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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C690F5 it is the complementary color #396F0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C690F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C690F5 shade: #CB90F0, #DCA2FF, #EDB4FF, #FEC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C690F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C690F5 shade: #C690F5, #B57EE2, #A46CCF, #935ABC and #8248A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C690F5 shade: #C58FF5, #E18FF5, #F58FED, #F58FD2 and #F58FB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C690F5 shade: #C58FF5, #AA8FF5 and #8F8FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C690F5 shade matches the following richer shades: #C58FF5 and #C685FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C690F5 shade: #C58FF5, #C599EB, #C4A3E1, #C3ADD7 and #C3B7CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C690F5 shade: #8F8FF5, #AA8FF5, #C58FF5, #E08FF5 and #F58FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C690F5 shade: #9E44EE, #B269F1, #C58FF5, #D9B5F8 and #ECDBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C690F5 shade: #C690F5, #F58FAA and #8FF59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C690F5 shade: #C690F5, #F5C58F and #8FF5C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C690F5 shade: #C690F5, #F58FAA, #BEF58F and #8FF5DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C690F5 shade: #C690F5, #F5928F, #BEF58F and #8FF1F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

Complementary color

CMYK 49 / 0 / 91 / 56

HEX #396F0A

RGB 57 111 10

HSL 92.08, 0.83%, 0.24%

LAB 41.63, -34.64, 44.37

 

CMYK 15 / 40 / 0 / 6

HEX #CB90F0

RGB 203 144 240

HSL 276.88, 0.76%, 0.75%

LAB 68.7, 39.41, -39.76

 

CMYK 14 / 36 / 0 / 0

HEX #DCA2FF

RGB 220 162 255

HSL 277.42, 1%, 0.82%

LAB 75, 37.84, -37.99

 

CMYK 7 / 29 / 0 / 0

HEX #EDB4FF

RGB 237 180 255

HSL 285.6, 1%, 0.85%

LAB 80.66, 33.36, -29.11

 

CMYK 0 / 22 / 0 / 0

HEX #FEC6FF

RGB 254 198 255

HSL 298.95, 1%, 0.89%

LAB 86.34, 29.2, -20.31

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

CMYK 20 / 44 / 0 / 11

HEX #B57EE2

RGB 181 126 226

HSL 273, 0.63%, 0.69%

LAB 61.86, 39.86, -42.91

 

CMYK 21 / 48 / 0 / 19

HEX #A46CCF

RGB 164 108 207

HSL 273.94, 0.51%, 0.62%

LAB 55.2, 40.71, -42.85

 

CMYK 22 / 52 / 0 / 26

HEX #935ABC

RGB 147 90 188

HSL 274.9, 0.42%, 0.55%

LAB 48.44, 41.58, -42.76

 

CMYK 23 / 57 / 0 / 34

HEX #8248A9

RGB 130 72 169

HSL 275.88, 0.4%, 0.47%

LAB 41.6, 42.44, -42.62

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 8 / 42 / 0 / 4

HEX #E18FF5

RGB 225 143 245

HSL 288.24, 0.84%, 0.76%

LAB 71.04, 47.35, -38.68

 

CMYK 0 / 42 / 3 / 4

HEX #F58FED

RGB 245 143 237

HSL 304.71, 0.84%, 0.76%

LAB 73, 51.77, -31.08

 

CMYK 0 / 42 / 14 / 4

HEX #F58FD2

RGB 245 143 210

HSL 320.59, 0.84%, 0.76%

LAB 72.03, 47.33, -17.73

 

CMYK 0 / 42 / 26 / 4

HEX #F58FB6

RGB 245 143 182

HSL 337.06, 0.84%, 0.76%

LAB 71.17, 43.24, -3.49

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 31 / 42 / 0 / 4

HEX #AA8FF5

RGB 170 143 245

HSL 255.88, 0.84%, 0.76%

LAB 65.58, 31.85, -47.62

 

CMYK 42 / 42 / 0 / 4

HEX #8F8FF5

RGB 143 143 245

HSL 240, 0.84%, 0.76%

LAB 63.41, 24.88, -51.2

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 22 / 48 / 0 / 0

HEX #C685FE

RGB 198 133 254

HSL 272.23, 0.98%, 0.76%

LAB 66.47, 46.97, -50.97

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 16 / 35 / 0 / 8

HEX #C599EB

RGB 197 153 235

HSL 272.2, 0.67%, 0.76%

LAB 69.93, 31.65, -35.16

 

CMYK 13 / 28 / 0 / 12

HEX #C4A3E1

RGB 196 163 225

HSL 271.94, 0.51%, 0.76%

LAB 71.8, 23.69, -26.8

 

