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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6D104 it is the complementary color #392EFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6D104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6D104 shade: #CBD100, #DCE312, #EDF525, #FEFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6D104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6D104 shade: #C6D104, #B5BF00, #A4AD00, #939B00 and #828900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6D104 shade: #C7D204, #D2A504, #D26E04, #D23704 and #D20404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6D104 shade: #C7D204, #8FD204, #58D204, #21D204 and #04D21F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6D104 shade matches the following richer shades: #C7D204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6D104 shade: #C7D204, #B7C116, #A8AF27, #989E38 and #898D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6D104 shade: #D26F04, #D2A504, #C8D204, #91D204 and #5AD204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6D104 shade: #7A8103, #A1A903, #C7D204, #EDFA06 and #F0FB2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6D104 shade: #C6D104, #04D238 and #8A04D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6D104 shade: #C6D104, #04C8D2 and #D204C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6D104 shade: #C6D104, #04D238, #0F04D2 and #D2049F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6D104 shade: #C6D104, #04D275, #0F04D2 and #D20461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

Complementary color

CMYK 77 / 82 / 0 / 2

HEX #392EFB

RGB 57 46 251

HSL 243.22, 0.96%, 0.58%

LAB 37.46, 67.34, -96.97

 

CMYK 3 / 0 / 100 / 18

HEX #CBD100

RGB 203 209 0

HSL 61.72, 1%, 0.41%

LAB 80.9, -21.1, 80.76

 

CMYK 3 / 0 / 92 / 11

HEX #DCE312

RGB 220 227 18

HSL 62.01, 0.85%, 0.48%

LAB 87.09, -22.49, 84.28

 

CMYK 3 / 0 / 85 / 4

HEX #EDF525

RGB 237 245 37

HSL 62.31, 0.91%, 0.55%

LAB 93.21, -23.73, 86.68

 

CMYK 0 / 0 / 78 / 0

HEX #FEFF38

RGB 254 255 56

HSL 60.3, 1%, 0.61%

LAB 97.18, -21.03, 86.2

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

CMYK 5 / 0 / 100 / 25

HEX #B5BF00

RGB 181 191 0

HSL 63.14, 1%, 0.37%

LAB 74.24, -21.66, 75.09

 

CMYK 5 / 0 / 100 / 32

HEX #A4AD00

RGB 164 173 0

HSL 63.12, 1%, 0.34%

LAB 67.86, -20.07, 69.78

 

CMYK 5 / 0 / 100 / 39

HEX #939B00

RGB 147 155 0

HSL 63.1, 1%, 0.3%

LAB 61.35, -18.45, 64.36

 

CMYK 5 / 0 / 100 / 46

HEX #828900

RGB 130 137 0

HSL 63.07, 1%, 0.27%

LAB 54.7, -16.79, 58.83

 

CMYK 5 / 0 / 98 / 18

HEX #C7D204

RGB 199 210 4

HSL 63.2, 0.96%, 0.42%

LAB 80.87, -23.24, 80.23

 

CMYK 0 / 21 / 98 / 18

HEX #D2A504

RGB 210 165 4

HSL 46.89, 0.96%, 0.42%

LAB 69.91, 4.57, 72.68

 

CMYK 0 / 48 / 98 / 18

HEX #D26E04

RGB 210 110 4

HSL 30.87, 0.96%, 0.42%

LAB 56.94, 34.07, 63.93

 

CMYK 0 / 74 / 98 / 18

HEX #D23704

RGB 210 55 4

HSL 14.85, 0.96%, 0.42%

LAB 47.55, 58.64, 58.48

 

CMYK 0 / 98 / 98 / 18

HEX #D20404

RGB 210 4 4

HSL 0, 0.96%, 0.42%

LAB 43.94, 68.87, 56.79

 

CMYK 5 / 0 / 98 / 18

HEX #C7D204

RGB 199 210 4

HSL 63.2, 0.96%, 0.42%

LAB 80.87, -23.24, 80.23

 

CMYK 32 / 0 / 98 / 18

HEX #8FD204

RGB 143 210 4

HSL 79.51, 0.96%, 0.42%

LAB 77.25, -45.61, 75.87

 

CMYK 58 / 0 / 98 / 18

HEX #58D204

RGB 88 210 4

HSL 95.53, 0.96%, 0.42%

LAB 74.94, -62.91, 73.07

 

CMYK 84 / 0 / 98 / 18

HEX #21D204

RGB 33 210 4

HSL 111.55, 0.96%, 0.42%

LAB 73.82, -72.47, 71.7

 

CMYK 98 / 0 / 85 / 18

HEX #04D21F

RGB 4 210 31

HSL 127.86, 0.96%, 0.42%

LAB 73.69, -73.46, 67.55

 

CMYK 5 / 0 / 98 / 18

HEX #C7D204

RGB 199 210 4

HSL 63.2, 0.96%, 0.42%

LAB 80.87, -23.24, 80.23

 

CMYK 5 / 0 / 98 / 18

HEX #C7D204

RGB 199 210 4

HSL 63.2, 0.96%, 0.42%

LAB 80.87, -23.24, 80.23

 

