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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69A97 it is the complementary color #396568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69A97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69A97 shade: #CB9A92, #DCACA5, #EDBEB8, #FED0CB and #FFE2DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69A97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69A97 shade: #C69A97, #B58884, #A47671, #93645E and #82524B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69A97 shade: #C59996 and #C59696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69A97 shade: #C59996, #C5A696, #C5B296, #C5BF96 and #BEC596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69A97 shade matches the following richer shades: #C59996, #D28D89, #DF827B, #ED766E and #FA6B61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69A97 shade: #C59996, #B8A4A3, #ABB0B0, #9DBBBD and #90C7CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69A97 shade: #C596AD, #C596A0, #C59896, #C5A596 and #C5B196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69A97 shade: #A86561, #B67F7B, #C59996, #D4B3B0 and #E2CCCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69A97 shade: #C69A97, #B9C596 and #96A6C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69A97 shade: #C69A97, #96C598 and #9896C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69A97 shade: #C69A97, #B9C596, #96C3C5 and #A296C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69A97 shade: #C69A97, #ABC596, #96C3C5 and #B096C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

Complementary color

CMYK 45 / 3 / 0 / 59

HEX #396568

RGB 57 101 104

HSL 183.83, 0.29%, 0.32%

LAB 39.88, -14.31, -6.47

 

CMYK 0 / 24 / 28 / 20

HEX #CB9A92

RGB 203 154 146

HSL 8.42, 0.35%, 0.68%

LAB 67.93, 17.15, 11.29

 

CMYK 0 / 22 / 25 / 14

HEX #DCACA5

RGB 220 172 165

HSL 7.64, 0.44%, 0.75%

LAB 74.47, 16.51, 10.32

 

CMYK 0 / 20 / 22 / 7

HEX #EDBEB8

RGB 237 190 184

HSL 6.79, 0.6%, 0.83%

LAB 80.9, 15.93, 9.42

 

CMYK 0 / 18 / 20 / 0

HEX #FED0CB

RGB 254 208 203

HSL 5.88, 0.96%, 0.9%

LAB 87.24, 15.41, 8.57

 

CMYK 0 / 11 / 13 / 0

HEX #FFE2DE

RGB 255 226 222

HSL 7.27, 1%, 0.94%

LAB 92.1, 9.31, 5.59

 

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

CMYK 0 / 25 / 27 / 29

HEX #B58884

RGB 181 136 132

HSL 4.9, 0.25%, 0.61%

LAB 60.87, 16.6, 8.84

 

CMYK 0 / 28 / 31 / 36

HEX #A47671

RGB 164 118 113

HSL 5.88, 0.22%, 0.54%

LAB 54.07, 17.34, 9.9

 

CMYK 0 / 32 / 36 / 42

HEX #93645E

RGB 147 100 94

HSL 6.79, 0.22%, 0.47%

LAB 47.14, 18.19, 11.09

 

CMYK 0 / 37 / 42 / 49

HEX #82524B

RGB 130 82 75

HSL 7.64, 0.27%, 0.4%

LAB 40.06, 19.19, 12.46

 

CMYK 0 / 22 / 24 / 23

HEX #C59996

RGB 197 153 150

HSL 3.83, 0.29%, 0.68%

LAB 67.17, 15.97, 7.89

 

CMYK 0 / 24 / 24 / 23

HEX #C59696

RGB 197 150 150

HSL 0, 0.29%, 0.68%

LAB 66.43, 17.62, 6.84

 

CMYK 0 / 22 / 24 / 23

HEX #C59996

RGB 197 153 150

HSL 3.83, 0.29%, 0.68%

LAB 67.17, 15.97, 7.89

 

CMYK 0 / 16 / 24 / 23

HEX #C5A696

RGB 197 166 150

HSL 20.43, 0.29%, 0.68%

LAB 70.42, 8.86, 12.5

 

CMYK 0 / 10 / 24 / 23

HEX #C5B296

RGB 197 178 150

HSL 35.74, 0.29%, 0.68%

LAB 73.49, 2.38, 16.8

 

CMYK 0 / 3 / 24 / 23

HEX #C5BF96

RGB 197 191 150

HSL 52.34, 0.29%, 0.68%

LAB 76.88, -4.51, 21.49

 

CMYK 4 / 0 / 24 / 23

HEX #BEC596

RGB 190 197 150

HSL 68.94, 0.29%, 0.68%

LAB 77.92, -10.28, 22.83

 

CMYK 0 / 22 / 24 / 23

HEX #C59996

RGB 197 153 150

HSL 3.83, 0.29%, 0.68%

LAB 67.17, 15.97, 7.89

 

CMYK 0 / 33 / 35 / 18

HEX #D28D89

RGB 210 141 137

HSL 3.29, 0.45%, 0.68%

LAB 65.4, 25.74, 12.87

 

CMYK 0 / 42 / 45 / 13

HEX #DF827B

RGB 223 130 123

HSL 4.2, 0.61%, 0.68%

LAB 64.23, 34.99, 19.37

 

CMYK 0 / 50 / 54 / 7

HEX #ED766E

RGB 237 118 110

HSL 3.78, 0.78%, 0.68%

LAB 63.41, 45.12, 25.92

 

CMYK 0 / 57 / 61 / 2

HEX #FA6B61

RGB 250 107 97

HSL 3.92, 0.94%, 0.68%

LAB 63.1, 54.01, 33.17

 

