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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6C33E it is the complementary color #393CC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6C33E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6C33E shade: #CBC339, #DCD54C, #EDE75F, #FEF972 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6C33E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6C33E shade: #C6C33E, #B5B12B, #A49F18, #938D05 and #827B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6C33E shade: #C6C33F, #C69E3F, #C67A3F, #C6553F and #C63F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6C33E shade: #C6C33F, #A4C63F, #80C63F, #5BC63F and #3FC646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6C33E shade matches the following richer shades: #C6C33F, #DAD62A and #EEE916

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6C33E shade: #C6C33F, #B1AF53, #9D9C67, #89897B and #75758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6C33E shade: #C6793F, #C69D3F, #C6C13F, #A6C63F and #82C63F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6C33E shade: #898729, #A9A632, #C6C33F, #CFCD5E and #D9D77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6C33E shade: #C6C33E, #3FC655 and #8B3FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6C33E shade: #C6C33E, #3FC6C1 and #C13FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6C33E shade: #C6C33E, #3FC655, #3F43C6 and #C63FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6C33E shade: #C6C33E, #3FC67E, #3F43C6 and #C63F87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

Complementary color

CMYK 70 / 69 / 0 / 24

HEX #393CC1

RGB 57 60 193

HSL 238.68, 0.54%, 0.49%

LAB 33.88, 42.13, -69.63

 

CMYK 0 / 4 / 72 / 20

HEX #CBC339

RGB 203 195 57

HSL 56.71, 0.58%, 0.51%

LAB 77.29, -12.77, 66.19

 

CMYK 0 / 3 / 65 / 14

HEX #DCD54C

RGB 220 213 76

HSL 57.08, 0.67%, 0.58%

LAB 83.61, -13.69, 65.81

 

CMYK 0 / 3 / 60 / 7

HEX #EDE75F

RGB 237 231 95

HSL 57.46, 0.8%, 0.65%

LAB 89.85, -14.46, 65.08

 

CMYK 0 / 2 / 55 / 0

HEX #FEF972

RGB 254 249 114

HSL 57.86, 0.99%, 0.72%

LAB 96.01, -15.12, 64.15

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

CMYK 0 / 2 / 76 / 29

HEX #B5B12B

RGB 181 177 43

HSL 58.26, 0.62%, 0.44%

LAB 70.48, -13.67, 63.87

 

CMYK 0 / 3 / 85 / 36

HEX #A49F18

RGB 164 159 24

HSL 57.86, 0.74%, 0.37%

LAB 63.96, -12.47, 62.97

 

CMYK 0 / 4 / 97 / 42

HEX #938D05

RGB 147 141 5

HSL 57.46, 0.93%, 0.3%

LAB 57.33, -11.03, 60.61

 

CMYK 0 / 5 / 100 / 49

HEX #827B00

RGB 130 123 0

HSL 56.77, 1%, 0.25%

LAB 50.58, -9.27, 55.82

 

CMYK 0 / 2 / 68 / 22

HEX #C6C33F

RGB 198 195 63

HSL 58.67, 0.54%, 0.51%

LAB 76.92, -14.6, 63.47

 

CMYK 0 / 20 / 68 / 22

HEX #C69E3F

RGB 198 158 63

HSL 42.22, 0.54%, 0.51%

LAB 67.14, 4.78, 53.44

 

CMYK 0 / 38 / 68 / 22

HEX #C67A3F

RGB 198 122 63

HSL 26.22, 0.54%, 0.51%

LAB 58.31, 24.43, 43.88

 

CMYK 0 / 57 / 68 / 22

HEX #C6553F

RGB 198 85 63

HSL 9.78, 0.54%, 0.51%

LAB 50.52, 43.69, 34.97

 

CMYK 0 / 68 / 68 / 22

HEX #C63F3F

RGB 198 63 63

HSL 0, 0.54%, 0.51%

LAB 46.87, 53.44, 30.6

 

CMYK 0 / 2 / 68 / 22

HEX #C6C33F

RGB 198 195 63

HSL 58.67, 0.54%, 0.51%

LAB 76.92, -14.6, 63.47

 

CMYK 17 / 0 / 68 / 22

HEX #A4C63F

RGB 164 198 63

HSL 75.11, 0.54%, 0.51%

LAB 75.23, -30.12, 60.94

 

CMYK 35 / 0 / 68 / 22

HEX #80C63F

RGB 128 198 63

HSL 91.11, 0.54%, 0.51%

LAB 73.11, -43.7, 58.09

 

CMYK 54 / 0 / 68 / 22

HEX #5BC63F

RGB 91 198 63

HSL 107.56, 0.54%, 0.51%

LAB 71.54, -55.23, 55.95

 

CMYK 68 / 0 / 65 / 22

HEX #3FC646

RGB 63 198 70

HSL 123.11, 0.54%, 0.51%

LAB 70.79, -60.96, 52.06

 

CMYK 0 / 2 / 68 / 22

HEX #C6C33F

RGB 198 195 63

HSL 58.67, 0.54%, 0.51%

LAB 76.92, -14.6, 63.47

 

CMYK 0 / 2 / 81 / 15

HEX #DAD62A

RGB 218 214 42

HSL 58.64, 0.7%, 0.51%

LAB 83.53, -16.49, 76.87

 

