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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69157 it is the complementary color #396EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69157 shade: #CB9152, #DCA365, #EDB578, #FEC78B and #FFD99E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69157 shade: #C69157, #B57F44, #A46D31, #935B1E and #82490B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69157 shade: #C69158, #C67458 and #C65858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69157 shade: #C69158, #C6AF58, #BFC658, #A1C658 and #84C658

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69157 shade matches the following richer shades: #C69158, #D89246, #EA9334 and #FC9421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69157 shade: #C69158, #B4906A, #A1907C, #8F8F8E and #7D8EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69157 shade: #C6585A, #C67358, #C69158, #C6AE58 and #C0C658

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69157 shade: #976834, #B67D3E, #C69158, #D0A577 and #DBBA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69157 shade: #C69157, #77C658 and #6558C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69157 shade: #C69157, #58C691 and #9158C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69157 shade: #C69157, #77C658, #588DC6 and #A758C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69157 shade: #C69157, #58C65A, #588DC6 and #C658C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

Complementary color

CMYK 66 / 35 / 0 / 34

HEX #396EA8

RGB 57 110 168

HSL 211.35, 0.49%, 0.44%

LAB 45.43, 1.35, -36.32

 

CMYK 0 / 29 / 60 / 20

HEX #CB9152

RGB 203 145 82

HSL 31.24, 0.54%, 0.56%

LAB 64.61, 15.24, 41.65

 

CMYK 0 / 26 / 54 / 14

HEX #DCA365

RGB 220 163 101

HSL 31.26, 0.63%, 0.63%

LAB 71.11, 14.11, 40.19

 

CMYK 0 / 24 / 49 / 7

HEX #EDB578

RGB 237 181 120

HSL 31.28, 0.76%, 0.7%

LAB 77.52, 13.13, 38.79

 

CMYK 0 / 22 / 45 / 0

HEX #FEC78B

RGB 254 199 139

HSL 31.3, 0.98%, 0.77%

LAB 83.85, 12.27, 37.46

 

CMYK 0 / 15 / 38 / 0

HEX #FFD99E

RGB 255 217 158

HSL 36.49, 1%, 0.81%

LAB 88.62, 5.33, 33.98

 

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

CMYK 0 / 30 / 62 / 29

HEX #B57F44

RGB 181 127 68

HSL 31.33, 0.45%, 0.49%

LAB 57.48, 14.72, 39.84

 

CMYK 0 / 34 / 70 / 36

HEX #A46D31

RGB 164 109 49

HSL 31.3, 0.54%, 0.42%

LAB 50.75, 16.16, 41.34

 

CMYK 0 / 38 / 80 / 42

HEX #935B1E

RGB 147 91 30

HSL 31.28, 0.66%, 0.35%

LAB 43.91, 17.87, 42.6

 

CMYK 0 / 44 / 92 / 49

HEX #82490B

RGB 130 73 11

HSL 31.26, 0.84%, 0.28%

LAB 36.99, 19.94, 42.97

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 41 / 56 / 22

HEX #C67458

RGB 198 116 88

HSL 15.27, 0.49%, 0.56%

LAB 57.27, 29.44, 29.26

 

CMYK 0 / 56 / 56 / 22

HEX #C65858

RGB 198 88 88

HSL 0, 0.49%, 0.56%

LAB 51.48, 43.94, 21.74

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 12 / 56 / 22

HEX #C6AF58

RGB 198 175 88

HSL 47.45, 0.49%, 0.56%

LAB 71.81, -2.59, 47.01

 

CMYK 4 / 0 / 56 / 22

HEX #BFC658

RGB 191 198 88

HSL 63.82, 0.49%, 0.56%

LAB 77.38, -17.36, 53.28

 

CMYK 19 / 0 / 56 / 22

HEX #A1C658

RGB 161 198 88

HSL 80.18, 0.49%, 0.56%

LAB 75.25, -29.36, 50.27

 

CMYK 33 / 0 / 56 / 22

HEX #84C658

RGB 132 198 88

HSL 96, 0.49%, 0.56%

LAB 73.54, -40.06, 47.86

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 32 / 68 / 15

HEX #D89246

RGB 216 146 70

HSL 31.23, 0.65%, 0.56%

LAB 66.21, 19.4, 49.82

 

CMYK 0 / 37 / 78 / 8

HEX #EA9334

RGB 234 147 52

HSL 31.32, 0.81%, 0.56%

LAB 68.47, 25.58, 60.73

 

CMYK 0 / 41 / 87 / 1

HEX #FC9421

RGB 252 148 33

HSL 31.51, 0.97%, 0.56%

LAB 70.86, 31.93, 70.2

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 20 / 41 / 29

HEX #B4906A

RGB 180 144 106

HSL 30.81, 0.33%, 0.56%

LAB 62.25, 8.37, 25.33

 

