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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66D6F it is the complementary color #399290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66D6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66D6F shade: #CB6D6A, #DC7F7D, #ED9190, #FEA3A3 and #FFB5B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66D6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66D6F shade: #C66D6F, #B55B5C, #A44949, #933736 and #822523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66D6F shade: #C66C6E and #C66C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66D6F shade: #C66C6E, #C66C86, #C66C9F, #C66CB7 and #BD6CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66D6F shade matches the following richer shades: #C66C6E, #D65C5E, #E74B4F and #F73B3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66D6F shade: #C66C6E, #B57D7E, #A58D8E, #949E9D and #84AEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66D6F shade: #C66C9F, #C66C87, #C66C6F, #C6816C and #C6996C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66D6F shade: #A13F41, #BA4E51, #C66C6E, #D18A8B and #DDA8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66D6F shade: #C66D6F, #B7C66C and #6C93C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66D6F shade: #C66D6F, #6FC66C and #6C6FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66D6F shade: #C66D6F, #B7C66C, #6CC6C3 and #7B6CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66D6F shade: #C66D6F, #9CC66C, #6CC6C3 and #966CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

Complementary color

CMYK 61 / 0 / 1 / 43

HEX #399290

RGB 57 146 144

HSL 178.65, 0.44%, 0.4%

LAB 55.52, -26.58, -6.85

 

CMYK 0 / 46 / 48 / 20

HEX #CB6D6A

RGB 203 109 106

HSL 1.86, 0.48%, 0.61%

LAB 56.76, 36.74, 18.44

 

CMYK 0 / 42 / 43 / 14

HEX #DC7F7D

RGB 220 127 125

HSL 1.26, 0.58%, 0.68%

LAB 63.24, 35.65, 16.82

 

CMYK 0 / 39 / 39 / 7

HEX #ED9190

RGB 237 145 144

HSL 0.65, 0.72%, 0.75%

LAB 69.66, 34.63, 15.39

HEX #ED9190

CMYK 0 / 36 / 36 / 0

HEX #FEA3A3

RGB 254 163 163

HSL 0, 0.98%, 0.82%

LAB 76.01, 33.69, 14.11

HEX #FEA3A3

CMYK 0 / 29 / 29 / 0

HEX #FFB5B6

RGB 255 181 182

HSL 359.19, 1%, 0.85%

LAB 80.56, 27.01, 10.26

HEX #FFB5B6

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

CMYK 0 / 50 / 49 / 29

HEX #B55B5C

RGB 181 91 92

HSL 359.33, 0.38%, 0.53%

LAB 49.59, 36.48, 16.38

 

CMYK 0 / 55 / 55 / 36

HEX #A44949

RGB 164 73 73

HSL 0, 0.38%, 0.46%

LAB 42.97, 37.63, 18.46

 

CMYK 0 / 63 / 63 / 42

HEX #933736

RGB 147 55 54

HSL 0.65, 0.46%, 0.39%

LAB 36.37, 38.73, 21.02

 

CMYK 0 / 72 / 73 / 49

HEX #822523

RGB 130 37 35

HSL 1.26, 0.58%, 0.32%

LAB 29.89, 39.59, 24.24

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6E

RGB 198 108 110

HSL 358.67, 0.44%, 0.6%

LAB 55.94, 35.79, 14.89

 

CMYK 0 / 45 / 45 / 22

HEX #C66C6C

RGB 198 108 108

HSL 0, 0.44%, 0.6%

LAB 55.9, 35.58, 16

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6E

RGB 198 108 110

HSL 358.67, 0.44%, 0.6%

LAB 55.94, 35.79, 14.89

 

CMYK 0 / 45 / 32 / 22

HEX #C66C86

RGB 198 108 134

HSL 342.67, 0.44%, 0.6%

LAB 56.54, 38.6, 1.73

 

CMYK 0 / 45 / 20 / 22

HEX #C66C9F

RGB 198 108 159

HSL 326, 0.44%, 0.6%

LAB 57.3, 42.11, -11.7

 

CMYK 0 / 45 / 8 / 22

HEX #C66CB7

RGB 198 108 183

HSL 310, 0.44%, 0.6%

LAB 58.18, 46, -24.2

 

CMYK 5 / 45 / 0 / 22

HEX #BD6CC6

RGB 189 108 198

HSL 294, 0.44%, 0.6%

LAB 57.68, 46, -33.64

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6E

RGB 198 108 110

HSL 358.67, 0.44%, 0.6%

LAB 55.94, 35.79, 14.89

 

CMYK 0 / 57 / 56 / 16

HEX #D65C5E

RGB 214 92 94

HSL 359.02, 0.6%, 0.6%

LAB 54.82, 48.19, 23.09

 

CMYK 0 / 68 / 66 / 9

HEX #E74B4F

RGB 231 75 79

HSL 358.46, 0.76%, 0.6%

LAB 54.64, 60.2, 32.13

 

