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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6C7B8 it is the complementary color #393847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6C7B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6C7B8 shade: #CBC7B3, #DCD9C6, #EDEBD9, #FEFDEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6C7B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6C7B8 shade: #C6C7B8, #B5B5A5, #A4A392, #93917F and #827F6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6C7B8 shade: #C6C7B8, #C7C4B8, #C7C0B8, #C7BCB8 and #C7B8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6C7B8 shade: #C6C7B8, #C2C7B8, #BEC7B8, #BAC7B8 and #B8C7BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6C7B8 shade matches the following richer shades: #C6C7B8, #CFD1AD, #D8DCA3, #E1E699 and #EAF08E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6C7B8 shade: #C6C7B8, #BDBDC2, #B4B2CC, #ABA8D7 and #A29EE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6C7B8 shade: #C7C0B8, #C7C4B8, #C6C7B8, #C2C7B8 and #BEC7B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6C7B8 shade: #A1A389, #B3B5A0, #C6C7B8, #D8D9CF and #EBEBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6C7B8 shade: #C6C7B8, #B8C7BC and #C2B8C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6C7B8 shade: #C6C7B8, #B8C6C7 and #C7B8C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6C7B8 shade: #C6C7B8, #B8C7BC, #B9B8C7 and #C7B8C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6C7B8 shade: #C6C7B8, #B8C7C0, #B9B8C7 and #C7B8BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

Complementary color

CMYK 20 / 21 / 0 / 72

HEX #393847

RGB 57 56 71

HSL 244, 0.12%, 0.25%

LAB 24.17, 4.16, -9.06

 

CMYK 0 / 2 / 12 / 20

HEX #CBC7B3

RGB 203 199 179

HSL 50, 0.19%, 0.75%

LAB 80.07, -2.05, 10.5

 

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

 

CMYK 0 / 1 / 8 / 7

HEX #EDEBD9

RGB 237 235 217

HSL 54, 0.36%, 0.89%

LAB 92.76, -2.39, 8.96

 

CMYK 0 / 0 / 7 / 0

HEX #FEFDEC

RGB 254 253 236

HSL 56.67, 0.9%, 0.96%

LAB 98.98, -2.54, 8.24

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 0 / 0 / 9 / 29

HEX #B5B5A5

RGB 181 181 165

HSL 60, 0.1%, 0.68%

LAB 73.28, -2.86, 8.15

 

CMYK 0 / 1 / 11 / 36

HEX #A4A392

RGB 164 163 146

HSL 56.67, 0.09%, 0.61%

LAB 66.64, -2.7, 8.96

 

CMYK 0 / 1 / 14 / 42

HEX #93917F

RGB 147 145 127

HSL 54, 0.08%, 0.54%

LAB 59.88, -2.52, 9.82

 

CMYK 0 / 2 / 17 / 49

HEX #827F6C

RGB 130 127 108

HSL 51.82, 0.09%, 0.47%

LAB 52.96, -2.32, 10.75

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 0 / 2 / 8 / 22

HEX #C7C4B8

RGB 199 196 184

HSL 48, 0.12%, 0.75%

LAB 79.09, -1.07, 6.38

 

CMYK 0 / 4 / 8 / 22

HEX #C7C0B8

RGB 199 192 184

HSL 32, 0.12%, 0.75%

LAB 78.05, 1.04, 4.89

 

CMYK 0 / 6 / 8 / 22

HEX #C7BCB8

RGB 199 188 184

HSL 16, 0.12%, 0.75%

LAB 77.02, 3.17, 3.4

 

CMYK 0 / 8 / 8 / 22

HEX #C7B8B8

RGB 199 184 184

HSL 0, 0.12%, 0.75%

LAB 76, 5.32, 1.91

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 3 / 0 / 8 / 22

HEX #C2C7B8

RGB 194 199 184

HSL 80, 0.12%, 0.75%

LAB 79.49, -4.42, 6.9

 

CMYK 5 / 0 / 8 / 22

HEX #BEC7B8

RGB 190 199 184

HSL 96, 0.12%, 0.75%

LAB 79.19, -5.83, 6.43

 

CMYK 7 / 0 / 8 / 22

HEX #BAC7B8

RGB 186 199 184

HSL 112, 0.12%, 0.75%

LAB 78.9, -7.23, 5.97

 

CMYK 8 / 0 / 7 / 22

HEX #B8C7BA

RGB 184 199 186

HSL 128, 0.12%, 0.75%

LAB 78.8, -7.56, 4.74

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 1 / 0 / 17 / 18

HEX #CFD1AD

RGB 207 209 173

HSL 63.33, 0.28%, 0.75%

LAB 82.85, -6.73, 17.67

 

CMYK 2 / 0 / 26 / 14

HEX #D8DCA3

RGB 216 220 163

HSL 64.21, 0.45%, 0.75%

LAB 86.22, -10.45, 27.63

 

