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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C677D4 it is the complementary color #39882B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C677D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C677D4: #CB77CF, #DC89E2, #ED9BF5, #FEADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C677D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C677D4: #C677D4, #B565C1, #A453AE, #93419B and #822F88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

Complementary color

CMYK 58 / 0 / 68 / 47

HEX #39882B

RGB 57 136 43

HSL 110.97, 0.52%, 0.35%

LAB 50.28, -42.56, 41.2

 

CMYK 2 / 43 / 0 / 19

HEX #CB77CF

RGB 203 119 207

HSL 297.27, 0.48%, 0.64%

LAB 61.99, 46.13, -31.88

 

CMYK 3 / 39 / 0 / 11

HEX #DC89E2

RGB 220 137 226

HSL 295.96, 0.61%, 0.71%

LAB 68.46, 45.38, -32.3

 

CMYK 3 / 37 / 0 / 4

HEX #ED9BF5

RGB 237 155 245

HSL 294.67, 0.82%, 0.78%

LAB 74.85, 44.65, -32.67

 

CMYK 0 / 32 / 0 / 0

HEX #FEADFF

RGB 254 173 255

HSL 299.27, 1%, 0.84%

LAB 80.84, 42.3, -28.7

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 6 / 48 / 0 / 24

HEX #B565C1

RGB 181 101 193

HSL 292.17, 0.43%, 0.58%

LAB 55.05, 46.34, -34.95

 

CMYK 6 / 52 / 0 / 32

HEX #A453AE

RGB 164 83 174

HSL 293.41, 0.36%, 0.5%

LAB 48.43, 47.04, -34.48

 

CMYK 5 / 58 / 0 / 39

HEX #93419B

RGB 147 65 155

HSL 294.67, 0.41%, 0.43%

LAB 41.77, 47.6, -33.85

 

CMYK 4 / 65 / 0 / 47

HEX #822F88

RGB 130 47 136

HSL 295.96, 0.49%, 0.36%

LAB 35.12, 47.86, -32.97

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 0 / 44 / 0 / 17

HEX #D477D4

RGB 212 119 212

HSL 300, 0.52%, 0.65%

LAB 63.3, 49.72, -32.58

 

CMYK 0 / 44 / 8 / 17

HEX #D477C4

RGB 212 119 196

HSL 310.32, 0.52%, 0.65%

LAB 62.66, 46.91, -24.57

 

CMYK 0 / 44 / 15 / 17

HEX #D477B5

RGB 212 119 181

HSL 320, 0.52%, 0.65%

LAB 62.11, 44.44, -16.9

 

CMYK 0 / 44 / 22 / 17

HEX #D477A5

RGB 212 119 165

HSL 330.32, 0.52%, 0.65%

LAB 61.57, 42, -8.57

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 13 / 50 / 0 / 97

HEX #070408

RGB 7 4 8

HSL 285, 0.33%, 0.02%

LAB 1.35, 1.34, -1.24

 

CMYK 7 / 44 / 0 / 77

HEX #37213B

RGB 55 33 59

HSL 290.77, 0.28%, 0.18%

LAB 16.58, 15.96, -12.52

 

CMYK 6 / 44 / 0 / 57

HEX #673E6E

RGB 103 62 110

HSL 291.25, 0.28%, 0.34%

LAB 32.82, 26.63, -20.61

 

CMYK 7 / 44 / 0 / 37

HEX #965AA1

RGB 150 90 161

HSL 290.7, 0.28%, 0.49%

LAB 47.46, 36.55, -28.48

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 0 / 42 / 44 / 17

HEX #D47A77

RGB 212 122 119

HSL 1.94, 0.52%, 0.65%

LAB 61, 34.63, 16.98

 

CMYK 44 / 0 / 25 / 17

HEX #77D49F

RGB 119 212 159

HSL 145.81, 0.52%, 0.65%

LAB 78.18, -39.51, 17.76

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 0 / 8 / 44 / 17

HEX #D4C477

RGB 212 196 119

HSL 49.68, 0.52%, 0.65%

LAB 78.93, -4.96, 40.58

 

CMYK 44 / 0 / 8 / 17

HEX #77D4C4

RGB 119 212 196

HSL 169.68, 0.52%, 0.65%

LAB 79.04, -31.5, -0.72

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 0 / 42 / 44 / 17

HEX #D47A77

RGB 212 122 119

HSL 1.94, 0.52%, 0.65%

LAB 61, 34.63, 16.98

 

CMYK 37 / 0 / 44 / 17

HEX #86D477

RGB 134 212 119

HSL 110.32, 0.52%, 0.65%

LAB 78.16, -41.76, 38.52

 

CMYK 44 / 1 / 0 / 17

HEX #77D1D4

RGB 119 209 212

HSL 181.94, 0.52%, 0.65%

LAB 78.62, -26.14, -9.91

 

CMYK 7 / 44 / 0 / 17

HEX #C677D4

RGB 198 119 212

HSL 290.97, 0.52%, 0.65%

LAB 61.61, 45.6, -35.33

 

CMYK 0 / 29 / 44 / 17

HEX #D49677

RGB 212 150 119

HSL 20, 0.52%, 0.65%

LAB 67.38, 19.57, 25.63

 

CMYK 37 / 0 / 44 / 17

HEX #86D477

RGB 134 212 119

HSL 110.32, 0.52%, 0.65%

LAB 78.16, -41.76, 38.52

 

CMYK 44 / 15 / 0 / 17

HEX #77B5D4

RGB 119 181 212

HSL 200, 0.52%, 0.65%

LAB 70.68, -11.8, -21.88

 

Description

Color code: HEX #C677D4 | qconv.com Color code: HEX #C677D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 119 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 119 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 44 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 44% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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