CMYK 0 / 11 / 23 / 37

HEX #A1907C

RGB 161 144 124

HSL 32.43, 0.16%, 0.56%

LAB 60.76, 3.04, 12.95

 

CMYK 0 / 0 / 1 / 44

HEX #8F8F8E

RGB 143 143 142

HSL 60, 0%, 0.56%

LAB 59.38, -0.19, 0.52

 

CMYK 22 / 11 / 0 / 37

HEX #7D8EA0

RGB 125 142 160

HSL 210.86, 0.16%, 0.56%

LAB 58.27, -2.02, -11.56

 

CMYK 0 / 56 / 55 / 22

HEX #C6585A

RGB 198 88 90

HSL 358.91, 0.49%, 0.56%

LAB 51.52, 44.1, 20.61

 

CMYK 0 / 42 / 56 / 22

HEX #C67358

RGB 198 115 88

HSL 14.73, 0.49%, 0.56%

LAB 57.05, 29.98, 28.98

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 12 / 56 / 22

HEX #C6AE58

RGB 198 174 88

HSL 46.91, 0.49%, 0.56%

LAB 71.54, -2.07, 46.71

 

CMYK 3 / 0 / 56 / 22

HEX #C0C658

RGB 192 198 88

HSL 63.27, 0.49%, 0.56%

LAB 77.46, -16.95, 53.39

 

CMYK 0 / 31 / 66 / 41

HEX #976834

RGB 151 104 52

HSL 31.52, 0.49%, 0.4%

LAB 47.92, 13.39, 36.22

 

CMYK 0 / 31 / 66 / 29

HEX #B67D3E

RGB 182 125 62

HSL 31.5, 0.49%, 0.48%

LAB 57.04, 15.87, 42.42

 

CMYK 0 / 27 / 56 / 22

HEX #C69158

RGB 198 145 88

HSL 31.09, 0.49%, 0.56%

LAB 64.13, 13.59, 37.84

 

CMYK 0 / 21 / 43 / 18

HEX #D0A577

RGB 208 165 119

HSL 31.01, 0.49%, 0.64%

LAB 70.63, 9.83, 29.84

 

CMYK 0 / 15 / 32 / 14

HEX #DBBA95

RGB 219 186 149

HSL 31.71, 0.49%, 0.72%

LAB 77.49, 6.49, 23.16

 

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

CMYK 40 / 0 / 56 / 22

HEX #77C658

RGB 119 198 88

HSL 103.09, 0.49%, 0.56%

LAB 72.9, -44.42, 46.95

 

CMYK 49 / 56 / 0 / 22

HEX #6558C6

RGB 101 88 198

HSL 247.09, 0.49%, 0.56%

LAB 43.98, 34.08, -55.96

 

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

CMYK 56 / 0 / 27 / 22

HEX #58C691

RGB 88 198 145

HSL 151.09, 0.49%, 0.56%

LAB 72.57, -43.87, 17.24

 

CMYK 27 / 56 / 0 / 22

HEX #9158C6

RGB 145 88 198

HSL 271.09, 0.49%, 0.56%

LAB 48.36, 44.49, -48.69

 

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

CMYK 40 / 0 / 56 / 22

HEX #77C658

RGB 119 198 88

HSL 103.09, 0.49%, 0.56%

LAB 72.9, -44.42, 46.95

 

CMYK 56 / 29 / 0 / 22

HEX #588DC6

RGB 88 141 198

HSL 211.09, 0.49%, 0.56%

LAB 57.27, -0.93, -34.9

 

CMYK 16 / 56 / 0 / 22

HEX #A758C6

RGB 167 88 198

HSL 283.09, 0.49%, 0.56%

LAB 51, 50.17, -44.32

 

CMYK 0 / 27 / 56 / 22

HEX #C69157

RGB 198 145 87

HSL 31.35, 0.49%, 0.56%

LAB 64.12, 13.51, 38.34

 

CMYK 56 / 0 / 55 / 22

HEX #58C65A

RGB 88 198 90

HSL 121.09, 0.49%, 0.56%

LAB 71.69, -53.14, 44.27

 

CMYK 56 / 29 / 0 / 22

HEX #588DC6

RGB 88 141 198

HSL 211.09, 0.49%, 0.56%

LAB 57.27, -0.93, -34.9

 

CMYK 0 / 56 / 1 / 22

HEX #C658C4

RGB 198 88 196

HSL 301.09, 0.49%, 0.56%

LAB 55.04, 58.02, -36.53

 

Description

Color code: HEX #C69157 | qconv.com Color code: HEX #C69157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 145 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 145 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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