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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6B8FB it is the complementary color #394704. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6B8FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6B8FB shade: #CBB8F6, #DCCAFF, #EDDCFF, #FEEEFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6B8FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6B8FB shade: #C6B8FB, #B5A6E8, #A494D5, #9382C2 and #8270AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6B8FB shade: #C5B7FB, #D7B7FB, #EAB7FB, #FBB7FA and #FBB7E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6B8FB shade: #C5B7FB and #B7B7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6B8FB shade matches the following richer shades: #C5B7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6B8FB shade: #C5B7FB, #C9BDF5, #CCC3EE, #D0C9E8 and #D3CFE2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6B8FB shade: #B7CDFB, #B7BBFB, #C4B7FB, #D6B7FB and #E9B7FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6B8FB shade: #8669F6, #A690F9, #C5B7FB, #E4DEFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6B8FB shade: #C6B8FB, #FBB7E0 and #C4FBB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6B8FB shade: #C6B8FB, #FBC4B7 and #B7FBC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6B8FB shade: #C6B8FB, #FBB7E0, #EDFBB7 and #B7FBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6B8FB shade: #C6B8FB, #FBB7CB, #EDFBB7 and #B7FBE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

Complementary color

CMYK 20 / 0 / 94 / 72

HEX #394704

RGB 57 71 4

HSL 72.54, 0.89%, 0.15%

LAB 27.8, -15.44, 34.42

 

CMYK 17 / 25 / 0 / 4

HEX #CBB8F6

RGB 203 184 246

HSL 258.39, 0.78%, 0.84%

LAB 78.25, 18.85, -28.26

 

CMYK 14 / 21 / 0 / 0

HEX #DCCAFF

RGB 220 202 255

HSL 260.38, 1%, 0.9%

LAB 84.32, 16.29, -23.67

 

CMYK 7 / 14 / 0 / 0

HEX #EDDCFF

RGB 237 220 255

HSL 269.14, 1%, 0.93%

LAB 90.05, 12.14, -14.88

 

CMYK 0 / 7 / 0 / 0

HEX #FEEEFF

RGB 254 238 255

HSL 296.47, 1%, 0.97%

LAB 95.76, 8.33, -6.24

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

CMYK 22 / 28 / 0 / 9

HEX #B5A6E8

RGB 181 166 232

HSL 253.64, 0.59%, 0.78%

LAB 71.5, 18.94, -31.2

 

CMYK 23 / 31 / 0 / 16

HEX #A494D5

RGB 164 148 213

HSL 254.77, 0.44%, 0.71%

LAB 64.86, 19.5, -31.11

 

CMYK 24 / 33 / 0 / 24

HEX #9382C2

RGB 147 130 194

HSL 255.94, 0.34%, 0.64%

LAB 58.1, 20.11, -31.04

 

CMYK 26 / 36 / 0 / 31

HEX #8270AF

RGB 130 112 175

HSL 257.14, 0.28%, 0.56%

LAB 51.19, 20.8, -31.02

 

CMYK 22 / 27 / 0 / 2

HEX #C5B7FB

RGB 197 183 251

HSL 252.35, 0.89%, 0.85%

LAB 77.7, 18.69, -31.82

 

CMYK 14 / 27 / 0 / 2

HEX #D7B7FB

RGB 215 183 251

HSL 268.24, 0.89%, 0.85%

LAB 79.2, 24.14, -29.39

 

CMYK 7 / 27 / 0 / 2

HEX #EAB7FB

RGB 234 183 251

HSL 285, 0.89%, 0.85%

LAB 80.92, 30.05, -26.61

 

CMYK 0 / 27 / 0 / 2

HEX #FBB7FA

RGB 251 183 250

HSL 300.88, 0.89%, 0.85%

LAB 82.53, 35.23, -23.47

 

CMYK 0 / 27 / 8 / 2

HEX #FBB7E7

RGB 251 183 231

HSL 317.65, 0.89%, 0.85%

LAB 81.92, 31.92, -14.21

 

CMYK 22 / 27 / 0 / 2

HEX #C5B7FB

RGB 197 183 251

HSL 252.35, 0.89%, 0.85%

LAB 77.7, 18.69, -31.82

 

CMYK 27 / 27 / 0 / 2

HEX #B7B7FB

RGB 183 183 251

HSL 240, 0.89%, 0.85%

LAB 76.62, 14.58, -33.58

 

CMYK 22 / 27 / 0 / 2

HEX #C5B7FB

RGB 197 183 251

HSL 252.35, 0.89%, 0.85%

LAB 77.7, 18.69, -31.82

 

CMYK 22 / 27 / 0 / 2

HEX #C5B7FB

RGB 197 183 251

HSL 252.35, 0.89%, 0.85%

LAB 77.7, 18.69, -31.82

 

