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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69B6F it is the complementary color #396490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69B6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69B6F shade: #CB9B6A, #DCAD7D, #EDBF90, #FED1A3 and #FFE3B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69B6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69B6F shade: #C69B6F, #B5895C, #A47749, #936536 and #825323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69B6F shade: #C69C71, #C68571 and #C67171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69B6F shade: #C69C71, #C6B371, #C2C671, #ABC671 and #94C671

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69B6F shade matches the following richer shades: #C69C71, #D69C61, #E69C51 and #F79D41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69B6F shade: #C69C71, #B69C81, #A69C91, #969BA1 and #869BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69B6F shade: #C67174, #C68571, #C69C71, #C6B271 and #C3C671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69B6F shade: #A37341, #BB8853, #C69C71, #D2B18E and #DEC5AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69B6F shade: #C69B6F, #8AC671 and #7971C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69B6F shade: #C69B6F, #71C69C and #9C71C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69B6F shade: #C69B6F, #8AC671, #719CC6 and #AD71C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69B6F shade: #C69B6F, #71C671, #719CC6 and #C671C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

Complementary color

CMYK 60 / 31 / 0 / 44

HEX #396490

RGB 57 100 144

HSL 210.34, 0.43%, 0.39%

LAB 41.21, -0.9, -28.7

 

CMYK 0 / 24 / 48 / 20

HEX #CB9B6A

RGB 203 155 106

HSL 30.31, 0.48%, 0.61%

LAB 67.41, 11.86, 32.53

 

CMYK 0 / 21 / 43 / 14

HEX #DCAD7D

RGB 220 173 125

HSL 30.32, 0.58%, 0.68%

LAB 73.92, 11.02, 31.19

 

CMYK 0 / 19 / 39 / 7

HEX #EDBF90

RGB 237 191 144

HSL 30.32, 0.72%, 0.75%

LAB 80.34, 10.29, 29.94

 

CMYK 0 / 18 / 36 / 0

HEX #FED1A3

RGB 254 209 163

HSL 30.33, 0.98%, 0.82%

LAB 86.66, 9.64, 28.77

 

CMYK 0 / 11 / 29 / 0

HEX #FFE3B6

RGB 255 227 182

HSL 36.99, 1%, 0.86%

LAB 91.49, 3.08, 25.53

 

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

CMYK 0 / 24 / 49 / 29

HEX #B5895C

RGB 181 137 92

HSL 30.34, 0.38%, 0.54%

LAB 60.33, 11.19, 30.54

 

CMYK 0 / 27 / 55 / 36

HEX #A47749

RGB 164 119 73

HSL 30.33, 0.38%, 0.46%

LAB 53.56, 12.22, 32.02

 

CMYK 0 / 31 / 63 / 42

HEX #936536

RGB 147 101 54

HSL 30.32, 0.46%, 0.39%

LAB 46.68, 13.47, 33.6

 

CMYK 0 / 36 / 73 / 49

HEX #825323

RGB 130 83 35

HSL 30.32, 0.58%, 0.32%

LAB 39.67, 15, 35.18

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 33 / 43 / 22

HEX #C68571

RGB 198 133 113

HSL 14.12, 0.43%, 0.61%

LAB 61.63, 22.59, 20.96

 

CMYK 0 / 43 / 43 / 22

HEX #C67171

RGB 198 113 113

HSL 0, 0.43%, 0.61%

LAB 57.08, 33.45, 14.73

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 10 / 43 / 22

HEX #C6B371

RGB 198 179 113

HSL 46.59, 0.43%, 0.61%

LAB 73.18, -2.38, 36.12

 

CMYK 2 / 0 / 43 / 22

HEX #C2C671

RGB 194 198 113

HSL 62.82, 0.43%, 0.61%

LAB 77.9, -13.85, 41.99

 

CMYK 14 / 0 / 43 / 22

HEX #ABC671

RGB 171 198 113

HSL 79.06, 0.43%, 0.61%

LAB 76.22, -22.88, 39.51

 

CMYK 25 / 0 / 43 / 22

HEX #94C671

RGB 148 198 113

HSL 95.29, 0.43%, 0.61%

LAB 74.75, -31.45, 37.35

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 27 / 55 / 16

HEX #D69C61

RGB 214 156 97

HSL 30.26, 0.59%, 0.61%

LAB 68.7, 15.06, 39.15

 

CMYK 0 / 32 / 65 / 10

HEX #E69C51

RGB 230 156 81

HSL 30.2, 0.75%, 0.61%

LAB 70.31, 20.55, 49.55

 

CMYK 0 / 36 / 74 / 3

HEX #F79D41

RGB 247 157 65

HSL 30.33, 0.92%, 0.61%

LAB 72.41, 26.21, 59.74

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 14 / 29 / 29

HEX #B69C81

RGB 182 156 129

HSL 30.57, 0.27%, 0.61%

LAB 65.99, 5.48, 17.71

 

