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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D13E it is the complementary color #392EC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D13E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D13E shade: #CBD139, #DCE34C, #EDF55F, #FEFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D13E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D13E shade: #C6D13E, #B5BF2B, #A4AD18, #939B05 and #828900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D13E shade: #C6D13D, #D1B53D, #D18C3D, #D1643D and #D13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D13E shade: #C6D13D, #9ED13D, #76D13D, #4ED13D and #3DD154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D13E shade matches the following richer shades: #C6D13D, #D7E529 and #E7F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D13E shade: #C6D13D, #B6BE50, #A5AB64, #959777 and #84848A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D13E shade: #D18C3D, #D1B43D, #C8D13D, #A0D13D and #78D13D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D13E shade: #8F9824, #AFBA2C, #C6D13D, #D0D95E and #DAE180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D13E shade: #C6D13E, #3DD164 and #A03DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D13E shade: #C6D13E, #3DC8D1 and #D13DC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D13E shade: #C6D13E, #3DD164, #473DD1 and #D13DAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D13E shade: #C6D13E, #3DD191, #473DD1 and #D13D7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

Complementary color

CMYK 70 / 76 / 0 / 24

HEX #392EC1

RGB 57 46 193

HSL 244.49, 0.62%, 0.47%

LAB 31.05, 50.02, -74.29

 

CMYK 3 / 0 / 73 / 18

HEX #CBD139

RGB 203 209 57

HSL 62.37, 0.62%, 0.52%

LAB 81.07, -19.76, 69.79

 

CMYK 3 / 0 / 67 / 11

HEX #DCE34C

RGB 220 227 76

HSL 62.78, 0.73%, 0.59%

LAB 87.33, -20.57, 69.6

 

CMYK 3 / 0 / 61 / 4

HEX #EDF55F

RGB 237 245 95

HSL 63.2, 0.88%, 0.67%

LAB 93.51, -21.26, 69.02

 

CMYK 0 / 0 / 55 / 0

HEX #FEFF72

RGB 254 255 114

HSL 60.43, 1%, 0.72%

LAB 97.55, -18.02, 65.89

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

CMYK 5 / 0 / 77 / 25

HEX #B5BF2B

RGB 181 191 43

HSL 64.05, 0.63%, 0.46%

LAB 74.36, -20.72, 67.4

 

CMYK 5 / 0 / 86 / 32

HEX #A4AD18

RGB 164 173 24

HSL 63.62, 0.76%, 0.39%

LAB 67.91, -19.66, 66.24

 

CMYK 5 / 0 / 97 / 39

HEX #939B05

RGB 147 155 5

HSL 63.2, 0.94%, 0.31%

LAB 61.36, -18.37, 63.64

 

CMYK 5 / 0 / 100 / 46

HEX #828900

RGB 130 137 0

HSL 63.07, 1%, 0.27%

LAB 54.7, -16.79, 58.83

 

CMYK 5 / 0 / 71 / 18

HEX #C6D13D

RGB 198 209 61

HSL 64.46, 0.62%, 0.53%

LAB 80.71, -21.65, 67.94

 

CMYK 0 / 13 / 71 / 18

HEX #D1B53D

RGB 209 181 61

HSL 48.65, 0.62%, 0.53%

LAB 74.15, -2.79, 61.8

 

CMYK 0 / 33 / 71 / 18

HEX #D18C3D

RGB 209 140 61

HSL 32.03, 0.62%, 0.53%

LAB 63.88, 19.19, 51.27

 

CMYK 0 / 52 / 71 / 18

HEX #D1643D

RGB 209 100 61

HSL 15.81, 0.62%, 0.53%

LAB 55.08, 40.35, 41.73

 

CMYK 0 / 71 / 71 / 18

HEX #D13D3D

RGB 209 61 61

HSL 0, 0.62%, 0.53%

LAB 48.55, 57.63, 34.25

 

CMYK 5 / 0 / 71 / 18

HEX #C6D13D

RGB 198 209 61

HSL 64.46, 0.62%, 0.53%

LAB 80.71, -21.65, 67.94

 

CMYK 24 / 0 / 71 / 18

HEX #9ED13D

RGB 158 209 61

HSL 80.68, 0.62%, 0.53%

LAB 78, -37.65, 64.36

 

CMYK 44 / 0 / 71 / 18

HEX #76D13D

RGB 118 209 61

HSL 96.89, 0.62%, 0.53%

LAB 75.94, -51.7, 61.61

 

CMYK 63 / 0 / 71 / 18

HEX #4ED13D

RGB 78 209 61

HSL 113.11, 0.62%, 0.53%

LAB 74.55, -62.47, 59.74

 

CMYK 71 / 0 / 60 / 18

HEX #3DD154

RGB 61 209 84

HSL 129.32, 0.62%, 0.53%

LAB 74.34, -63.47, 49.96

 

CMYK 5 / 0 / 71 / 18

HEX #C6D13D

RGB 198 209 61

HSL 64.46, 0.62%, 0.53%

LAB 80.71, -21.65, 67.94

 

CMYK 6 / 0 / 82 / 10

HEX #D7E529

RGB 215 229 41

HSL 64.47, 0.78%, 0.53%

LAB 87.31, -25.04, 80.26

 

CMYK 7 / 0 / 91 / 3

HEX #E7F816

RGB 231 248 22

HSL 64.51, 0.94%, 0.53%

LAB 93.53, -27.86, 89.13

 

