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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69413 it is the complementary color #396BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69413 shade: #CB940E, #DCA621, #EDB834, #FECA47 and #FFDC5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69413 shade: #C69413, #B58200, #A47000, #935E00 and #824C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69413 shade: #C89514, #C86514, #C83414 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69413 shade: #C89514, #C8C614, #99C814, #68C814 and #38C814

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69413 shade matches the following richer shades: #C89514 and #D99D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69413 shade: #C89514, #B68E25, #A48637, #927E49 and #81765B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69413 shade: #C83514, #C86514, #C89514, #C8C514 and #9BC814

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69413 shade: #7C5D0C, #A27910, #C89514, #E9AF1C and #ECBD42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69413 shade: #C69413, #23C814 and #4D14C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69413 shade: #C69413, #14C895 and #9514C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69413 shade: #C69413, #23C814, #1447C8 and #B914C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69413 shade: #C69413, #14C83B, #1447C8 and #C814A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

Complementary color

CMYK 76 / 55 / 0 / 7

HEX #396BEC

RGB 57 107 236

HSL 223.24, 0.82%, 0.57%

LAB 48.81, 28.03, -69.89

 

CMYK 0 / 27 / 93 / 20

HEX #CB940E

RGB 203 148 14

HSL 42.54, 0.87%, 0.43%

LAB 64.89, 10.73, 67.37

 

CMYK 0 / 25 / 85 / 14

HEX #DCA621

RGB 220 166 33

HSL 42.67, 0.74%, 0.5%

LAB 71.28, 8.89, 68.97

 

CMYK 0 / 22 / 78 / 7

HEX #EDB834

RGB 237 184 52

HSL 42.81, 0.84%, 0.57%

LAB 77.6, 7.28, 69.34

 

CMYK 0 / 20 / 72 / 0

HEX #FECA47

RGB 254 202 71

HSL 42.95, 0.99%, 0.64%

LAB 83.84, 5.89, 68.98

 

CMYK 0 / 14 / 65 / 0

HEX #FFDC5A

RGB 255 220 90

HSL 47.27, 1%, 0.68%

LAB 88.54, -1.91, 66.21

 

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

CMYK 0 / 28 / 100 / 29

HEX #B58200

RGB 181 130 0

HSL 43.09, 1%, 0.35%

LAB 57.84, 10.58, 63.39

 

CMYK 0 / 32 / 100 / 36

HEX #A47000

RGB 164 112 0

HSL 40.98, 1%, 0.32%

LAB 51.25, 12.92, 58

 

CMYK 0 / 36 / 100 / 42

HEX #935E00

RGB 147 94 0

HSL 38.37, 1%, 0.29%

LAB 44.53, 15.37, 52.51

 

CMYK 0 / 42 / 100 / 49

HEX #824C00

RGB 130 76 0

HSL 35.08, 1%, 0.25%

LAB 37.69, 17.95, 46.95

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 50 / 90 / 22

HEX #C86514

RGB 200 101 20

HSL 27, 0.82%, 0.43%

LAB 53.64, 34.88, 57.52

 

CMYK 0 / 74 / 90 / 22

HEX #C83414

RGB 200 52 20

HSL 10.67, 0.82%, 0.43%

LAB 45.34, 56.71, 51.38

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 1 / 90 / 22

HEX #C8C614

RGB 200 198 20

HSL 59.33, 0.82%, 0.43%

LAB 77.71, -16.72, 76.05

 

CMYK 24 / 0 / 90 / 22

HEX #99C814

RGB 153 200 20

HSL 75.67, 0.82%, 0.43%

LAB 74.91, -37.2, 72.4

 

CMYK 48 / 0 / 90 / 22

HEX #68C814

RGB 104 200 20

HSL 92, 0.82%, 0.43%

LAB 72.43, -54.56, 69.34

 

CMYK 72 / 0 / 90 / 22

HEX #38C814

RGB 56 200 20

HSL 108, 0.82%, 0.43%

LAB 71.01, -66.14, 67.57

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 28 / 99 / 15

HEX #D99D02

RGB 217 157 2

HSL 43.26, 0.98%, 0.43%

LAB 68.66, 11.91, 72.41

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 22 / 80 / 29

HEX #B68E25

RGB 182 142 37

HSL 43.45, 0.66%, 0.43%

LAB 61.15, 5.19, 57.4

 

