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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6CE97 it is the complementary color #393168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6CE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6CE97 shade: #CBCE92, #DCE0A5, #EDF2B8, #FEFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6CE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6CE97 shade: #C6CE97, #B5BC84, #A4AA71, #93985E and #82864B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6CE97 shade: #C6CE97, #CEC797, #CEB897, #CEA997 and #CE9B97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6CE97 shade: #C6CE97, #B7CE97, #A8CE97, #99CE97 and #97CEA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6CE97 shade matches the following richer shades: #C6CE97, #CFDA8B, #D8E77E and #E0F372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6CE97 shade: #C6CE97, #BDC2A3, #B4B5B0, #ACA9BC and #A39DC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6CE97 shade: #CEB897, #CEC797, #C7CE97, #B8CE97 and #A9CE97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6CE97 shade: #A7B45F, #B7C17B, #C6CE97, #D5DBB3 and #E5E8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6CE97 shade: #C6CE97, #97CEA9 and #BF97CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6CE97 shade: #C6CE97, #97C7CE and #CE97C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6CE97 shade: #C6CE97, #97CEA9, #9E97CE and #CE97BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6CE97 shade: #C6CE97, #97CEBA, #9E97CE and #CE97AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

Complementary color

CMYK 45 / 53 / 0 / 59

HEX #393168

RGB 57 49 104

HSL 248.73, 0.36%, 0.3%

LAB 23.89, 18.9, -31.21

 

CMYK 1 / 0 / 29 / 19

HEX #CBCE92

RGB 203 206 146

HSL 63, 0.38%, 0.69%

LAB 81.24, -10.51, 29.58

 

CMYK 2 / 0 / 26 / 12

HEX #DCE0A5

RGB 220 224 165

HSL 64.07, 0.49%, 0.76%

LAB 87.6, -10.7, 28.52

 

CMYK 2 / 0 / 24 / 5

HEX #EDF2B8

RGB 237 242 184

HSL 65.17, 0.69%, 0.84%

LAB 93.87, -10.87, 27.51

 

CMYK 0 / 0 / 20 / 0

HEX #FEFFCB

RGB 254 255 203

HSL 61.15, 1%, 0.9%

LAB 98.79, -8.55, 24.81

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 4 / 0 / 30 / 26

HEX #B5BC84

RGB 181 188 132

HSL 67.5, 0.29%, 0.63%

LAB 74.48, -11.59, 27.59

 

CMYK 4 / 0 / 34 / 33

HEX #A4AA71

RGB 164 170 113

HSL 66.32, 0.25%, 0.55%

LAB 67.9, -11.4, 28.73

 

CMYK 3 / 0 / 38 / 40

HEX #93985E

RGB 147 152 94

HSL 65.17, 0.24%, 0.48%

LAB 61.19, -11.17, 29.92

 

CMYK 3 / 0 / 44 / 47

HEX #82864B

RGB 130 134 75

HSL 64.07, 0.28%, 0.41%

LAB 54.35, -10.87, 31.17

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 0 / 3 / 27 / 19

HEX #CEC797

RGB 206 199 151

HSL 52.36, 0.36%, 0.7%

LAB 79.73, -5.1, 24.97

 

CMYK 0 / 11 / 27 / 19

HEX #CEB897

RGB 206 184 151

HSL 36, 0.36%, 0.7%

LAB 75.85, 2.78, 19.65

 

CMYK 0 / 18 / 27 / 19

HEX #CEA997

RGB 206 169 151

HSL 19.64, 0.36%, 0.7%

LAB 72.05, 10.83, 14.37

 

CMYK 0 / 25 / 27 / 19

HEX #CE9B97

RGB 206 155 151

HSL 4.36, 0.36%, 0.7%

LAB 68.61, 18.45, 9.51

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 11 / 0 / 27 / 19

HEX #B7CE97

RGB 183 206 151

HSL 85.09, 0.36%, 0.7%

LAB 79.87, -17.31, 24.86

 

CMYK 18 / 0 / 27 / 19

HEX #A8CE97

RGB 168 206 151

HSL 101.45, 0.36%, 0.7%

LAB 78.87, -22.7, 23.34

 

CMYK 26 / 0 / 27 / 19

HEX #99CE97

RGB 153 206 151

HSL 117.82, 0.36%, 0.7%

LAB 77.96, -27.86, 21.96

 

CMYK 27 / 0 / 21 / 19

HEX #97CEA3

RGB 151 206 163

HSL 133.09, 0.36%, 0.7%

LAB 78.09, -26.41, 15.76

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 5 / 0 / 36 / 15

HEX #CFDA8B

RGB 207 218 139

HSL 68.35, 0.52%, 0.7%

LAB 84.62, -15.9, 37.67

 

CMYK 6 / 0 / 45 / 9

HEX #D8E77E

RGB 216 231 126

HSL 68.57, 0.69%, 0.7%

LAB 88.57, -20.25, 49.17

 

