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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69916 it is the complementary color #3966E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69916 shade: #CB9911, #DCAB24, #EDBD37, #FECF4A and #FFE15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69916 shade: #C69916, #B58703, #A47500, #936300 and #825100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69916 shade: #C59916, #C56916, #C53A16 and #C51616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69916 shade: #C59916, #C3C516, #94C516, #64C516 and #35C516

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69916 shade matches the following richer shades: #C59916 and #D7A104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69916 shade: #C59916, #B49028, #A28739, #907F4B and #7E765D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69916 shade: #C53916, #C56816, #C59716, #C5C516 and #97C516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69916 shade: #7B5F0E, #A07C12, #C59916, #E6B31F and #EAC044

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69916 shade: #C69916, #22C516 and #5016C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69916 shade: #C69916, #16C597 and #9716C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69916 shade: #C69916, #22C516, #1645C5 and #BA16C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69916 shade: #C69916, #16C53F, #1645C5 and #C5169C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

Complementary color

CMYK 76 / 56 / 0 / 9

HEX #3966E9

RGB 57 102 233

HSL 224.66, 0.8%, 0.57%

LAB 47.31, 30.09, -70.65

 

CMYK 0 / 25 / 92 / 20

HEX #CB9911

RGB 203 153 17

HSL 43.87, 0.85%, 0.43%

LAB 66.15, 8.07, 67.79

 

CMYK 0 / 22 / 84 / 14

HEX #DCAB24

RGB 220 171 36

HSL 44.02, 0.72%, 0.5%

LAB 72.54, 6.31, 69.2

 

CMYK 0 / 20 / 77 / 7

HEX #EDBD37

RGB 237 189 55

HSL 44.18, 0.83%, 0.57%

LAB 78.85, 4.78, 69.47

 

CMYK 0 / 19 / 71 / 0

HEX #FECF4A

RGB 254 207 74

HSL 44.33, 0.99%, 0.64%

LAB 85.09, 3.46, 69.07

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15D

RGB 255 225 93

HSL 48.89, 1%, 0.68%

LAB 89.81, -4.26, 66.32

 

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

CMYK 0 / 25 / 98 / 29

HEX #B58703

RGB 181 135 3

HSL 44.49, 0.97%, 0.36%

LAB 59.12, 7.85, 63.78

 

CMYK 0 / 29 / 100 / 36

HEX #A47500

RGB 164 117 0

HSL 42.8, 1%, 0.32%

LAB 52.53, 10.09, 58.86

 

CMYK 0 / 33 / 100 / 42

HEX #936300

RGB 147 99 0

HSL 40.41, 1%, 0.29%

LAB 45.81, 12.48, 53.35

 

CMYK 0 / 38 / 100 / 49

HEX #825100

RGB 130 81 0

HSL 37.38, 1%, 0.25%

LAB 38.95, 15, 47.76

 

CMYK 0 / 22 / 89 / 23

HEX #C59916

RGB 197 153 22

HSL 44.91, 0.8%, 0.43%

LAB 65.52, 5.49, 66.01

 

CMYK 0 / 47 / 89 / 23

HEX #C56916

RGB 197 105 22

HSL 28.46, 0.8%, 0.43%

LAB 54.06, 31.59, 57.06

 

CMYK 0 / 71 / 89 / 23

HEX #C53A16

RGB 197 58 22

HSL 12.34, 0.8%, 0.43%

LAB 45.57, 53.61, 50.52

 

CMYK 0 / 89 / 89 / 23

HEX #C51616

RGB 197 22 22

HSL 0, 0.8%, 0.43%

LAB 42, 63.62, 47.81

 

CMYK 0 / 22 / 89 / 23

HEX #C59916

RGB 197 153 22

HSL 44.91, 0.8%, 0.43%

LAB 65.52, 5.49, 66.01

 

CMYK 1 / 0 / 89 / 23

HEX #C3C516

RGB 195 197 22

HSL 60.69, 0.8%, 0.43%

LAB 77.04, -18.33, 75.03

 

CMYK 25 / 0 / 89 / 23

HEX #94C516

RGB 148 197 22

HSL 76.8, 0.8%, 0.43%

LAB 73.73, -37.77, 70.98

 

CMYK 49 / 0 / 89 / 23

HEX #64C516

RGB 100 197 22

HSL 93.26, 0.8%, 0.43%

LAB 71.35, -54.59, 68.03

 

CMYK 73 / 0 / 89 / 23

HEX #35C516

RGB 53 197 22

HSL 109.37, 0.8%, 0.43%

LAB 70, -65.66, 66.34

 

CMYK 0 / 22 / 89 / 23

HEX #C59916

RGB 197 153 22

HSL 44.91, 0.8%, 0.43%

LAB 65.52, 5.49, 66.01

 

CMYK 0 / 25 / 98 / 16

HEX #D7A104

RGB 215 161 4

HSL 44.64, 0.96%, 0.43%

LAB 69.43, 8.91, 72.59

 

CMYK 0 / 22 / 89 / 23

HEX #C59916

RGB 197 153 22

HSL 44.91, 0.8%, 0.43%

LAB 65.52, 5.49, 66.01

 

