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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C69104 it is the complementary color #396EFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C69104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C69104 shade: #CB9100, #DCA312, #EDB525, #FEC738 and #FFD94B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C69104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C69104 shade: #C69104, #B57F00, #A46D00, #935B00 and #824900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C69104 shade: #C89204, #C85E04, #C82904 and #C80404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C69104 shade: #C89204, #C8C704, #94C804, #5FC804 and #2AC804

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C69104 shade matches the following richer shades: #C89204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C69104 shade: #C89204, #B78B15, #A78325, #967C36 and #867446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C69104 shade: #C82804, #C85C04, #C89004, #C8C504 and #97C804

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C69104 shade: #775702, #9F7503, #C89204, #F0B005 and #FBC024

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C69104 shade: #C69104, #14C804 and #4204C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C69104 shade: #C69104, #04C890 and #9004C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C69104 shade: #C69104, #14C804, #043CC8 and #B804C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C69104 shade: #C69104, #04C82F, #043CC8 and #C8049D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

Complementary color

CMYK 77 / 56 / 0 / 2

HEX #396EFB

RGB 57 110 251

HSL 223.61, 0.96%, 0.6%

LAB 50.67, 31.59, -75.24

 

CMYK 0 / 29 / 100 / 20

HEX #CB9100

RGB 203 145 0

HSL 42.86, 1%, 0.4%

LAB 64.12, 12.2, 68.84

 

CMYK 0 / 26 / 92 / 14

HEX #DCA312

RGB 220 163 18

HSL 43.07, 0.85%, 0.47%

LAB 70.49, 10.19, 71.68

 

CMYK 0 / 24 / 84 / 7

HEX #EDB525

RGB 237 181 37

HSL 43.2, 0.85%, 0.54%

LAB 76.79, 8.41, 73.19

 

CMYK 0 / 22 / 78 / 0

HEX #FEC738

RGB 254 199 56

HSL 43.33, 0.99%, 0.61%

LAB 83.02, 6.84, 73.58

 

CMYK 0 / 15 / 71 / 0

HEX #FFD94B

RGB 255 217 75

HSL 47.33, 1%, 0.65%

LAB 87.68, -1.18, 71.29

 

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

CMYK 0 / 30 / 100 / 29

HEX #B57F00

RGB 181 127 0

HSL 42.1, 1%, 0.35%

LAB 57.08, 12.25, 62.88

 

CMYK 0 / 34 / 100 / 36

HEX #A46D00

RGB 164 109 0

HSL 39.88, 1%, 0.32%

LAB 50.49, 14.62, 57.49

 

CMYK 0 / 38 / 100 / 42

HEX #935B00

RGB 147 91 0

HSL 37.14, 1%, 0.29%

LAB 43.78, 17.11, 52.02

 

CMYK 0 / 44 / 100 / 49

HEX #824900

RGB 130 73 0

HSL 33.69, 1%, 0.25%

LAB 36.95, 19.7, 46.48

 

CMYK 0 / 27 / 98 / 22

HEX #C89204

RGB 200 146 4

HSL 43.47, 0.96%, 0.4%

LAB 64.04, 10.37, 68.05

 

CMYK 0 / 53 / 98 / 22

HEX #C85E04

RGB 200 94 4

HSL 27.55, 0.96%, 0.4%

LAB 52.17, 38.25, 60.2

 

CMYK 0 / 80 / 98 / 22

HEX #C82904

RGB 200 41 4

HSL 11.33, 0.96%, 0.4%

LAB 44.05, 59.95, 55.65

 

CMYK 0 / 98 / 98 / 22

HEX #C80404

RGB 200 4 4

HSL 0, 0.96%, 0.4%

LAB 41.81, 66.36, 54.61

 

CMYK 0 / 27 / 98 / 22

HEX #C89204

RGB 200 146 4

HSL 43.47, 0.96%, 0.4%

LAB 64.04, 10.37, 68.05

 

CMYK 0 / 0 / 98 / 22

HEX #C8C704

RGB 200 199 4

HSL 59.69, 0.96%, 0.4%

LAB 77.95, -17.41, 78.09

 

CMYK 26 / 0 / 98 / 22

HEX #94C804

RGB 148 200 4

HSL 75.92, 0.96%, 0.4%

LAB 74.58, -39.41, 73.93

 

CMYK 53 / 0 / 98 / 22

HEX #5FC804

RGB 95 200 4

HSL 92.14, 0.96%, 0.4%

LAB 72.06, -57.53, 70.87

 

CMYK 79 / 0 / 98 / 22

HEX #2AC804

RGB 42 200 4

HSL 108.37, 0.96%, 0.4%

LAB 70.74, -68.61, 69.26

 

CMYK 0 / 27 / 98 / 22

HEX #C89204

RGB 200 146 4

HSL 43.47, 0.96%, 0.4%

LAB 64.04, 10.37, 68.05

 

CMYK 0 / 27 / 98 / 22

HEX #C89204

RGB 200 146 4

HSL 43.47, 0.96%, 0.4%

LAB 64.04, 10.37, 68.05

 

