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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69777 it is the complementary color #396888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69777 shade: #CB9772, #DCA985, #EDBB98, #FECDAB and #FFDFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69777 shade: #C69777, #B58564, #A47351, #93613E and #824F2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69777 shade: #C69776, #C68176 and #C67676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69777 shade: #C69776, #C6AC76, #C6C176, #B5C676 and #9FC676

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69777 shade matches the following richer shades: #C69776, #D69467, #E59157 and #F58E47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69777 shade: #C69776, #B69A86, #A69D96, #979FA5 and #87A2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69777 shade: #C67681, #C68176, #C69676, #C6AB76 and #C6C176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69777 shade: #A56C45, #BA8059, #C69776, #D2AD93 and #DEC3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69777 shade: #C69777, #96C676 and #7676C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69777 shade: #C69777, #76C696 and #9676C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69777 shade: #C69777, #96C676, #76A6C6 and #A676C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69777 shade: #C69777, #7EC676, #76A6C6 and #BE76C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

Complementary color

CMYK 58 / 24 / 0 / 47

HEX #396888

RGB 57 104 136

HSL 204.3, 0.41%, 0.38%

LAB 42.07, -6.06, -22.55

 

CMYK 0 / 26 / 44 / 20

HEX #CB9772

RGB 203 151 114

HSL 24.94, 0.46%, 0.62%

LAB 66.55, 14.86, 27.08

 

CMYK 0 / 23 / 40 / 14

HEX #DCA985

RGB 220 169 133

HSL 24.83, 0.55%, 0.69%

LAB 73.08, 14.04, 25.79

 

CMYK 0 / 21 / 36 / 7

HEX #EDBB98

RGB 237 187 152

HSL 24.71, 0.7%, 0.76%

LAB 79.51, 13.31, 24.6

 

CMYK 0 / 19 / 33 / 0

HEX #FECDAB

RGB 254 205 171

HSL 24.58, 0.98%, 0.83%

LAB 85.84, 12.67, 23.48

 

CMYK 0 / 13 / 25 / 0

HEX #FFDFBE

RGB 255 223 190

HSL 30.46, 1%, 0.87%

LAB 90.67, 6.18, 20.24

 

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

CMYK 0 / 27 / 45 / 29

HEX #B58564

RGB 181 133 100

HSL 24.44, 0.35%, 0.55%

LAB 59.45, 14.24, 24.99

 

CMYK 0 / 30 / 51 / 36

HEX #A47351

RGB 164 115 81

HSL 24.58, 0.34%, 0.48%

LAB 52.67, 15.24, 26.45

 

CMYK 0 / 34 / 58 / 42

HEX #93613E

RGB 147 97 62

HSL 24.71, 0.41%, 0.41%

LAB 45.77, 16.43, 28.07

 

CMYK 0 / 39 / 67 / 49

HEX #824F2B

RGB 130 79 43

HSL 24.83, 0.5%, 0.34%

LAB 38.75, 17.87, 29.85

 

CMYK 0 / 24 / 40 / 22

HEX #C69776

RGB 198 151 118

HSL 24.75, 0.41%, 0.62%

LAB 66.1, 13.27, 24.19

 

CMYK 0 / 35 / 40 / 22

HEX #C68176

RGB 198 129 118

HSL 8.25, 0.41%, 0.62%

LAB 60.79, 25.34, 16.99

 

CMYK 0 / 40 / 40 / 22

HEX #C67676

RGB 198 118 118

HSL 0, 0.41%, 0.62%

LAB 58.29, 31.32, 13.52

 

CMYK 0 / 24 / 40 / 22

HEX #C69776

RGB 198 151 118

HSL 24.75, 0.41%, 0.62%

LAB 66.1, 13.27, 24.19

 

CMYK 0 / 13 / 40 / 22

HEX #C6AC76

RGB 198 172 118

HSL 40.5, 0.41%, 0.62%

LAB 71.43, 1.88, 31.24

 

CMYK 0 / 3 / 40 / 22

HEX #C6C176

RGB 198 193 118

HSL 56.25, 0.41%, 0.62%

LAB 76.95, -9.16, 38.34

 

CMYK 9 / 0 / 40 / 22

HEX #B5C676

RGB 181 198 118

HSL 72.75, 0.41%, 0.62%

LAB 76.99, -18.43, 38.12

 

CMYK 20 / 0 / 40 / 22

HEX #9FC676

RGB 159 198 118

HSL 89.25, 0.41%, 0.62%

LAB 75.49, -26.79, 35.9

 

CMYK 0 / 24 / 40 / 22

HEX #C69776

RGB 198 151 118

HSL 24.75, 0.41%, 0.62%

LAB 66.1, 13.27, 24.19

 

CMYK 0 / 31 / 52 / 16

HEX #D69467

RGB 214 148 103

HSL 24.32, 0.58%, 0.62%

LAB 66.87, 19.9, 33.68

 

CMYK 0 / 37 / 62 / 10

HEX #E59157

RGB 229 145 87

HSL 24.51, 0.73%, 0.62%

LAB 67.72, 26.38, 43.53

 

CMYK 0 / 42 / 71 / 4

HEX #F58E47

RGB 245 142 71

HSL 24.48, 0.9%, 0.62%

LAB 68.91, 33.49, 53.31

 

