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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69B72 it is the complementary color #39648D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69B72 shade: #CB9B6D, #DCAD80, #EDBF93, #FED1A6 and #FFE3B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69B72 shade: #C69B72, #B5895F, #A4774C, #936539 and #825326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69B72 shade: #C59B72, #C58472 and #C57272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69B72 shade: #C59B72, #C5B172, #C3C572, #ACC572 and #96C572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69B72 shade matches the following richer shades: #C59B72, #D59A62, #E69A52 and #F69942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69B72 shade: #C59B72, #B59B82, #A59B92, #959CA2 and #859CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69B72 shade: #C57276, #C58472, #C59A72, #C5B072 and #C4C572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69B72 shade: #A27142, #B98654, #C59B72, #D1AF8F and #DDC4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69B72 shade: #C69B72, #8CC572 and #7972C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69B72 shade: #C69B72, #72C59A and #9A72C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69B72 shade: #C69B72, #8CC572, #729DC5 and #AB72C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69B72 shade: #C69B72, #73C572, #729DC5 and #C472C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

Complementary color

CMYK 60 / 29 / 0 / 45

HEX #39648D

RGB 57 100 141

HSL 209.29, 0.42%, 0.39%

LAB 41.07, -1.94, -27.13

 

CMYK 0 / 24 / 46 / 20

HEX #CB9B6D

RGB 203 155 109

HSL 29.36, 0.47%, 0.61%

LAB 67.46, 12.16, 30.98

 

CMYK 0 / 21 / 42 / 14

HEX #DCAD80

RGB 220 173 128

HSL 29.35, 0.57%, 0.68%

LAB 73.97, 11.34, 29.66

 

CMYK 0 / 19 / 38 / 7

HEX #EDBF93

RGB 237 191 147

HSL 29.33, 0.71%, 0.75%

LAB 80.39, 10.62, 28.43

 

CMYK 0 / 18 / 35 / 0

HEX #FED1A6

RGB 254 209 166

HSL 29.32, 0.98%, 0.82%

LAB 86.71, 9.99, 27.29

 

CMYK 0 / 11 / 27 / 0

HEX #FFE3B9

RGB 255 227 185

HSL 36, 1%, 0.86%

LAB 91.55, 3.47, 24.05

 

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

CMYK 0 / 24 / 48 / 29

HEX #B5895F

RGB 181 137 95

HSL 29.3, 0.37%, 0.54%

LAB 60.37, 11.49, 28.96

 

CMYK 0 / 27 / 54 / 36

HEX #A4774C

RGB 164 119 76

HSL 29.32, 0.37%, 0.47%

LAB 53.61, 12.49, 30.43

 

CMYK 0 / 31 / 61 / 42

HEX #936539

RGB 147 101 57

HSL 29.33, 0.44%, 0.4%

LAB 46.72, 13.7, 32.01

 

CMYK 0 / 36 / 71 / 49

HEX #825326

RGB 130 83 38

HSL 29.35, 0.55%, 0.33%

LAB 39.7, 15.18, 33.65

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 33 / 42 / 23

HEX #C58472

RGB 197 132 114

HSL 13.01, 0.42%, 0.61%

LAB 61.3, 22.85, 19.92

 

CMYK 0 / 42 / 42 / 23

HEX #C57272

RGB 197 114 114

HSL 0, 0.42%, 0.61%

LAB 57.19, 32.64, 14.28

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 10 / 42 / 23

HEX #C5B172

RGB 197 177 114

HSL 45.54, 0.42%, 0.61%

LAB 72.58, -1.63, 34.81

 

CMYK 1 / 0 / 42 / 23

HEX #C3C572

RGB 195 197 114

HSL 61.45, 0.42%, 0.61%

LAB 77.73, -12.83, 41.29

 

CMYK 13 / 0 / 42 / 23

HEX #ACC572

RGB 172 197 114

HSL 78.07, 0.42%, 0.61%

LAB 76.02, -21.89, 38.78

 

CMYK 24 / 0 / 42 / 23

HEX #96C572

RGB 150 197 114

HSL 93.98, 0.42%, 0.61%

LAB 74.59, -30.13, 36.67

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 28 / 54 / 16

HEX #D59A62

RGB 213 154 98

HSL 29.22, 0.58%, 0.61%

LAB 68.12, 15.81, 37.89

 

CMYK 0 / 33 / 64 / 10

HEX #E69A52

RGB 230 154 82

HSL 29.19, 0.75%, 0.61%

LAB 69.85, 21.68, 48.55

 

