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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6B362 it is the complementary color #394C9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6B362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6B362 shade: #CBB35D, #DCC570, #EDD783, #FEE996 and #FFFBA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6B362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6B362 shade: #C6B362, #B5A14F, #A48F3C, #937D29 and #826B16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6B362 shade: #C6B362, #C69862, #C67D62 and #C66262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6B362 shade: #C6B362, #BEC662, #A3C662, #88C662 and #6DC662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6B362 shade matches the following richer shades: #C6B362, #D8BE50, #E9C93F and #FAD32E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6B362 shade: #C6B362, #B5A873, #A49E84, #929396 and #8188A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6B362 shade: #C67C62, #C69762, #C6B262, #C0C662 and #A5C662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6B362 shade: #9D8A39, #BBA443, #C6B362, #D1C280 and #DCD09E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6B362 shade: #C6B362, #62C662 and #8A62C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6B362 shade: #C6B362, #62C6B2 and #B262C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6B362 shade: #C6B362, #62C662, #6276C6 and #C662C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6B362 shade: #C6B362, #62C680, #6276C6 and #C662A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

Complementary color

CMYK 64 / 52 / 0 / 38

HEX #394C9D

RGB 57 76 157

HSL 228.6, 0.47%, 0.42%

LAB 34.95, 19.21, -46.48

 

CMYK 0 / 12 / 54 / 20

HEX #CBB35D

RGB 203 179 93

HSL 46.91, 0.51%, 0.58%

LAB 73.37, -2.19, 46.54

 

CMYK 0 / 10 / 49 / 14

HEX #DCC570

RGB 220 197 112

HSL 47.22, 0.61%, 0.65%

LAB 79.79, -2.91, 45.3

 

CMYK 0 / 9 / 45 / 7

HEX #EDD783

RGB 237 215 131

HSL 47.55, 0.75%, 0.72%

LAB 86.13, -3.52, 44.08

 

CMYK 0 / 8 / 41 / 0

HEX #FEE996

RGB 254 233 150

HSL 47.88, 0.98%, 0.79%

LAB 92.38, -4.04, 42.89

 

CMYK 0 / 2 / 34 / 0

HEX #FFFBA9

RGB 255 251 169

HSL 57.21, 1%, 0.83%

LAB 97.28, -10.54, 39.84

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 0 / 11 / 56 / 29

HEX #B5A14F

RGB 181 161 79

HSL 48.24, 0.41%, 0.51%

LAB 66.43, -3.11, 44.73

 

CMYK 0 / 13 / 63 / 36

HEX #A48F3C

RGB 164 143 60

HSL 47.88, 0.46%, 0.44%

LAB 59.77, -2.22, 45.88

 

CMYK 0 / 15 / 72 / 42

HEX #937D29

RGB 147 125 41

HSL 47.55, 0.56%, 0.37%

LAB 52.98, -1.11, 46.77

 

CMYK 0 / 18 / 83 / 49

HEX #826B16

RGB 130 107 22

HSL 47.22, 0.71%, 0.3%

LAB 46.07, 0.29, 46.97

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 0 / 23 / 51 / 22

HEX #C69862

RGB 198 152 98

HSL 32.4, 0.47%, 0.58%

LAB 66.02, 10.65, 34.9

 

CMYK 0 / 37 / 51 / 22

HEX #C67D62

RGB 198 125 98

HSL 16.2, 0.47%, 0.58%

LAB 59.48, 25.44, 26.52

 

CMYK 0 / 51 / 51 / 22

HEX #C66262

RGB 198 98 98

HSL 0, 0.47%, 0.58%

LAB 53.62, 39.8, 18.73

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 4 / 0 / 51 / 22

HEX #BEC662

RGB 190 198 98

HSL 64.8, 0.47%, 0.58%

LAB 77.41, -16.92, 48.64

 

CMYK 18 / 0 / 51 / 22

HEX #A3C662

RGB 163 198 98

HSL 81, 0.47%, 0.58%

LAB 75.49, -27.61, 45.88

 

CMYK 31 / 0 / 51 / 22

HEX #88C662

RGB 136 198 98

HSL 97.2, 0.47%, 0.58%

LAB 73.87, -37.55, 43.55

 

CMYK 45 / 0 / 51 / 22

HEX #6DC662

RGB 109 198 98

HSL 113.4, 0.47%, 0.58%

LAB 72.58, -46.33, 41.67

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 0 / 12 / 63 / 15

HEX #D8BE50

RGB 216 190 80

HSL 48.53, 0.64%, 0.58%

LAB 77.28, -3.42, 57.34

 

CMYK 0 / 14 / 73 / 9

HEX #E9C93F

RGB 233 201 63

HSL 48.71, 0.79%, 0.58%

LAB 81.54, -2.8, 69.04

 

