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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6B10A it is the complementary color #394EF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6B10A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6B10A shade: #CBB105, #DCC318, #EDD52B, #FEE73E and #FFF951

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6B10A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6B10A shade: #C6B10A, #B59F00, #A48D00, #937B00 and #826900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6B10A shade: #C7B20A, #C77F0A, #C74C0A, #C7190A and #C70A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6B10A shade: #C7B20A, #A9C70A, #76C70A, #43C70A and #11C70A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6B10A shade matches the following richer shades: #C7B20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6B10A shade: #C7B20A, #B6A41B, #A5972C, #948A3D and #837D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6B10A shade: #C74C0A, #C77F0A, #C7B10A, #AAC70A and #78C70A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6B10A shade: #786C06, #9F8F08, #C7B20A, #EED50D and #F4DE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6B10A shade: #C6B10A, #0AC71A and #650AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6B10A shade: #C6B10A, #0AC7B1 and #B10AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6B10A shade: #C6B10A, #0AC71A, #0A20C7 and #C70AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6B10A shade: #C6B10A, #0AC753, #0A20C7 and #C70A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

Complementary color

CMYK 77 / 68 / 0 / 4

HEX #394EF5

RGB 57 78 245

HSL 233.3, 0.9%, 0.59%

LAB 42.63, 49.05, -85.05

 

CMYK 0 / 13 / 98 / 20

HEX #CBB105

RGB 203 177 5

HSL 52.12, 0.95%, 0.41%

LAB 72.33, -4.86, 73.98

 

CMYK 0 / 11 / 89 / 14

HEX #DCC318

RGB 220 195 24

HSL 52.35, 0.8%, 0.48%

LAB 78.64, -6.49, 76.86

 

CMYK 0 / 10 / 82 / 7

HEX #EDD52B

RGB 237 213 43

HSL 52.58, 0.84%, 0.55%

LAB 84.88, -7.92, 78.41

 

CMYK 0 / 9 / 76 / 0

HEX #FEE73E

RGB 254 231 62

HSL 52.81, 0.99%, 0.62%

LAB 91.04, -9.16, 78.97

 

CMYK 0 / 2 / 68 / 0

HEX #FFF951

RGB 255 249 81

HSL 57.93, 1%, 0.66%

LAB 95.83, -16.74, 77.18

 

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

CMYK 0 / 12 / 100 / 29

HEX #B59F00

RGB 181 159 0

HSL 52.71, 1%, 0.35%

LAB 65.45, -5.24, 68.7

 

CMYK 0 / 14 / 100 / 36

HEX #A48D00

RGB 164 141 0

HSL 51.59, 1%, 0.32%

LAB 58.92, -3.28, 63.29

 

CMYK 0 / 16 / 100 / 42

HEX #937B00

RGB 147 123 0

HSL 50.2, 1%, 0.29%

LAB 52.25, -1.24, 57.78

 

CMYK 0 / 19 / 100 / 49

HEX #826900

RGB 130 105 0

HSL 48.46, 1%, 0.25%

LAB 45.43, 0.9, 52.15

 

CMYK 0 / 11 / 95 / 22

HEX #C7B20A

RGB 199 178 10

HSL 53.33, 0.9%, 0.41%

LAB 72.23, -7.09, 73.17

 

CMYK 0 / 36 / 95 / 22

HEX #C77F0A

RGB 199 127 10

HSL 37.14, 0.9%, 0.41%

LAB 59.29, 20.38, 63.77

 

CMYK 0 / 62 / 95 / 22

HEX #C74C0A

RGB 199 76 10

HSL 20.95, 0.9%, 0.41%

LAB 48.68, 46.59, 56.61

 

CMYK 0 / 87 / 95 / 22

HEX #C7190A

RGB 199 25 10

HSL 4.76, 0.9%, 0.41%

LAB 42.55, 63.46, 52.93

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 11 / 95 / 22

HEX #C7B20A

RGB 199 178 10

HSL 53.33, 0.9%, 0.41%

LAB 72.23, -7.09, 73.17

 

CMYK 15 / 0 / 95 / 22

HEX #A9C70A

RGB 169 199 10

HSL 69.52, 0.9%, 0.41%

LAB 75.64, -30.44, 74.72

 

CMYK 41 / 0 / 95 / 22

HEX #76C70A

RGB 118 199 10

HSL 85.71, 0.9%, 0.41%

LAB 72.71, -49.87, 71.16

 

CMYK 66 / 0 / 95 / 22

HEX #43C70A

RGB 67 199 10

HSL 101.9, 0.9%, 0.41%

LAB 70.91, -63.99, 68.96

 

CMYK 91 / 0 / 95 / 22

HEX #11C70A

RGB 17 199 10

HSL 117.78, 0.9%, 0.41%

LAB 70.17, -70.54, 68.04

 

CMYK 0 / 11 / 95 / 22

HEX #C7B20A

RGB 199 178 10

HSL 53.33, 0.9%, 0.41%

LAB 72.23, -7.09, 73.17

 

CMYK 0 / 11 / 95 / 22

HEX #C7B20A

RGB 199 178 10

HSL 53.33, 0.9%, 0.41%

LAB 72.23, -7.09, 73.17

 