CMYK 0 / 76 / 74 / 3

HEX #F73B3F

RGB 247 59 63

HSL 358.72, 0.92%, 0.6%

LAB 55.34, 69.73, 42.72

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6E

RGB 198 108 110

HSL 358.67, 0.44%, 0.6%

LAB 55.94, 35.79, 14.89

 

CMYK 0 / 31 / 30 / 29

HEX #B57D7E

RGB 181 125 126

HSL 358.93, 0.27%, 0.6%

LAB 58.03, 21.91, 8.25

 

CMYK 0 / 15 / 14 / 35

HEX #A58D8E

RGB 165 141 142

HSL 357.5, 0.12%, 0.6%

LAB 60.78, 9.18, 2.81

 

CMYK 6 / 0 / 1 / 38

HEX #949E9D

RGB 148 158 157

HSL 174, 0.05%, 0.6%

LAB 64.31, -3.75, -0.72

 

CMYK 24 / 0 / 1 / 32

HEX #84AEAD

RGB 132 174 173

HSL 178.57, 0.21%, 0.6%

LAB 68.16, -14.24, -4.1

 

CMYK 0 / 45 / 20 / 22

HEX #C66C9F

RGB 198 108 159

HSL 326, 0.44%, 0.6%

LAB 57.3, 42.11, -11.7

 

CMYK 0 / 45 / 32 / 22

HEX #C66C87

RGB 198 108 135

HSL 342, 0.44%, 0.6%

LAB 56.57, 38.73, 1.18

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6F

RGB 198 108 111

HSL 358, 0.44%, 0.6%

LAB 55.97, 35.89, 14.34

 

CMYK 0 / 35 / 45 / 22

HEX #C6816C

RGB 198 129 108

HSL 14, 0.44%, 0.6%

LAB 60.59, 24.25, 22.38

 

CMYK 0 / 23 / 45 / 22

HEX #C6996C

RGB 198 153 108

HSL 30, 0.44%, 0.6%

LAB 66.42, 11.09, 30.07

 

CMYK 0 / 61 / 60 / 37

HEX #A13F41

RGB 161 63 65

HSL 358.78, 0.44%, 0.44%

LAB 40.43, 40.82, 19.92

 

CMYK 0 / 58 / 56 / 27

HEX #BA4E51

RGB 186 78 81

HSL 358.33, 0.44%, 0.52%

LAB 47.6, 43.89, 20.4

 

CMYK 0 / 45 / 44 / 22

HEX #C66C6E

RGB 198 108 110

HSL 358.67, 0.44%, 0.6%

LAB 55.94, 35.79, 14.89

 

CMYK 0 / 34 / 33 / 18

HEX #D18A8B

RGB 209 138 139

HSL 359.15, 0.44%, 0.68%

LAB 64.64, 27.24, 10.65

 

CMYK 0 / 24 / 24 / 13

HEX #DDA8A9

RGB 221 168 169

HSL 358.87, 0.44%, 0.76%

LAB 73.7, 19.61, 7.05

 

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

CMYK 8 / 0 / 45 / 22

HEX #B7C66C

RGB 183 198 108

HSL 70, 0.44%, 0.6%

LAB 77, -18.75, 43.17

 

CMYK 45 / 26 / 0 / 22

HEX #6C93C6

RGB 108 147 198

HSL 214, 0.44%, 0.6%

LAB 60.01, 0.29, -30.56

 

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

CMYK 44 / 0 / 45 / 22

HEX #6FC66C

RGB 111 198 108

HSL 118, 0.44%, 0.6%

LAB 72.79, -44.37, 37.01

 

CMYK 45 / 44 / 0 / 22

HEX #6C6FC6

RGB 108 111 198

HSL 238, 0.44%, 0.6%

LAB 50.26, 21.69, -45.87

 

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

CMYK 8 / 0 / 45 / 22

HEX #B7C66C

RGB 183 198 108

HSL 70, 0.44%, 0.6%

LAB 77, -18.75, 43.17

 

CMYK 45 / 0 / 2 / 22

HEX #6CC6C3

RGB 108 198 195

HSL 178, 0.44%, 0.6%

LAB 74.52, -27.64, -6.89

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 0 / 45 / 44 / 22

HEX #C66D6F

RGB 198 109 111

HSL 358.65, 0.44%, 0.6%

LAB 56.18, 35.36, 14.64

 

CMYK 21 / 0 / 45 / 22

HEX #9CC66C

RGB 156 198 108

HSL 88, 0.44%, 0.6%

LAB 75.16, -29.15, 40.49

 

CMYK 45 / 0 / 2 / 22

HEX #6CC6C3

RGB 108 198 195

HSL 178, 0.44%, 0.6%

LAB 74.52, -27.64, -6.89

 

CMYK 24 / 45 / 0 / 22

HEX #966CC6

RGB 150 108 198

HSL 268, 0.44%, 0.6%

LAB 53.26, 34.68, -40.87

 

Description

Color code: HEX #C66D6F | qconv.com Color code: HEX #C66D6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 109 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 109 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 44 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 44% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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