CMYK 0 / 22 / 24 / 23

HEX #C59996

RGB 197 153 150

HSL 3.83, 0.29%, 0.68%

LAB 67.17, 15.97, 7.89

 

CMYK 0 / 11 / 11 / 28

HEX #B8A4A3

RGB 184 164 163

HSL 2.86, 0.13%, 0.68%

LAB 69.03, 7.1, 3.17

 

CMYK 3 / 0 / 0 / 31

HEX #ABB0B0

RGB 171 176 176

HSL 180, 0.03%, 0.68%

LAB 71.45, -1.75, -0.62

 

CMYK 17 / 1 / 0 / 26

HEX #9DBBBD

RGB 157 187 189

HSL 183.75, 0.2%, 0.68%

LAB 73.79, -9.68, -4.41

 

CMYK 29 / 2 / 0 / 20

HEX #90C7CB

RGB 144 199 203

HSL 184.07, 0.36%, 0.68%

LAB 76.73, -16.75, -7.75

 

CMYK 0 / 24 / 12 / 23

HEX #C596AD

RGB 197 150 173

HSL 330.64, 0.29%, 0.68%

LAB 67.05, 21.26, -5.15

 

CMYK 0 / 24 / 19 / 23

HEX #C596A0

RGB 197 150 160

HSL 347.23, 0.29%, 0.68%

LAB 66.69, 19.14, 1.6

 

CMYK 0 / 23 / 24 / 23

HEX #C59896

RGB 197 152 150

HSL 2.55, 0.29%, 0.68%

LAB 66.92, 16.52, 7.54

 

CMYK 0 / 16 / 24 / 23

HEX #C5A596

RGB 197 165 150

HSL 19.15, 0.29%, 0.68%

LAB 70.16, 9.4, 12.14

 

CMYK 0 / 10 / 24 / 23

HEX #C5B196

RGB 197 177 150

HSL 34.47, 0.29%, 0.68%

LAB 73.23, 2.91, 16.44

 

CMYK 0 / 40 / 42 / 34

HEX #A86561

RGB 168 101 97

HSL 3.38, 0.29%, 0.52%

LAB 50.09, 26.52, 13.81

 

CMYK 0 / 30 / 32 / 29

HEX #B67F7B

RGB 182 127 123

HSL 4.07, 0.29%, 0.6%

LAB 58.56, 20.77, 10.73

 

CMYK 0 / 22 / 24 / 23

HEX #C59996

RGB 197 153 150

HSL 3.83, 0.29%, 0.68%

LAB 67.17, 15.97, 7.89

 

CMYK 0 / 16 / 17 / 17

HEX #D4B3B0

RGB 212 179 176

HSL 5, 0.3%, 0.76%

LAB 75.68, 11.41, 5.95

 

CMYK 0 / 10 / 10 / 11

HEX #E2CCCB

RGB 226 204 203

HSL 2.61, 0.28%, 0.84%

LAB 83.79, 7.51, 3.28

 

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

CMYK 6 / 0 / 24 / 23

HEX #B9C596

RGB 185 197 150

HSL 75.32, 0.29%, 0.68%

LAB 77.55, -12.15, 22.25

 

CMYK 24 / 16 / 0 / 23

HEX #96A6C5

RGB 150 166 197

HSL 219.57, 0.29%, 0.68%

LAB 67.86, 1.26, -17.72

 

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

CMYK 24 / 0 / 23 / 23

HEX #96C598

RGB 150 197 152

HSL 122.55, 0.29%, 0.68%

LAB 75.25, -24.31, 17.66

 

CMYK 23 / 24 / 0 / 23

HEX #9896C5

RGB 152 150 197

HSL 242.55, 0.29%, 0.68%

LAB 63.77, 10.87, -23.95

 

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

CMYK 6 / 0 / 24 / 23

HEX #B9C596

RGB 185 197 150

HSL 75.32, 0.29%, 0.68%

LAB 77.55, -12.15, 22.25

 

CMYK 24 / 1 / 0 / 23

HEX #96C3C5

RGB 150 195 197

HSL 182.55, 0.29%, 0.68%

LAB 75.79, -14.29, -5.86

 

CMYK 18 / 24 / 0 / 23

HEX #A296C5

RGB 162 150 197

HSL 255.32, 0.29%, 0.68%

LAB 64.58, 14.03, -22.63

 

CMYK 0 / 22 / 24 / 22

HEX #C69A97

RGB 198 154 151

HSL 3.83, 0.29%, 0.68%

LAB 67.54, 15.95, 7.87

 

CMYK 13 / 0 / 24 / 23

HEX #ABC596

RGB 171 197 150

HSL 93.19, 0.29%, 0.68%

LAB 76.55, -17.3, 20.73

 

CMYK 24 / 1 / 0 / 23

HEX #96C3C5

RGB 150 195 197

HSL 182.55, 0.29%, 0.68%

LAB 75.79, -14.29, -5.86

 

CMYK 11 / 24 / 0 / 23

HEX #B096C5

RGB 176 150 197

HSL 273.19, 0.29%, 0.68%

LAB 65.81, 18.58, -20.65

 

Description

Color code: HEX #C69A97 | qconv.com Color code: HEX #C69A97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 154 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 154 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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