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Color name
HEX #C69F4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69F4E it is the complementary color #3960B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69F4E shade: #CB9F49, #DCB15C, #EDC36F, #FED582 and #FFE795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69F4E shade: #C69F4E, #B58D3B, #A47B28, #936915 and #825702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69F4E shade: #C69F4E, #C67E4E, #C65E4E and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69F4E shade: #C69F4E, #C6BF4E, #ACC64E, #8CC64E and #6BC64E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69F4E shade matches the following richer shades: #C69F4E, #D9A53B, #EBAC28 and #FEB315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69F4E shade: #C69F4E, #B39861, #A09174, #8D8B87 and #7A849A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69F4E shade: #C65E4E, #C67E4E, #C69E4E, #C6BE4E and #AEC64E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69F4E shade: #92722F, #B18A39, #C69F4E, #D0B06D and #DAC18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69F4E shade: #C69F4E, #5EC64E and #6E4EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69F4E shade: #C69F4E, #4EC69E and #9E4EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69F4E shade: #C69F4E, #5EC64E, #4E76C6 and #B64EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69F4E shade: #C69F4E, #4EC662, #4E76C6 and #C64EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

Complementary color

CMYK 68 / 46 / 0 / 31

HEX #3960B1

RGB 57 96 177

HSL 220.5, 0.51%, 0.46%

LAB 41.86, 13.44, -47.27

 

CMYK 0 / 22 / 64 / 20

HEX #CB9F49

RGB 203 159 73

HSL 39.69, 0.56%, 0.54%

LAB 68, 7.01, 49.97

 

CMYK 0 / 20 / 58 / 14

HEX #DCB15C

RGB 220 177 92

HSL 39.84, 0.65%, 0.61%

LAB 74.47, 5.92, 48.72

 

CMYK 0 / 18 / 53 / 7

HEX #EDC36F

RGB 237 195 111

HSL 40, 0.78%, 0.68%

LAB 80.84, 4.99, 47.43

 

CMYK 0 / 16 / 49 / 0

HEX #FED582

RGB 254 213 130

HSL 40.16, 0.98%, 0.75%

LAB 87.13, 4.19, 46.15

 

CMYK 0 / 9 / 42 / 0

HEX #FFE795

RGB 255 231 149

HSL 46.42, 1%, 0.79%

LAB 91.95, -2.75, 42.85

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 22 / 67 / 29

HEX #B58D3B

RGB 181 141 59

HSL 40.33, 0.51%, 0.47%

LAB 60.95, 6.36, 48.13

 

CMYK 0 / 25 / 76 / 36

HEX #A47B28

RGB 164 123 40

HSL 40.16, 0.61%, 0.4%

LAB 54.25, 7.76, 49.05

 

CMYK 0 / 29 / 86 / 42

HEX #936915

RGB 147 105 21

HSL 40, 0.75%, 0.33%

LAB 47.44, 9.46, 49.25

 

CMYK 0 / 33 / 98 / 49

HEX #825702

RGB 130 87 2

HSL 39.84, 0.97%, 0.26%

LAB 40.52, 11.5, 48.21

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 36 / 61 / 22

HEX #C67E4E

RGB 198 126 78

HSL 24, 0.51%, 0.54%

LAB 59.41, 23.23, 37.39

 

CMYK 0 / 53 / 61 / 22

HEX #C65E4E

RGB 198 94 78

HSL 8, 0.51%, 0.54%

LAB 52.47, 40.2, 28.83

 

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 4 / 61 / 22

HEX #C6BF4E

RGB 198 191 78

HSL 56.5, 0.51%, 0.54%

LAB 75.96, -11.66, 56.32

 

CMYK 13 / 0 / 61 / 22

HEX #ACC64E

RGB 172 198 78

HSL 73, 0.51%, 0.54%

LAB 75.89, -25.86, 55.67

 

CMYK 29 / 0 / 61 / 22

HEX #8CC64E

RGB 140 198 78

HSL 89, 0.51%, 0.54%

LAB 73.88, -38.18, 52.88

 

CMYK 46 / 0 / 61 / 22

HEX #6BC64E

RGB 107 198 78

HSL 105.5, 0.51%, 0.54%

LAB 72.27, -49.25, 50.63

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 24 / 73 / 15

HEX #D9A53B

RGB 217 165 59

HSL 40.25, 0.68%, 0.54%

LAB 70.86, 9.04, 59.57

 

CMYK 0 / 27 / 83 / 8

HEX #EBAC28

RGB 235 172 40

HSL 40.62, 0.83%, 0.54%

LAB 74.39, 12.37, 70.25

 

