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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68AF93F it is the complementary color #3975063F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68AF93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68AF93F shade: #CB8AF43F, #DC9CFF3F, #EDAEFF3F, #FEC0FF3F and #FFD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68AF93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68AF93F shade: #C68AF93F, #B578E63F, #A466D33F, #9354C03F and #8242AD3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68AF93F shade: #C68BF9, #E48BF9, #F98BF0, #F98BD2 and #F98BB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68AF93F shade: #C68BF9, #A98BF9 and #8B8BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68AF93F shade matches the following richer shades: #C68BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68AF93F shade: #C68BF9, #C595EF, #C59FE5, #C4A8DB and #C3B2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68AF93F shade: #8B8BF9, #A88BF9, #C58BF9, #E38BF9 and #F98BF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68AF93F shade: #A03CF5, #B364F7, #C68BF9, #D9B2FB and #EDD9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68AF93F shade: #C68AF9, #F98BA8 and #8BF999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68AF93F shade: #C68AF9, #F9C58B and #8BF9C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68AF93F shade: #C68AF9, #F98BA8, #BEF98B and #8BF9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68AF93F shade: #C68AF9, #F98E8B, #BEF98B and #8BF5F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 11 / 0 / 1

HEX #C68AF93F

RGBA 198 138 249 0.25

HSLA 272.43, 0.9%, 0.76%, 0.25

LABA 67.29, 43.19, -46.94, 0.25

 

Complementary color

CMYK 13 / 0 / 24 / 14

HEX #3975063F

RGBA 57 117 6 0.25

HSLA 92.43, 0.9%, 0.24%, 0.25

LABA 43.66, -37.3, 47, 0.25

 

CMYK 4 / 11 / 0 / 1

HEX #CB8AF43F

RGBA 203 138 244 0.25

HSLA 276.79, 0.83%, 0.75%, 0.25

LABA 67.58, 43.49, -43.71, 0.25

 

CMYK 3 / 10 / 0 / 0

HEX #DC9CFF3F

RGBA 220 156 255 0.25

HSLA 278.79, 1%, 0.81%, 0.25

LABA 73.68, 41.05, -40.03, 0.25

 

CMYK 2 / 8 / 0 / 0

HEX #EDAEFF3F

RGBA 237 174 255 0.25

HSLA 286.67, 1%, 0.84%, 0.25

LABA 79.33, 36.54, -31.16, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FEC0FF3F

RGBA 254 192 255 0.25

HSLA 299.05, 1%, 0.88%, 0.25

LABA 84.99, 32.36, -22.36, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 5 / 11 / 0 / 1

HEX #C68AF93F

RGBA 198 138 249 0.25

HSLA 272.43, 0.9%, 0.76%, 0.25

LABA 67.29, 43.19, -46.94, 0.25

 

CMYK 5 / 12 / 0 / 2

HEX #B578E63F

RGBA 181 120 230 0.25

HSLA 273.27, 0.69%, 0.69%, 0.25

LABA 60.76, 44.03, -46.88, 0.25

 

CMYK 6 / 13 / 0 / 4

HEX #A466D33F

RGBA 164 102 211 0.25

HSLA 274.13, 0.55%, 0.61%, 0.25

LABA 54.13, 44.89, -46.81, 0.25

 

CMYK 6 / 14 / 0 / 6

HEX #9354C03F

RGBA 147 84 192 0.25

HSLA 275, 0.46%, 0.54%, 0.25

LABA 47.43, 45.74, -46.69, 0.25

 

CMYK 6 / 15 / 0 / 8

HEX #8242AD3F

RGBA 130 66 173 0.25

HSLA 275.89, 0.45%, 0.47%, 0.25

LABA 40.67, 46.53, -46.48, 0.25

 

CMYK 20 / 44 / 0 / 2

HEX #C68BF9

RGB 198 139 249

HSL 272.18, 0.9%, 0.76%

LAB 67.51, 42.65, -46.6

 

CMYK 8 / 44 / 0 / 2

HEX #E48BF9

RGB 228 139 249

HSL 288.55, 0.9%, 0.76%

LAB 70.73, 51.05, -41.32

 

CMYK 0 / 44 / 4 / 2

HEX #F98BF0

RGB 249 139 240

HSL 304.91, 0.9%, 0.76%

LAB 72.82, 55.45, -32.96

 

CMYK 0 / 44 / 16 / 2

HEX #F98BD2

RGB 249 139 210

HSL 321.27, 0.9%, 0.76%

LAB 71.73, 50.61, -18.14

 

CMYK 0 / 44 / 27 / 2

HEX #F98BB5

RGB 249 139 181

HSL 337.09, 0.9%, 0.76%

LAB 70.83, 46.49, -3.38

 

CMYK 20 / 44 / 0 / 2

HEX #C68BF9

RGB 198 139 249

HSL 272.18, 0.9%, 0.76%

LAB 67.51, 42.65, -46.6

 

CMYK 32 / 44 / 0 / 2

HEX #A98BF9

RGB 169 139 249

HSL 256.36, 0.9%, 0.76%

LAB 64.76, 34.84, -51.13

 

CMYK 44 / 44 / 0 / 2

HEX #8B8BF9

RGB 139 139 249

HSL 240, 0.9%, 0.76%

LAB 62.33, 27.37, -55.12

 

CMYK 20 / 44 / 0 / 2

HEX #C68BF9

RGB 198 139 249

HSL 272.18, 0.9%, 0.76%

LAB 67.51, 42.65, -46.6

 

CMYK 20 / 44 / 0 / 2

HEX #C68BF9

RGB 198 139 249

HSL 272.18, 0.9%, 0.76%

LAB 67.51, 42.65, -46.6

 

