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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6818B it is the complementary color #397E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6818B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6818B shade: #CB8186, #DC9399, #EDA5AC, #FEB7BF and #FFC9D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6818B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6818B shade: #C6818B, #B56F78, #A45D65, #934B52 and #82393F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6818B shade: #C6808A and #C68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6818B shade: #C6808A, #C6809D, #C680B0, #C680C3 and #B680C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6818B shade matches the following richer shades: #C6808A, #D57180, #E46375 and #F3546B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6818B shade: #C6808A, #B78F95, #A89EA0, #9AADAA and #8BBCB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6818B shade: #C680B0, #C6809D, #C6808B, #C68880 and #C69B80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6818B shade: #A84C59, #B96470, #C6808A, #D39DA5 and #E0B9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6818B shade: #C6818B, #C3C680 and #80A7C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6818B shade: #C6818B, #8BC680 and #808BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6818B shade: #C6818B, #C3C680, #80C6BC and #8480C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6818B shade: #C6818B, #AEC680, #80C6BC and #9980C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

Complementary color

CMYK 55 / 0 / 8 / 51

HEX #397E74

RGB 57 126 116

HSL 171.3, 0.38%, 0.36%

LAB 48.33, -24.36, -1.18

 

CMYK 0 / 36 / 34 / 20

HEX #CB8186

RGB 203 129 134

HSL 355.95, 0.42%, 0.65%

LAB 61.76, 29.21, 9.3

 

CMYK 0 / 33 / 30 / 14

HEX #DC9399

RGB 220 147 153

HSL 355.07, 0.51%, 0.72%

LAB 68.3, 28.33, 8.17

 

CMYK 0 / 30 / 27 / 7

HEX #EDA5AC

RGB 237 165 172

HSL 354.17, 0.67%, 0.79%

LAB 74.76, 27.54, 7.14

 

CMYK 0 / 28 / 25 / 0

HEX #FEB7BF

RGB 254 183 191

HSL 353.24, 0.97%, 0.86%

LAB 81.13, 26.81, 6.2

 

CMYK 0 / 21 / 18 / 0

HEX #FFC9D2

RGB 255 201 210

HSL 350, 1%, 0.89%

LAB 85.85, 20.47, 2.87

 

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

CMYK 0 / 39 / 34 / 29

HEX #B56F78

RGB 181 111 120

HSL 352.29, 0.32%, 0.57%

LAB 54.6, 28.88, 6.84

 

CMYK 0 / 43 / 38 / 36

HEX #A45D65

RGB 164 93 101

HSL 353.24, 0.28%, 0.5%

LAB 47.83, 29.87, 8.18

 

CMYK 0 / 49 / 44 / 42

HEX #934B52

RGB 147 75 82

HSL 354.17, 0.32%, 0.44%

LAB 40.97, 30.94, 9.76

 

CMYK 0 / 56 / 52 / 49

HEX #82393F

RGB 130 57 63

HSL 355.07, 0.39%, 0.37%

LAB 34.05, 32.05, 11.72

 

CMYK 0 / 35 / 30 / 22

HEX #C6808A

RGB 198 128 138

HSL 351.43, 0.38%, 0.64%

LAB 61.03, 28.39, 5.9

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 35 / 30 / 22

HEX #C6808A

RGB 198 128 138

HSL 351.43, 0.38%, 0.64%

LAB 61.03, 28.39, 5.9

 

CMYK 0 / 35 / 21 / 22

HEX #C6809D

RGB 198 128 157

HSL 335.14, 0.38%, 0.64%

LAB 61.55, 31.13, -4.22

 

CMYK 0 / 35 / 11 / 22

HEX #C680B0

RGB 198 128 176

HSL 318.86, 0.38%, 0.64%

LAB 62.15, 34.2, -14.16

 

CMYK 0 / 35 / 2 / 22

HEX #C680C3

RGB 198 128 195

HSL 302.57, 0.38%, 0.64%

LAB 62.83, 37.57, -23.88

 

CMYK 8 / 35 / 0 / 22

HEX #B680C6

RGB 182 128 198

HSL 286.29, 0.38%, 0.64%

LAB 61.19, 33.05, -28.25

 

CMYK 0 / 35 / 30 / 22

HEX #C6808A

RGB 198 128 138

HSL 351.43, 0.38%, 0.64%

LAB 61.03, 28.39, 5.9

 

CMYK 0 / 47 / 40 / 16

HEX #D57180

RGB 213 113 128

HSL 351, 0.54%, 0.64%

LAB 59.45, 40.67, 9.66

 

CMYK 0 / 57 / 49 / 11

HEX #E46375

RGB 228 99 117

HSL 351.63, 0.7%, 0.64%

LAB 58.7, 51.68, 15.3

 

CMYK 0 / 65 / 56 / 5

HEX #F3546B

RGB 243 84 107

HSL 351.32, 0.87%, 0.64%

LAB 58.47, 62.22, 21.21

 

CMYK 0 / 35 / 30 / 22

HEX #C6808A

RGB 198 128 138

HSL 351.43, 0.38%, 0.64%

LAB 61.03, 28.39, 5.9

 

