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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6ABFD3F it is the complementary color #3954023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6ABFD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6ABFD3F shade: #CBABF83F, #DCBDFF3F, #EDCFFF3F, #FEE1FF3F and #FFF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6ABFD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6ABFD3F shade: #C6ABFD3F, #B599EA3F, #A487D73F, #9375C43F and #8263B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6ABFD3F shade: #C6AAFD, #DCAAFD, #F2AAFD, #FDAAF1 and #FDAADB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6ABFD3F shade: #C6AAFD, #AFAAFD and #AAAAFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6ABFD3F shade matches the following richer shades: #C6AAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6ABFD3F shade: #C6AAFD, #C8B1F6, #CAB8EF, #CDC0E8 and #CFC7E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6ABFD3F shade: #AABCFD, #AFAAFD, #C5AAFD, #DBAAFD and #F0AAFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6ABFD3F shade: #8F5AFB, #AA82FC, #C6AAFD, #E1D3FE and #FCFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6ABFD3F shade: #C6ABFD, #FDAAD2 and #B1FDAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6ABFD3F shade: #C6ABFD, #FDC5AA and #AAFDC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6ABFD3F shade: #C6ABFD, #FDAAD2, #E3FDAA and #AAFDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6ABFD3F shade: #C6ABFD, #FDAABA, #E3FDAA and #AAFDEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 8 / 0 / 0

HEX #C6ABFD3F

RGBA 198 171 253 0.25

HSLA 259.76, 0.95%, 0.83%, 0.25

LABA 74.97, 26.03, -37.12, 0.25

 

Complementary color

CMYK 8 / 0 / 24 / 17

HEX #3954023F

RGBA 57 84 2 0.25

HSLA 79.76, 0.95%, 0.17%, 0.25

LABA 32.29, -22.46, 38.83, 0.25

 

CMYK 5 / 8 / 0 / 1

HEX #CBABF83F

RGBA 203 171 248 0.25

HSLA 264.94, 0.85%, 0.82%, 0.25

LABA 75.2, 26.39, -34.02, 0.25

 

CMYK 3 / 6 / 0 / 0

HEX #DCBDFF3F

RGBA 220 189 255 0.25

HSLA 268.18, 1%, 0.87%, 0.25

LABA 81.2, 23.27, -28.43, 0.25

 

CMYK 2 / 5 / 0 / 0

HEX #EDCFFF3F

RGBA 237 207 255 0.25

HSLA 277.5, 1%, 0.91%, 0.25

LABA 86.92, 18.99, -19.59, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FEE1FF3F

RGBA 254 225 255 0.25

HSLA 298, 1%, 0.94%, 0.25

LABA 92.64, 15.06, -10.87, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 5 / 8 / 0 / 0

HEX #C6ABFD3F

RGBA 198 171 253 0.25

HSLA 259.76, 0.95%, 0.83%, 0.25

LABA 74.97, 26.03, -37.12, 0.25

 

CMYK 6 / 9 / 0 / 2

HEX #B599EA3F

RGBA 181 153 234 0.25

HSLA 260.74, 0.66%, 0.76%, 0.25

LABA 68.42, 26.67, -37.07, 0.25

 

CMYK 6 / 9 / 0 / 4

HEX #A487D73F

RGBA 164 135 215 0.25

HSLA 261.75, 0.5%, 0.69%, 0.25

LABA 61.76, 27.38, -37.04, 0.25

 

CMYK 6 / 10 / 0 / 6

HEX #9375C43F

RGBA 147 117 196 0.25

HSLA 262.78, 0.4%, 0.61%, 0.25

LABA 54.98, 28.15, -37.05, 0.25

 

CMYK 7 / 11 / 0 / 8

HEX #8263B13F

RGBA 130 99 177 0.25

HSLA 263.85, 0.33%, 0.54%, 0.25

LABA 48.06, 29.01, -37.08, 0.25

 