CMYK 0 / 20 / 78 / 29

HEX #B49028

RGB 180 144 40

HSL 44.57, 0.64%, 0.43%

LAB 61.48, 3.31, 56.56

 

CMYK 0 / 17 / 65 / 36

HEX #A28739

RGB 162 135 57

HSL 44.57, 0.48%, 0.43%

LAB 57.37, 1.1, 44.61

 

CMYK 0 / 12 / 48 / 44

HEX #907F4B

RGB 144 127 75

HSL 45.22, 0.32%, 0.43%

LAB 53.62, -0.9, 30.53

 

CMYK 0 / 6 / 26 / 51

HEX #7E765D

RGB 126 118 93

HSL 45.45, 0.15%, 0.43%

LAB 49.72, -1.23, 14.91

 

CMYK 0 / 71 / 89 / 23

HEX #C53916

RGB 197 57 22

HSL 12, 0.8%, 0.43%

LAB 45.43, 53.98, 50.41

 

CMYK 0 / 47 / 89 / 23

HEX #C56816

RGB 197 104 22

HSL 28.11, 0.8%, 0.43%

LAB 53.84, 32.12, 56.89

 

CMYK 0 / 23 / 89 / 23

HEX #C59716

RGB 197 151 22

HSL 44.23, 0.8%, 0.43%

LAB 65.01, 6.57, 65.61

 

CMYK 0 / 0 / 89 / 23

HEX #C5C516

RGB 197 197 22

HSL 60, 0.8%, 0.43%

LAB 77.2, -17.47, 75.22

 

CMYK 23 / 0 / 89 / 23

HEX #97C516

RGB 151 197 22

HSL 75.77, 0.8%, 0.43%

LAB 73.91, -36.59, 71.2

 

CMYK 0 / 23 / 89 / 52

HEX #7B5F0E

RGB 123 95 14

HSL 44.59, 0.8%, 0.27%

LAB 41.89, 3.67, 45.63

 

CMYK 0 / 23 / 89 / 37

HEX #A07C12

RGB 160 124 18

HSL 44.79, 0.8%, 0.35%

LAB 53.96, 4.6, 56.09

 

CMYK 0 / 22 / 89 / 23

HEX #C59916

RGB 197 153 22

HSL 44.91, 0.8%, 0.43%

LAB 65.52, 5.49, 66.01

 

CMYK 0 / 22 / 87 / 10

HEX #E6B31F

RGB 230 179 31

HSL 44.62, 0.8%, 0.51%

LAB 75.55, 6.3, 73.38

 

CMYK 0 / 18 / 71 / 8

HEX #EAC044

RGB 234 192 68

HSL 44.82, 0.8%, 0.59%

LAB 79.39, 2.5, 65.07

 

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

CMYK 83 / 0 / 89 / 23

HEX #22C516

RGB 34 197 22

HSL 115.89, 0.8%, 0.43%

LAB 69.7, -68.25, 65.97

 

CMYK 59 / 89 / 0 / 23

HEX #5016C5

RGB 80 22 197

HSL 259.89, 0.8%, 0.43%

LAB 30.18, 62.92, -78.02

 

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

CMYK 89 / 0 / 23 / 23

HEX #16C597

RGB 22 197 151

HSL 164.23, 0.8%, 0.43%

LAB 71.1, -51.36, 11.77

 

CMYK 23 / 89 / 0 / 23

HEX #9716C5

RGB 151 22 197

HSL 284.23, 0.8%, 0.43%

LAB 39.89, 71.25, -61.72

 

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

CMYK 83 / 0 / 89 / 23

HEX #22C516

RGB 34 197 22

HSL 115.89, 0.8%, 0.43%

LAB 69.7, -68.25, 65.97

 

CMYK 89 / 65 / 0 / 23

HEX #1645C5

RGB 22 69 197

HSL 223.89, 0.8%, 0.43%

LAB 34.92, 35.04, -70.32

 

CMYK 6 / 89 / 0 / 23

HEX #BA16C5

RGB 186 22 197

HSL 296.23, 0.8%, 0.43%

LAB 45.69, 76.82, -52.05

 

CMYK 0 / 23 / 89 / 22

HEX #C69916

RGB 198 153 22

HSL 44.66, 0.8%, 0.43%

LAB 65.63, 5.94, 66.14

 

CMYK 89 / 0 / 68 / 23

HEX #16C53F

RGB 22 197 63

HSL 134.06, 0.8%, 0.43%

LAB 69.8, -66.62, 53.67

 

CMYK 89 / 65 / 0 / 23

HEX #1645C5

RGB 22 69 197

HSL 223.89, 0.8%, 0.43%

LAB 34.92, 35.04, -70.32

 

CMYK 0 / 89 / 21 / 23

HEX #C5169C

RGB 197 22 156

HSL 314.06, 0.8%, 0.43%

LAB 45.42, 73.07, -28.14

 

Description

Color code: HEX #C69916 | qconv.com Color code: HEX #C69916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 153 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 153 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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