CMYK 5 / 0 / 71 / 18

HEX #C6D13D

RGB 198 209 61

HSL 64.46, 0.62%, 0.53%

LAB 80.71, -21.65, 67.94

 

CMYK 4 / 0 / 58 / 25

HEX #B6BE50

RGB 182 190 80

HSL 64.36, 0.46%, 0.53%

LAB 74.41, -17.68, 53.37

 

CMYK 4 / 0 / 42 / 33

HEX #A5AB64

RGB 165 171 100

HSL 65.07, 0.3%, 0.53%

LAB 68.05, -13.09, 35.78

 

CMYK 1 / 0 / 21 / 41

HEX #959777

RGB 149 151 119

HSL 63.75, 0.13%, 0.53%

LAB 61.53, -6.34, 16.66

 

CMYK 4 / 4 / 0 / 46

HEX #84848A

RGB 132 132 138

HSL 240, 0.02%, 0.53%

LAB 55.32, 1.21, -3.23

 

CMYK 0 / 33 / 71 / 18

HEX #D18C3D

RGB 209 140 61

HSL 32.03, 0.62%, 0.53%

LAB 63.88, 19.19, 51.27

 

CMYK 0 / 14 / 71 / 18

HEX #D1B43D

RGB 209 180 61

HSL 48.24, 0.62%, 0.53%

LAB 73.89, -2.27, 61.54

 

CMYK 4 / 0 / 71 / 18

HEX #C8D13D

RGB 200 209 61

HSL 63.65, 0.62%, 0.53%

LAB 80.86, -20.82, 68.14

 

CMYK 23 / 0 / 71 / 18

HEX #A0D13D

RGB 160 209 61

HSL 79.86, 0.62%, 0.53%

LAB 78.12, -36.88, 64.52

 

CMYK 43 / 0 / 71 / 18

HEX #78D13D

RGB 120 209 61

HSL 96.08, 0.62%, 0.53%

LAB 76.03, -51.06, 61.73

 

CMYK 6 / 0 / 76 / 40

HEX #8F9824

RGB 143 152 36

HSL 64.66, 0.62%, 0.37%

LAB 60.27, -17.74, 55.6

 

CMYK 6 / 0 / 76 / 27

HEX #AFBA2C

RGB 175 186 44

HSL 64.65, 0.62%, 0.45%

LAB 72.5, -20.75, 65.23

 

CMYK 5 / 0 / 71 / 18

HEX #C6D13D

RGB 198 209 61

HSL 64.46, 0.62%, 0.53%

LAB 80.71, -21.65, 67.94

 

CMYK 4 / 0 / 57 / 15

HEX #D0D95E

RGB 208 217 94

HSL 64.39, 0.62%, 0.61%

LAB 83.88, -19.39, 58.28

 

CMYK 3 / 0 / 43 / 12

HEX #DAE180

RGB 218 225 128

HSL 64.33, 0.62%, 0.69%

LAB 87.15, -16.33, 46.49

 

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

CMYK 71 / 0 / 52 / 18

HEX #3DD164

RGB 61 209 100

HSL 135.81, 0.62%, 0.53%

LAB 74.52, -61.37, 42.75

 

CMYK 23 / 71 / 0 / 18

HEX #A03DD1

RGB 160 61 209

HSL 280.14, 0.62%, 0.53%

LAB 46.2, 63.31, -58.39

 

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

CMYK 71 / 4 / 0 / 18

HEX #3DC8D1

RGB 61 200 209

HSL 183.65, 0.62%, 0.53%

LAB 74.13, -33.24, -15.21

 

CMYK 0 / 71 / 4 / 18

HEX #D13DC8

RGB 209 61 200

HSL 303.65, 0.62%, 0.53%

LAB 53.02, 72.1, -41.9

 

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

CMYK 71 / 0 / 52 / 18

HEX #3DD164

RGB 61 209 100

HSL 135.81, 0.62%, 0.53%

LAB 74.52, -61.37, 42.75

 

CMYK 66 / 71 / 0 / 18

HEX #473DD1

RGB 71 61 209

HSL 244.05, 0.62%, 0.53%

LAB 36.52, 48.41, -74.58

 

CMYK 0 / 71 / 19 / 18

HEX #D13DAA

RGB 209 61 170

HSL 315.81, 0.62%, 0.53%

LAB 51.6, 67.73, -26.67

 

CMYK 5 / 0 / 70 / 18

HEX #C6D13E

RGB 198 209 62

HSL 64.49, 0.62%, 0.53%

LAB 80.71, -21.6, 67.59

 

CMYK 71 / 0 / 31 / 18

HEX #3DD191

RGB 61 209 145

HSL 154.05, 0.62%, 0.53%

LAB 75.23, -53.4, 20.8

 

CMYK 66 / 71 / 0 / 18

HEX #473DD1

RGB 71 61 209

HSL 244.05, 0.62%, 0.53%

LAB 36.52, 48.41, -74.58

 

CMYK 0 / 71 / 40 / 18

HEX #D13D7D

RGB 209 61 125

HSL 334.05, 0.62%, 0.53%

LAB 49.95, 62.37, -2.36

 

Description

Color code: HEX #C6D13E | qconv.com Color code: HEX #C6D13E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 209 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 209 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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