CMYK 9 / 20 / 0 / 16

HEX #C3ADD7

RGB 195 173 215

HSL 271.43, 0.34%, 0.76%

LAB 73.8, 15.78, -18.3

 

CMYK 5 / 11 / 0 / 20

HEX #C3B7CD

RGB 195 183 205

HSL 272.73, 0.18%, 0.76%

LAB 75.99, 8.33, -9.55

 

CMYK 42 / 42 / 0 / 4

HEX #8F8FF5

RGB 143 143 245

HSL 240, 0.84%, 0.76%

LAB 63.41, 24.88, -51.2

 

CMYK 31 / 42 / 0 / 4

HEX #AA8FF5

RGB 170 143 245

HSL 255.88, 0.84%, 0.76%

LAB 65.58, 31.85, -47.62

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 9 / 42 / 0 / 4

HEX #E08FF5

RGB 224 143 245

HSL 287.65, 0.84%, 0.76%

LAB 70.93, 47.06, -38.86

 

CMYK 0 / 42 / 3 / 4

HEX #F58FEE

RGB 245 143 238

HSL 304.12, 0.84%, 0.76%

LAB 73.04, 51.94, -31.57

 

CMYK 34 / 71 / 0 / 7

HEX #9E44EE

RGB 158 68 238

HSL 271.76, 0.83%, 0.6%

LAB 48.98, 66.3, -70.39

 

CMYK 26 / 56 / 0 / 5

HEX #B269F1

RGB 178 105 241

HSL 272.21, 0.83%, 0.68%

LAB 57.96, 53.67, -57.47

 

CMYK 20 / 42 / 0 / 4

HEX #C58FF5

RGB 197 143 245

HSL 271.76, 0.84%, 0.76%

LAB 68.1, 39.32, -43.49

 

CMYK 13 / 27 / 0 / 3

HEX #D9B5F8

RGB 217 181 248

HSL 272.24, 0.83%, 0.84%

LAB 78.8, 25.22, -28.38

 

CMYK 6 / 13 / 0 / 1

HEX #ECDBFC

RGB 236 219 252

HSL 270.91, 0.85%, 0.92%

LAB 89.64, 11.77, -13.93

 

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

CMYK 0 / 42 / 31 / 4

HEX #F58FAA

RGB 245 143 170

HSL 344.12, 0.84%, 0.76%

LAB 70.84, 41.66, 2.72

 

CMYK 42 / 0 / 36 / 4

HEX #8FF59D

RGB 143 245 157

HSL 128.24, 0.84%, 0.76%

LAB 88.72, -47.59, 33.3

 

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

CMYK 0 / 20 / 42 / 4

HEX #F5C58F

RGB 245 197 143

HSL 31.76, 0.84%, 0.76%

LAB 82.55, 10.18, 33.54

 

CMYK 42 / 0 / 20 / 4

HEX #8FF5C5

RGB 143 245 197

HSL 151.76, 0.84%, 0.76%

LAB 89.48, -40.37, 13.9

 

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

CMYK 0 / 42 / 31 / 4

HEX #F58FAA

RGB 245 143 170

HSL 344.12, 0.84%, 0.76%

LAB 70.84, 41.66, 2.72

 

CMYK 22 / 0 / 42 / 4

HEX #BEF58F

RGB 190 245 143

HSL 92.35, 0.84%, 0.76%

LAB 90.89, -34.57, 43.49

 

CMYK 42 / 0 / 11 / 4

HEX #8FF5DA

RGB 143 245 218

HSL 164.12, 0.84%, 0.76%

LAB 89.96, -35.96, 3.69

 

CMYK 19 / 41 / 0 / 4

HEX #C690F5

RGB 198 144 245

HSL 272.08, 0.83%, 0.76%

LAB 68.42, 39.06, -42.98

 

CMYK 0 / 40 / 42 / 4

HEX #F5928F

RGB 245 146 143

HSL 1.76, 0.84%, 0.76%

LAB 70.84, 36.96, 17.73

 

CMYK 22 / 0 / 42 / 4

HEX #BEF58F

RGB 190 245 143

HSL 92.35, 0.84%, 0.76%

LAB 90.89, -34.57, 43.49

 

CMYK 42 / 2 / 0 / 4

HEX #8FF1F5

RGB 143 241 245

HSL 182.35, 0.84%, 0.76%

LAB 89.55, -27.81, -10.98

 

Description

Color code: HEX #C690F5 | qconv.com Color code: HEX #C690F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 144 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 144 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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