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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69B86 it is the complementary color #396479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69B86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69B86 shade: #CB9B81, #DCAD94, #EDBFA7, #FED1BA and #FFE3CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69B86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69B86 shade: #C69B86, #B58973, #A47760, #93654D and #82533A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69B86 shade: #C69B86, #C68986 and #C68686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69B86 shade: #C69B86, #C6AC86, #C6BD86, #BDC686 and #ACC686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69B86 shade matches the following richer shades: #C69B86, #D49677, #E39169 and #F18C5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69B86 shade: #C69B86, #B7A094, #A9A5A3, #9BAAB1 and #8CAFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69B86 shade: #C68694, #C68986, #C69A86, #C6AB86 and #C6BC86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69B86 shade: #A96D50, #B9846A, #C69B86, #D3B2A2 and #E0C9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69B86 shade: #C69B86, #A5C686 and #868BC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69B86 shade: #C69B86, #86C69A and #9A86C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69B86 shade: #C69B86, #A5C686, #86B2C6 and #A786C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69B86 shade: #C69B86, #91C686, #86B2C6 and #BA86C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

Complementary color

CMYK 53 / 17 / 0 / 53

HEX #396479

RGB 57 100 121

HSL 199.69, 0.36%, 0.35%

LAB 40.19, -8.57, -16.38

 

CMYK 0 / 24 / 36 / 20

HEX #CB9B81

RGB 203 155 129

HSL 21.08, 0.42%, 0.65%

LAB 67.82, 14.39, 20.55

 

CMYK 0 / 21 / 33 / 14

HEX #DCAD94

RGB 220 173 148

HSL 20.83, 0.51%, 0.72%

LAB 74.34, 13.69, 19.4

 

CMYK 0 / 19 / 30 / 7

HEX #EDBFA7

RGB 237 191 167

HSL 20.57, 0.66%, 0.79%

LAB 80.77, 13.07, 18.34

 

CMYK 0 / 18 / 27 / 0

HEX #FED1BA

RGB 254 209 186

HSL 20.29, 0.97%, 0.86%

LAB 87.1, 12.51, 17.35

 

CMYK 0 / 11 / 20 / 0

HEX #FFE3CD

RGB 255 227 205

HSL 26.4, 1%, 0.9%

LAB 91.96, 6.22, 14.25

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 24 / 36 / 29

HEX #B58973

RGB 181 137 115

HSL 20, 0.31%, 0.58%

LAB 60.74, 13.75, 18.3

 

CMYK 0 / 27 / 41 / 36

HEX #A47760

RGB 164 119 96

HSL 20.29, 0.27%, 0.51%

LAB 53.95, 14.59, 19.58

 

CMYK 0 / 31 / 48 / 42

HEX #93654D

RGB 147 101 77

HSL 20.57, 0.31%, 0.44%

LAB 47.04, 15.57, 21.02

 

CMYK 0 / 36 / 55 / 49

HEX #82533A

RGB 130 83 58

HSL 20.83, 0.38%, 0.37%

LAB 39.98, 16.74, 22.66

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 31 / 32 / 22

HEX #C68986

RGB 198 137 134

HSL 2.81, 0.36%, 0.65%

LAB 63.03, 22.92, 11.02

 

CMYK 0 / 32 / 32 / 22

HEX #C68686

RGB 198 134 134

HSL 0, 0.36%, 0.65%

LAB 62.32, 24.57, 10.02

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 13 / 32 / 22

HEX #C6AC86

RGB 198 172 134

HSL 35.63, 0.36%, 0.65%

LAB 71.71, 3.81, 23.04

 

CMYK 0 / 5 / 32 / 22

HEX #C6BD86

RGB 198 189 134

HSL 51.56, 0.36%, 0.65%

LAB 76.14, -5.21, 28.99

 

CMYK 5 / 0 / 32 / 22

HEX #BDC686

RGB 189 198 134

HSL 68.44, 0.36%, 0.65%

LAB 77.83, -13.36, 31.1

 

CMYK 13 / 0 / 32 / 22

HEX #ACC686

RGB 172 198 134

HSL 84.38, 0.36%, 0.65%

LAB 76.61, -19.81, 29.25

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 29 / 44 / 17

HEX #D49677

RGB 212 150 119

HSL 20, 0.52%, 0.65%

LAB 67.38, 19.57, 25.63

 

CMYK 0 / 36 / 54 / 11

HEX #E39169

RGB 227 145 105

HSL 19.67, 0.69%, 0.65%

LAB 67.73, 26.94, 34.01

 

CMYK 0 / 42 / 63 / 5

HEX #F18C5A

RGB 241 140 90

HSL 19.87, 0.84%, 0.65%

LAB 68.16, 34.01, 42.88

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 13 / 19 / 28

HEX #B7A094

RGB 183 160 148

HSL 20.57, 0.2%, 0.65%

LAB 67.54, 6.47, 9.34

 