CMYK 0 / 24 / 40 / 22

HEX #C69776

RGB 198 151 118

HSL 24.75, 0.41%, 0.62%

LAB 66.1, 13.27, 24.19

 

CMYK 0 / 15 / 26 / 29

HEX #B69A86

RGB 182 154 134

HSL 25, 0.25%, 0.62%

LAB 65.58, 7.28, 14.36

 

CMYK 0 / 5 / 10 / 35

HEX #A69D96

RGB 166 157 150

HSL 26.25, 0.08%, 0.62%

LAB 65.3, 2.02, 4.82

 

CMYK 8 / 4 / 0 / 35

HEX #979FA5

RGB 151 159 165

HSL 205.71, 0.07%, 0.62%

LAB 65.04, -1.63, -4.11

HEX #979FA5

CMYK 25 / 10 / 0 / 29

HEX #87A2B5

RGB 135 162 181

HSL 204.78, 0.24%, 0.62%

LAB 65.22, -4.99, -12.91

HEX #87A2B5

CMYK 0 / 40 / 35 / 22

HEX #C67681

RGB 198 118 129

HSL 351.75, 0.41%, 0.62%

LAB 58.55, 32.64, 7.53

 

CMYK 0 / 35 / 40 / 22

HEX #C68176

RGB 198 129 118

HSL 8.25, 0.41%, 0.62%

LAB 60.79, 25.34, 16.99

 

CMYK 0 / 24 / 40 / 22

HEX #C69676

RGB 198 150 118

HSL 24, 0.41%, 0.62%

LAB 65.85, 13.82, 23.85

 

CMYK 0 / 14 / 40 / 22

HEX #C6AB76

RGB 198 171 118

HSL 39.75, 0.41%, 0.62%

LAB 71.17, 2.42, 30.9

 

CMYK 0 / 3 / 40 / 22

HEX #C6C176

RGB 198 193 118

HSL 56.25, 0.41%, 0.62%

LAB 76.95, -9.16, 38.34

 

CMYK 0 / 35 / 58 / 35

HEX #A56C45

RGB 165 108 69

HSL 24.38, 0.41%, 0.46%

LAB 50.87, 18.56, 30.93

 

CMYK 0 / 31 / 52 / 27

HEX #BA8059

RGB 186 128 89

HSL 24.12, 0.41%, 0.54%

LAB 58.6, 18.01, 30.1

 

CMYK 0 / 24 / 40 / 22

HEX #C69776

RGB 198 151 118

HSL 24.75, 0.41%, 0.62%

LAB 66.1, 13.27, 24.19

 

CMYK 0 / 18 / 30 / 18

HEX #D2AD93

RGB 210 173 147

HSL 24.76, 0.41%, 0.7%

LAB 73.35, 9.68, 18.42

 

CMYK 0 / 12 / 20 / 13

HEX #DEC3B1

RGB 222 195 177

HSL 24, 0.41%, 0.78%

LAB 80.59, 6.72, 12.54

 

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

CMYK 24 / 0 / 40 / 22

HEX #96C676

RGB 150 198 118

HSL 96, 0.41%, 0.62%

LAB 74.94, -30.07, 35.08

 

CMYK 40 / 40 / 0 / 22

HEX #7676C6

RGB 118 118 198

HSL 240, 0.41%, 0.62%

LAB 52.82, 20, -41.75

 

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

CMYK 40 / 0 / 24 / 22

HEX #76C696

RGB 118 198 150

HSL 144, 0.41%, 0.62%

LAB 73.83, -35.18, 16.5

 

CMYK 24 / 40 / 0 / 22

HEX #9676C6

RGB 150 118 198

HSL 264, 0.41%, 0.62%

LAB 55.6, 28.94, -37.19

 

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

CMYK 24 / 0 / 40 / 22

HEX #96C676

RGB 150 198 118

HSL 96, 0.41%, 0.62%

LAB 74.94, -30.07, 35.08

 

CMYK 40 / 16 / 0 / 22

HEX #76A6C6

RGB 118 166 198

HSL 204, 0.41%, 0.62%

LAB 65.91, -7.76, -21.44

 

CMYK 16 / 40 / 0 / 22

HEX #A676C6

RGB 166 118 198

HSL 276, 0.41%, 0.62%

LAB 57.21, 33.7, -34.56

 

CMYK 0 / 24 / 40 / 22

HEX #C69777

RGB 198 151 119

HSL 24.3, 0.41%, 0.62%

LAB 66.11, 13.38, 23.66

 

CMYK 36 / 0 / 40 / 22

HEX #7EC676

RGB 126 198 118

HSL 114, 0.41%, 0.62%

LAB 73.63, -38.26, 33.13

 

CMYK 40 / 16 / 0 / 22

HEX #76A6C6

RGB 118 166 198

HSL 204, 0.41%, 0.62%

LAB 65.91, -7.76, -21.44

 

CMYK 4 / 40 / 0 / 22

HEX #BE76C6

RGB 190 118 198

HSL 294, 0.41%, 0.62%

LAB 59.87, 41.01, -30.21

 

Description

Color code: HEX #C69777 | qconv.com Color code: HEX #C69777 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 151 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 151 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 40 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 40% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Android and Me
Link: http://androidandme.com

13% - Создание, поддержка,...
Link: http://webline-masters.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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