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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6879D it is the complementary color #397862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6879D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6879D shade: #CB8798, #DC99AB, #EDABBE, #FEBDD1 and #FFCFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6879D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6879D shade: #C6879D, #B5758A, #A46377, #935164 and #823F51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6879D shade: #C6869C, #C6868B and #C68686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6879D shade: #C6869C, #C686AD, #C686BF, #BC86C6 and #AA86C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6879D shade matches the following richer shades: #C6869C, #D47798, #E36993 and #F15A8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6879D shade: #C6869C, #B794A0, #A9A3A5, #9BB1A9 and #8CBFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6879D shade: #C686BE, #C686AD, #C6869C, #C6868B and #C69186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6879D shade: #A9506F, #B96A85, #C6869C, #D3A2B3 and #E0BECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6879D shade: #C6879D, #C6BC86 and #86B6C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6879D shade: #C6879D, #9CC686 and #869CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6879D shade: #C6879D, #C6BC86, #86C6AF and #868FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6879D shade: #C6879D, #BCC686, #86C6AF and #8F86C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

Complementary color

CMYK 53 / 0 / 18 / 53

HEX #397862

RGB 57 120 98

HSL 159.05, 0.36%, 0.35%

LAB 45.89, -26.01, 5.93

 

CMYK 0 / 33 / 25 / 20

HEX #CB8798

RGB 203 135 152

HSL 345, 0.4%, 0.66%

LAB 63.58, 28.39, 1.68

 

CMYK 0 / 30 / 22 / 14

HEX #DC99AB

RGB 220 153 171

HSL 343.88, 0.49%, 0.73%

LAB 70.13, 27.62, 0.77

 

CMYK 0 / 28 / 20 / 7

HEX #EDABBE

RGB 237 171 190

HSL 342.73, 0.65%, 0.8%

LAB 76.59, 26.91, -0.06

 

CMYK 0 / 26 / 18 / 0

HEX #FEBDD1

RGB 254 189 209

HSL 341.54, 0.97%, 0.87%

LAB 82.95, 26.27, -0.84

 

CMYK 0 / 19 / 11 / 0

HEX #FFCFE4

RGB 255 207 228

HSL 333.75, 1%, 0.91%

LAB 87.72, 20.16, -3.95

 

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

CMYK 0 / 35 / 24 / 29

HEX #B5758A

RGB 181 117 138

HSL 340.31, 0.3%, 0.58%

LAB 56.47, 28.09, -0.97

 

CMYK 0 / 40 / 27 / 36

HEX #A46377

RGB 164 99 119

HSL 341.54, 0.26%, 0.52%

LAB 49.68, 28.95, 0.04

 

CMYK 0 / 45 / 32 / 42

HEX #935164

RGB 147 81 100

HSL 342.73, 0.29%, 0.45%

LAB 42.78, 29.88, 1.22

 

CMYK 0 / 52 / 38 / 49

HEX #823F51

RGB 130 63 81

HSL 343.88, 0.35%, 0.38%

LAB 35.78, 30.86, 2.66

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 32 / 30 / 22

HEX #C6868B

RGB 198 134 139

HSL 355.31, 0.36%, 0.65%

LAB 62.44, 25.24, 7.35

 

CMYK 0 / 32 / 32 / 22

HEX #C68686

RGB 198 134 134

HSL 0, 0.36%, 0.65%

LAB 62.32, 24.57, 10.02

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 32 / 13 / 22

HEX #C686AD

RGB 198 134 173

HSL 323.44, 0.36%, 0.65%

LAB 63.4, 30.42, -10.57

 

CMYK 0 / 32 / 4 / 22

HEX #C686BF

RGB 198 134 191

HSL 306.56, 0.36%, 0.65%

LAB 64.01, 33.58, -19.82

 

CMYK 5 / 32 / 0 / 22

HEX #BC86C6

RGB 188 134 198

HSL 290.63, 0.36%, 0.65%

LAB 63.19, 31.64, -25.11

 

CMYK 14 / 32 / 0 / 22

HEX #AA86C6

RGB 170 134 198

HSL 273.75, 0.36%, 0.65%

LAB 61.37, 25.89, -28.07

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 44 / 28 / 17

HEX #D47798

RGB 212 119 152

HSL 338.71, 0.52%, 0.65%

LAB 61.18, 40.17, -1.69

 

CMYK 0 / 54 / 35 / 11

HEX #E36993

RGB 227 105 147

HSL 339.34, 0.69%, 0.65%

LAB 60.37, 51.63, 0.25

 

CMYK 0 / 63 / 41 / 5

HEX #F15A8F

RGB 241 90 143

HSL 338.94, 0.84%, 0.65%

LAB 59.89, 62.29, 2.12

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 19 / 13 / 28

HEX #B794A0

RGB 183 148 160

HSL 339.43, 0.2%, 0.65%

LAB 64.79, 15.07, -1.34

 

