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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C686E2 it is the complementary color #39791D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C686E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C686E2 shade: #CB86DD, #DC98F0, #EDAAFF, #FEBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C686E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C686E2 shade: #C686E2, #B574CF, #A462BC, #9350A9 and #823E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C686E2 shade: #C788E2, #DF88E2, #E288CD, #E288B5 and #E2889C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C686E2 shade: #C788E2, #AE88E2, #9688E2 and #8888E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C686E2 shade matches the following richer shades: #C788E2, #CB7CEE and #D070FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C686E2 shade: #C788E2, #C294D6, #BDA0CA, #B9ACBE and #B4B8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C686E2 shade: #9588E2, #AE88E2, #C688E2, #DE88E2 and #E288CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C686E2 shade: #A746D2, #B767DA, #C788E2, #D6A9EA and #E6CAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C686E2 shade: #C686E2, #E28892 and #88E2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C686E2 shade: #C686E2, #E2C688 and #88E2C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C686E2 shade: #C686E2, #E28892, #A5E288 and #88E2D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C686E2 shade: #C686E2, #E29888, #A5E288 and #88D2E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

Complementary color

CMYK 53 / 0 / 76 / 53

HEX #39791D

RGB 57 121 29

HSL 101.74, 0.61%, 0.29%

LAB 45.13, -37.75, 41.64

 

CMYK 8 / 39 / 0 / 13

HEX #CB86DD

RGB 203 134 221

HSL 287.59, 0.56%, 0.7%

LAB 65.72, 40.89, -33.92

 

CMYK 8 / 37 / 0 / 6

HEX #DC98F0

RGB 220 152 240

HSL 286.36, 0.75%, 0.77%

LAB 72.2, 40.15, -34.18

 

CMYK 7 / 33 / 0 / 0

HEX #EDAAFF

RGB 237 170 255

HSL 287.29, 1%, 0.83%

LAB 78.45, 38.66, -32.52

 

CMYK 0 / 26 / 0 / 0

HEX #FEBCFF

RGB 254 188 255

HSL 299.1, 1%, 0.87%

LAB 84.1, 34.46, -23.72

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

CMYK 13 / 44 / 0 / 19

HEX #B574CF

RGB 181 116 207

HSL 282.86, 0.49%, 0.63%

LAB 58.81, 41.2, -37.04

 

CMYK 13 / 48 / 0 / 26

HEX #A462BC

RGB 164 98 188

HSL 284, 0.4%, 0.56%

LAB 52.13, 42, -36.81

 

CMYK 13 / 53 / 0 / 34

HEX #9350A9

RGB 147 80 169

HSL 285.17, 0.36%, 0.49%

LAB 45.37, 42.78, -36.51

 

CMYK 13 / 59 / 0 / 41

HEX #823E96

RGB 130 62 150

HSL 286.36, 0.42%, 0.42%

LAB 38.54, 43.47, -36.1

 

CMYK 12 / 40 / 0 / 11

HEX #C788E2

RGB 199 136 226

HSL 282, 0.61%, 0.71%

LAB 65.94, 39.63, -36.39

 

CMYK 1 / 40 / 0 / 11

HEX #DF88E2

RGB 223 136 226

HSL 298, 0.61%, 0.71%

LAB 68.6, 46.81, -32.06

 

CMYK 0 / 40 / 9 / 11

HEX #E288CD

RGB 226 136 205

HSL 314, 0.61%, 0.71%

LAB 68.16, 44.05, -21.06

 

CMYK 0 / 40 / 20 / 11

HEX #E288B5

RGB 226 136 181

HSL 330, 0.61%, 0.71%

LAB 67.36, 40.26, -8.83

 

CMYK 0 / 40 / 31 / 11

HEX #E2889C

RGB 226 136 156

HSL 346.67, 0.61%, 0.71%

LAB 66.66, 36.77, 4.21

 

CMYK 12 / 40 / 0 / 11

HEX #C788E2

RGB 199 136 226

HSL 282, 0.61%, 0.71%

LAB 65.94, 39.63, -36.39

 

CMYK 23 / 40 / 0 / 11

HEX #AE88E2

RGB 174 136 226

HSL 265.33, 0.61%, 0.71%

LAB 63.42, 32.31, -40.5

 

CMYK 34 / 40 / 0 / 11

HEX #9688E2

RGB 150 136 226

HSL 249.33, 0.61%, 0.71%

LAB 61.29, 25.6, -44

 

CMYK 40 / 40 / 0 / 11

HEX #8888E2

RGB 136 136 226

HSL 240, 0.61%, 0.71%

LAB 60.19, 21.9, -45.82

 

CMYK 12 / 40 / 0 / 11

HEX #C788E2

RGB 199 136 226

HSL 282, 0.61%, 0.71%

LAB 65.94, 39.63, -36.39

 

CMYK 15 / 48 / 0 / 7

HEX #CB7CEE

RGB 203 124 238

HSL 281.58, 0.77%, 0.71%

LAB 64.39, 49.63, -45.42

 

CMYK 17 / 55 / 0 / 2

HEX #D070FA

RGB 208 112 250

HSL 281.74, 0.93%, 0.71%

LAB 63.26, 59.45, -53.79

 

