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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69A87 it is the complementary color #396578. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69A87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69A87 shade: #CB9A82, #DCAC95, #EDBEA8, #FED0BB and #FFE2CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69A87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69A87 shade: #C69A87, #B58874, #A47661, #93644E and #82523B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69A87 shade: #C69986, #C68886 and #C68686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69A87 shade: #C69986, #C6AA86, #C6BC86, #BFC686 and #ADC686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69A87 shade matches the following richer shades: #C69986, #D49377, #E38E69 and #F1885A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69A87 shade: #C69986, #B79F94, #A9A4A3, #9BAAB1 and #8CB0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69A87 shade: #C68695, #C68886, #C69986, #C6AA86 and #C6BB86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69A87 shade: #A96B50, #B9816A, #C69986, #D3B1A2 and #E0C8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69A87 shade: #C69A87, #A6C686 and #868CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69A87 shade: #C69A87, #86C699 and #9986C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69A87 shade: #C69A87, #A6C686, #86B3C6 and #A686C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69A87 shade: #C69A87, #92C686, #86B3C6 and #B986C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

Complementary color

CMYK 53 / 16 / 0 / 53

HEX #396578

RGB 57 101 120

HSL 198.1, 0.36%, 0.35%

LAB 40.46, -9.47, -15.35

 

CMYK 0 / 24 / 36 / 20

HEX #CB9A82

RGB 203 154 130

HSL 19.73, 0.41%, 0.65%

LAB 67.59, 15.06, 19.69

 

CMYK 0 / 22 / 32 / 14

HEX #DCAC95

RGB 220 172 149

HSL 19.44, 0.5%, 0.72%

LAB 74.12, 14.35, 18.55

 

CMYK 0 / 20 / 29 / 7

HEX #EDBEA8

RGB 237 190 168

HSL 19.13, 0.66%, 0.79%

LAB 80.55, 13.73, 17.5

 

CMYK 0 / 18 / 26 / 0

HEX #FED0BB

RGB 254 208 187

HSL 18.81, 0.97%, 0.86%

LAB 86.88, 13.17, 16.51

 

CMYK 0 / 11 / 19 / 0

HEX #FFE2CE

RGB 255 226 206

HSL 24.49, 1%, 0.9%

LAB 91.73, 6.88, 13.41

 

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

CMYK 0 / 25 / 36 / 29

HEX #B58874

RGB 181 136 116

HSL 18.46, 0.31%, 0.58%

LAB 60.51, 14.44, 17.42

 

CMYK 0 / 28 / 41 / 36

HEX #A47661

RGB 164 118 97

HSL 18.81, 0.27%, 0.51%

LAB 53.72, 15.27, 18.69

 

CMYK 0 / 32 / 47 / 42

HEX #93644E

RGB 147 100 78

HSL 19.13, 0.31%, 0.44%

LAB 46.8, 16.26, 20.12

 

CMYK 0 / 37 / 55 / 49

HEX #82523B

RGB 130 82 59

HSL 19.44, 0.38%, 0.37%

LAB 39.74, 17.43, 21.76

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 31 / 32 / 22

HEX #C68886

RGB 198 136 134

HSL 1.87, 0.36%, 0.65%

LAB 62.79, 23.47, 10.69

 

CMYK 0 / 32 / 32 / 22

HEX #C68686

RGB 198 134 134

HSL 0, 0.36%, 0.65%

LAB 62.32, 24.57, 10.02

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 14 / 32 / 22

HEX #C6AA86

RGB 198 170 134

HSL 33.75, 0.36%, 0.65%

LAB 71.2, 4.88, 22.34

 

CMYK 0 / 5 / 32 / 22

HEX #C6BC86

RGB 198 188 134

HSL 50.63, 0.36%, 0.65%

LAB 75.88, -4.69, 28.64

 

CMYK 4 / 0 / 32 / 22

HEX #BFC686

RGB 191 198 134

HSL 66.56, 0.36%, 0.65%

LAB 77.98, -12.59, 31.33

 

CMYK 13 / 0 / 32 / 22

HEX #ADC686

RGB 173 198 134

HSL 83.44, 0.36%, 0.65%

LAB 76.68, -19.44, 29.36

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 31 / 44 / 17

HEX #D49377

RGB 212 147 119

HSL 18.06, 0.52%, 0.65%

LAB 66.67, 21.19, 24.67

 

CMYK 0 / 37 / 54 / 11

HEX #E38E69

RGB 227 142 105

HSL 18.2, 0.69%, 0.65%

LAB 67.05, 28.53, 33.15

 

CMYK 0 / 44 / 63 / 5

HEX #F1885A

RGB 241 136 90

HSL 18.28, 0.84%, 0.65%

LAB 67.31, 36.07, 41.86

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 13 / 19 / 28

HEX #B79F94

RGB 183 159 148

HSL 18.86, 0.2%, 0.65%

LAB 67.28, 7.02, 8.98

 