CMYK 18 / 23 / 0 / 4

HEX #C9BDF5

RGB 201 189 245

HSL 252.86, 0.74%, 0.85%

LAB 79.27, 15.29, -26.16

 

CMYK 14 / 18 / 0 / 7

HEX #CCC3EE

RGB 204 195 238

HSL 252.56, 0.56%, 0.85%

LAB 80.76, 11.48, -20.13

 

CMYK 10 / 13 / 0 / 9

HEX #D0C9E8

RGB 208 201 232

HSL 253.55, 0.4%, 0.85%

LAB 82.38, 8.31, -14.44

 

CMYK 7 / 8 / 0 / 11

HEX #D3CFE2

RGB 211 207 226

HSL 252.63, 0.25%, 0.85%

LAB 83.95, 4.92, -8.88

 

CMYK 27 / 18 / 0 / 2

HEX #B7CDFB

RGB 183 205 251

HSL 220.59, 0.89%, 0.85%

LAB 82.21, 2.63, -25

 

CMYK 27 / 25 / 0 / 2

HEX #B7BBFB

RGB 183 187 251

HSL 236.47, 0.89%, 0.85%

LAB 77.62, 12.38, -32.03

 

CMYK 22 / 27 / 0 / 2

HEX #C4B7FB

RGB 196 183 251

HSL 251.47, 0.89%, 0.85%

LAB 77.62, 18.39, -31.95

 

CMYK 15 / 27 / 0 / 2

HEX #D6B7FB

RGB 214 183 251

HSL 267.35, 0.89%, 0.85%

LAB 79.12, 23.83, -29.53

 

CMYK 7 / 27 / 0 / 2

HEX #E9B7FB

RGB 233 183 251

HSL 284.12, 0.89%, 0.85%

LAB 80.83, 29.73, -26.76

 

CMYK 46 / 57 / 0 / 4

HEX #8669F6

RGB 134 105 246

HSL 252.34, 0.89%, 0.69%

LAB 53.84, 45.04, -67.1

 

CMYK 33 / 42 / 0 / 2

HEX #A690F9

RGB 166 144 249

HSL 252.57, 0.9%, 0.77%

LAB 65.67, 31.23, -49.7

 

CMYK 22 / 27 / 0 / 2

HEX #C5B7FB

RGB 197 183 251

HSL 252.35, 0.89%, 0.85%

LAB 77.7, 18.69, -31.82

 

CMYK 10 / 12 / 0 / 1

HEX #E4DEFD

RGB 228 222 253

HSL 251.61, 0.89%, 0.93%

LAB 89.78, 7.82, -14.31

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

CMYK 0 / 27 / 11 / 2

HEX #FBB7E0

RGB 251 183 224

HSL 323.82, 0.89%, 0.85%

LAB 81.71, 30.75, -10.77

 

CMYK 22 / 0 / 27 / 2

HEX #C4FBB7

RGB 196 251 183

HSL 108.53, 0.89%, 0.85%

LAB 93.52, -29.71, 27.09

 

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

CMYK 0 / 22 / 27 / 2

HEX #FBC4B7

RGB 251 196 183

HSL 11.47, 0.89%, 0.85%

LAB 83.66, 17.79, 14.05

 

CMYK 27 / 0 / 22 / 2

HEX #B7FBC4

RGB 183 251 196

HSL 131.47, 0.89%, 0.85%

LAB 93.04, -31.76, 19.69

 

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

CMYK 0 / 27 / 11 / 2

HEX #FBB7E0

RGB 251 183 224

HSL 323.82, 0.89%, 0.85%

LAB 81.71, 30.75, -10.77

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB7

RGB 237 251 183

HSL 72.35, 0.89%, 0.85%

LAB 96.17, -15.43, 31.14

 

CMYK 27 / 0 / 16 / 2

HEX #B7FBD2

RGB 183 251 210

HSL 143.82, 0.89%, 0.85%

LAB 93.33, -29.24, 12.91

 

CMYK 21 / 27 / 0 / 2

HEX #C6B8FB

RGB 198 184 251

HSL 252.54, 0.89%, 0.85%

LAB 78.02, 18.44, -31.32

 

CMYK 0 / 27 / 19 / 2

HEX #FBB7CB

RGB 251 183 203

HSL 342.35, 0.89%, 0.85%

LAB 81.12, 27.47, -0.32

 

CMYK 6 / 0 / 27 / 2

HEX #EDFBB7

RGB 237 251 183

HSL 72.35, 0.89%, 0.85%

LAB 96.17, -15.43, 31.14

 

CMYK 27 / 0 / 8 / 2

HEX #B7FBE6

RGB 183 251 230

HSL 161.47, 0.89%, 0.85%

LAB 93.79, -25.35, 3.25

 

Description

Color code: HEX #C6B8FB | qconv.com Color code: HEX #C6B8FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 184 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 184 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 27 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 27% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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