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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67306 it is the complementary color #398CF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67306. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67306 shade: #CB7301, #DC8514, #ED9727, #FEA93A and #FFBB4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67306. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67306 shade: #C67306, #B56100, #A44F00, #933D00 and #822B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67306 shade: #C67306, #C63F06, #C60C06 and #C60606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67306 shade: #C67306, #C6A706, #B1C606, #7EC606 and #4AC606

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67306 shade matches the following richer shades: #C67306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67306 shade: #C67306, #B57117, #A56F27, #946C38 and #846A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67306 shade: #C60D06, #C64006, #C67306, #C6A606 and #B3C606

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67306 shade: #764404, #9E5C05, #C67306, #EE8A07 and #F89D26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67306 shade: #C67306, #33C606 and #2606C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67306 shade: #C67306, #06C673 and #7306C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67306 shade: #C67306, #33C606, #0659C6 and #9906C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67306 shade: #C67306, #06C613, #0659C6 and #C606B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

Complementary color

CMYK 77 / 44 / 0 / 2

HEX #398CF9

RGB 57 140 249

HSL 214.06, 0.94%, 0.6%

LAB 58.48, 12.32, -61.52

 

CMYK 0 / 43 / 100 / 20

HEX #CB7301

RGB 203 115 1

HSL 33.86, 0.99%, 0.4%

LAB 57.04, 28.49, 64.04

 

CMYK 0 / 40 / 91 / 14

HEX #DC8514

RGB 220 133 20

HSL 33.9, 0.83%, 0.47%

LAB 63.38, 26.29, 66

 

CMYK 0 / 36 / 84 / 7

HEX #ED9727

RGB 237 151 39

HSL 33.94, 0.85%, 0.54%

LAB 69.67, 24.31, 66.64

 

CMYK 0 / 33 / 77 / 0

HEX #FEA93A

RGB 254 169 58

HSL 33.98, 0.99%, 0.61%

LAB 75.92, 22.54, 66.29

 

CMYK 0 / 27 / 70 / 0

HEX #FFBB4D

RGB 255 187 77

HSL 37.08, 1%, 0.65%

LAB 80.37, 14.37, 63.07

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 46 / 100 / 29

HEX #B56100

RGB 181 97 0

HSL 32.15, 1%, 0.35%

LAB 49.95, 28.82, 58.28

 

CMYK 0 / 52 / 100 / 36

HEX #A44F00

RGB 164 79 0

HSL 28.9, 1%, 0.32%

LAB 43.48, 31.3, 53.08

 

CMYK 0 / 59 / 100 / 42

HEX #933D00

RGB 147 61 0

HSL 24.9, 1%, 0.29%

LAB 37, 33.7, 47.9

 

CMYK 0 / 67 / 100 / 49

HEX #822B00

RGB 130 43 0

HSL 19.85, 1%, 0.25%

LAB 30.58, 35.83, 42.44

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 68 / 97 / 22

HEX #C63F06

RGB 198 63 6

HSL 17.81, 0.94%, 0.4%

LAB 46.41, 51.77, 56.14

 

CMYK 0 / 94 / 97 / 22

HEX #C60C06

RGB 198 12 6

HSL 1.88, 0.94%, 0.4%

LAB 41.66, 65.07, 53.62

 

CMYK 0 / 97 / 97 / 22

HEX #C60606

RGB 198 6 6

HSL 0, 0.94%, 0.4%

LAB 41.45, 65.68, 53.52

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 16 / 97 / 22

HEX #C6A706

RGB 198 167 6

HSL 50.31, 0.94%, 0.4%

LAB 69.22, -1.8, 71.39

 

CMYK 11 / 0 / 97 / 22

HEX #B1C606

RGB 177 198 6

HSL 66.56, 0.94%, 0.4%

LAB 75.91, -26.69, 75.58

 

CMYK 36 / 0 / 97 / 22

HEX #7EC606

RGB 126 198 6

HSL 82.5, 0.94%, 0.4%

LAB 72.78, -46.74, 71.8

 

CMYK 63 / 0 / 97 / 22

HEX #4AC606

RGB 74 198 6

HSL 98.75, 0.94%, 0.4%

LAB 70.77, -62.21, 69.35

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 38 / 87 / 29

HEX #B57117

RGB 181 113 23

HSL 34.18, 0.77%, 0.4%

LAB 53.7, 20.41, 55.55

 