CMYK 22 / 33 / 0 / 1

HEX #C6AAFD

RGB 198 170 253

HSL 260.24, 0.95%, 0.83%

LAB 74.73, 26.58, -37.49

 

CMYK 13 / 33 / 0 / 1

HEX #DCAAFD

RGB 220 170 253

HSL 276.14, 0.95%, 0.83%

LAB 76.71, 33.12, -34.25

 

CMYK 4 / 33 / 0 / 1

HEX #F2AAFD

RGB 242 170 253

HSL 292.05, 0.95%, 0.83%

LAB 78.88, 39.81, -30.74

 

CMYK 0 / 33 / 5 / 1

HEX #FDAAF1

RGB 253 170 241

HSL 308.67, 0.95%, 0.83%

LAB 79.6, 41.07, -23.07

 

CMYK 0 / 33 / 13 / 1

HEX #FDAADB

RGB 253 170 219

HSL 324.58, 0.95%, 0.83%

LAB 78.9, 37.43, -12.24

 

CMYK 22 / 33 / 0 / 1

HEX #C6AAFD

RGB 198 170 253

HSL 260.24, 0.95%, 0.83%

LAB 74.73, 26.58, -37.49

 

CMYK 31 / 33 / 0 / 1

HEX #AFAAFD

RGB 175 170 253

HSL 243.61, 0.95%, 0.83%

LAB 72.86, 20.02, -40.53

 

CMYK 33 / 33 / 0 / 1

HEX #AAAAFD

RGB 170 170 253

HSL 240, 0.95%, 0.83%

LAB 72.49, 18.64, -41.15

 

CMYK 22 / 33 / 0 / 1

HEX #C6AAFD

RGB 198 170 253

HSL 260.24, 0.95%, 0.83%

LAB 74.73, 26.58, -37.49

 

CMYK 22 / 33 / 0 / 1

HEX #C6AAFD

RGB 198 170 253

HSL 260.24, 0.95%, 0.83%

LAB 74.73, 26.58, -37.49

 

CMYK 19 / 28 / 0 / 4

HEX #C8B1F6

RGB 200 177 246

HSL 260, 0.79%, 0.83%

LAB 76.3, 21.76, -31.27

 

CMYK 15 / 23 / 0 / 6

HEX #CAB8EF

RGB 202 184 239

HSL 259.64, 0.63%, 0.83%

LAB 77.92, 17.03, -25

 

CMYK 12 / 17 / 0 / 9

HEX #CDC0E8

RGB 205 192 232

HSL 259.5, 0.47%, 0.83%

LAB 79.9, 12.17, -18.2

 

CMYK 8 / 12 / 0 / 12

HEX #CFC7E1

RGB 207 199 225

HSL 258.46, 0.3%, 0.83%

LAB 81.59, 7.66, -11.89

 

CMYK 33 / 26 / 0 / 1

HEX #AABCFD

RGB 170 188 253

HSL 226.99, 0.95%, 0.83%

LAB 77.04, 8.65, -34.07

 

CMYK 31 / 33 / 0 / 1

HEX #AFAAFD

RGB 175 170 253

HSL 243.61, 0.95%, 0.83%

LAB 72.86, 20.02, -40.53

 

CMYK 22 / 33 / 0 / 1

HEX #C5AAFD

RGB 197 170 253

HSL 259.52, 0.95%, 0.83%

LAB 74.64, 26.28, -37.63

 

CMYK 13 / 33 / 0 / 1

HEX #DBAAFD

RGB 219 170 253

HSL 275.42, 0.95%, 0.83%

LAB 76.62, 32.81, -34.41

 

CMYK 5 / 33 / 0 / 1

HEX #F0AAFD

RGB 240 170 253

HSL 290.6, 0.95%, 0.83%

LAB 78.67, 39.2, -31.07

 