CMYK 5 / 0 / 89 / 24

HEX #B7C116

RGB 183 193 22

HSL 63.51, 0.8%, 0.42%

LAB 74.99, -21.48, 73

 

CMYK 4 / 0 / 78 / 31

HEX #A8AF27

RGB 168 175 39

HSL 63.09, 0.64%, 0.42%

LAB 68.85, -18.44, 63.24

 

CMYK 4 / 0 / 65 / 38

HEX #989E38

RGB 152 158 56

HSL 63.53, 0.48%, 0.42%

LAB 62.86, -15.78, 50.68

 

CMYK 3 / 0 / 48 / 45

HEX #898D4A

RGB 137 141 74

HSL 63.58, 0.31%, 0.42%

LAB 56.94, -11.76, 35.03

 

CMYK 0 / 47 / 98 / 18

HEX #D26F04

RGB 210 111 4

HSL 31.17, 0.96%, 0.42%

LAB 57.15, 33.55, 64.06

 

CMYK 0 / 21 / 98 / 18

HEX #D2A504

RGB 210 165 4

HSL 46.89, 0.96%, 0.42%

LAB 69.91, 4.57, 72.68

 

CMYK 5 / 0 / 98 / 18

HEX #C8D204

RGB 200 210 4

HSL 62.91, 0.96%, 0.42%

LAB 80.95, -22.82, 80.32

 

CMYK 31 / 0 / 98 / 18

HEX #91D204

RGB 145 210 4

HSL 78.93, 0.96%, 0.42%

LAB 77.35, -44.87, 76

 

CMYK 57 / 0 / 98 / 18

HEX #5AD204

RGB 90 210 4

HSL 94.95, 0.96%, 0.42%

LAB 75, -62.4, 73.14

 

CMYK 5 / 0 / 98 / 49

HEX #7A8103

RGB 122 129 3

HSL 63.33, 0.95%, 0.26%

LAB 51.66, -16.18, 55.73

 

CMYK 5 / 0 / 98 / 34

HEX #A1A903

RGB 161 169 3

HSL 62.89, 0.97%, 0.34%

LAB 66.49, -19.33, 68.27

 

CMYK 5 / 0 / 98 / 18

HEX #C7D204

RGB 199 210 4

HSL 63.2, 0.96%, 0.42%

LAB 80.87, -23.24, 80.23

 

CMYK 5 / 0 / 98 / 2

HEX #EDFA06

RGB 237 250 6

HSL 63.2, 0.96%, 0.5%

LAB 94.48, -26.52, 91.49

 

CMYK 4 / 0 / 82 / 2

HEX #F0FB2E

RGB 240 251 46

HSL 63.22, 0.96%, 0.58%

LAB 95.04, -25.11, 86.4

 

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

CMYK 98 / 0 / 73 / 18

HEX #04D238

RGB 4 210 56

HSL 135.15, 0.96%, 0.42%

LAB 73.81, -71.9, 60.46

 

CMYK 34 / 98 / 0 / 18

HEX #8A04D2

RGB 138 4 210

HSL 279.03, 0.96%, 0.42%

LAB 38.1, 74.54, -72.29

 

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

CMYK 98 / 5 / 0 / 18

HEX #04C8D2

RGB 4 200 210

HSL 182.91, 0.96%, 0.42%

LAB 73.54, -36.88, -16.7

 

CMYK 0 / 98 / 5 / 18

HEX #D204C8

RGB 210 4 200

HSL 302.91, 0.96%, 0.42%

LAB 49.45, 83.14, -47.55

 

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

CMYK 98 / 0 / 73 / 18

HEX #04D238

RGB 4 210 56

HSL 135.15, 0.96%, 0.42%

LAB 73.81, -71.9, 60.46

 

CMYK 93 / 98 / 0 / 18

HEX #0F04D2

RGB 15 4 210

HSL 243.2, 0.96%, 0.42%

LAB 26.28, 67.71, -92.23

 

CMYK 0 / 98 / 24 / 18

HEX #D2049F

RGB 210 4 159

HSL 314.85, 0.96%, 0.42%

LAB 47.35, 77.91, -26.74

 

CMYK 5 / 0 / 98 / 18

HEX #C6D104

RGB 198 209 4

HSL 63.22, 0.96%, 0.42%

LAB 80.52, -23.17, 79.93

 

CMYK 98 / 0 / 44 / 18

HEX #04D275

RGB 4 210 117

HSL 152.91, 0.96%, 0.42%

LAB 74.45, -64.01, 34.14

 

CMYK 93 / 98 / 0 / 18

HEX #0F04D2

RGB 15 4 210

HSL 243.2, 0.96%, 0.42%

LAB 26.28, 67.71, -92.23

 

CMYK 0 / 98 / 54 / 18

HEX #D20461

RGB 210 4 97

HSL 332.91, 0.96%, 0.42%

LAB 45.15, 72.16, 7.92

 

Description

Color code: HEX #C6D104 | qconv.com Color code: HEX #C6D104 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 209 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 209 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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