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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C693DA it is the complementary color #396C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C693DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C693DA shade: #CB93D5, #DCA5E8, #EDB7FB, #FEC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C693DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C693DA shade: #C693DA, #B581C7, #A46FB4, #935DA1 and #824B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C693DA shade: #C795DB, #DA95DB, #DB95C9, #DB95B6 and #DB95A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C693DA shade: #C795DB, #B495DB, #A195DB and #9595DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C693DA shade matches the following richer shades: #C795DB, #CC89E6, #D17EF2 and #D672FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C693DA shade: #C795DB, #C2A0CF, #BDACC3, #B8B7B8 and #B3C3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C693DA shade: #A195DB, #B495DB, #C795DB, #D995DB and #DB95C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C693DA shade: #A657C6, #B776D0, #C795DB, #D7B3E5 and #E7D2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C693DA shade: #C693DA, #DB959A and #95DBAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C693DA shade: #C693DA, #DBC795 and #95DBC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C693DA shade: #C693DA, #DB959A, #A8DB95 and #95DBD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C693DA shade: #C693DA, #DBA495, #A8DB95 and #95CBDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

Complementary color

CMYK 47 / 0 / 66 / 58

HEX #396C25

RGB 57 108 37

HSL 103.1, 0.49%, 0.28%

LAB 40.78, -31.4, 33.56

 

CMYK 5 / 31 / 0 / 16

HEX #CB93D5

RGB 203 147 213

HSL 290.91, 0.44%, 0.71%

LAB 68.29, 32.27, -25.52

 

CMYK 5 / 29 / 0 / 9

HEX #DCA5E8

RGB 220 165 232

HSL 289.25, 0.59%, 0.78%

LAB 74.79, 31.61, -25.84

 

CMYK 6 / 27 / 0 / 2

HEX #EDB7FB

RGB 237 183 251

HSL 287.65, 0.89%, 0.85%

LAB 81.2, 30.99, -26.15

 

CMYK 0 / 21 / 0 / 0

HEX #FEC9FF

RGB 254 201 255

HSL 298.89, 1%, 0.89%

LAB 87.03, 27.62, -19.28

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

CMYK 9 / 35 / 0 / 22

HEX #B581C7

RGB 181 129 199

HSL 284.57, 0.38%, 0.64%

LAB 61.35, 32.39, -28.57

 

CMYK 9 / 38 / 0 / 29

HEX #A46FB4

RGB 164 111 180

HSL 286.09, 0.32%, 0.57%

LAB 54.61, 33.14, -28.32

 

CMYK 9 / 42 / 0 / 37

HEX #935DA1

RGB 147 93 161

HSL 287.65, 0.27%, 0.5%

LAB 47.76, 33.93, -28.04

 

CMYK 8 / 47 / 0 / 44

HEX #824B8E

RGB 130 75 142

HSL 289.25, 0.31%, 0.43%

LAB 40.79, 34.75, -27.71

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 0 / 32 / 0 / 14

HEX #DA95DB

RGB 218 149 219

HSL 299.14, 0.49%, 0.72%

LAB 70.54, 37.11, -25.26

 

CMYK 0 / 32 / 8 / 14

HEX #DB95C9

RGB 219 149 201

HSL 315.43, 0.49%, 0.72%

LAB 70.02, 34.22, -16.09

 

CMYK 0 / 32 / 17 / 14

HEX #DB95B6

RGB 219 149 182

HSL 331.71, 0.49%, 0.72%

LAB 69.42, 31.09, -6.42

 

CMYK 0 / 32 / 26 / 14

HEX #DB95A3

RGB 219 149 163

HSL 348, 0.49%, 0.72%

LAB 68.9, 28.25, 3.42

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 18 / 32 / 0 / 14

HEX #B495DB

RGB 180 149 219

HSL 266.57, 0.49%, 0.72%

LAB 66.76, 25.19, -31.39

 

CMYK 26 / 32 / 0 / 14

HEX #A195DB

RGB 161 149 219

HSL 250.29, 0.49%, 0.72%

LAB 65.11, 19.48, -34.08

 

CMYK 32 / 32 / 0 / 14

HEX #9595DB

RGB 149 149 219

HSL 240, 0.49%, 0.72%

LAB 64.16, 16, -35.63

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 11 / 40 / 0 / 10

HEX #CC89E6

RGB 204 137 230

HSL 283.23, 0.65%, 0.72%

LAB 66.86, 41.39, -37.13

 

CMYK 14 / 48 / 0 / 5

HEX #D17EF2

RGB 209 126 242

HSL 282.93, 0.82%, 0.72%

LAB 65.66, 51.05, -45.58

 

CMYK 15 / 55 / 0 / 1

HEX #D672FD

RGB 214 114 253

HSL 283.17, 0.97%, 0.72%

LAB 64.5, 60.58, -53.43

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 6 / 23 / 0 / 19

HEX #C2A0CF

RGB 194 160 207

HSL 283.4, 0.33%, 0.72%

LAB 70.26, 21, -19.28

 