CMYK 43 / 64 / 0 / 2

HEX #8F5AFB

RGB 143 90 251

HSL 259.75, 0.95%, 0.67%

LAB 51.97, 56.3, -72.87

 

CMYK 33 / 48 / 0 / 1

HEX #AA82FC

RGB 170 130 252

HSL 259.67, 0.95%, 0.75%

LAB 62.96, 40.89, -55.62

 

CMYK 22 / 33 / 0 / 1

HEX #C6AAFD

RGB 198 170 253

HSL 260.24, 0.95%, 0.83%

LAB 74.73, 26.58, -37.49

 

CMYK 11 / 17 / 0 / 0

HEX #E1D3FE

RGB 225 211 254

HSL 259.53, 0.96%, 0.91%

LAB 86.88, 12.86, -19.23

 

CMYK 1 / 2 / 0 / 0

HEX #FCFBFF

RGB 252 251 255

HSL 255, 1%, 0.99%

LAB 98.79, 1.04, -1.8

 

CMYK 22 / 32 / 0 / 1

HEX #C6ABFD

RGB 198 171 253

HSL 259.76, 0.95%, 0.83%

LAB 74.97, 26.03, -37.12

 

CMYK 0 / 33 / 17 / 1

HEX #FDAAD2

RGB 253 170 210

HSL 331.08, 0.95%, 0.83%

LAB 78.63, 36.04, -7.76

 

CMYK 30 / 0 / 33 / 1

HEX #B1FDAA

RGB 177 253 170

HSL 114.94, 0.95%, 0.83%

LAB 92.8, -38.81, 32.49

 

CMYK 22 / 32 / 0 / 1

HEX #C6ABFD

RGB 198 171 253

HSL 259.76, 0.95%, 0.83%

LAB 74.97, 26.03, -37.12

 

CMYK 0 / 22 / 33 / 1

HEX #FDC5AA

RGB 253 197 170

HSL 19.52, 0.95%, 0.83%

LAB 83.82, 16.35, 21.21

 

CMYK 33 / 0 / 22 / 1

HEX #AAFDC5

RGB 170 253 197

HSL 139.52, 0.95%, 0.83%

LAB 92.94, -36.44, 18.95

 

CMYK 22 / 32 / 0 / 1

HEX #C6ABFD

RGB 198 171 253

HSL 259.76, 0.95%, 0.83%

LAB 74.97, 26.03, -37.12

 

CMYK 0 / 33 / 17 / 1

HEX #FDAAD2

RGB 253 170 210

HSL 331.08, 0.95%, 0.83%

LAB 78.63, 36.04, -7.76

 

CMYK 10 / 0 / 33 / 1

HEX #E3FDAA

RGB 227 253 170

HSL 78.8, 0.95%, 0.83%

LAB 95.78, -21.72, 37

 

CMYK 33 / 0 / 16 / 1

HEX #AAFDD5

RGB 170 253 213

HSL 151.08, 0.95%, 0.83%

LAB 93.28, -33.43, 11.21

 

CMYK 22 / 32 / 0 / 1

HEX #C6ABFD

RGB 198 171 253

HSL 259.76, 0.95%, 0.83%

LAB 74.97, 26.03, -37.12

 

CMYK 0 / 33 / 26 / 1

HEX #FDAABA

RGB 253 170 186

HSL 348.43, 0.95%, 0.83%

LAB 77.98, 32.58, 4.35

 

CMYK 10 / 0 / 33 / 1

HEX #E3FDAA

RGB 227 253 170

HSL 78.8, 0.95%, 0.83%

LAB 95.78, -21.72, 37

 

CMYK 33 / 0 / 6 / 1

HEX #AAFDEE

RGB 170 253 238

HSL 169.16, 0.95%, 0.83%

LAB 93.87, -28.29, -0.84

 

Description

Color code: HEX #C6ABFD3F | qconv.com Color code: HEX #C6ABFD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 171 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 171 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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