CMYK 0 / 33 / 76 / 35

HEX #A56F27

RGB 165 111 39

HSL 34.29, 0.62%, 0.4%

LAB 51.28, 14.95, 46.61

 

CMYK 0 / 27 / 62 / 42

HEX #946C38

RGB 148 108 56

HSL 33.91, 0.45%, 0.4%

LAB 48.64, 10.02, 34.85

 

CMYK 0 / 20 / 45 / 48

HEX #846A48

RGB 132 106 72

HSL 34, 0.29%, 0.4%

LAB 46.55, 5.52, 22.97

 

CMYK 0 / 93 / 97 / 22

HEX #C60D06

RGB 198 13 6

HSL 2.19, 0.94%, 0.4%

LAB 41.7, 64.96, 53.64

 

CMYK 0 / 68 / 97 / 22

HEX #C64006

RGB 198 64 6

HSL 18.13, 0.94%, 0.4%

LAB 46.56, 51.37, 56.22

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 16 / 97 / 22

HEX #C6A606

RGB 198 166 6

HSL 50, 0.94%, 0.4%

LAB 68.96, -1.27, 71.2

 

CMYK 10 / 0 / 97 / 22

HEX #B3C606

RGB 179 198 6

HSL 65.94, 0.94%, 0.4%

LAB 76.06, -25.85, 75.75

 

CMYK 0 / 42 / 97 / 54

HEX #764404

RGB 118 68 4

HSL 33.68, 0.93%, 0.24%

LAB 33.97, 17.14, 42.22

 

CMYK 0 / 42 / 97 / 38

HEX #9E5C05

RGB 158 92 5

HSL 34.12, 0.94%, 0.32%

LAB 45.54, 21.62, 52.65

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 0 / 42 / 97 / 7

HEX #EE8A07

RGB 238 138 7

HSL 34.03, 0.94%, 0.48%

LAB 66.8, 31.02, 71.71

 

CMYK 0 / 37 / 85 / 3

HEX #F89D26

RGB 248 157 38

HSL 34, 0.94%, 0.56%

LAB 72.37, 25.71, 69.75

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 74 / 0 / 97 / 22

HEX #33C606

RGB 51 198 6

HSL 105.94, 0.94%, 0.4%

LAB 70.25, -66.68, 68.71

 

CMYK 81 / 97 / 0 / 22

HEX #2606C6

RGB 38 6 198

HSL 250, 0.94%, 0.4%

LAB 25.62, 64.68, -86.29

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 97 / 0 / 42 / 22

HEX #06C673

RGB 6 198 115

HSL 154.06, 0.94%, 0.4%

LAB 70.64, -60.23, 30.21

 

CMYK 42 / 97 / 0 / 22

HEX #7306C6

RGB 115 6 198

HSL 274.06, 0.94%, 0.4%

LAB 33.67, 69.41, -72.69

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 74 / 0 / 97 / 22

HEX #33C606

RGB 51 198 6

HSL 105.94, 0.94%, 0.4%

LAB 70.25, -66.68, 68.71

 

CMYK 97 / 55 / 0 / 22

HEX #0659C6

RGB 6 89 198

HSL 214.06, 0.94%, 0.4%

LAB 40.02, 21.6, -62.58

 

CMYK 23 / 97 / 0 / 22

HEX #9906C6

RGB 153 6 198

HSL 285.94, 0.94%, 0.4%

LAB 39.55, 73.93, -62.84

 

CMYK 0 / 42 / 97 / 22

HEX #C67306

RGB 198 115 6

HSL 34.06, 0.94%, 0.4%

LAB 56.37, 26.42, 62.37

 

CMYK 97 / 0 / 90 / 22

HEX #06C613

RGB 6 198 19

HSL 124.06, 0.94%, 0.4%

LAB 69.81, -70.55, 66.49

 

CMYK 97 / 55 / 0 / 22

HEX #0659C6

RGB 6 89 198

HSL 214.06, 0.94%, 0.4%

LAB 40.02, 21.6, -62.58

 

CMYK 0 / 97 / 7 / 22

HEX #C606B9

RGB 198 6 185

HSL 304.06, 0.94%, 0.4%

LAB 46.5, 78.85, -43.64

 

Description

Color code: HEX #C67306 | qconv.com Color code: HEX #C67306 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 115 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 115 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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