CMYK 18 / 38 / 0 / 6

HEX #C595EF

RGB 197 149 239

HSL 272, 0.74%, 0.76%

LAB 69.18, 34.72, -38.51

 

CMYK 14 / 31 / 0 / 10

HEX #C59FE5

RGB 197 159 229

HSL 272.57, 0.57%, 0.76%

LAB 71.09, 27.06, -30.07

 

CMYK 11 / 23 / 0 / 14

HEX #C4A8DB

RGB 196 168 219

HSL 272.94, 0.41%, 0.76%

LAB 72.8, 19.68, -22

 

CMYK 7 / 15 / 0 / 18

HEX #C3B2D1

RGB 195 178 209

HSL 272.9, 0.25%, 0.76%

LAB 74.85, 11.84, -13.44

 

CMYK 44 / 44 / 0 / 2

HEX #8B8BF9

RGB 139 139 249

HSL 240, 0.9%, 0.76%

LAB 62.33, 27.37, -55.12

 

CMYK 33 / 44 / 0 / 2

HEX #A88BF9

RGB 168 139 249

HSL 255.82, 0.9%, 0.76%

LAB 64.67, 34.58, -51.27

 

CMYK 21 / 44 / 0 / 2

HEX #C58BF9

RGB 197 139 249

HSL 271.64, 0.9%, 0.76%

LAB 67.41, 42.37, -46.76

 

CMYK 9 / 44 / 0 / 2

HEX #E38BF9

RGB 227 139 249

HSL 288, 0.9%, 0.76%

LAB 70.62, 50.76, -41.5

 

CMYK 0 / 44 / 3 / 2

HEX #F98BF2

RGB 249 139 242

HSL 303.82, 0.9%, 0.76%

LAB 72.9, 55.79, -33.93

 

CMYK 35 / 76 / 0 / 4

HEX #A03CF5

RGB 160 60 245

HSL 272.43, 0.9%, 0.6%

LAB 48.63, 71.38, -74.86

 

CMYK 28 / 60 / 0 / 3

HEX #B364F7

RGB 179 100 247

HSL 272.24, 0.9%, 0.68%

LAB 57.48, 57.79, -61.57

 

CMYK 20 / 44 / 0 / 2

HEX #C68BF9

RGB 198 139 249

HSL 272.18, 0.9%, 0.76%

LAB 67.51, 42.65, -46.6

 

CMYK 14 / 29 / 0 / 2

HEX #D9B2FB

RGB 217 178 251

HSL 272.05, 0.9%, 0.84%

LAB 78.2, 27.46, -30.91

 

CMYK 6 / 14 / 0 / 1

HEX #EDD9FD

RGB 237 217 253

HSL 273.33, 0.9%, 0.92%

LAB 89.26, 13.33, -15.01

 

CMYK 20 / 45 / 0 / 2

HEX #C68AF9

RGB 198 138 249

HSL 272.43, 0.9%, 0.76%

LAB 67.29, 43.19, -46.94

 

CMYK 0 / 44 / 33 / 2

HEX #F98BA8

RGB 249 139 168

HSL 344.18, 0.9%, 0.76%

LAB 70.48, 44.83, 3.37

 

CMYK 44 / 0 / 39 / 2

HEX #8BF999

RGB 139 249 153

HSL 127.64, 0.9%, 0.76%

LAB 89.65, -51.01, 36.48

 

CMYK 20 / 45 / 0 / 2

HEX #C68AF9

RGB 198 138 249

HSL 272.43, 0.9%, 0.76%

LAB 67.29, 43.19, -46.94

 

CMYK 0 / 21 / 44 / 2

HEX #F9C58B

RGB 249 197 139

HSL 31.64, 0.9%, 0.76%

LAB 82.88, 11.34, 36.11

 

CMYK 44 / 0 / 21 / 2

HEX #8BF9C5

RGB 139 249 197

HSL 151.64, 0.9%, 0.76%

LAB 90.45, -43.17, 15.25

 

CMYK 20 / 45 / 0 / 2

HEX #C68AF9

RGB 198 138 249

HSL 272.43, 0.9%, 0.76%

LAB 67.29, 43.19, -46.94

 

CMYK 0 / 44 / 33 / 2

HEX #F98BA8

RGB 249 139 168

HSL 344.18, 0.9%, 0.76%

LAB 70.48, 44.83, 3.37

 

CMYK 24 / 0 / 44 / 2

HEX #BEF98B

RGB 190 249 139

HSL 92.18, 0.9%, 0.76%

LAB 91.94, -36.87, 46.75

 

CMYK 44 / 0 / 12 / 2

HEX #8BF9DC

RGB 139 249 220

HSL 164.18, 0.9%, 0.76%

LAB 90.97, -38.33, 4.09

 

CMYK 20 / 45 / 0 / 2

HEX #C68AF9

RGB 198 138 249

HSL 272.43, 0.9%, 0.76%

LAB 67.29, 43.19, -46.94

 

CMYK 0 / 43 / 44 / 2

HEX #F98E8B

RGB 249 142 139

HSL 1.64, 0.9%, 0.76%

LAB 70.42, 40.08, 19.45

 

CMYK 24 / 0 / 44 / 2

HEX #BEF98B

RGB 190 249 139

HSL 92.18, 0.9%, 0.76%

LAB 91.94, -36.87, 46.75

 

CMYK 44 / 2 / 0 / 2

HEX #8BF5F9

RGB 139 245 249

HSL 182.18, 0.9%, 0.76%

LAB 90.61, -29.67, -11.51

 

Description

Color code: HEX #C68AF93F | qconv.com Color code: HEX #C68AF93F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 138 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 138 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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