CMYK 0 / 2 / 4 / 34

HEX #A9A5A3

RGB 169 165 163

HSL 20, 0.03%, 0.65%

LAB 68.01, 1.07, 1.54

 

CMYK 12 / 4 / 0 / 31

HEX #9BAAB1

RGB 155 170 177

HSL 199.09, 0.12%, 0.65%

LAB 68.67, -3.78, -5.39

 

CMYK 27 / 8 / 0 / 25

HEX #8CAFBF

RGB 140 175 191

HSL 198.82, 0.28%, 0.65%

LAB 69.47, -8.15, -12.06

 

CMYK 0 / 32 / 25 / 22

HEX #C68694

RGB 198 134 148

HSL 346.88, 0.36%, 0.65%

LAB 62.67, 26.51, 2.56

 

CMYK 0 / 31 / 32 / 22

HEX #C68986

RGB 198 137 134

HSL 2.81, 0.36%, 0.65%

LAB 63.03, 22.92, 11.02

 

CMYK 0 / 22 / 32 / 22

HEX #C69A86

RGB 198 154 134

HSL 18.75, 0.36%, 0.65%

LAB 67.16, 13.58, 16.79

 

CMYK 0 / 14 / 32 / 22

HEX #C6AB86

RGB 198 171 134

HSL 34.69, 0.36%, 0.65%

LAB 71.45, 4.34, 22.69

 

CMYK 0 / 5 / 32 / 22

HEX #C6BC86

RGB 198 188 134

HSL 50.63, 0.36%, 0.65%

LAB 75.88, -4.69, 28.64

 

CMYK 0 / 36 / 53 / 34

HEX #A96D50

RGB 169 109 80

HSL 19.55, 0.36%, 0.49%

LAB 51.78, 20.67, 25.99

 

CMYK 0 / 29 / 43 / 27

HEX #B9846A

RGB 185 132 106

HSL 19.75, 0.36%, 0.57%

LAB 59.76, 17.11, 22.12

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 0 / 16 / 23 / 17

HEX #D3B2A2

RGB 211 178 162

HSL 19.59, 0.36%, 0.73%

LAB 75.01, 9.45, 12.61

 

CMYK 0 / 10 / 15 / 12

HEX #E0C9BE

RGB 224 201 190

HSL 19.41, 0.35%, 0.81%

LAB 82.56, 6.27, 8.42

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 17 / 0 / 32 / 22

HEX #A5C686

RGB 165 198 134

HSL 90.94, 0.36%, 0.65%

LAB 76.14, -22.4, 28.54

 

CMYK 32 / 30 / 0 / 22

HEX #868BC6

RGB 134 139 198

HSL 235.31, 0.36%, 0.65%

LAB 59.54, 12.02, -31.16

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 32 / 0 / 22 / 22

HEX #86C69A

RGB 134 198 154

HSL 138.75, 0.36%, 0.65%

LAB 74.69, -29.63, 15.67

 

CMYK 22 / 32 / 0 / 22

HEX #9A86C6

RGB 154 134 198

HSL 258.75, 0.36%, 0.65%

LAB 59.89, 20.9, -30.48

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 17 / 0 / 32 / 22

HEX #A5C686

RGB 165 198 134

HSL 90.94, 0.36%, 0.65%

LAB 76.14, -22.4, 28.54

 

CMYK 32 / 10 / 0 / 22

HEX #86B2C6

RGB 134 178 198

HSL 198.75, 0.36%, 0.65%

LAB 70.17, -9.83, -14.9

 

CMYK 16 / 32 / 0 / 22

HEX #A786C6

RGB 167 134 198

HSL 270.94, 0.36%, 0.65%

LAB 61.08, 24.94, -28.53

 

CMYK 0 / 22 / 32 / 22

HEX #C69B86

RGB 198 155 134

HSL 19.69, 0.36%, 0.65%

LAB 67.4, 13.04, 17.14

 

CMYK 27 / 0 / 32 / 22

HEX #91C686

RGB 145 198 134

HSL 109.69, 0.36%, 0.65%

LAB 74.91, -29.49, 26.68

 

CMYK 32 / 10 / 0 / 22

HEX #86B2C6

RGB 134 178 198

HSL 198.75, 0.36%, 0.65%

LAB 70.17, -9.83, -14.9

 

CMYK 6 / 32 / 0 / 22

HEX #BA86C6

RGB 186 134 198

HSL 288.75, 0.36%, 0.65%

LAB 62.98, 31, -25.45

 

Description

Color code: HEX #C69B86 | qconv.com Color code: HEX #C69B86 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 155 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 155 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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