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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68948 it is the complementary color #3976B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68948 shade: #CB8943, #DC9B56, #EDAD69, #FEBF7C and #FFD18F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68948 shade: #C68948, #B57735, #A46522, #93530F and #824100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68948 shade: #C78948, #C76748 and #C74848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68948 shade: #C78948, #C7AB48, #C0C748, #9DC748 and #7BC748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68948 shade matches the following richer shades: #C78948, #DA8A34 and #ED8A21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68948 shade: #C78948, #B3895B, #A0886E, #8C8782 and #798795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68948 shade: #C7484C, #C76548, #C78748, #C7A948 and #C2C748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68948 shade: #905F2C, #AF7436, #C78948, #D09D67 and #DAB287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68948 shade: #C68948, #6EC748 and #5448C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68948 shade: #C68948, #48C787 and #8748C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68948 shade: #C68948, #6EC748, #4887C7 and #A148C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68948 shade: #C68948, #48C748, #4887C7 and #C748C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

Complementary color

CMYK 69 / 36 / 0 / 28

HEX #3976B7

RGB 57 118 183

HSL 210.95, 0.53%, 0.47%

LAB 48.57, 1.81, -40.09

 

CMYK 0 / 33 / 67 / 20

HEX #CB8943

RGB 203 137 67

HSL 30.88, 0.57%, 0.53%

LAB 62.5, 18.6, 46.74

 

CMYK 0 / 30 / 61 / 14

HEX #DC9B56

RGB 220 155 86

HSL 30.9, 0.66%, 0.6%

LAB 68.99, 17.25, 45.27

 

CMYK 0 / 27 / 56 / 7

HEX #EDAD69

RGB 237 173 105

HSL 30.91, 0.79%, 0.67%

LAB 75.4, 16.08, 43.81

 

CMYK 0 / 25 / 51 / 0

HEX #FEBF7C

RGB 254 191 124

HSL 30.92, 0.98%, 0.74%

LAB 81.72, 15.06, 42.4

 

CMYK 0 / 18 / 44 / 0

HEX #FFD18F

RGB 255 209 143

HSL 35.36, 1%, 0.78%

LAB 86.43, 7.87, 38.77

 

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

CMYK 0 / 34 / 71 / 29

HEX #B57735

RGB 181 119 53

HSL 30.94, 0.55%, 0.46%

LAB 55.35, 18.24, 44.96

 

CMYK 0 / 38 / 79 / 36

HEX #A46522

RGB 164 101 34

HSL 30.92, 0.66%, 0.39%

LAB 48.65, 19.96, 46.18

 

CMYK 0 / 44 / 90 / 42

HEX #93530F

RGB 147 83 15

HSL 30.91, 0.81%, 0.32%

LAB 41.88, 21.98, 46.61

 

CMYK 0 / 50 / 100 / 49

HEX #824100

RGB 130 65 0

HSL 30, 1%, 0.25%

LAB 35.06, 24.3, 45.31

 

CMYK 0 / 31 / 64 / 22

HEX #C78948

RGB 199 137 72

HSL 30.71, 0.53%, 0.53%

LAB 62.08, 17.21, 43.67

 

CMYK 0 / 48 / 64 / 22

HEX #C76748

RGB 199 103 72

HSL 14.65, 0.53%, 0.53%

LAB 54.35, 35.56, 34.57

 

CMYK 0 / 64 / 64 / 22

HEX #C74848

RGB 199 72 72

HSL 0, 0.53%, 0.53%

LAB 48.57, 50.54, 27.44

 

CMYK 0 / 31 / 64 / 22

HEX #C78948

RGB 199 137 72

HSL 30.71, 0.53%, 0.53%

LAB 62.08, 17.21, 43.67

 

CMYK 0 / 14 / 64 / 22

HEX #C7AB48

RGB 199 171 72

HSL 46.77, 0.53%, 0.53%

LAB 70.69, -1.21, 53.27

 

CMYK 4 / 0 / 64 / 22

HEX #C0C748

RGB 192 199 72

HSL 63.31, 0.53%, 0.53%

LAB 77.59, -18.59, 60.46

 

CMYK 21 / 0 / 64 / 22

HEX #9DC748

RGB 157 199 72

HSL 79.84, 0.53%, 0.53%

LAB 75.13, -32.72, 57.1

 

CMYK 38 / 0 / 64 / 22

HEX #7BC748

RGB 123 199 72

HSL 95.91, 0.53%, 0.53%

LAB 73.24, -45.11, 54.5

 

CMYK 0 / 31 / 64 / 22

HEX #C78948

RGB 199 137 72

HSL 30.71, 0.53%, 0.53%

LAB 62.08, 17.21, 43.67

 

CMYK 0 / 37 / 76 / 15

HEX #DA8A34

RGB 218 138 52

HSL 31.08, 0.69%, 0.53%

LAB 64.43, 23.67, 56.15

 

CMYK 0 / 42 / 86 / 7

HEX #ED8A21

RGB 237 138 33

HSL 30.88, 0.85%, 0.53%

LAB 66.74, 30.99, 66.09

 