CMYK 0 / 4 / 2 / 34

HEX #A9A3A5

RGB 169 163 165

HSL 340, 0.03%, 0.65%

LAB 67.54, 2.53, -0.27

 

CMYK 12 / 0 / 5 / 31

HEX #9BB1A9

RGB 155 177 169

HSL 158.18, 0.12%, 0.65%

LAB 70.37, -9.18, 1.52

 

CMYK 27 / 0 / 9 / 25

HEX #8CBFAD

RGB 140 191 173

HSL 158.82, 0.28%, 0.65%

LAB 73.45, -20.52, 3.68

 

CMYK 0 / 32 / 4 / 22

HEX #C686BE

RGB 198 134 190

HSL 307.5, 0.36%, 0.65%

LAB 63.98, 33.39, -19.31

 

CMYK 0 / 32 / 13 / 22

HEX #C686AD

RGB 198 134 173

HSL 323.44, 0.36%, 0.65%

LAB 63.4, 30.42, -10.57

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 32 / 30 / 22

HEX #C6868B

RGB 198 134 139

HSL 355.31, 0.36%, 0.65%

LAB 62.44, 25.24, 7.35

 

CMYK 0 / 27 / 32 / 22

HEX #C69186

RGB 198 145 134

HSL 10.31, 0.36%, 0.65%

LAB 64.94, 18.53, 13.72

 

CMYK 0 / 53 / 34 / 34

HEX #A9506F

RGB 169 80 111

HSL 339.1, 0.36%, 0.49%

LAB 46.07, 39.92, -0.32

 

CMYK 0 / 43 / 28 / 27

HEX #B96A85

RGB 185 106 133

HSL 339.49, 0.36%, 0.57%

LAB 54.36, 34.85, -1.07

 

CMYK 0 / 32 / 21 / 22

HEX #C6869C

RGB 198 134 156

HSL 339.38, 0.36%, 0.65%

LAB 62.89, 27.7, -1.67

 

CMYK 0 / 23 / 15 / 17

HEX #D3A2B3

RGB 211 162 179

HSL 339.18, 0.36%, 0.73%

LAB 71.52, 20.72, -1.76

 

CMYK 0 / 15 / 10 / 12

HEX #E0BECA

RGB 224 190 202

HSL 338.82, 0.35%, 0.81%

LAB 80.14, 14.06, -1.52

 

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

CMYK 0 / 5 / 32 / 22

HEX #C6BC86

RGB 198 188 134

HSL 50.63, 0.36%, 0.65%

LAB 75.88, -4.69, 28.64

 

CMYK 32 / 8 / 0 / 22

HEX #86B6C6

RGB 134 182 198

HSL 195, 0.36%, 0.65%

LAB 71.28, -11.96, -13.22

 

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

CMYK 21 / 0 / 32 / 22

HEX #9CC686

RGB 156 198 134

HSL 99.38, 0.36%, 0.65%

LAB 75.56, -25.65, 27.68

 

CMYK 32 / 21 / 0 / 22

HEX #869CC6

RGB 134 156 198

HSL 219.38, 0.36%, 0.65%

LAB 64.1, 2.27, -24.12

 

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

CMYK 0 / 5 / 32 / 22

HEX #C6BC86

RGB 198 188 134

HSL 50.63, 0.36%, 0.65%

LAB 75.88, -4.69, 28.64

 

CMYK 32 / 0 / 12 / 22

HEX #86C6AF

RGB 134 198 175

HSL 158.44, 0.36%, 0.65%

LAB 75.17, -25.4, 5.04

 

CMYK 32 / 28 / 0 / 22

HEX #868FC6

RGB 134 143 198

HSL 231.56, 0.36%, 0.65%

LAB 60.6, 9.7, -29.51

 

CMYK 0 / 32 / 21 / 22

HEX #C6879D

RGB 198 135 157

HSL 339.05, 0.36%, 0.65%

LAB 63.15, 27.3, -1.86

 

CMYK 5 / 0 / 32 / 22

HEX #BCC686

RGB 188 198 134

HSL 69.38, 0.36%, 0.65%

LAB 77.76, -13.75, 30.99

 

CMYK 32 / 0 / 12 / 22

HEX #86C6AF

RGB 134 198 175

HSL 158.44, 0.36%, 0.65%

LAB 75.17, -25.4, 5.04

 

CMYK 28 / 32 / 0 / 22

HEX #8F86C6

RGB 143 134 198

HSL 248.44, 0.36%, 0.65%

LAB 58.94, 17.57, -32.02

 

Description

Color code: HEX #C6879D | qconv.com Color code: HEX #C6879D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 135 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 135 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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