CMYK 2 / 0 / 33 / 10

HEX #E1E699

RGB 225 230 153

HSL 63.9, 0.61%, 0.75%

LAB 89.35, -13.34, 37.02

 

CMYK 3 / 0 / 41 / 6

HEX #EAF08E

RGB 234 240 142

HSL 63.67, 0.77%, 0.75%

LAB 92.47, -16.07, 46.6

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 3 / 3 / 0 / 24

HEX #BDBDC2

RGB 189 189 194

HSL 240, 0.04%, 0.75%

LAB 76.75, 0.94, -2.52

 

CMYK 12 / 13 / 0 / 20

HEX #B4B2CC

RGB 180 178 204

HSL 244.62, 0.2%, 0.75%

LAB 73.48, 5.84, -12.89

 

CMYK 20 / 22 / 0 / 16

HEX #ABA8D7

RGB 171 168 215

HSL 243.83, 0.37%, 0.75%

LAB 70.57, 10.86, -23.39

 

CMYK 28 / 30 / 0 / 12

HEX #A29EE1

RGB 162 158 225

HSL 243.58, 0.53%, 0.75%

LAB 67.7, 16.13, -33.36

 

CMYK 0 / 4 / 8 / 22

HEX #C7C0B8

RGB 199 192 184

HSL 32, 0.12%, 0.75%

LAB 78.05, 1.04, 4.89

 

CMYK 0 / 2 / 8 / 22

HEX #C7C4B8

RGB 199 196 184

HSL 48, 0.12%, 0.75%

LAB 79.09, -1.07, 6.38

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 3 / 0 / 8 / 22

HEX #C2C7B8

RGB 194 199 184

HSL 80, 0.12%, 0.75%

LAB 79.49, -4.42, 6.9

 

CMYK 5 / 0 / 8 / 22

HEX #BEC7B8

RGB 190 199 184

HSL 96, 0.12%, 0.75%

LAB 79.19, -5.83, 6.43

 

CMYK 1 / 0 / 16 / 36

HEX #A1A389

RGB 161 163 137

HSL 64.62, 0.12%, 0.59%

LAB 66.2, -5.34, 13.29

 

CMYK 1 / 0 / 12 / 29

HEX #B3B5A0

RGB 179 181 160

HSL 65.71, 0.12%, 0.67%

LAB 73, -4.44, 10.46

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 0 / 0 / 5 / 15

HEX #D8D9CF

RGB 216 217 207

HSL 66, 0.12%, 0.83%

LAB 86.37, -2.11, 4.79

 

CMYK 0 / 0 / 2 / 8

HEX #EBEBE6

RGB 235 235 230

HSL 60, 0.11%, 0.91%

LAB 92.92, -0.87, 2.41

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 8 / 0 / 6 / 22

HEX #B8C7BC

RGB 184 199 188

HSL 136, 0.12%, 0.75%

LAB 78.85, -7.19, 3.74

 

CMYK 3 / 8 / 0 / 22

HEX #C2B8C7

RGB 194 184 199

HSL 280, 0.12%, 0.75%

LAB 75.99, 6.3, -6.3

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 8 / 1 / 0 / 22

HEX #B8C6C7

RGB 184 198 199

HSL 184, 0.12%, 0.75%

LAB 78.87, -4.57, -2.15

 

CMYK 0 / 8 / 1 / 22

HEX #C7B8C6

RGB 199 184 198

HSL 304, 0.12%, 0.75%

LAB 76.38, 7.83, -5.15

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 8 / 0 / 6 / 22

HEX #B8C7BC

RGB 184 199 188

HSL 136, 0.12%, 0.75%

LAB 78.85, -7.19, 3.74

 

CMYK 7 / 8 / 0 / 22

HEX #B9B8C7

RGB 185 184 199

HSL 244, 0.12%, 0.75%

LAB 75.28, 3.23, -7.44

 

CMYK 0 / 8 / 2 / 22

HEX #C7B8C3

RGB 199 184 195

HSL 316, 0.12%, 0.75%

LAB 76.29, 7.28, -3.64

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B8

RGB 198 199 184

HSL 64, 0.12%, 0.75%

LAB 79.79, -3.01, 7.38

 

CMYK 8 / 0 / 4 / 22

HEX #B8C7C0

RGB 184 199 192

HSL 152, 0.12%, 0.75%

LAB 78.95, -6.44, 1.74

 

CMYK 7 / 8 / 0 / 22

HEX #B9B8C7

RGB 185 184 199

HSL 244, 0.12%, 0.75%

LAB 75.28, 3.23, -7.44

 

CMYK 0 / 8 / 5 / 22

HEX #C7B8BE

RGB 199 184 190

HSL 336, 0.12%, 0.75%

LAB 76.16, 6.37, -1.12

 

Description

Color code: HEX #C6C7B8 | qconv.com Color code: HEX #C6C7B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 199 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 199 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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