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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68AF13F it is the complementary color #39750E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68AF13F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68AF13F shade: #CB8AEC3F, #DC9CFF3F, #EDAEFF3F, #FEC0FF3F and #FFD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68AF13F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68AF13F shade: #C68AF13F, #B578DE3F, #A466CB3F, #9354B83F and #8242A53F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68AF13F shade: #C588F1, #E288F1, #F188E4, #F188C8 and #F188AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68AF13F shade: #C588F1, #A988F1, #8D88F1 and #8888F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68AF13F shade matches the following richer shades: #C588F1 and #C77EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68AF13F shade: #C588F1, #C493E6, #C29EDC, #C0A9D1 and #BEB3C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68AF13F shade: #8C88F1, #A888F1, #C488F1, #E088F1 and #F188E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68AF13F shade: #A13EE8, #B363ED, #C588F1, #D7ADF5 and #E9D2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68AF13F shade: #C68AF1, #F188A1 and #88F19A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68AF13F shade: #C68AF1, #F1C488 and #88F1C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68AF13F shade: #C68AF1, #F188A1, #B6F188 and #88F1D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68AF13F shade: #C68AF1, #F18F88, #B6F188 and #88EAF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 11 / 0 / 1

HEX #C68AF13F

RGBA 198 138 241 0.25

HSLA 274.95, 0.79%, 0.74%, 0.25

LABA 66.93, 41.44, -43.13, 0.25

 

Complementary color

CMYK 13 / 0 / 22 / 14

HEX #39750E3F

RGBA 57 117 14 0.25

HSLA 94.95, 0.79%, 0.26%, 0.25

LABA 43.69, -37, 45.2, 0.25

 

CMYK 3 / 10 / 0 / 2

HEX #CB8AEC3F

RGBA 203 138 236 0.25

HSLA 279.8, 0.72%, 0.73%, 0.25

LABA 67.22, 41.8, -39.87, 0.25

 

CMYK 3 / 10 / 0 / 0

HEX #DC9CFF3F

RGBA 220 156 255 0.25

HSLA 278.79, 1%, 0.81%, 0.25

LABA 73.68, 41.05, -40.03, 0.25

 

CMYK 2 / 8 / 0 / 0

HEX #EDAEFF3F

RGBA 237 174 255 0.25

HSLA 286.67, 1%, 0.84%, 0.25

LABA 79.33, 36.54, -31.16, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FEC0FF3F

RGBA 254 192 255 0.25

HSLA 299.05, 1%, 0.88%, 0.25

LABA 84.99, 32.36, -22.36, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 4 / 11 / 0 / 1

HEX #C68AF13F

RGBA 198 138 241 0.25

HSLA 274.95, 0.79%, 0.74%, 0.25

LABA 66.93, 41.44, -43.13, 0.25

 

CMYK 5 / 11 / 0 / 3

HEX #B578DE3F

RGBA 181 120 222 0.25

HSLA 275.88, 0.61%, 0.67%, 0.25

LABA 60.37, 42.25, -43.03, 0.25

 

CMYK 5 / 12 / 0 / 5

HEX #A466CB3F

RGBA 164 102 203 0.25

HSLA 276.83, 0.49%, 0.6%, 0.25

LABA 53.71, 43.09, -42.91, 0.25

 

CMYK 5 / 14 / 0 / 7

HEX #9354B83F

RGBA 147 84 184 0.25

HSLA 277.8, 0.41%, 0.53%, 0.25

LABA 46.98, 43.92, -42.76, 0.25

 

CMYK 5 / 15 / 0 / 9

HEX #8242A53F

RGBA 130 66 165 0.25

HSLA 278.79, 0.43%, 0.45%, 0.25

LABA 40.18, 44.69, -42.51, 0.25

 

CMYK 18 / 44 / 0 / 5

HEX #C588F1

RGB 197 136 241

HSL 274.86, 0.79%, 0.74%

LAB 66.39, 42.23, -43.98

 