CMYK 8 / 0 / 53 / 5

HEX #E0F372

RGB 224 243 114

HSL 68.84, 0.84%, 0.7%

LAB 92.2, -24.02, 59.2

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 3 / 0 / 16 / 24

HEX #BDC2A3

RGB 189 194 163

HSL 69.68, 0.2%, 0.7%

LAB 77.31, -7.12, 15.03

 

CMYK 1 / 0 / 3 / 29

HEX #B4B5B0

RGB 180 181 176

HSL 72, 0.03%, 0.7%

LAB 73.47, -1.27, 2.41

 

CMYK 9 / 10 / 0 / 26

HEX #ACA9BC

RGB 172 169 188

HSL 249.47, 0.12%, 0.7%

LAB 70.02, 4.79, -9.34

 

CMYK 19 / 22 / 0 / 22

HEX #A39DC8

RGB 163 157 200

HSL 248.37, 0.28%, 0.7%

LAB 66.57, 11.08, -21.26

 

CMYK 0 / 11 / 27 / 19

HEX #CEB897

RGB 206 184 151

HSL 36, 0.36%, 0.7%

LAB 75.85, 2.78, 19.65

 

CMYK 0 / 3 / 27 / 19

HEX #CEC797

RGB 206 199 151

HSL 52.36, 0.36%, 0.7%

LAB 79.73, -5.1, 24.97

 

CMYK 3 / 0 / 27 / 19

HEX #C7CE97

RGB 199 206 151

HSL 67.64, 0.36%, 0.7%

LAB 81.03, -11.36, 26.63

 

CMYK 11 / 0 / 27 / 19

HEX #B8CE97

RGB 184 206 151

HSL 84, 0.36%, 0.7%

LAB 79.94, -16.94, 24.97

 

CMYK 18 / 0 / 27 / 19

HEX #A9CE97

RGB 169 206 151

HSL 100.36, 0.36%, 0.7%

LAB 78.93, -22.35, 23.44

 

CMYK 7 / 0 / 47 / 29

HEX #A7B45F

RGB 167 180 95

HSL 69.18, 0.36%, 0.54%

LAB 70.65, -17.45, 41.57

 

CMYK 5 / 0 / 36 / 24

HEX #B7C17B

RGB 183 193 123

HSL 68.57, 0.36%, 0.62%

LAB 75.85, -14.53, 34.12

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 3 / 0 / 18 / 14

HEX #D5DBB3

RGB 213 219 179

HSL 69, 0.36%, 0.78%

LAB 86.04, -8.75, 19.02

 

CMYK 1 / 0 / 11 / 9

HEX #E5E8CF

RGB 229 232 207

HSL 67.2, 0.35%, 0.86%

LAB 91.18, -5.27, 11.82

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 27 / 0 / 18 / 19

HEX #97CEA9

RGB 151 206 169

HSL 139.64, 0.36%, 0.7%

LAB 78.22, -25.3, 12.74

 

CMYK 7 / 27 / 0 / 19

HEX #BF97CE

RGB 191 151 206

HSL 283.64, 0.36%, 0.7%

LAB 67.77, 24.79, -22.54

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 27 / 3 / 0 / 19

HEX #97C7CE

RGB 151 199 206

HSL 187.64, 0.36%, 0.7%

LAB 77.21, -14.03, -8.61

 

CMYK 0 / 27 / 3 / 19

HEX #CE97C7

RGB 206 151 199

HSL 307.64, 0.36%, 0.7%

LAB 69.02, 28.42, -16.61

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 27 / 0 / 18 / 19

HEX #97CEA9

RGB 151 206 169

HSL 139.64, 0.36%, 0.7%

LAB 78.22, -25.3, 12.74

 

CMYK 23 / 27 / 0 / 19

HEX #9E97CE

RGB 158 151 206

HSL 247.64, 0.36%, 0.7%

LAB 64.85, 14.3, -27.27

 

CMYK 0 / 27 / 9 / 19

HEX #CE97BC

RGB 206 151 188

HSL 319.64, 0.36%, 0.7%

LAB 68.67, 26.46, -11.03

 

CMYK 4 / 0 / 27 / 19

HEX #C6CE97

RGB 198 206 151

HSL 68.73, 0.36%, 0.7%

LAB 80.95, -11.74, 26.52

 

CMYK 27 / 0 / 10 / 19

HEX #97CEBA

RGB 151 206 186

HSL 158.18, 0.36%, 0.7%

LAB 78.62, -21.93, 4.21

 

CMYK 23 / 27 / 0 / 19

HEX #9E97CE

RGB 158 151 206

HSL 247.64, 0.36%, 0.7%

LAB 64.85, 14.3, -27.27

 

CMYK 0 / 27 / 17 / 19

HEX #CE97AB

RGB 206 151 171

HSL 338.18, 0.36%, 0.7%

LAB 68.16, 23.63, -2.29

 

Description

Color code: HEX #C6CE97 | qconv.com Color code: HEX #C6CE97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 206 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 206 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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