CMYK 0 / 18 / 66 / 36

HEX #A48637

RGB 164 134 55

HSL 43.49, 0.5%, 0.43%

LAB 57.29, 2.42, 45.52

 

CMYK 0 / 14 / 50 / 43

HEX #927E49

RGB 146 126 73

HSL 43.56, 0.33%, 0.43%

LAB 53.51, 0.34, 31.53

 

CMYK 0 / 9 / 29 / 49

HEX #81765B

RGB 129 118 91

HSL 42.63, 0.17%, 0.43%

LAB 49.95, -0.27, 16.44

 

CMYK 0 / 74 / 90 / 22

HEX #C83514

RGB 200 53 20

HSL 11, 0.82%, 0.43%

LAB 45.46, 56.36, 51.47

 

CMYK 0 / 50 / 90 / 22

HEX #C86514

RGB 200 101 20

HSL 27, 0.82%, 0.43%

LAB 53.64, 34.88, 57.52

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 1 / 90 / 22

HEX #C8C514

RGB 200 197 20

HSL 59, 0.82%, 0.43%

LAB 77.44, -16.22, 75.84

 

CMYK 23 / 0 / 90 / 22

HEX #9BC814

RGB 155 200 20

HSL 75, 0.82%, 0.43%

LAB 75.03, -36.4, 72.55

 

CMYK 0 / 25 / 90 / 51

HEX #7C5D0C

RGB 124 93 12

HSL 43.39, 0.82%, 0.27%

LAB 41.44, 5.28, 45.88

 

CMYK 0 / 25 / 90 / 36

HEX #A27910

RGB 162 121 16

HSL 43.15, 0.82%, 0.35%

LAB 53.38, 7.17, 56.21

 

CMYK 0 / 26 / 90 / 22

HEX #C89514

RGB 200 149 20

HSL 43, 0.82%, 0.43%

LAB 64.82, 8.96, 66.04

 

CMYK 0 / 25 / 88 / 9

HEX #E9AF1C

RGB 233 175 28

HSL 43.02, 0.82%, 0.51%

LAB 74.87, 9.64, 73.65

 

CMYK 0 / 20 / 72 / 7

HEX #ECBD42

RGB 236 189 66

HSL 43.41, 0.82%, 0.59%

LAB 78.82, 4.82, 65.35

 

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

CMYK 83 / 0 / 90 / 22

HEX #23C814

RGB 35 200 20

HSL 115, 0.82%, 0.43%

LAB 70.67, -69.07, 67.16

 

CMYK 62 / 90 / 0 / 22

HEX #4D14C8

RGB 77 20 200

HSL 259, 0.82%, 0.43%

LAB 30.03, 63.98, -80.04

 

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

CMYK 90 / 0 / 26 / 22

HEX #14C895

RGB 20 200 149

HSL 163, 0.82%, 0.43%

LAB 71.98, -53.12, 14.08

 

CMYK 26 / 90 / 0 / 22

HEX #9514C8

RGB 149 20 200

HSL 283, 0.82%, 0.43%

LAB 39.68, 71.89, -63.82

 

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

CMYK 83 / 0 / 90 / 22

HEX #23C814

RGB 35 200 20

HSL 115, 0.82%, 0.43%

LAB 70.67, -69.07, 67.16

 

CMYK 90 / 65 / 0 / 22

HEX #1447C8

RGB 20 71 200

HSL 223, 0.82%, 0.43%

LAB 35.65, 34.79, -70.87

 

CMYK 8 / 90 / 0 / 22

HEX #B914C8

RGB 185 20 200

HSL 295, 0.82%, 0.43%

LAB 45.61, 77.42, -53.93

 

CMYK 0 / 25 / 90 / 22

HEX #C69413

RGB 198 148 19

HSL 43.24, 0.82%, 0.43%

LAB 64.35, 8.59, 65.79

 

CMYK 90 / 0 / 71 / 22

HEX #14C83B

RGB 20 200 59

HSL 133, 0.82%, 0.43%

LAB 70.71, -68.02, 56.2

 

CMYK 90 / 65 / 0 / 22

HEX #1447C8

RGB 20 71 200

HSL 223, 0.82%, 0.43%

LAB 35.65, 34.79, -70.87

 

CMYK 0 / 90 / 20 / 22

HEX #C814A1

RGB 200 20 161

HSL 313, 0.82%, 0.43%

LAB 46.11, 74.59, -30.01

 

Description

Color code: HEX #C69413 | qconv.com Color code: HEX #C69413 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 148 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 148 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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