CMYK 6 / 44 / 0 / 5

HEX #E288F1

RGB 226 136 241

HSL 291.43, 0.79%, 0.74%

LAB 69.56, 50.48, -38.79

 

CMYK 0 / 44 / 5 / 5

HEX #F188E4

RGB 241 136 228

HSL 307.43, 0.79%, 0.74%

LAB 70.81, 52.55, -29.57

 

CMYK 0 / 44 / 17 / 5

HEX #F188C8

RGB 241 136 200

HSL 323.43, 0.79%, 0.74%

LAB 69.81, 48.06, -15.59

 

CMYK 0 / 44 / 29 / 5

HEX #F188AC

RGB 241 136 172

HSL 339.43, 0.79%, 0.74%

LAB 68.96, 44.11, -1.21

 

CMYK 18 / 44 / 0 / 5

HEX #C588F1

RGB 197 136 241

HSL 274.86, 0.79%, 0.74%

LAB 66.39, 42.23, -43.98

 

CMYK 30 / 44 / 0 / 5

HEX #A988F1

RGB 169 136 241

HSL 258.86, 0.79%, 0.74%

LAB 63.67, 34.53, -48.45

 

CMYK 41 / 44 / 0 / 5

HEX #8D88F1

RGB 141 136 241

HSL 242.86, 0.79%, 0.74%

LAB 61.33, 27.34, -52.31

 

CMYK 44 / 44 / 0 / 5

HEX #8888F1

RGB 136 136 241

HSL 240, 0.79%, 0.74%

LAB 60.95, 26.13, -52.92

 

CMYK 18 / 44 / 0 / 5

HEX #C588F1

RGB 197 136 241

HSL 274.86, 0.79%, 0.74%

LAB 66.39, 42.23, -43.98

 

CMYK 21 / 50 / 0 / 1

HEX #C77EFC

RGB 199 126 252

HSL 274.76, 0.95%, 0.74%

LAB 65.04, 50.49, -52.14

 

CMYK 18 / 44 / 0 / 5

HEX #C588F1

RGB 197 136 241

HSL 274.86, 0.79%, 0.74%

LAB 66.39, 42.23, -43.98

 

CMYK 15 / 36 / 0 / 10

HEX #C493E6

RGB 196 147 230

HSL 275.42, 0.62%, 0.74%

LAB 68.25, 33.57, -35.02

 

CMYK 12 / 28 / 0 / 14

HEX #C29EDC

RGB 194 158 220

HSL 274.84, 0.47%, 0.74%

LAB 70.24, 24.77, -26.47

 

CMYK 8 / 19 / 0 / 18

HEX #C0A9D1

RGB 192 169 209

HSL 274.5, 0.3%, 0.74%

LAB 72.35, 15.77, -17.23

 

CMYK 4 / 10 / 0 / 22

HEX #BEB3C6

RGB 190 179 198

HSL 274.74, 0.14%, 0.74%

LAB 74.36, 7.44, -8.22

 

CMYK 42 / 44 / 0 / 5

HEX #8C88F1

RGB 140 136 241

HSL 242.29, 0.79%, 0.74%

LAB 61.25, 27.09, -52.43

 

CMYK 30 / 44 / 0 / 5

HEX #A888F1

RGB 168 136 241

HSL 258.29, 0.79%, 0.74%

LAB 63.58, 34.26, -48.6

 

CMYK 19 / 44 / 0 / 5

HEX #C488F1

RGB 196 136 241

HSL 274.29, 0.79%, 0.74%

LAB 66.29, 41.95, -44.15

 

CMYK 7 / 44 / 0 / 5

HEX #E088F1

RGB 224 136 241

HSL 290.29, 0.79%, 0.74%

LAB 69.33, 49.91, -39.16

 

CMYK 0 / 44 / 4 / 5

HEX #F188E7

RGB 241 136 231

HSL 305.71, 0.79%, 0.74%

LAB 70.93, 53.05, -31.04

 