CMYK 0 / 38 / 73 / 4

HEX #F69942

RGB 246 153 66

HSL 29, 0.91%, 0.61%

LAB 71.4, 27.93, 58.24

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 14 / 28 / 29

HEX #B59B82

RGB 181 155 130

HSL 29.41, 0.26%, 0.61%

LAB 65.65, 5.77, 16.68

 

CMYK 0 / 6 / 12 / 35

HEX #A59B92

RGB 165 155 146

HSL 28.42, 0.1%, 0.61%

LAB 64.58, 2.06, 6.02

 

CMYK 8 / 4 / 0 / 36

HEX #959CA2

RGB 149 156 162

HSL 207.69, 0.07%, 0.61%

LAB 63.98, -1.29, -4

 

CMYK 25 / 12 / 0 / 30

HEX #859CB2

RGB 133 156 178

HSL 209.33, 0.23%, 0.61%

LAB 63.32, -3.01, -14.1

 

CMYK 0 / 42 / 40 / 23

HEX #C57276

RGB 197 114 118

HSL 357.11, 0.42%, 0.61%

LAB 57.28, 33.09, 12.09

 

CMYK 0 / 33 / 42 / 23

HEX #C58472

RGB 197 132 114

HSL 13.01, 0.42%, 0.61%

LAB 61.3, 22.85, 19.92

 

CMYK 0 / 22 / 42 / 23

HEX #C59A72

RGB 197 154 114

HSL 28.92, 0.42%, 0.61%

LAB 66.67, 10.77, 27.12

 

CMYK 0 / 11 / 42 / 23

HEX #C5B072

RGB 197 176 114

HSL 44.82, 0.42%, 0.61%

LAB 72.32, -1.1, 34.48

 

CMYK 1 / 0 / 42 / 23

HEX #C4C572

RGB 196 197 114

HSL 60.72, 0.42%, 0.61%

LAB 77.81, -12.43, 41.4

 

CMYK 0 / 30 / 59 / 36

HEX #A27142

RGB 162 113 66

HSL 29.38, 0.42%, 0.45%

LAB 51.71, 14.17, 33.52

 

CMYK 0 / 28 / 55 / 27

HEX #B98654

RGB 185 134 84

HSL 29.7, 0.42%, 0.53%

LAB 59.89, 13.81, 34.42

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 16 / 32 / 18

HEX #D1AF8F

RGB 209 175 143

HSL 29.09, 0.42%, 0.69%

LAB 73.67, 7.69, 21.02

 

CMYK 0 / 11 / 22 / 13

HEX #DDC4AC

RGB 221 196 172

HSL 29.39, 0.42%, 0.77%

LAB 80.64, 5.09, 15.28

 

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

CMYK 29 / 0 / 42 / 23

HEX #8CC572

RGB 140 197 114

HSL 101.2, 0.42%, 0.61%

LAB 74.01, -33.68, 35.81

 

CMYK 39 / 42 / 0 / 23

HEX #7972C5

RGB 121 114 197

HSL 245.06, 0.42%, 0.61%

LAB 51.98, 22.91, -42.49

 

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

CMYK 42 / 0 / 22 / 23

HEX #72C59A

RGB 114 197 154

HSL 148.92, 0.42%, 0.61%

LAB 73.44, -35.04, 13.78

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

CMYK 29 / 0 / 42 / 23

HEX #8CC572

RGB 140 197 114

HSL 101.2, 0.42%, 0.61%

LAB 74.01, -33.68, 35.81

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 13 / 42 / 0 / 23

HEX #AB72C5

RGB 171 114 197

HSL 281.2, 0.42%, 0.61%

LAB 56.81, 37.21, -34.58

 

CMYK 0 / 22 / 42 / 22

HEX #C69B72

RGB 198 155 114

HSL 29.29, 0.42%, 0.61%

LAB 67.02, 10.63, 27.61

 

CMYK 42 / 0 / 42 / 23

HEX #73C572

RGB 115 197 114

HSL 119.28, 0.42%, 0.61%

LAB 72.75, -41.85, 33.95

 

CMYK 42 / 20 / 0 / 23

HEX #729DC5

RGB 114 157 197

HSL 208.92, 0.42%, 0.61%

LAB 63.11, -4.11, -25.18

 

CMYK 1 / 42 / 0 / 23

HEX #C472C5

RGB 196 114 197

HSL 299.28, 0.42%, 0.61%

LAB 59.71, 44.77, -29.84

 

Description

Color code: HEX #C69B72 | qconv.com Color code: HEX #C69B72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 155 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 155 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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