CMYK 0 / 22 / 19 / 28

HEX #B78F95

RGB 183 143 149

HSL 351, 0.22%, 0.64%

LAB 63.25, 16.04, 2.62

 

CMYK 0 / 6 / 5 / 34

HEX #A89EA0

RGB 168 158 160

HSL 348, 0.05%, 0.64%

LAB 65.99, 4, 0.26

 

CMYK 11 / 0 / 2 / 32

HEX #9AADAA

RGB 154 173 170

HSL 170.53, 0.1%, 0.64%

LAB 69.23, -7.19, -0.71

 

CMYK 26 / 0 / 4 / 26

HEX #8BBCB5

RGB 139 188 181

HSL 171.43, 0.27%, 0.64%

LAB 72.75, -17.57, -1.7

 

CMYK 0 / 35 / 11 / 22

HEX #C680B0

RGB 198 128 176

HSL 318.86, 0.38%, 0.64%

LAB 62.15, 34.2, -14.16

 

CMYK 0 / 35 / 21 / 22

HEX #C6809D

RGB 198 128 157

HSL 335.14, 0.38%, 0.64%

LAB 61.55, 31.13, -4.22

 

CMYK 0 / 35 / 30 / 22

HEX #C6808B

RGB 198 128 139

HSL 350.57, 0.38%, 0.64%

LAB 61.05, 28.52, 5.36

 

CMYK 0 / 31 / 35 / 22

HEX #C68880

RGB 198 136 128

HSL 6.86, 0.38%, 0.64%

LAB 62.65, 22.71, 13.89

 

CMYK 0 / 22 / 35 / 22

HEX #C69B80

RGB 198 155 128

HSL 23.14, 0.38%, 0.64%

LAB 67.28, 12.27, 20.29

 

CMYK 0 / 55 / 47 / 34

HEX #A84C59

RGB 168 76 89

HSL 351.52, 0.38%, 0.48%

LAB 44.54, 39.08, 10.91

 

CMYK 0 / 46 / 39 / 27

HEX #B96470

RGB 185 100 112

HSL 351.53, 0.38%, 0.56%

LAB 52.51, 35.37, 8.64

 

CMYK 0 / 35 / 30 / 22

HEX #C6808A

RGB 198 128 138

HSL 351.43, 0.38%, 0.64%

LAB 61.03, 28.39, 5.9

 

CMYK 0 / 26 / 22 / 17

HEX #D39DA5

RGB 211 157 165

HSL 351.11, 0.38%, 0.72%

LAB 69.95, 21.27, 3.72

 

CMYK 0 / 17 / 15 / 12

HEX #E0B9BF

RGB 224 185 191

HSL 350.77, 0.39%, 0.8%

LAB 78.64, 14.93, 2.23

 

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

CMYK 2 / 0 / 35 / 22

HEX #C3C680

RGB 195 198 128

HSL 62.57, 0.38%, 0.64%

LAB 78.2, -11.77, 34.77

 

CMYK 35 / 16 / 0 / 22

HEX #80A7C6

RGB 128 167 198

HSL 206.57, 0.38%, 0.64%

LAB 66.75, -5.57, -20.1

 

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

CMYK 30 / 0 / 35 / 22

HEX #8BC680

RGB 139 198 128

HSL 110.57, 0.38%, 0.64%

LAB 74.47, -32.46, 29.18

 

CMYK 35 / 30 / 0 / 22

HEX #808BC6

RGB 128 139 198

HSL 230.57, 0.38%, 0.64%

LAB 59.1, 10.3, -31.87

 

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

CMYK 2 / 0 / 35 / 22

HEX #C3C680

RGB 195 198 128

HSL 62.57, 0.38%, 0.64%

LAB 78.2, -11.77, 34.77

 

CMYK 35 / 0 / 5 / 22

HEX #80C6BC

RGB 128 198 188

HSL 171.43, 0.38%, 0.64%

LAB 75.21, -24.23, -1.98

 

CMYK 33 / 35 / 0 / 22

HEX #8480C6

RGB 132 128 198

HSL 243.43, 0.38%, 0.64%

LAB 56.51, 17.88, -35.89

 

CMYK 0 / 35 / 30 / 22

HEX #C6818B

RGB 198 129 139

HSL 351.3, 0.38%, 0.64%

LAB 61.28, 27.98, 5.69

 

CMYK 12 / 0 / 35 / 22

HEX #AEC680

RGB 174 198 128

HSL 80.57, 0.38%, 0.64%

LAB 76.65, -19.88, 32.45

 

CMYK 35 / 0 / 5 / 22

HEX #80C6BC

RGB 128 198 188

HSL 171.43, 0.38%, 0.64%

LAB 75.21, -24.23, -1.98

 

CMYK 23 / 35 / 0 / 22

HEX #9980C6

RGB 153 128 198

HSL 261.43, 0.38%, 0.64%

LAB 58.31, 24.06, -32.94

 

Description

Color code: HEX #C6818B | qconv.com Color code: HEX #C6818B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 129 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 129 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 30 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 30% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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