CMYK 31 / 73 / 0 / 9

HEX #A13EE8

RGB 161 62 232

HSL 274.94, 0.79%, 0.58%

LAB 48.07, 67.96, -68.46

 

CMYK 24 / 58 / 0 / 7

HEX #B363ED

RGB 179 99 237

HSL 274.78, 0.79%, 0.66%

LAB 56.71, 56.05, -57.24

 

CMYK 18 / 44 / 0 / 5

HEX #C588F1

RGB 197 136 241

HSL 274.86, 0.79%, 0.74%

LAB 66.39, 42.23, -43.98

 

CMYK 12 / 29 / 0 / 4

HEX #D7ADF5

RGB 215 173 245

HSL 275, 0.78%, 0.82%

LAB 76.63, 28.31, -30.1

 

CMYK 7 / 16 / 0 / 2

HEX #E9D2FA

RGB 233 210 250

HSL 274.5, 0.8%, 0.9%

LAB 87.15, 15.16, -16.63

 

CMYK 18 / 43 / 0 / 5

HEX #C68AF1

RGB 198 138 241

HSL 274.95, 0.79%, 0.74%

LAB 66.93, 41.44, -43.13

 

CMYK 0 / 44 / 33 / 5

HEX #F188A1

RGB 241 136 161

HSL 345.71, 0.79%, 0.74%

LAB 68.67, 42.72, 4.54

 

CMYK 44 / 0 / 36 / 5

HEX #88F19A

RGB 136 241 154

HSL 130.29, 0.79%, 0.74%

LAB 87.23, -48.34, 32.77

 

CMYK 18 / 43 / 0 / 5

HEX #C68AF1

RGB 198 138 241

HSL 274.95, 0.79%, 0.74%

LAB 66.93, 41.44, -43.13

 

CMYK 0 / 19 / 44 / 5

HEX #F1C488

RGB 241 196 136

HSL 34.29, 0.79%, 0.74%

LAB 81.82, 8.39, 36.12

 

CMYK 44 / 0 / 19 / 5

HEX #88F1C4

RGB 136 241 196

HSL 154.29, 0.79%, 0.74%

LAB 88.03, -40.6, 12.33

 

CMYK 18 / 43 / 0 / 5

HEX #C68AF1

RGB 198 138 241

HSL 274.95, 0.79%, 0.74%

LAB 66.93, 41.44, -43.13

 

CMYK 0 / 44 / 33 / 5

HEX #F188A1

RGB 241 136 161

HSL 345.71, 0.79%, 0.74%

LAB 68.67, 42.72, 4.54

 

CMYK 24 / 0 / 44 / 5

HEX #B6F188

RGB 182 241 136

HSL 93.71, 0.79%, 0.74%

LAB 89.22, -36.4, 44.69

 

CMYK 44 / 0 / 10 / 5

HEX #88F1D9

RGB 136 241 217

HSL 166.29, 0.79%, 0.74%

LAB 88.52, -36.07, 2.09

 

CMYK 18 / 43 / 0 / 5

HEX #C68AF1

RGB 198 138 241

HSL 274.95, 0.79%, 0.74%

LAB 66.93, 41.44, -43.13

 

CMYK 0 / 41 / 44 / 5

HEX #F18F88

RGB 241 143 136

HSL 4, 0.79%, 0.74%

LAB 69.56, 36.3, 19.77

 

CMYK 24 / 0 / 44 / 5

HEX #B6F188

RGB 182 241 136

HSL 93.71, 0.79%, 0.74%

LAB 89.22, -36.4, 44.69

 

CMYK 44 / 3 / 0 / 5

HEX #88EAF1

RGB 136 234 241

HSL 184, 0.79%, 0.74%

LAB 87.21, -27.06, -12.42

 

Description

Color code: HEX #C68AF13F | qconv.com Color code: HEX #C68AF13F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 138 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 138 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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