CMYK 0 / 31 / 64 / 22

HEX #C78948

RGB 199 137 72

HSL 30.71, 0.53%, 0.53%

LAB 62.08, 17.21, 43.67

 

CMYK 0 / 23 / 49 / 30

HEX #B3895B

RGB 179 137 91

HSL 31.36, 0.37%, 0.53%

LAB 60.1, 10.24, 30.75

 

CMYK 0 / 15 / 31 / 37

HEX #A0886E

RGB 160 136 110

HSL 31.2, 0.21%, 0.53%

LAB 58.23, 5.08, 17.35

 

CMYK 0 / 4 / 7 / 45

HEX #8C8782

RGB 140 135 130

HSL 30, 0.04%, 0.53%

LAB 56.6, 0.93, 3.34

 

CMYK 19 / 9 / 0 / 42

HEX #798795

RGB 121 135 149

HSL 210, 0.12%, 0.53%

LAB 55.65, -1.95, -9.2

 

CMYK 0 / 64 / 62 / 22

HEX #C7484C

RGB 199 72 76

HSL 358.11, 0.53%, 0.53%

LAB 48.63, 50.8, 25.15

 

CMYK 0 / 49 / 64 / 22

HEX #C76548

RGB 199 101 72

HSL 13.7, 0.53%, 0.53%

LAB 53.94, 36.6, 34.07

 

CMYK 0 / 32 / 64 / 22

HEX #C78748

RGB 199 135 72

HSL 29.76, 0.53%, 0.53%

LAB 61.6, 18.3, 43.11

 

CMYK 0 / 15 / 64 / 22

HEX #C7A948

RGB 199 169 72

HSL 45.83, 0.53%, 0.53%

LAB 70.17, -0.14, 52.7

 

CMYK 3 / 0 / 64 / 22

HEX #C2C748

RGB 194 199 72

HSL 62.36, 0.53%, 0.53%

LAB 77.75, -17.76, 60.67

 

CMYK 0 / 34 / 69 / 44

HEX #905F2C

RGB 144 95 44

HSL 30.6, 0.53%, 0.37%

LAB 44.65, 14.92, 36.49

 

CMYK 0 / 34 / 69 / 31

HEX #AF7436

RGB 175 116 54

HSL 30.74, 0.53%, 0.45%

LAB 53.89, 17.35, 42.67

 

CMYK 0 / 31 / 64 / 22

HEX #C78948

RGB 199 137 72

HSL 30.71, 0.53%, 0.53%

LAB 62.08, 17.21, 43.67

 

CMYK 0 / 25 / 50 / 18

HEX #D09D67

RGB 208 157 103

HSL 30.86, 0.53%, 0.61%

LAB 68.39, 12.55, 35.47

 

CMYK 0 / 18 / 38 / 15

HEX #DAB287

RGB 218 178 135

HSL 31.08, 0.53%, 0.69%

LAB 75.14, 8.65, 27.44

 

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

CMYK 45 / 0 / 64 / 22

HEX #6EC748

RGB 110 199 72

HSL 102.05, 0.53%, 0.53%

LAB 72.65, -49.32, 53.69

 

CMYK 58 / 64 / 0 / 22

HEX #5448C7

RGB 84 72 199

HSL 245.67, 0.53%, 0.53%

LAB 38.97, 40.74, -64.72

 

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

CMYK 64 / 0 / 32 / 22

HEX #48C787

RGB 72 199 135

HSL 149.76, 0.53%, 0.53%

LAB 72.21, -49.64, 22

 

CMYK 32 / 64 / 0 / 22

HEX #8748C7

RGB 135 72 199

HSL 269.76, 0.53%, 0.53%

LAB 44.1, 50.78, -56.16

 

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

CMYK 45 / 0 / 64 / 22

HEX #6EC748

RGB 110 199 72

HSL 102.05, 0.53%, 0.53%

LAB 72.65, -49.32, 53.69

 

CMYK 64 / 32 / 0 / 22

HEX #4887C7

RGB 72 135 199

HSL 210.24, 0.53%, 0.53%

LAB 54.9, -0.25, -39.24

 

CMYK 19 / 64 / 0 / 22

HEX #A148C7

RGB 161 72 199

HSL 282.05, 0.53%, 0.53%

LAB 47.41, 56.67, -50.67

 

CMYK 0 / 31 / 64 / 22

HEX #C68948

RGB 198 137 72

HSL 30.95, 0.53%, 0.53%

LAB 61.97, 16.78, 43.5

 

CMYK 64 / 0 / 64 / 22

HEX #48C748

RGB 72 199 72

HSL 120, 0.53%, 0.53%

LAB 71.35, -59.3, 51.88

 

CMYK 64 / 32 / 0 / 22

HEX #4887C7

RGB 72 135 199

HSL 210.24, 0.53%, 0.53%

LAB 54.9, -0.25, -39.24

 

CMYK 0 / 64 / 0 / 22

HEX #C748C7

RGB 199 72 199

HSL 300, 0.53%, 0.53%

LAB 52.84, 65.64, -41.7

 

Description

Color code: HEX #C68948 | qconv.com Color code: HEX #C68948 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 137 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 137 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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