CMYK 12 / 40 / 0 / 11

HEX #C788E2

RGB 199 136 226

HSL 282, 0.61%, 0.71%

LAB 65.94, 39.63, -36.39

 

CMYK 9 / 31 / 0 / 16

HEX #C294D6

RGB 194 148 214

HSL 281.82, 0.45%, 0.71%

LAB 67.65, 29.05, -27.13

 

CMYK 6 / 21 / 0 / 21

HEX #BDA0CA

RGB 189 160 202

HSL 281.43, 0.28%, 0.71%

LAB 69.63, 18.33, -17.52

 

CMYK 3 / 9 / 0 / 25

HEX #B9ACBE

RGB 185 172 190

HSL 283.33, 0.12%, 0.71%

LAB 71.92, 7.99, -7.5

 

CMYK 2 / 0 / 3 / 28

HEX #B4B8B2

RGB 180 184 178

HSL 100, 0.04%, 0.71%

LAB 74.32, -2.51, 2.55

 

CMYK 34 / 40 / 0 / 11

HEX #9588E2

RGB 149 136 226

HSL 248.67, 0.61%, 0.71%

LAB 61.21, 25.33, -44.14

 

CMYK 23 / 40 / 0 / 11

HEX #AE88E2

RGB 174 136 226

HSL 265.33, 0.61%, 0.71%

LAB 63.42, 32.31, -40.5

 

CMYK 12 / 40 / 0 / 11

HEX #C688E2

RGB 198 136 226

HSL 281.33, 0.61%, 0.71%

LAB 65.83, 39.33, -36.57

 

CMYK 2 / 40 / 0 / 11

HEX #DE88E2

RGB 222 136 226

HSL 297.33, 0.61%, 0.71%

LAB 68.48, 46.51, -32.24

 

CMYK 0 / 40 / 8 / 11

HEX #E288CF

RGB 226 136 207

HSL 312.67, 0.61%, 0.71%

LAB 68.23, 44.39, -22.06

 

CMYK 20 / 67 / 0 / 18

HEX #A746D2

RGB 167 70 210

HSL 281.57, 0.61%, 0.55%

LAB 48.57, 61.19, -55.09

 

CMYK 16 / 53 / 0 / 15

HEX #B767DA

RGB 183 103 218

HSL 281.74, 0.61%, 0.63%

LAB 56.91, 50.93, -46.22

 

CMYK 12 / 40 / 0 / 11

HEX #C788E2

RGB 199 136 226

HSL 282, 0.61%, 0.71%

LAB 65.94, 39.63, -36.39

 

CMYK 9 / 28 / 0 / 8

HEX #D6A9EA

RGB 214 169 234

HSL 281.54, 0.61%, 0.79%

LAB 75.21, 27.94, -26.34

 

CMYK 5 / 17 / 0 / 5

HEX #E6CAF2

RGB 230 202 242

HSL 282, 0.61%, 0.87%

LAB 84.73, 16.89, -16.07

 

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

CMYK 0 / 40 / 35 / 11

HEX #E28892

RGB 226 136 146

HSL 353.33, 0.61%, 0.71%

LAB 66.41, 35.52, 9.49

 

CMYK 40 / 0 / 28 / 11

HEX #88E2A2

RGB 136 226 162

HSL 137.33, 0.61%, 0.71%

LAB 83.04, -40.48, 23.02

 

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

CMYK 0 / 12 / 40 / 11

HEX #E2C688

RGB 226 198 136

HSL 41.33, 0.61%, 0.71%

LAB 80.92, 1.39, 34.69

 

CMYK 40 / 0 / 12 / 11

HEX #88E2C6

RGB 136 226 198

HSL 161.33, 0.61%, 0.71%

LAB 83.81, -33.32, 5.24

 

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

CMYK 0 / 40 / 35 / 11

HEX #E28892

RGB 226 136 146

HSL 353.33, 0.61%, 0.71%

LAB 66.41, 35.52, 9.49

 

CMYK 27 / 0 / 40 / 11

HEX #A5E288

RGB 165 226 136

HSL 100.67, 0.61%, 0.71%

LAB 84.05, -35.44, 37.9

 

CMYK 40 / 0 / 4 / 11

HEX #88E2D8

RGB 136 226 216

HSL 173.33, 0.61%, 0.71%

LAB 84.27, -29.26, -3.6

 

CMYK 12 / 41 / 0 / 11

HEX #C686E2

RGB 198 134 226

HSL 281.74, 0.61%, 0.71%

LAB 65.39, 40.42, -37.25

 

CMYK 0 / 33 / 40 / 11

HEX #E29888

RGB 226 152 136

HSL 10.67, 0.61%, 0.71%

LAB 69.76, 25.85, 19.75

 

CMYK 27 / 0 / 40 / 11

HEX #A5E288

RGB 165 226 136

HSL 100.67, 0.61%, 0.71%

LAB 84.05, -35.44, 37.9

 

CMYK 40 / 7 / 0 / 11

HEX #88D2E2

RGB 136 210 226

HSL 190.67, 0.61%, 0.71%

LAB 80.08, -18.94, -15.15

 

Description

Color code: HEX #C686E2 | qconv.com Color code: HEX #C686E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 134 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 134 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 41 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 41% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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