

CMYK 72 / 0 / 48 / 14

HEX #3DDB71

RGB 61 219 113

HSL 139.75, 0.69%, 0.55%

LAB 77.78, -62.92, 40.5

 

CMYK 63 / 72 / 0 / 14

HEX #523DDB

RGB 82 61 219

HSL 247.97, 0.69%, 0.55%

LAB 38.28, 52.82, -77.41

 

CMYK 0 / 72 / 24 / 14

HEX #DB3DA6

RGB 219 61 166

HSL 320.13, 0.69%, 0.55%

LAB 53.11, 69.68, -21.86

 

CMYK 10 / 0 / 72 / 14

HEX #C6DB3E

RGB 198 219 62

HSL 68.03, 0.69%, 0.55%

LAB 83.45, -26.42, 70.25

 

CMYK 72 / 0 / 26 / 14

HEX #3DDBA1

RGB 61 219 161

HSL 157.97, 0.69%, 0.55%

LAB 78.59, -53.89, 17.03

 

CMYK 63 / 72 / 0 / 14

HEX #523DDB

RGB 82 61 219

HSL 247.97, 0.69%, 0.55%

LAB 38.28, 52.82, -77.41

 

CMYK 0 / 72 / 46 / 14

HEX #DB3D77

RGB 219 61 119

HSL 337.97, 0.69%, 0.55%

LAB 51.53, 64.59, 3.78

 

Description

Color code: HEX #C6DB3E | qconv.com Color code: HEX #C6DB3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 219 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 219 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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