CMYK 0 / 3 / 4 / 34

HEX #A9A4A3

RGB 169 164 163

HSL 10, 0.03%, 0.65%

LAB 67.75, 1.61, 1.15

 

CMYK 12 / 4 / 0 / 31

HEX #9BAAB1

RGB 155 170 177

HSL 199.09, 0.12%, 0.65%

LAB 68.67, -3.78, -5.39

 

CMYK 27 / 8 / 0 / 25

HEX #8CB0BF

RGB 140 176 191

HSL 197.65, 0.28%, 0.65%

LAB 69.74, -8.68, -11.64

 

CMYK 0 / 32 / 25 / 22

HEX #C68695

RGB 198 134 149

HSL 345.94, 0.36%, 0.65%

LAB 62.7, 26.65, 2.03

 

CMYK 0 / 31 / 32 / 22

HEX #C68886

RGB 198 136 134

HSL 1.87, 0.36%, 0.65%

LAB 62.79, 23.47, 10.69

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 14 / 32 / 22

HEX #C6AA86

RGB 198 170 134

HSL 33.75, 0.36%, 0.65%

LAB 71.2, 4.88, 22.34

 

CMYK 0 / 6 / 32 / 22

HEX #C6BB86

RGB 198 187 134

HSL 49.69, 0.36%, 0.65%

LAB 75.62, -4.16, 28.29

 

CMYK 0 / 37 / 53 / 34

HEX #A96B50

RGB 169 107 80

HSL 18.2, 0.36%, 0.49%

LAB 51.3, 21.79, 25.37

 

CMYK 0 / 30 / 43 / 27

HEX #B9816A

RGB 185 129 106

HSL 17.47, 0.36%, 0.57%

LAB 59.03, 18.78, 21.13

 

CMYK 0 / 23 / 32 / 22

HEX #C69986

RGB 198 153 134

HSL 17.81, 0.36%, 0.65%

LAB 66.91, 14.13, 16.45

 

CMYK 0 / 16 / 23 / 17

HEX #D3B1A2

RGB 211 177 162

HSL 18.37, 0.36%, 0.73%

LAB 74.76, 9.99, 12.25

 

CMYK 0 / 11 / 15 / 12

HEX #E0C8BE

RGB 224 200 190

HSL 17.65, 0.35%, 0.81%

LAB 82.31, 6.8, 8.06

 

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

CMYK 16 / 0 / 32 / 22

HEX #A6C686

RGB 166 198 134

HSL 90, 0.36%, 0.65%

LAB 76.2, -22.03, 28.64

 

CMYK 32 / 29 / 0 / 22

HEX #868CC6

RGB 134 140 198

HSL 234.38, 0.36%, 0.65%

LAB 59.8, 11.43, -30.75

 

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

CMYK 32 / 0 / 23 / 22

HEX #86C699

RGB 134 198 153

HSL 137.81, 0.36%, 0.65%

LAB 74.67, -29.81, 16.18

 

CMYK 23 / 32 / 0 / 22

HEX #9986C6

RGB 153 134 198

HSL 257.81, 0.36%, 0.65%

LAB 59.8, 20.59, -30.63

 

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

CMYK 16 / 0 / 32 / 22

HEX #A6C686

RGB 166 198 134

HSL 90, 0.36%, 0.65%

LAB 76.2, -22.03, 28.64

 

CMYK 32 / 10 / 0 / 22

HEX #86B3C6

RGB 134 179 198

HSL 197.81, 0.36%, 0.65%

LAB 70.45, -10.36, -14.48

 

CMYK 16 / 32 / 0 / 22

HEX #A686C6

RGB 166 134 198

HSL 270, 0.36%, 0.65%

LAB 60.99, 24.63, -28.69

 

CMYK 0 / 22 / 32 / 22

HEX #C69A87

RGB 198 154 135

HSL 18.1, 0.36%, 0.65%

LAB 67.18, 13.72, 16.27

 

CMYK 26 / 0 / 32 / 22

HEX #92C686

RGB 146 198 134

HSL 108.75, 0.36%, 0.65%

LAB 74.96, -29.15, 26.77

 

CMYK 32 / 10 / 0 / 22

HEX #86B3C6

RGB 134 179 198

HSL 197.81, 0.36%, 0.65%

LAB 70.45, -10.36, -14.48

 

CMYK 7 / 32 / 0 / 22

HEX #B986C6

RGB 185 134 198

HSL 287.81, 0.36%, 0.65%

LAB 62.88, 30.68, -25.62

 

Description

Color code: HEX #C69A87 | qconv.com Color code: HEX #C69A87 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 154 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 154 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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