CMYK 0 / 6 / 13 / 35

HEX #A69C91

RGB 166 156 145

HSL 31.43, 0.11%, 0.61%

LAB 64.91, 1.71, 7.06

 

CMYK 7 / 4 / 0 / 37

HEX #969BA1

RGB 150 155 161

HSL 212.73, 0.06%, 0.61%

LAB 63.75, -0.59, -3.76

 

CMYK 24 / 12 / 0 / 31

HEX #869BB1

RGB 134 155 177

HSL 210.7, 0.22%, 0.61%

LAB 63.08, -2.38, -13.89

 

CMYK 0 / 43 / 41 / 22

HEX #C67174

RGB 198 113 116

HSL 357.88, 0.43%, 0.61%

LAB 57.15, 33.78, 13.08

 

CMYK 0 / 33 / 43 / 22

HEX #C68571

RGB 198 133 113

HSL 14.12, 0.43%, 0.61%

LAB 61.63, 22.59, 20.96

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 10 / 43 / 22

HEX #C6B271

RGB 198 178 113

HSL 45.88, 0.43%, 0.61%

LAB 72.92, -1.85, 35.78

 

CMYK 2 / 0 / 43 / 22

HEX #C3C671

RGB 195 198 113

HSL 62.12, 0.43%, 0.61%

LAB 77.98, -13.45, 42.1

 

CMYK 0 / 29 / 60 / 36

HEX #A37341

RGB 163 115 65

HSL 30.61, 0.43%, 0.45%

LAB 52.32, 13.39, 34.82

 

CMYK 0 / 27 / 56 / 27

HEX #BB8853

RGB 187 136 83

HSL 30.58, 0.43%, 0.53%

LAB 60.6, 13.47, 35.88

 

CMYK 0 / 21 / 43 / 22

HEX #C69C71

RGB 198 156 113

HSL 30.35, 0.43%, 0.61%

LAB 67.26, 9.98, 28.46

 

CMYK 0 / 16 / 32 / 18

HEX #D2B18E

RGB 210 177 142

HSL 30.88, 0.43%, 0.69%

LAB 74.25, 6.88, 22.37

 

CMYK 0 / 11 / 23 / 13

HEX #DEC5AC

RGB 222 197 172

HSL 30, 0.43%, 0.77%

LAB 80.98, 4.94, 15.77

 

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

CMYK 30 / 0 / 43 / 22

HEX #8AC671

RGB 138 198 113

HSL 102.35, 0.43%, 0.61%

LAB 74.18, -34.97, 36.51

 

CMYK 39 / 43 / 0 / 22

HEX #7971C6

RGB 121 113 198

HSL 245.65, 0.43%, 0.61%

LAB 51.78, 23.79, -43.39

 

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

CMYK 43 / 0 / 21 / 22

HEX #71C69C

RGB 113 198 156

HSL 150.35, 0.43%, 0.61%

LAB 73.74, -35.37, 13.11

 

CMYK 21 / 43 / 0 / 22

HEX #9C71C6

RGB 156 113 198

HSL 270.35, 0.43%, 0.61%

LAB 55.03, 33.56, -38.05

 

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

CMYK 30 / 0 / 43 / 22

HEX #8AC671

RGB 138 198 113

HSL 102.35, 0.43%, 0.61%

LAB 74.18, -34.97, 36.51

 

CMYK 43 / 21 / 0 / 22

HEX #719CC6

RGB 113 156 198

HSL 209.65, 0.43%, 0.61%

LAB 62.81, -3.53, -26.2

 

CMYK 13 / 43 / 0 / 22

HEX #AD71C6

RGB 173 113 198

HSL 282.35, 0.43%, 0.61%

LAB 56.85, 38.58, -35.06

 

CMYK 0 / 22 / 44 / 22

HEX #C69B6F

RGB 198 155 111

HSL 30.34, 0.43%, 0.61%

LAB 66.97, 10.31, 29.17

 

CMYK 43 / 0 / 43 / 22

HEX #71C671

RGB 113 198 113

HSL 120, 0.43%, 0.61%

LAB 72.95, -43.04, 34.69

 

CMYK 43 / 21 / 0 / 22

HEX #719CC6

RGB 113 156 198

HSL 209.65, 0.43%, 0.61%

LAB 62.81, -3.53, -26.2

 

CMYK 0 / 43 / 0 / 22

HEX #C671C6

RGB 198 113 198

HSL 300, 0.43%, 0.61%

LAB 59.79, 46.08, -30.26

 

Description

Color code: HEX #C69B6F | qconv.com Color code: HEX #C69B6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 155 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 155 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 44 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 44% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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