CMYK 0 / 10 / 85 / 29

HEX #B6A41B

RGB 182 164 27

HSL 53.03, 0.74%, 0.41%

LAB 66.96, -6.99, 65.39

 

CMYK 0 / 8 / 73 / 35

HEX #A5972C

RGB 165 151 44

HSL 53.06, 0.58%, 0.41%

LAB 61.92, -7.04, 54.97

 

CMYK 0 / 7 / 59 / 42

HEX #948A3D

RGB 148 138 61

HSL 53.1, 0.42%, 0.41%

LAB 56.89, -6.52, 41.78

 

CMYK 0 / 5 / 40 / 49

HEX #837D4E

RGB 131 125 78

HSL 53.21, 0.25%, 0.41%

LAB 51.89, -5.11, 26.44

 

CMYK 0 / 62 / 95 / 22

HEX #C74C0A

RGB 199 76 10

HSL 20.95, 0.9%, 0.41%

LAB 48.68, 46.59, 56.61

 

CMYK 0 / 36 / 95 / 22

HEX #C77F0A

RGB 199 127 10

HSL 37.14, 0.9%, 0.41%

LAB 59.29, 20.38, 63.77

 

CMYK 0 / 11 / 95 / 22

HEX #C7B10A

RGB 199 177 10

HSL 53.02, 0.9%, 0.41%

LAB 71.97, -6.57, 72.98

 

CMYK 15 / 0 / 95 / 22

HEX #AAC70A

RGB 170 199 10

HSL 69.21, 0.9%, 0.41%

LAB 75.71, -30.03, 74.8

 

CMYK 40 / 0 / 95 / 22

HEX #78C70A

RGB 120 199 10

HSL 85.08, 0.9%, 0.41%

LAB 72.8, -49.18, 71.27

 

CMYK 0 / 10 / 95 / 53

HEX #786C06

RGB 120 108 6

HSL 53.68, 0.9%, 0.25%

LAB 45.26, -5.52, 50.16

 

CMYK 0 / 10 / 95 / 38

HEX #9F8F08

RGB 159 143 8

HSL 53.64, 0.9%, 0.33%

LAB 59.01, -6.55, 61.88

 

CMYK 0 / 11 / 95 / 22

HEX #C7B20A

RGB 199 178 10

HSL 53.33, 0.9%, 0.41%

LAB 72.23, -7.09, 73.17

 

CMYK 0 / 11 / 95 / 7

HEX #EED50D

RGB 238 213 13

HSL 53.33, 0.9%, 0.49%

LAB 84.89, -8.05, 83.82

 

CMYK 0 / 9 / 80 / 4

HEX #F4DE30

RGB 244 222 48

HSL 53.27, 0.9%, 0.57%

LAB 87.82, -9.33, 79.86

 

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

CMYK 95 / 0 / 87 / 22

HEX #0AC71A

RGB 10 199 26

HSL 125.08, 0.9%, 0.41%

LAB 70.17, -70.41, 65.52

 

CMYK 49 / 95 / 0 / 22

HEX #650AC7

RGB 101 10 199

HSL 268.89, 0.9%, 0.41%

LAB 32.05, 67.72, -76.02

 

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

CMYK 95 / 0 / 11 / 22

HEX #0AC7B1

RGB 10 199 177

HSL 173.02, 0.9%, 0.41%

LAB 72.29, -45.94, -0.63

 

CMYK 11 / 95 / 0 / 22

HEX #B10AC7

RGB 177 10 199

HSL 293.02, 0.9%, 0.41%

LAB 43.78, 77.17, -56.37

 

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

CMYK 95 / 0 / 87 / 22

HEX #0AC71A

RGB 10 199 26

HSL 125.08, 0.9%, 0.41%

LAB 70.17, -70.41, 65.52

 

CMYK 95 / 84 / 0 / 22

HEX #0A20C7

RGB 10 32 199

HSL 233.02, 0.9%, 0.41%

LAB 27.36, 56.42, -84.01

 

CMYK 0 / 95 / 8 / 22

HEX #C70AB7

RGB 199 10 183

HSL 305.08, 0.9%, 0.41%

LAB 46.68, 78.41, -42.16

 

CMYK 0 / 11 / 95 / 22

HEX #C6B10A

RGB 198 177 10

HSL 53.3, 0.9%, 0.41%

LAB 71.87, -7.01, 72.87

 

CMYK 95 / 0 / 58 / 22

HEX #0AC753

RGB 10 199 83

HSL 143.17, 0.9%, 0.41%

LAB 70.55, -65.55, 45.85

 

CMYK 95 / 84 / 0 / 22

HEX #0A20C7

RGB 10 32 199

HSL 233.02, 0.9%, 0.41%

LAB 27.36, 56.42, -84.01

 

CMYK 0 / 95 / 36 / 22

HEX #C70A7F

RGB 199 10 127

HSL 322.86, 0.9%, 0.41%

LAB 44.08, 71.72, -12.54

 

Description

Color code: HEX #C6B10A | qconv.com Color code: HEX #C6B10A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 177 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 177 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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