CMYK 3 / 12 / 0 / 24

HEX #BDACC3

RGB 189 172 195

HSL 284.35, 0.16%, 0.72%

LAB 72.4, 10.34, -9.49

 

CMYK 0 / 1 / 0 / 28

HEX #B8B7B8

RGB 184 183 184

HSL 300, 0.01%, 0.72%

LAB 74.52, 0.54, -0.39

 

CMYK 8 / 0 / 12 / 24

HEX #B3C3AC

RGB 179 195 172

HSL 101.74, 0.16%, 0.72%

LAB 77.04, -9.73, 9.7

 

CMYK 26 / 32 / 0 / 14

HEX #A195DB

RGB 161 149 219

HSL 250.29, 0.49%, 0.72%

LAB 65.11, 19.48, -34.08

 

CMYK 18 / 32 / 0 / 14

HEX #B495DB

RGB 180 149 219

HSL 266.57, 0.49%, 0.72%

LAB 66.76, 25.19, -31.39

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 1 / 32 / 0 / 14

HEX #D995DB

RGB 217 149 219

HSL 298.29, 0.49%, 0.72%

LAB 70.43, 36.79, -25.43

 

CMYK 0 / 32 / 8 / 14

HEX #DB95C9

RGB 219 149 201

HSL 315.43, 0.49%, 0.72%

LAB 70.02, 34.22, -16.09

 

CMYK 16 / 56 / 0 / 22

HEX #A657C6

RGB 166 87 198

HSL 282.7, 0.49%, 0.56%

LAB 50.69, 50.42, -44.83

 

CMYK 12 / 43 / 0 / 18

HEX #B776D0

RGB 183 118 208

HSL 283.33, 0.49%, 0.64%

LAB 59.51, 40.91, -36.5

 

CMYK 9 / 32 / 0 / 14

HEX #C795DB

RGB 199 149 219

HSL 282.86, 0.49%, 0.72%

LAB 68.57, 31.1, -28.44

 

CMYK 6 / 22 / 0 / 10

HEX #D7B3E5

RGB 215 179 229

HSL 283.2, 0.49%, 0.8%

LAB 77.49, 21.84, -20.16

 

CMYK 4 / 13 / 0 / 6

HEX #E7D2F0

RGB 231 210 240

HSL 282, 0.5%, 0.88%

LAB 86.69, 12.6, -12.06

 

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

CMYK 0 / 32 / 30 / 14

HEX #DB959A

RGB 219 149 154

HSL 355.71, 0.49%, 0.72%

LAB 68.67, 27.02, 8.12

 

CMYK 32 / 0 / 22 / 14

HEX #95DBAB

RGB 149 219 171

HSL 138.86, 0.49%, 0.72%

LAB 81.83, -31.78, 16.75

 

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

CMYK 0 / 9 / 32 / 14

HEX #DBC795

RGB 219 199 149

HSL 42.86, 0.49%, 0.72%

LAB 80.78, -0.35, 27.63

 

CMYK 32 / 0 / 9 / 14

HEX #95DBC7

RGB 149 219 199

HSL 162.86, 0.49%, 0.72%

LAB 82.47, -26.19, 2.85

 

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

CMYK 0 / 32 / 30 / 14

HEX #DB959A

RGB 219 149 154

HSL 355.71, 0.49%, 0.72%

LAB 68.67, 27.02, 8.12

 

CMYK 23 / 0 / 32 / 14

HEX #A8DB95

RGB 168 219 149

HSL 103.71, 0.49%, 0.72%

LAB 82.46, -29.29, 29.24

 

CMYK 32 / 0 / 3 / 14

HEX #95DBD5

RGB 149 219 213

HSL 174.86, 0.49%, 0.72%

LAB 82.84, -23.11, -4.05

 

CMYK 9 / 33 / 0 / 15

HEX #C693DA

RGB 198 147 218

HSL 283.1, 0.49%, 0.72%

LAB 67.97, 31.68, -28.82

 

CMYK 0 / 25 / 32 / 14

HEX #DBA495

RGB 219 164 149

HSL 12.86, 0.49%, 0.72%

LAB 72.08, 18.27, 15.7

 

CMYK 23 / 0 / 32 / 14

HEX #A8DB95

RGB 168 219 149

HSL 103.71, 0.49%, 0.72%

LAB 82.46, -29.29, 29.24

 

CMYK 32 / 7 / 0 / 14

HEX #95CBDB

RGB 149 203 219

HSL 193.71, 0.49%, 0.72%

LAB 78.59, -13.62, -13.57

 

Description

Color code: HEX #C693DA | qconv.com Color code: HEX #C693DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 147 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 147 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 33 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 33% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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