CMYK 0 / 30 / 92 / 0

HEX #FEB315

RGB 254 179 21

HSL 40.69, 0.99%, 0.54%

LAB 78.09, 16.4, 78.46

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 15 / 46 / 30

HEX #B39861

RGB 179 152 97

HSL 40.24, 0.35%, 0.54%

LAB 64.08, 2.57, 32.59

 

CMYK 0 / 9 / 28 / 37

HEX #A09174

RGB 160 145 116

HSL 39.55, 0.19%, 0.54%

LAB 60.77, 0.9, 17.44

 

CMYK 0 / 1 / 4 / 45

HEX #8D8B87

RGB 141 139 135

HSL 40, 0.03%, 0.54%

LAB 57.92, -0.02, 2.39

 

CMYK 21 / 14 / 0 / 40

HEX #7A849A

RGB 122 132 154

HSL 221.25, 0.14%, 0.54%

LAB 55.04, 1.28, -12.98

 

CMYK 0 / 53 / 61 / 22

HEX #C65E4E

RGB 198 94 78

HSL 8, 0.51%, 0.54%

LAB 52.47, 40.2, 28.83

 

CMYK 0 / 36 / 61 / 22

HEX #C67E4E

RGB 198 126 78

HSL 24, 0.51%, 0.54%

LAB 59.41, 23.23, 37.39

 

CMYK 0 / 20 / 61 / 22

HEX #C69E4E

RGB 198 158 78

HSL 40, 0.51%, 0.54%

LAB 67.28, 5.74, 46.63

 

CMYK 0 / 4 / 61 / 22

HEX #C6BE4E

RGB 198 190 78

HSL 56, 0.51%, 0.54%

LAB 75.69, -11.14, 56.02

 

CMYK 12 / 0 / 61 / 22

HEX #AEC64E

RGB 174 198 78

HSL 72, 0.51%, 0.54%

LAB 76.03, -25.06, 55.86

 

CMYK 0 / 22 / 68 / 43

HEX #92722F

RGB 146 114 47

HSL 40.61, 0.51%, 0.38%

LAB 49.92, 5.03, 40.8

 

CMYK 0 / 22 / 68 / 31

HEX #B18A39

RGB 177 138 57

HSL 40.5, 0.51%, 0.46%

LAB 59.73, 6.13, 47.61

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 0 / 15 / 48 / 18

HEX #D0B06D

RGB 208 176 109

HSL 40.61, 0.51%, 0.62%

LAB 73.26, 2.91, 38.48

 

CMYK 0 / 11 / 36 / 15

HEX #DAC18C

RGB 218 193 140

HSL 40.77, 0.51%, 0.7%

LAB 79.01, 1.3, 29.96

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 53 / 0 / 61 / 22

HEX #5EC64E

RGB 94 198 78

HSL 112, 0.51%, 0.54%

LAB 71.77, -52.98, 49.93

 

CMYK 44 / 61 / 0 / 22

HEX #6E4EC6

RGB 110 78 198

HSL 256, 0.51%, 0.54%

LAB 42.52, 41.87, -58.27

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 61 / 0 / 20 / 22

HEX #4EC69E

RGB 78 198 158

HSL 160, 0.51%, 0.54%

LAB 72.55, -43.1, 10.17

 

CMYK 20 / 61 / 0 / 22

HEX #9E4EC6

RGB 158 78 198

HSL 280, 0.51%, 0.54%

LAB 48, 52.89, -49.17

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 53 / 0 / 61 / 22

HEX #5EC64E

RGB 94 198 78

HSL 112, 0.51%, 0.54%

LAB 71.77, -52.98, 49.93

 

CMYK 61 / 40 / 0 / 22

HEX #4E76C6

RGB 78 118 198

HSL 220, 0.51%, 0.54%

LAB 50.28, 10.78, -45.95

 

CMYK 8 / 61 / 0 / 22

HEX #B64EC6

RGB 182 78 198

HSL 292, 0.51%, 0.54%

LAB 51.23, 58.79, -43.83

 

CMYK 0 / 20 / 61 / 22

HEX #C69F4E

RGB 198 159 78

HSL 40.5, 0.51%, 0.54%

LAB 67.54, 5.2, 46.93

 

CMYK 61 / 0 / 51 / 22

HEX #4EC662

RGB 78 198 98

HSL 130, 0.51%, 0.54%

LAB 71.48, -54.42, 40.08

 

CMYK 61 / 40 / 0 / 22

HEX #4E76C6

RGB 78 118 198

HSL 220, 0.51%, 0.54%

LAB 50.28, 10.78, -45.95

 

CMYK 0 / 61 / 10 / 22

HEX #C64EB2

RGB 198 78 178

HSL 310, 0.51%, 0.54%

LAB 52.59, 59.48, -29.96

 

Description

Color code: HEX #C69F4E | qconv.com Color code: HEX #C69F4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 159 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 159 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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