CMYK 0 / 16 / 82 / 2

HEX #FAD32E

RGB 250 211 46

HSL 48.53, 0.95%, 0.58%

LAB 85.56, -1.32, 78.67

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 0 / 7 / 36 / 29

HEX #B5A873

RGB 181 168 115

HSL 48.18, 0.31%, 0.58%

LAB 68.8, -3.24, 29.11

 

CMYK 0 / 4 / 20 / 36

HEX #A49E84

RGB 164 158 132

HSL 48.75, 0.15%, 0.58%

LAB 64.97, -2.27, 14.39

 

CMYK 3 / 2 / 0 / 41

HEX #929396

RGB 146 147 150

HSL 225, 0.02%, 0.58%

LAB 60.94, 0.23, -1.72

 

CMYK 23 / 19 / 0 / 35

HEX #8188A7

RGB 129 136 167

HSL 228.95, 0.18%, 0.58%

LAB 57.14, 4.39, -17.24

 

CMYK 0 / 37 / 51 / 22

HEX #C67C62

RGB 198 124 98

HSL 15.6, 0.47%, 0.58%

LAB 59.25, 25.99, 26.22

 

CMYK 0 / 24 / 51 / 22

HEX #C69762

RGB 198 151 98

HSL 31.8, 0.47%, 0.58%

LAB 65.76, 11.19, 34.59

 

CMYK 0 / 10 / 51 / 22

HEX #C6B262

RGB 198 178 98

HSL 48, 0.47%, 0.58%

LAB 72.71, -3.32, 43.17

 

CMYK 3 / 0 / 51 / 22

HEX #C0C662

RGB 192 198 98

HSL 63.6, 0.47%, 0.58%

LAB 77.56, -16.11, 48.86

 

CMYK 17 / 0 / 51 / 22

HEX #A5C662

RGB 165 198 98

HSL 79.8, 0.47%, 0.58%

LAB 75.62, -26.84, 46.07

 

CMYK 0 / 12 / 64 / 38

HEX #9D8A39

RGB 157 138 57

HSL 48.6, 0.47%, 0.42%

LAB 57.69, -2.8, 44.82

 

CMYK 0 / 12 / 64 / 27

HEX #BBA443

RGB 187 164 67

HSL 48.5, 0.47%, 0.5%

LAB 67.67, -2.99, 51.9

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 0 / 7 / 39 / 18

HEX #D1C280

RGB 209 194 128

HSL 48.89, 0.47%, 0.66%

LAB 78.28, -4.17, 35.11

 

CMYK 0 / 5 / 28 / 14

HEX #DCD09E

RGB 220 208 158

HSL 48.39, 0.47%, 0.74%

LAB 83.33, -3.48, 26.38

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 51 / 0 / 51 / 22

HEX #62C662

RGB 98 198 98

HSL 120, 0.47%, 0.58%

LAB 72.14, -49.47, 41.04

 

CMYK 30 / 51 / 0 / 22

HEX #8A62C6

RGB 138 98 198

HSL 264, 0.47%, 0.58%

LAB 49.76, 37.1, -46.51

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 51 / 0 / 10 / 22

HEX #62C6B2

RGB 98 198 178

HSL 168, 0.47%, 0.58%

LAB 73.67, -34.16, 1.05

 

CMYK 10 / 51 / 0 / 22

HEX #B262C6

RGB 178 98 198

HSL 288, 0.47%, 0.58%

LAB 54.32, 48.04, -38.99

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 51 / 0 / 51 / 22

HEX #62C662

RGB 98 198 98

HSL 120, 0.47%, 0.58%

LAB 72.14, -49.47, 41.04

 

CMYK 51 / 40 / 0 / 22

HEX #6276C6

RGB 98 118 198

HSL 228, 0.47%, 0.58%

LAB 51.42, 15.04, -44.07

 

CMYK 0 / 51 / 0 / 22

HEX #C662C6

RGB 198 98 198

HSL 300, 0.47%, 0.58%

LAB 56.9, 53.64, -34.77

 

CMYK 0 / 10 / 51 / 22

HEX #C6B362

RGB 198 179 98

HSL 48.6, 0.47%, 0.58%

LAB 72.98, -3.85, 43.49

 

CMYK 51 / 0 / 35 / 22

HEX #62C680

RGB 98 198 128

HSL 138, 0.47%, 0.58%

LAB 72.59, -44.76, 26.34

 

CMYK 51 / 40 / 0 / 22

HEX #6276C6

RGB 98 118 198

HSL 228, 0.47%, 0.58%

LAB 51.42, 15.04, -44.07

 

CMYK 0 / 51 / 15 / 22

HEX #C662A8

RGB 198 98 168

HSL 318, 0.47%, 0.58%

LAB 55.65, 48.59, -19.42

 

Description

Color code: HEX #C6B362 | qconv.com Color code: HEX #C6B362 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 179 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 179 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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