CMYK 0 / 24 / 89 / 28

HEX #B78B15

RGB 183 139 21

HSL 43.7, 0.79%, 0.4%

LAB 60.42, 6.83, 61.57

 

CMYK 0 / 22 / 78 / 35

HEX #A78325

RGB 167 131 37

HSL 43.38, 0.64%, 0.4%

LAB 56.67, 4.5, 52.68

 

CMYK 0 / 17 / 64 / 41

HEX #967C36

RGB 150 124 54

HSL 43.75, 0.47%, 0.4%

LAB 53.13, 1.64, 41.03

 

CMYK 0 / 13 / 48 / 47

HEX #867446

RGB 134 116 70

HSL 43.13, 0.31%, 0.4%

LAB 49.5, 0.4, 27.91

 

CMYK 0 / 80 / 98 / 22

HEX #C82804

RGB 200 40 4

HSL 11.02, 0.96%, 0.4%

LAB 43.95, 60.22, 55.6

 

CMYK 0 / 54 / 98 / 22

HEX #C85C04

RGB 200 92 4

HSL 26.94, 0.96%, 0.4%

LAB 51.77, 39.25, 59.96

 

CMYK 0 / 28 / 98 / 22

HEX #C89004

RGB 200 144 4

HSL 42.86, 0.96%, 0.4%

LAB 63.54, 11.46, 67.71

 

CMYK 0 / 1 / 98 / 22

HEX #C8C504

RGB 200 197 4

HSL 59.08, 0.96%, 0.4%

LAB 77.41, -16.42, 77.69

 

CMYK 25 / 0 / 98 / 22

HEX #97C804

RGB 151 200 4

HSL 75, 0.96%, 0.4%

LAB 74.76, -38.23, 74.14

 

CMYK 0 / 27 / 98 / 53

HEX #775702

RGB 119 87 2

HSL 43.59, 0.97%, 0.24%

LAB 39.14, 6.17, 46.61

 

CMYK 0 / 26 / 98 / 38

HEX #9F7503

RGB 159 117 3

HSL 43.85, 0.96%, 0.32%

LAB 51.95, 7.82, 57.59

 

CMYK 0 / 27 / 98 / 22

HEX #C89204

RGB 200 146 4

HSL 43.47, 0.96%, 0.4%

LAB 64.04, 10.37, 68.05

 

CMYK 0 / 27 / 98 / 6

HEX #F0B005

RGB 240 176 5

HSL 43.66, 0.96%, 0.48%

LAB 75.81, 11.84, 78.18

 

CMYK 0 / 24 / 86 / 2

HEX #FBC024

RGB 251 192 36

HSL 43.53, 0.96%, 0.56%

LAB 80.93, 8.62, 77.42

 

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

CMYK 90 / 0 / 98 / 22

HEX #14C804

RGB 20 200 4

HSL 115.1, 0.96%, 0.4%

LAB 70.5, -70.75, 68.97

 

CMYK 67 / 98 / 0 / 22

HEX #4204C8

RGB 66 4 200

HSL 258.98, 0.96%, 0.4%

LAB 27.89, 66.56, -83.63

 

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

CMYK 98 / 0 / 28 / 22

HEX #04C890

RGB 4 200 144

HSL 162.86, 0.96%, 0.4%

LAB 71.79, -54.92, 16.48

 

CMYK 28 / 98 / 0 / 22

HEX #9004C8

RGB 144 4 200

HSL 282.86, 0.96%, 0.4%

LAB 38.17, 73.35, -66.31

 

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

CMYK 90 / 0 / 98 / 22

HEX #14C804

RGB 20 200 4

HSL 115.1, 0.96%, 0.4%

LAB 70.5, -70.75, 68.97

 

CMYK 98 / 70 / 0 / 22

HEX #043CC8

RGB 4 60 200

HSL 222.86, 0.96%, 0.4%

LAB 32.76, 41.29, -75.63

 

CMYK 8 / 98 / 0 / 22

HEX #B804C8

RGB 184 4 200

HSL 295.1, 0.96%, 0.4%

LAB 44.87, 78.96, -55.14

 

CMYK 0 / 27 / 98 / 22

HEX #C69104

RGB 198 145 4

HSL 43.61, 0.96%, 0.4%

LAB 63.56, 10.02, 67.62

 

CMYK 98 / 0 / 77 / 22

HEX #04C82F

RGB 4 200 47

HSL 133.16, 0.96%, 0.4%

LAB 70.55, -69.76, 60.25

 

CMYK 98 / 70 / 0 / 22

HEX #043CC8

RGB 4 60 200

HSL 222.86, 0.96%, 0.4%

LAB 32.76, 41.29, -75.63

 

CMYK 0 / 98 / 22 / 22

HEX #C8049D

RGB 200 4 157

HSL 313.16, 0.96%, 0.4%

LAB 45.36, 75.76, -28.79

 

Description

Color code: HEX #C69104 | qconv.com Color code: HEX #C69104 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 145 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 145 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 98 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 98% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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