CMYK 0 / 2 / 91 / 7

HEX #EEE916

RGB 238 233 22

HSL 58.61, 0.86%, 0.51%

LAB 90.1, -17.83, 86.7

 

CMYK 0 / 2 / 68 / 22

HEX #C6C33F

RGB 198 195 63

HSL 58.67, 0.54%, 0.51%

LAB 76.92, -14.6, 63.47

 

CMYK 0 / 1 / 53 / 31

HEX #B1AF53

RGB 177 175 83

HSL 58.72, 0.38%, 0.51%

LAB 69.92, -11.87, 46.76

 

CMYK 0 / 1 / 34 / 38

HEX #9D9C67

RGB 157 156 103

HSL 58.89, 0.22%, 0.51%

LAB 63.28, -8.08, 27.94

 

CMYK 0 / 0 / 10 / 46

HEX #89897B

RGB 137 137 123

HSL 60, 0.06%, 0.51%

LAB 56.72, -2.62, 7.51

 

CMYK 18 / 18 / 0 / 44

HEX #75758F

RGB 117 117 143

HSL 240, 0.1%, 0.51%

LAB 50.08, 5.74, -14.11

 

CMYK 0 / 39 / 68 / 22

HEX #C6793F

RGB 198 121 63

HSL 25.78, 0.54%, 0.51%

LAB 58.07, 24.97, 43.62

 

CMYK 0 / 21 / 68 / 22

HEX #C69D3F

RGB 198 157 63

HSL 41.78, 0.54%, 0.51%

LAB 66.88, 5.32, 53.17

 

CMYK 0 / 3 / 68 / 22

HEX #C6C13F

RGB 198 193 63

HSL 57.78, 0.54%, 0.51%

LAB 76.38, -13.58, 62.93

 

CMYK 16 / 0 / 68 / 22

HEX #A6C63F

RGB 166 198 63

HSL 74.22, 0.54%, 0.51%

LAB 75.36, -29.31, 61.12

 

CMYK 34 / 0 / 68 / 22

HEX #82C63F

RGB 130 198 63

HSL 90.22, 0.54%, 0.51%

LAB 73.22, -43, 58.23

 

CMYK 0 / 1 / 70 / 46

HEX #898729

RGB 137 135 41

HSL 58.75, 0.54%, 0.35%

LAB 54.87, -11.19, 48.36

 

CMYK 0 / 2 / 70 / 34

HEX #A9A632

RGB 169 166 50

HSL 58.49, 0.54%, 0.43%

LAB 66.47, -12.89, 57.25

 

CMYK 0 / 2 / 68 / 22

HEX #C6C33F

RGB 198 195 63

HSL 58.67, 0.54%, 0.51%

LAB 76.92, -14.6, 63.47

 

CMYK 0 / 1 / 55 / 19

HEX #CFCD5E

RGB 207 205 94

HSL 58.94, 0.54%, 0.59%

LAB 80.59, -13.84, 54.54

 

CMYK 0 / 1 / 42 / 15

HEX #D9D77E

RGB 217 215 126

HSL 58.68, 0.54%, 0.67%

LAB 84.41, -11.95, 44.04

 

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

CMYK 68 / 0 / 57 / 22

HEX #3FC655

RGB 63 198 85

HSL 129.78, 0.54%, 0.51%

LAB 70.94, -59.22, 45.55

 

CMYK 30 / 68 / 0 / 22

HEX #8B3FC6

RGB 139 63 198

HSL 273.78, 0.54%, 0.51%

LAB 42.95, 55.77, -57.43

 

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

CMYK 68 / 0 / 3 / 22

HEX #3FC6C1

RGB 63 198 193

HSL 177.78, 0.54%, 0.51%

LAB 73.09, -36.63, -8.08

 

CMYK 3 / 68 / 0 / 22

HEX #C13FC6

RGB 193 63 198

HSL 297.78, 0.54%, 0.51%

LAB 50.65, 67.51, -44.65

 

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

CMYK 68 / 0 / 57 / 22

HEX #3FC655

RGB 63 198 85

HSL 129.78, 0.54%, 0.51%

LAB 70.94, -59.22, 45.55

 

CMYK 68 / 66 / 0 / 22

HEX #3F43C6

RGB 63 67 198

HSL 238.22, 0.54%, 0.51%

LAB 36.27, 40.33, -68.62

 

CMYK 0 / 68 / 12 / 22

HEX #C63FAF

RGB 198 63 175

HSL 310.22, 0.54%, 0.51%

LAB 50.28, 65.03, -31.8

 

CMYK 0 / 2 / 69 / 22

HEX #C6C33E

RGB 198 195 62

HSL 58.68, 0.54%, 0.51%

LAB 76.91, -14.65, 63.84

 

CMYK 68 / 0 / 36 / 22

HEX #3FC67E

RGB 63 198 126

HSL 148, 0.54%, 0.51%

LAB 71.52, -52.63, 25.78

 

CMYK 68 / 66 / 0 / 22

HEX #3F43C6

RGB 63 67 198

HSL 238.22, 0.54%, 0.51%

LAB 36.27, 40.33, -68.62

 

CMYK 0 / 68 / 32 / 22

HEX #C63F87

RGB 198 63 135

HSL 328, 0.54%, 0.51%

LAB 48.65, 59.64, -10.53

 

Description

Color code: HEX #C6C33E | qconv.com Color code: HEX #C6C33E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 195 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 195 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 69 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 69% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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